Tag: new Blu-rays (Page 42 of 48)

Blu Tuesday: Reese’s Pieces, Serial Killers and Hitchcock

After taking last week off due to a disappointing lack of quality releases (don’t waste your time with “Dark Shadows”), my column is back this week with a number of films from the back catalog. Though it’s always nice to see any Alfred Hitchcock film get the Blu-ray treatment, this has truly been the season of Spielberg, following up the release of “Jaws” and the Indiana Jones movies with the debut of “E.T. The Extra-Terrestrial.”

“E.T. The Extra-Terrestrial”

I’ve never understood why so many people place “E.T. the Extra-Terrestrial” on such a high pedestal, because it’s easily one of Steven Spielberg’s most overrated movies. Though the nostalgia factor has certainly played a role in its sustained popularity over the years, when viewed without those rose-colored glasses, the film’s flaws are pretty evident. Not only is the acting terrible for the most part, but a lot of the special effects don’t hold up that well, particularly the flying bikes. It’s also way too long – a fact that’s even more incredible considering the director cut 40 minutes from the original version – and it has some strange tonal issues, including the arrival of those creepy men in the astronaut suits in the final act. Still, while “E.T.” is hardly worthy of joining “Jaws” and “Raiders of the Lost Ark” on the list of cinema classics, it’s a sweet and often funny film that every parent should show their children at least once.

Blu-ray Highlight: There are two new extras included on the 30th Anniversary release, and they’re both excellent. “The E.T. Journals” offers nearly an hour of behind-the-scenes footage from production, while “Steven Spielberg and E.T.” features the director reflecting on the making of the film, including where the idea originated from, showing the movie at Cannes and the White House, the aborted sequel talk and much more.

“The Raven”

The latest in a growing line of projects driven by Hollywood’s fascination with revisionist history, James McTeigue’s “The Raven” proposes that in the weeks leading up to his death, American poet Edgar Allen Poe helped solve a series of copycat murders based on his grisly tales. It’s difficult to view the film as anything other than a half-hearted attempt at cashing in on the success of Warner Brothers’ “Sherlock Holmes” reboot, because it’s every bit the dull, cookie cutter thriller that the trailers suggested. Not only is the premise ridiculous, but it’s executed so tediously that McTeigue could have lopped off 20 minutes from just about any part of the movie and no one would have noticed. The legacy of Poe deserves so much better than this generic murder mystery, and although John Cusack has some good moments as the eccentric writer, it would have been a lot more interesting to see the actor play him in a traditional biopic as opposed to this preposterous and lifeless piece of schlock. The next time Hollywood thinks about defiling a respected literary figure, they would be wise to heed Poe’s famous words and simply say “nevermore.”

Blu-ray Highlight: There aren’t any extras on the disc that stand out, but the making-of featurette “The Raven Guts: Bringing Death to Life” provides the usual behind the scenes fluff on things like casting and production design for those who are interested.

“Strangers on a Train” / “Dial M for Murder”

With the upcoming release of Universal’s “Alfred Hitchcock: The Masterpiece Collection,” it only seems fitting that Warner Bros. should take the opportunity to debut some of their Hitchcock films on Blu-ray as well. Though “Strangers on a Train” and “Dial M for Murder” predate many of the director’s most popular movies, they still showcase the Master of Suspense at the top of his game. “Strangers on a Train” is probably the better known of the pair, but despite a solid turn by Robert Walker as the eccentric villain, the film’s sluggish pacing and ridiculous finale prevent it from being as great as its reputation might suggest. In fact, although it doesn’t get as much credit, “Dial M for Murder” is the stronger movie – an adaptation of the Frederick Knotts stage play that’s as taut and thrilling as it is smart. It also helps that everyone in the cast is so good, from Grace Kelly’s adulterous victim to John Williams’ police inspector, but it’s Ray Milland who absolutely steals the show as a “villain” so likable that you’re practically rooting for him to get away with murder. Though it’s a bit strange that Hitchcock would chose one of his less visually interesting movies to shoot in 3D, “Dial M for Murder” is every bit as captivating without the silly gimmick.

Blu-ray Highlight: Though most of the bonus material is from previous DVD releases, there’s a retrospective on each film – “Strangers on a Train: A Hitchcock Classic” and “Hitchcock and Dial M” – that provides some excellent insight from various friends and historians about the movies’ productions and the key Hitchcockian elements in both.

Blu Tuesday: Superheroes and Ghosts

It may not look like it based on the small selection of titles below, but this is a great week for Blu-ray fans. Not only does it mark the debut of Joss Whedon’s awesome Marvel superhero team-up movie, but Fox is releasing “Bond 50,” a box set containing all 22 James Bond films in celebration of the franchise’s 50th anniversary. And if that’s not enough to get you excited, there are a few other titles worth checking out as well.

