Month: January 2013 (Page 10 of 10)

The Light from the TV Shows: What’s New in 2013

Welcome to 2013, everybody, and welcome to the so-called midseason. The television landscape has changed more than a little bit over the past several years, creating a situation for viewers where they can generally count on getting new series offered to them by the networks at just about any time during the course of the year. Sure, the fall’s still consider the time when the big guns come out, but the midseason isn’t just a place where the dregs of programming get dumped. As you can see from the following series, the broadcast networks have plenty of interesting and – one can only hope – entertaining new offerings to keep you glued to the tube and stuck to the sofa for hours on end.

Deception (NBC, Jan. 7)


Says the network: “When wealthy socialite and notorious party girl Vivian Bowers is found dead of an overdose, no one is really surprised. The heiress to the Bowers pharmaceutical empire has been tabloid fodder for years: wild, pretty, privileged… and now dead at the age of 32. But for FBI agent Will Moreno (Laz Alonso, ‘Avatar’), things don’t add up with this suspicious dynasty. Convinced that the troubled girl’s death was a homicide, he has a clever plan to get to the truth. Her name is Detective Joanna Locasto (Meagan Good, ‘Think Like a Man’). Twenty years ago she was Vivian’s best friend and practically grew up inside the Bowers’ home. And when she appears at Vivian’s funeral, the family re-embraces her and no one is the wiser. Joanna quickly begins to uncover dark secrets and clues about why Vivian’s life was very much in danger. At the same time, she rekindles an old romantic relationship and rediscovers the allure of the luxurious lifestyle she once knew. She’s about to see once again just how the other half lives… and dies.”

The Carrie Diaries (The CW, Jan. 14)


Says the network: “It’s 1984, and life isn’t easy for 16-year-old Carrie Bradshaw. Since their mother passed away, Carrie’s younger sister Dorritt is more rebellious than ever, and their father Tom is overwhelmed with the responsibility of suddenly having to care for two teenage girls on his own. Carrie’s friends – sweet, geeky Mouse, sarcastic and self-assured Maggie and sensitive Walt – make life bearable, but a suburban life in Connecticut isn’t doing much to take her mind off her troubles. And even though the arrival of a sexy new transfer student named Sebastian brings some excitement to Carrie’s world, she is struggling to move on from her grief. So when Tom offers Carrie the chance to intern at a law firm in Manhattan, she leaps at the chance. Carrie’s eyes are opened wide at the glamour and grit of New York City – and when she meets Larissa, the style editor for Interview magazine, she’s inspired by the club culture and unique individuals that make up Larissa’s world. Carrie’s friends and family may have a big place in her heart, but she’s fallen in love for the first time with the most important man in her life – Manhattan.”

The Following (Fox, Jan. 21)


Says the network: “The chilling new series focuses on former FBI agent Ryan Hardy (Emmy Award-nominated actor Kevin Bacon, ‘X-Men: First Class,’ ‘Frost/Nixon’), who is brought in as a consultant when notorious serial killer Joe Carroll (James Purefoy, ‘Rome’) escapes from death row and embarks on a new killing spree. Hardy discovers that, while in prison, Carroll was covertly communicating with a network of killers in the outside world and it quickly becomes obvious that he has more planned than just his escape.”

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Coming Soon: A Moviegoer’s Guide to January

It’s hard to decide what the worst part about January is – the cold weather or the crappy movies – but at least with the winter chill, you can always add extra layers to help stay warm. There’s not a lot you can do to make a bad film more tolerable, and unfortunately, the turn of the year is typically brimming with cinematic duds. Though there are a few potential surprises in the cards this January from some heavy hitters, it’s best to keep your expectations low, because even the biggest stars are due a stinker every once in a while, and if there was ever a good time to release it, this would be the month to do it.

“GANGSTER SQUAD”

Who: Josh Brolin, Ryan Gosling, Sean Penn, Emma Stone and Nick Nolte
What: A crew of LAPD enforcers team up to take down vicious mobster Mickey Cohen.
When: January 11th
Why: After getting bumped from its September release date to accommodate reshoots following the Aurora, Colorado tragedy (particularly a scene involving machine guns in a movie theater), it’s a little sad to see Ruben Fleischer’s police drama land in the dregs of January, because it deserves better than that. Loosely based on the LAPD’s war against organized crime during the late 40s and early 50s, the film’s cast is packed with enough talent – from its major stars to supporting players like Giovanni Ribisi, Anthony Mackie, Michael Pena and Robert Patrick – to rival any of the “Ocean’s Eleven” movies. Though I was disappointed by Fleischer’s last effort, the crime comedy “30 Minutes or Less,” it’ll be interesting to see how the “Zombieland” director handles more serious material, and whether his unique visual style clashes with the particular look of that era.

“A HAUNTED HOUSE”

Who: Marlon Wayans, Essence Atkins, Nick Swardson and David Koechner
What: When Malcolm and Keisha learn that a demon resides in their dream home, Malcolm turns to a priest, a psychic, and a team of ghostbusters for help.
When: January 11th
Why: Unless you’re a fan of the “Scary Movie” franchise, which Marlon Wayans helped launch over a decade ago, it’s hard to imagine you’ll have any sort of interest in his new horror comedy, which parodies found footage films like “Paranormal Activity” and “The Devil Inside.” But if those awful spoof movies by Jason Friedberg and Aaron Seltzer taught us anything, it’s that there’s definitely a market for this brand of lowbrow idiocy, although you’d be hard-pressed to find anyone to actually admit it. That doesn’t mean they don’t exist, but even for a spoof movie, “A Haunted House” looks embarrassingly bad for everyone involved, including those dumb enough to waste their time and money.

