Tag: Draft Day

Blu Tuesday: Draft Day, They Came Together and Night Moves

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Draft Day”

WHAT: After taking over for his father as general manager of the Cleveland Browns, Sonny Weaver Jr. (Kevin Costner) finally has the chance to craft the team in his image when he trades for the number one pick in the NFL Draft. But while the Browns’ owner (Frank Langella) expects him to make the obvious choice, Sonny must decide what he’s willing to sacrifice in order to do what he thinks is best for the team.

WHY: In a strange case of life imitating art, Cleveland Browns fans experienced déjà vu when their team’s actual 2014 NFL Draft ended up being just as eventful as the film version, including the shocking fate of poster boy Johnny Manziel, who was drafted (by the Browns, no less) much later than anyone projected. For all the excitement of that night, however, Ivan Reitman’s “Draft Day” manages to make the stakes seem even higher by ramping up the tension with slickly edited sequences of Sonny striking deals with fellow GMs while he plans the next move with his inner circle. It takes split-screens to a whole other level, and though you’ll likely be sick of them when it’s over, the material would be much duller without the flashy tricks that Reitman employs. While not quite on the same level as “Moneyball,” “Draft Day” offers a similar look at the behind-the-scenes minutiae involved in running a professional sports team, and frankly, that’s far more interesting than watching the same old sports clichés play out for the millionth time. That’s not to say that the movie is any better than the typical underdog sports drama, but it’s a refreshing change of pace for Kevin Costner and the genre itself.

EXTRAS: The Blu-ray includes an audio commentary by writers Rajiv Joseph and Scott Rothman, a pair of featurettes and some deleted scenes.

FINAL VERDICT: RENT

“They Came Together”

WHAT: While out to dinner with their two friends, Joel (Paul Rudd) and Molly (Amy Poehler) recount the story of how they met and fell in love – an extraordinarily cheesy romance that sounds like the plot of a romantic comedy film.

WHY: David Wain’s latest movie may seem clever in theory, but while he’s clearly watched enough romantic comedies to recognize the various genre tropes begging to be satirized (and not just satirized, but completely skewered in some cases), he doesn’t do very much with the material. It’s almost too wacky for its own good, and though there are some good gags and a great cameo along the way, the joke wears thin after 15 minutes, especially when you realize that Wain is basically just pointing out rom-com clichés without delivering much of a punchline. “They Came Together” would work just fine as a sketch or trailer parody, but as a full-length feature, it starts to resort to the very conventions that it’s trying to send up. Paul Rudd and Amy Poehler appear totally game for whatever goofiness is thrown their way, but they’re so much better than this, as is a majority of the talent involved. Fans of Wain’s previous work (like “The State” and “Wet Hot American Summer”) will find more to enjoy than the typical moviegoer, but even those people will probably agree that “They Came Together” isn’t nearly as funny as it should have been.

EXTRAS: There’s an audio commentary by director/co-writer David Wain and co-writer Michael Showalter, a making-of featurette, deleted scenes and a table read from 2012’s San Francisco Sketchfest.

FINAL VERDICT: SKIP

“Night Moves”

WHAT: Three radical environmentalists (Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard) plot to blow up a hydroelectric dam in order to raise awareness. But when the mission doesn’t go according to plan, the eco-terrorists deal with the repercussions in their own ways, causing paranoia within the group.

WHY: Director Kelly Reichardt is best known for pensive, slow-moving dramas like “Wendy & Lucy” and “Meek’s Cutoff,” which is a big reason why I’ve stayed away from her films until now. But while “Night Moves” takes a very similar approach, the three leads deliver such great work that it doesn’t feel nearly as laborious to sit through as its minimalistic plot would suggest. In fact, that lack of complexity (at least from a narrative standpoint) actually works in its favor, because it allows Reichardt to really ratchet up the tension by stretching out seemingly simple tasks into nail-biting affairs as the trio plans and executes their mission. Unfortunately, while the first hour succeeds in building suspense, the payoff in the subsequent half – turning its focus to the fallout and the characters’ guilty consciences when they learn that an innocent camper may have died in the explosion – isn’t nearly as engaging. It’s a much stronger examination of the whole ecoterrorism movement than the likeminded “The East,” but it starts to come unraveled in the final 20 minutes when it shifts from thriller to horror, concluding with a quasi-ending that’s more irritating than thought-provoking.

EXTRAS: Nothing. Nada. Zilch.

