Category: Movies (Page 58 of 191)

Movie Review: “The Good Dinosaur”

Starring
Raymond Ochoa, Jack Bright, Anna Paquin, Sam Elliott, Steve Zahn, Jeffrey Wright, Frances McDormand
Director
Peter Sohn

An unsettling trend is starting to appear in Pixar’s work. When the visuals are more eye-popping than usual, it’s a sign that something more important is lacking (see: “Brave”). “The Good Dinosaur” is visually breathtaking, featuring the most lifelike water that has ever graced an animated film. The story structure, however, is one of Pixar’s weakest, feeling more like old-guard Disney than the kind of thing Pixar normally produces. There are valuable lessons for children to learn here, but there is also a fair amount of trauma. Little Arlo gets his ass handed to him early, then spends the rest of the movie trying to survive.

In “The Good Dinosaur’s” universe, the meteor that is believed to have caused the extinction of the dinosaurs misses Earth. Fast forward a few million years, and Arlo (Raymond Ochoa), an Apatosaurus of below average size, is born into a family of farmers. Arlo is also timid, and his father’s attempts to get Arlo over his fears come to a head when Arlo is tasked with killing the critter that keeps eating their winter food supply. The creature is caught, and it’s a little, feral, human child. Arlo can’t bring himself to kill the boy and sets it free. Poppa (Jeffrey Wright) insists on chasing the creature, but they lose the trail in a ravine, and then Arlo loses his father in a flash flood while in the ravine. First rule of Disney: kill at least one of the parents, and if possible, do it in such a way that the child feels guilty about it for the rest of his life.

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Movie Review: “Spotlight”

Starring
Mark Ruffalo, Michael Keaton, Rachel McAdams, Brian d’Arcy James, Liev Schreiber, John Slattery, Stanley Tucci
Director
Tom McCarthy

Writer/director Tom McCarthy’s reputation took a pretty hard hit following the release of his abysmal fantasy-comedy “The Cobbler,” but he’s quickly redeemed himself with “Spotlight,” an excellent, no-nonsense newspaper drama that falls closer in line with his previous work. It also happens to be one of the finest movies of the year and a safe bet for a Best Picture nomination. Though the film is fairly low-key for a potential awards contender, “Spotlight” relies on some top-notch acting and writing to recount the fascinating true story about a group of journalists who lifted the lid on a massive child molestation scandal within the Boston archdiocese that changed the way we looked at the Catholic Church forever.

Set in 2001, the movie begins with the arrival of the Boston Globe’s new Editor-in-Chief, Marty Baron (Liev Schreiber), an outsider from Miami who was brought in by the newspaper’s parent company to help shake up the newsroom and stop the leak in the dwindling subscriber base. When Marty takes an interest in a recent column about a local priest who was accused of sexually abusing children in his parish, he convinces editor Walter Robinson (Michael Keaton) – who leads the four-person investigative team (played by Mark Ruffalo, Rachel McAdams and Brian d’Arcy James) known as Spotlight – to drop what they’re doing and discreetly poke around to see if there’s more to the story. Robinson reluctantly agrees, but is skeptical that they’ll find anything of substance. As the team begins to dig further into the list of allegations, however, they expose a decades-long cover-up that’s bigger and more far-reaching than any of them could have possibly imagined.

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Movie Review: “The Hunger Games: Mockingjay – Part 2”

Starring
Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Donald Sutherland, Woody Harrelson, Julianne Moore, Philip Seymour Hoffman, Sam Claflin
Director
Francis Lawrence

Amid the glut of YA book-to-film adaptations, “The Hunger Games” has always stood head and toe above the competition – a movie franchise that actually improved upon its source material by treating the audience with respect. That’s what makes “Mockingjay: Part 2” such a hard pill to swallow, because while it seemed like the stage was set for an exciting finale after the tedious third installment, it’s yet another incredibly slow burn that only highlights just how boring the final book in Suzanne Collins’ trilogy is. If anything good comes out of “Mockingjay: Part 2,” it’s that it will finally convince studios to stop dragging out these stories for the sake of their own greed.

The film picks up almost immediately after the events of the last movie. As Katniss (Jennifer Lawrence) recovers from the brutal attack by Peeta (Josh Hutcherson), rebel leader President Coin (Julianne Moore) plots her assault on the Capitol now that all 12 districts have been united under one cause. Katniss wants to go fight on the frontlines, but when Coin refuses because she’s too valuable to the rebellion, she sneaks into the Capitol on her own to assassinate President Snow (Donald Sutherland). Coin and her right-hand man, Plutarch (Philip Seymour Hoffman), decide to use Katniss’ defiance to their advantage by assigning her to a specialized military unit – which also includes Gale (Liam Hemsworth) and a mentally unstable Peeta – to shoot more propaganda videos on the war-town streets of the city. With Capitol soldiers and deadly booby traps awaiting them at every turn, Katniss and company slowly make their way to Snow’s mansion. But as is usually the case with war, casualties are inevitable, and that’s something Katniss has difficulty accepting.