“The Avengers”

Not many people would have been willing to wager before the start of the summer season that “The Avengers” would emerge as the year’s best superhero film, but Marvel’s big gamble proved everyone wrong. In addition to making beaucoup bucks at the box office (earning a spot as the third highest grossing movie of all-time), it was also better than “The Dark Knight Rises” and “The Amazing Spider-Man.” Director Joss Whedon deserves a lot of credit for not only balancing the film’s many tones, but the large cast as well, and although some actors fare better than others (namely Robert Downey Jr. and Mark Ruffalo), the ensemble works together so well that you’d think it was part of the plan all along. And in that respect, the movie’s real MVP is Marvel Studios head honcho Kevin Feige, the brains behind the cinematic tapestry known as Phase One, which is comprised of everything leading up to and including “The Avengers.” But more than anything else, the film is just a really entertaining superhero flick that deserves a place in anyone’s collection.

Blu-ray Highlight: Disney didn’t provide me a review copy, but there’s plenty of bonus material that I’m looking forward to checking out, including the director commentary by the always amusing Joss Whedon and the newest Marvel short film, “Item 47,” which supposedly played like gangbusters for the crowd at this year’s San Diego Comic-Con.

“Batman: The Dark Knight Returns – Part One”

After the release of “Batman: Year One,” it was only inevitable that Warner Bros. would follow it up with an animated version of Frank Miller’s other popular Batman story, “The Dark Knight Returns,” even going so far as to split the four-issue miniseries into two movies. Though the forthcoming Part Two will no doubt be the better of the pair as it features the return of The Joker, Part One is still a really solid adaptation that sticks close to the source material while also laying the groundwork for the darker and more twisted second half of the story. The idea of revisiting Bruce Wayne/Batman decades after he’s passed his crime-fighting prime (as well as introducing yet another Robin, this time female) provides so many great character moments that it’s surprising Hollywood hasn’t tried adapting the series into a live-action film. Though bits from Millar’s comic have shown up in Christopher Nolan’s Bat trilogy, it’s cool that Warner Bros. found another way to showcase the fan favorite story, even if that meant doing it in animated form.

Blu-ray Highlight: The bonus material isn’t very good, but those that can’t wait for Part Two will at least want to check out the included sneak peek, which offers your first look at Michael Emerson in action as The Joker and Mark Valley as Clark Kent/Superman.

“American Horror Story: The Complete First Season”

Though I’ve never been a very big fan of the horror genre, there was so much positive buzz heading in to the first season of “American Horror Story” that it was simply too enticing to pass up. But despite a somewhat creepy pilot, there was never anything particularly scary about the show apart from its opening credit sequence, and believe it or not, that’s the least of its problems. Between the melodramatic, soap opera-like subplots, the nonsensical twists, and the habit of certain stories and characters falling by the wayside, “American Horror Story” is such a muddled mess of half-baked ideas that it’s never able to achieve the potential of its intriguing setup. Connie Britton at least makes some of those shortcomings worth suffering through, and if there’s anyone in the cast that deserves praise, it’s Britton and not Jessica Lange’s over-the-top performance as the duplicitous nosey neighbor. In the end, however, it’s probably best that creator Ryan Murphy decided to essentially reboot the show every season with a brand new story, because after 13 episodes of this much crazy, it’s hard to imagine many viewers sticking around for another helping.

Blu-ray Highlight: A review copy didn’t arrive in time, but the audio commentary by Ryan Murphy on the pilot episode should be worth listening to if you’re a fan of the series.

Blu Tuesday: Nazis, Mermen and More

After last week’s less than stellar offerings, movie fans will be delighted to see the wealth of new releases to choose from this week, including the Blu-ray debut of a certain whip-cracking archeologist, the latest from the mind of Joss Whedon and more.

“Indiana Jones: The Complete Adventures”

As one of the last great film series yet to be released on Blu-ray, Paramount’s five-disc box set finally puts an end to the wait with an awesome collection that features digitally remastered versions of the first three movies, as well as a copy of the red-headed stepchild of the franchise, “The Kingdom of the Crystal Skull,” which will at least be welcomed by completionists and George Lucas apologists alike. Enough has been written about the Indiana Jones films over the years that it would be silly to gush about them all over again – and if you’ve seen them yourself, then you already know how great they are – but there is something that warrants mentioning, and that’s just how incredible these movies look in high definition. “Raiders of the Lost Ark,” which received a frame-by-frame restoration in addition to the color-correcting process performed on “The Temple of Doom” and “The Last Crusade,” looks especially brilliant, with its 20-plus years miraculously erased to the point that it’s almost like a brand new film. Though it would have been nice if fans were given the option between the original trilogy and a set collecting all four movies (that’s how bad “Crystal Skull” is compared to the others), it’s hard to complain too much when the studio has done such an amazing job giving the series the tender loving care that it so richly deserves.