“THE LAST STAND”

Who: Arnold Schwarzenegger, Johnny Knoxville, Forest Whitaker and Luis Guzman
What: The leader of a drug cartel busts out of a courthouse and speeds to the Mexican border, where the only thing in his path is a sheriff and his inexperienced staff.
When: January 18th
Why: Between the English-language debuts of Kim Ji-woon and Park Chan-wook, and Spike Lee’s upcoming remake of the cult classic “Oldboy,” the Korean invasion is in full swing, and deservedly so, because they’re making some of the best movies at the moment. Kim Ji-woon’s revenge thriller “I Saw the Devil” was one of my favorite films of 2011, so it’s not surprising that his fans have been drooling over the prospect of his Hollywood debut, and the fact that it also happens to be Arnold Schwarzenegger’s first starring role in a decade will probably bring it even more attention. That could end up hurting the movie more than it helps it if expectations are set too high, but the script didn’t earn a place on the Black List for nothing, and if it’s anything like Kim’s oddball Western “The Good, the Bad, the Weird,” then U.S. audiences could be in for a fun treat.

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Product Review: Hanz de Fuko Hair Products

You don’t even have to know anything about men’s hair care products to know that Hans de Fuko is something you want to use. From the names of the products, to the graphic design employed on the packaging, it just feels good to use. You feel hip, contemporary and like you finally have your hair game under control. And even if you don’t, Hans de Fuko has the product to look like you don’t have it under control either.

All six styling agents I tried are listed below, along with a notable person who exemplifies this particular hairstyle.

Hybridized Wax – Reminded me of a classic pomade look and feel, but felt and functioned more like a gel. Because it seemed more gelish, I assumed I would have to use a lot to get the style I wanted. But it had a surprisingly strong hold and gave my hair more of a shiny look. Think James Franco.

Modify Pomade – This was the stickiest, most responsive pomade I have ever used. While some pomade takes seemingly endless doses to get the look you’re trying to achieve, this took one application and I was done. It was very shiny in classic pomade style, but held very well, lending itself to thicker than normal hair. Think a young John Travolta.

Sponge Wax – This was probably my favorite thanks to the sponge-like quality of the product. It literally felt lighter than air and had the texture of some type of plastic rather than a hair gel. It just felt cool to put on my hands and run through my hair. It wasn’t flashy like a pomade, but was as effective. Think Robert Pattinson.

Quicksand – Perfect name for the feel and function of this hair styling cream. It’s gritty and rough like your mother-in-law, and very thick. It’s meant to hold firmly and cuts down on gloss or shine. It literally felt like it had little bits of sand in it to add to the matte look and added the appearance of volume to my hair. Think Simon Baker.

Scheme Cream – The Scheme Cream struck me as the perfect product for general use if you just wanted something to give your hair a moderate style, and nothing too extreme. Or if your look is looking like you don’t do anything at all. Think Xavier Dolan.

Gel Triq – This is the first gel I’ve ever squeezed out of a tube that wasn’t all watered down and was suitable to use. This stuff works. Definitely best for dramatic hairstyles heavy on spikes or mohawks, it lasted all through the first night and into the next morning. Unreal holding power, but still flexible if you want to change your look at some point during the day or night. Think Cristiano Ronaldo.

The line of products from Hans de Fuko gives you the chance to be an artist when it comes to your personal appearance. Each individual cream/paste or pomade accentuates a different feature of your hair style, bringing your look to life, and also giving you the ability to experiment with other looks and feels.

And at just between $15-$17.50 per product, it’s worth trying out. Visit the website here.

Blu-ray Review: Cosmopolis

On paper, the marriage of cult film director David Cronenberg and cult novelist Don DeLillo is no doubt an ideal one, but movies require bringing dozens or even hundreds of other random factors into the mix, and it’s the director’s job to bring all of it together into one cohesive vision. “Cosmopolis” should have been a masterpiece, and bubbling away beneath its immensely flawed surface, one can see that masterpiece lurking. Unfortunately, the film is painted wall to wall with an uninspired, thoughtless and flat performance from Robert Pattinson that drags the entire affair down to nearly unwatchable. He is in every scene and the entire picture revolves around him. Understand, I’ve nothing against Pattinson. Being largely unfamiliar with his work, I went into “Cosmopolis” assuming that Cronenberg would work cinematic legerdemain with the actor, as he has done countless times before with dozens of players. He did not.

People will argue that Pattinson’s billionaire Eric Packer is supposed to be dreary and lifeless, jaded about life as he is, and desperately keen to feel something – anything – as he takes his epic limo ride from one side of the city to the other just to get a haircut. I would argue back that it takes an actor with far greater chops and insight into his craft to achieve the performance necessary to make this movie work. It needed a young James Spader perhaps, or a Christian Bale, who already played a version of Packer in “American Psycho.” Allegedly, Colin Farrell was cast as Packer, but had to drop out due to conflicts with “Total Recall,” which is a big shame for film as an art form. It’s too bad, too, because “Cosmopolis” surrounds Pattinson with people like Juliette Binoche, Samantha Morton and Paul Giamatti, all of whom attempt brave, inspired work that’s ultimately all for naught, since Pattinson’s like a giant pillow suffocating everyone and everything he comes into contact with. Sadly, there is no movie for this writer to review or discuss beyond this massive, fatal flaw. Perhaps you will be able to see it differently than I, and with all due reverence to both Cronenberg and DeLillo, I urge you to at least give it a shot.

The Blu-ray includes a commentary track from Cronenberg, a featurette on the film, and interviews with the cast and crew.

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