FINAL VERDICT: RENT

Movie Review: “Draft Day”

Starring
Kevin Costner, Jennifer Garner, Dennis Leary, Frank Langella, Chadwick Boseman, Josh Pence, Tom Welling
Director
Ivan Reitman

You can tell the kind of movie “Draft Day” is going to be by the company it keeps. The NFL and ESPN are on board, which means they approve of the story line, which means said story is safe as kittens. And holy cow, is this movie safe. That it manages to still be entertaining is to its great credit, and nearly all of that is because of Kevin Costner. Imagining this movie with anyone besides him in the lead role is unthinkable.

Sonny Weaver Jr. (Costner) is the general manager of the Cleveland Browns, and he’s feeling the heat. It’s the first day of the NFL draft – and only a few months after his father, and legendary Browns head coach, passed away – and Sonny is picking seventh. He’s fine with picking seventh, but the team’s owner, Anthony Molina (Frank Langella), is not. He wants Sonny to make a headline-worthy move, making it clear that it will cost him his job if he doesn’t. Sonny lets that pressure get the best of him by agreeing to trade a king’s ransom to Seattle for the first pick in the draft, much to the dismay of new coach, and Super Bowl winner (just ask him), Penn (Denis Leary). Having the first pick puts Sonny in position to take can’t-miss Wisconsin quarterback and Heisman Trophy winner Bo Callahan (Josh Pence), but as the day progresses, Sonny learns things about Callahan that cause him to question Callahan’s character. Is there a way to take the decision he made to mortgage the team’s future and spin it into something he can be proud of?

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Coming Soon: A Moviegoer’s Guide to April

april

With the exception of Marvel’s Captain America sequel, the directorial debut of longtime Christopher Nolan collaborator Wally Pfister, and yet another Kevin Costner sports drama, April is suspiciously lacking in many big releases. Before theater chains are inundated with all the summer blockbusters, this month’s slate is mostly comprised of smaller independent films, many of which are actually quite promising.

“CAPTAIN AMERICA: THE WINTER SOLDIER”

Who: Chris Evans, Scarlett Johansson, Samuel L. Jackson, Sebastian Stan and Anthony Mackie
What: Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
When: April 4th
Why: The first Captain America movie may not have been one of Marvel’s best, but it was a solid and completely necessary introduction to the character that helped pave the way for the awesomeness that was “The Avengers.” And just like that film marked the beginning of the end of Phase One, “The Winter Solider” serves a very similar purpose for Phase Two. Loosely based on the popular storyline from the comics featuring the title character, Cap’s second solo adventure is shaping up to be everything fans wanted and more. The action looks fantastic and the cast is stacked – including the return of Scarlett Johansson’s Black Widow and Samuel L. Jackson’s Nick Fury, as well as the introduction of another famous face from the Marvel universe with Anthony Mackie’s Sam Wilson (AKA The Falcon) – so it’s easy to see why expectations are so high.

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“DOM HEMINGWAY”

Who: Jude Law, Richard E. Grant, Demian Bichir and Emilia Clarke
What: After spending 12 years in prison, notorious safe-cracker Dom Hemingway is back on the streets of London looking to collect what he’s owed.
When: April 4th
Why: It’s been nine years since writer/director Richard Shepherd burst onto the scene with the hugely entertaining black comedy “The Madator,” and with the exception of his underseen 2007 follow-up (“The Hunting Party”), he’s spent most of that time as a hired gun for various TV series. But he’s finally back with a new movie featuring a character that could rival Jonathan Glazer’s “Sexy Beast” for the title of Most Polarizing British Gangster, which is quite the feat considering that the British crime genre is jam-packed with loud, ballsy and over-the-top characters. Jude Law has always been one of my favorite actors, so it’s great to see him playing against type here as the larger-than-life criminal, much in the same way that Pierce Brosnan shocked audiences in “The Matador.” Though the film has received fairly mixed reviews since its UK debut, Law’s unhinged performance looks like reason enough to catch this in theaters.

“DRAFT DAY”

Who: Kevin Costner, Jennifer Garner, Dennis Leary, Chadwick Boseman and Sam Elliot
What: The General Manager of the Cleveland Browns struggles to acquire the number one draft pick for his team.
When: April 11th
Why: Between “Bull Durham,” “Field of Dreams,” “Tin Cup” and “For the Love of the Game,” it’s safe to say that Kevin Costner and sports movies go together like peanut butter and jelly, so perhaps the only surprising thing about “Draft Day” is that it’s about football instead of America’s favorite pastime. Filmed in Cleveland where it takes place, locals are no doubt hoping that this film can provide a much-needed reversal of fortune for their precious Brownies in the upcoming season. Whether it will be any good is another matter entirely. You’d have to go all the way back to the early ‘90s to find director Ivan Reitman’s last great movie, though it’s certainly encouraging that “Draft Day” seems to be more along the lines of “Moneyball” than “Major League,” because the behind-the-scenes stuff is far more engaging than anything that happens on the field.

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