Blu-ray Highlight: A lot of good bonus material has been brought over from previous releases, but the all-new making-of featurette “On Set with Raiders of the Lost Ark” is the undisputed gem of the set. Compiled from vintage footage of the production, the featurette offers an intimate look at filming certain scenes and the decision-making process behind those sequences. That footage is also supplemented by outtakes, deleted scenes and alternate takes, giving audiences a peek at what could have been.

“The Cabin in the Woods”

Leave it to Joss Whedon to take the horror genre and turn it on its head. The guy has been defying convention for years – from “Buffy the Vampire Slayer” to “Dr. Horrible’s Sing-A-Long Blog” – and if there was any genre in need of a shake-up, it’s horror. Directed by Drew Goddard and co-written with Whedon, “The Cabin in the Woods” is an entertaining and remarkably original genre hybrid film that, although it may appear to be a typical slasher flick at first sight, has more than a few tricks up its sleeves. Fueled by a great script inspired by horror classics like “Evil Dead” and boasting a wicked sense of humor, the movie is a fun twist on a tired formula. The cast of victims is also much better than your average slasher film, although it’s Richard Jenkins and Bradley Cooper as the pair of mission control guys pulling the strings that really steals the show. It does go a bit off the rails in the final act (though anyone familiar with Whedon’s work won’t be too surprised), but for a movie this ambitious, sometimes it takes that kind of risk to yield such a refreshing reward.

Blu-ray Highlight: In addition to a really fun and informative audio commentary by Drew Goddard and Joss Whedon, there’s an excellent making-of featurette called “We Are Not Who We Are” that includes a look at shooting the climactic elevator sequence and a hilarious tour of the control room with actors Richard Jenkins and Bradley Whitford.

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Blu Tuesday: Gladiators and Fairy Tales

There are some pretty big Blu-ray releases coming up over the next few weeks, but unfortunately, that only makes this week’s offerings look lackluster in comparison. To be fair, the pickings would be slim regardless, but there are a couple titles that should help pass the time until you can dig into the awesomeness that September holds.

“Spartacus: Vengeance – The Complete Second Season”

The bloody, sweaty and sex-drenched historical drama “Spartacus” may be unlike anything else on TV, but no one could have anticipated the roller coaster journey that the show has taken over the last few years. After Starz delayed production on a second season (filling its place with the prequel miniseries “Gods of the Arena”) in order for star Andy Whitfield to recover from leukemia, the lead role was ultimately recast after Whitfield sadly passed away. Newcomer Liam McIntyre does his best to make you forget that a different actor is playing the title character, but while his version of Spartacus isn’t necessarily bad, it just doesn’t feel like the same show. The absence of John Hannah’s Quintus Batiatus is perhaps felt even more strongly than the loss of Whitfield, while Lucy Lawless’ Lucretia isn’t nearly as interesting without her better half. Though Season Two gets off to a pretty rocky start, it eventually finds its groove midway through as the war between the rebel slaves and Roman army heats up. But while the action scenes are bigger and better this time around, “Spartacus” is no longer the pulpy guilty pleasure that it used to be.

Blu-ray Highlight: Anchor Bay may have chosen quantity over quality in the special features department, but there are a few extras worth watching, including a featurette on the “Legend of Spartacus” with the show’s historical consultants, and another one aptly titled “Famous Last Words” where the actors talk about their characters’ deaths.

“Snow White and the Huntsman”

All the commotion surrounding Hollywood’s dueling Snow White movies seems to have been all for naught, because the two films couldn’t be more different. Whereas Tarsem Singh’s “Mirror Mirror” was a light and comical take on the classic fairy tale, “Snow White and the Huntsman” is a much darker adaptation with some revisionist twists. Unfortunately, the movie doesn’t work quite as well as you’d hope. Though Charlize Theron delivers a great performance as the Evil Queen, playing the iconic villain as a raging psychopath, she goes missing for large portions of the film, while Chris Hemsworth’s Huntsman isn’t given enough to do to warrant his top billing. And then there’s Kristen Stewart, who’s not only a terrible choice to play Snow White, but fails to prove that she has the talent to carry such a big movie, especially one as disjointed as this. The troupe of British character actors that play the dwarfs inject some much-needed humor and energy into the story, and there’s some truly stunning visuals on display, but the sum is quite equal to the parts.

Blu-ray Highlight: The making-of featurette “A New Legend is Born” contains some good bits about the film’s production (including Colleen Atwood’s fantastic costumes), although it’s a little awkward to listen to Kristen Stewart fawn over director Rupert Sanders in light of recent events. There’s also a great featurette on the dwarfs that covers everything from casting to the visual effects used to make the actors look small.