For a franchise that’s always relied on deliberately paced storytelling that gradually builds towards each film’s climax, “Mockingjay: Part 2” never really gets going. It hits all the major moments (including the countless deaths) within Collins’ grim novel, but there’s very little emotion to it, as if director Francis Lawrence is just ticking off boxes as he goes along. There are a couple of good action sequences once Katniss arrives in the Capitol, but while the story tries to replicate the feeling of being inside the arena with the addition of booby traps (called “pods”), it doesn’t provide the same thrill. In fact, it’s actually quite repetitive, as the second act is largely comprised of Katniss’ unit scanning for pods, safely activating said pods and resting for the night. Wash, rinse, repeat. Further compounding the lack of action is the monotony of the dialogue scenes, which dwell on the same issues (the love triangle, Peeta’s condition, Coin’s true intentions) over and over again.

“Part 1” may technically be the worst installment in the series, but at least that movie felt like a necessary evil in order to deliver a satisfying payoff in “Part 2,” which is why the latter is a much bigger disappointment. It doesn’t even have the strong performances to fall back on this time around, because with the exception of its main trio, no one else has very much to do. Julianne Moore fades into the background for most of the second half (likely due to some adjustments made as a result of Philip Seymour Hoffman’s untimely death), while Hoffman himself is in maybe two scenes total, his big speech at the end now awkwardly delivered by Woody Harrelson’s Haymitch via a letter that Plutarch penned. Even Jennifer Lawrence doesn’t appear particularly enthused about having to slog through this downer of a finale, and it’s hard to blame her, because instead of going out on the high note that the franchise and its loyal fans deserved, my first thought when the film ended was, “Thank God it’s finally over.”

 

 

Movie Review: “The Night Before”

Starring
Seth Rogen, Joseph Gordon-Levitt, Anthony Mackie, Jillian Bell, Lizzy Caplan, Michael Shannon
Director
Jonathan Levine

Every year, a new crop of Christmas-themed films arrives in theaters to help kick off the season, but apart from 2003’s awesome trio of “Elf,” “Love Actually” and “Bad Santa,” Hollywood hasn’t had much luck producing movies worthy of shaking up the usual rotation of holiday classics. Nobody really expected Jonathan Levine’s “The Night Before” to join that illustrious club, but it seemed like it would at least be a fun diversion from the barrage of serious Oscar fare by adding a bit of frat-humor debauchery to the Christmas movie festivities. Unfortunately, it’s not very successful, because “The Night Before” is at best a fleetingly funny comedy that ranks as Seth Rogen and Evan Goldberg’s weakest collaboration to date.

For the past 14 years, best friends Ethan (Joseph Gordon-Levitt), Isaac (Rogen) and Chris (Anthony Mackie) have spent every Christmas Eve together, a tradition that started as a way to console Ethan after he lost his parents in a car accident. Now in their early 30s, the guys have mutually agreed to end the annual tradition for various reasons: Isaac and his wife (Jillian Bell) are expecting a baby, and Chris, a pro football player who’s found fame late in his career, is simply too busy. Ethan, meanwhile, is still reeling from his breakup with longtime girlfriend Diana (Lizzy Caplan) and is worried that he’s about to lose his friends as well, but when he fortuitously comes into possession of three tickets to the Nutcracker Ball – an ultra-exclusive party that the guys have been trying to get into since their first Christmas Eve – Ethan figures that they can at least go out with a bang.

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Movie Review: “Secret in Their Eyes”

Starring
Chiwetel Ejiofor, Julia Roberts, Nicole Kidman, Alfred Molina, Michael Kelly
Director
Billy Ray

“Secret in Their Eyes” had its work cut out for it. The source material is a (fantastic) 2009 Argentinean film which won the Academy Award for Best Foreign Film the following year. It’s an intense, well-plotted crime thriller with an unrequited love story at its center. I described it at the time as “The Remains of the Day” set in a 1970s police station. Writer and director Billy Ray (“The Hunger Games,” “Captain Phillips”) knew that timeline wasn’t going to fly with a 2015 American adaptation, and while he loses a bit of the “Remains” aspect of the original story as a result, the time in which he places the flashback, post-9/11 Los Angeles, is a genius move. Paranoia is at an all-time high, and all of law enforcement was under tremendous pressure to find someone they can turn, and once they did, they protected that asset at all costs. You can see where that kind of environment would cause good cops to make bad decisions, and bad cops to make worse ones.

Ray (Chiwetel Ejiofor) works security for the New York Mets, but he spends his nights scanning databases for the one that got away 13 years ago, when he was working for the Counter Terrorist Unit in Los Angeles in 2002. He’s watching a local mosque, and when he receives word that a body is found in a nearby dumpster, he is shocked to discover that it is the daughter of his colleague Jessica (Julia Roberts). Ray’s only suspect in the case was a boy who regularly visited the mosque, but because of the boy’s value (he was a mole, and was about to give CTU an entire sleeper cell), he was considered untouchable.

Present-day Ray asks Claire (Nicole Kidman), for whom he’s been carrying a torch since the moment he met her and is now the city’s district attorney, to reopen the case so they can investigate a man recently out on parole, whom Ray firmly believes is Jess’ daughter’s killer. At this point, even Jessica is telling Ray and Claire to walk away, but Ray is motivated by this case for a reason that not even Jessica knows.

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