Blu Tuesday: HBO’s Unlucky Three and More

I was unable to write my column last week because I was still recovering from knee surgery, but hopefully that didn’t cause you to miss out on all the great new releases, because there were several titles worth checking out, including the latest seasons of “Sons of Anarchy,” “The Walking Dead,” “Boardwalk Empire” and “Homeland,” as well as Peter Berg’s big, dumb and fun “Battleship.” This week is almost as good, with a variety of new movies and several more TV series to get you ready for the fall season.

“Hung,” “Bored to Death” and “How to Make It in America”

HBO has never been as trigger happy as most networks when it comes to cancelling shows, so it was a bit surprising when the pay cable channel axed three series in one fell swoop at the end of last year. Though “Hung,” “Bored to Death” and “How to Make It in America” may not have brought in the same kind of ratings as HBO’s bigger hits, but they were all quality shows with solid fanbases. “Hung” was probably the best of the bunch, and although the dark comedy had its share of highs and lows throughout its three-season run, Thomas Jane (who was once again nominated for a Golden Globe) made it immensely watchable. The same goes for Ted Danson on the more inconsistent but nonetheless entertaining “Bored to Death,” perhaps the most shocking of the three cancellations considering Zach Galifianakis’ recent rise to fame. “How to Make It in America,” meanwhile, was the kind of series that seemed tailor-made for the HBO viewer based on the success of the likeminded “Entourage,” and yet it was the worst performer of the three. You can’t really blame HBO for not giving each show the chance to reach a larger audience, because they did. It’s just upsetting that more people didn’t watch when it mattered, because they deserved a better ending than this.

Blu-ray Highlight: HBO could have easily dumped these onto Blu-ray without any bonus material, so it’s nice to see that they’ve included a decent collection of extras on all three sets. While fans of audio commentaries will find several tracks with various cast and crew members on each release, there are some great featurettes as well. Creators Dmitry Lipkin and Colette Burson discuss the new characters and story arcs that make up “Hung: The Complete Third Season”; author Jonathan Ames records a series of mini-interviews for all eight Season Three episodes of “Bored to Death”; and the cast of “How to Make It in America” talk about filming the show’s second season.

“The Five-Year Engagement”

Beginning where most romantic comedies usually end, you can’t fault “The Five-Year Engagement” for trying to deliver a fresh take on the genre. But although it boasts some great laughs throughout (including a Muppets-inspired bit that is probably the most honest moment in the entire film), the movie doesn’t know when enough is enough. The constant shifts in tone also prevent it from ever finding its groove, particularly when the film gets really dark and gloomy in the second act. It would be one thing if Jason Segel’s character was just depressed, but he becomes borderline crazy, devolving into a grizzly mountain man. Though the theme of resentment plays a big part in the story, Segel’s emotional transformation is taken a little too far, to the point that you’re not even sure if you like the main characters anymore. Thankfully, director Nicholas Stoller surrounds his two leads with an excellent supporting cast that helps keep the mood light, especially Chris Pratt, who absolutely steals the show as Segel’s idiotic best friend. The movie could have done with more of him and Alison Brie, because the pair earns more laughs in their limited screen time than the rest of the cast combined.

Blu-ray Highlight: Fans of the film will no doubt enjoy the included audio commentary by co-writer/director Nicholas Stoller and stars Jason Segel, Emily Blunt and Chris Pratt, but the disc’s real standout is the fantastic making-of featurette, which offers a refreshingly transparent behind-the-scenes look at the complete production process.

“Safe”

Director Boaz Yakin’s first foray into the action genre may look eerily similar to every other film to come out of the Jason Statham Factory of Ass-Kicking, but Statham’s movies are rarely dull, and that has a lot to do with the actor’s seemingly endless supply of charisma. He’s probably the most entertaining action star working today, and although “Safe” isn’t much better than his previous direct-to-video efforts, it delivers some pretty awesome action beats along the way. The rest of the movie is a giant mess, fueled by an overly complicated plot that fails to make much use of its carousel of B-movie villains, and it takes way too long to get going. Once it does, however, “Safe” never looks back, transforming into a speeding train wreck of violence where the various parties (Statham, some crooked cops and feuding Chinese and Russian gangsters) open fire on one another with such reckless abandon that it eliminates any plausibility. Don’t get me wrong, it’s fun to watch, but “Safe” is ridiculous even for a Jason Statham movie, and that’s saying something.

Blu-ray Highlight: As you might expect from a movie like “Safe,” the coolest piece of bonus material is a 10-minute featurette called “The Art of the Gunfight” that takes a look at the action choreography in the film, focusing on three sequences in particular.

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