Category: Movies (Page 28 of 191)

Movie Review: “War Dogs”

Starring
Miles Teller, Jonah Hill, Ana de Armas, Bradley Cooper, Kevin Pollack
Director
Todd Phillips

It’s been three years since director Todd Phillips released the critically derided final installment in his “Hangover” trilogy, and in that time, his aspirations as a filmmaker have clearly grown. Phillips’ latest movie, based on the 2011 Rolling Stone article “The Stoner Arms Dealers” by Guy Lawson (which was later turned into a book titled “Arms and the Dudes”), is a measured attempt to showcase his serious side à la “The Big Short.” But while “War Dogs” occupies a similar space as Adam McKay’s Oscar-winning dramedy, providing an entertaining look at how a pair of ambitious twentysomething pals became millionaires due to the U.S. government’s own negligence, it doesn’t really have anything important to say – or rather, the important stuff feels like an afterthought compared to the highly dramatized events at the center of the film.

The year is 2005, and college dropout David Packouz (Miles Teller) is working as a licensed massage therapist in Miami Beach while trying to launch his own business selling bedsheets to retirement homes. When his latest scheme fails and his girlfriend Iz (Ana de Armas) announces that she’s pregnant, David decides that he needs to find a real job in order to support his family. Enter childhood friend Efraim Diveroli (Jonah Hill), a bottom-feeding arms dealer who’s moved back to town after working for his uncle selling police-seized weapons in California. Efraim has started his own arms dealing business in Miami, and it’s pretty successful, living off the crumbs of small military contracts that the major companies generally ignore. Efraim offers to bring on David to help with the day-to-day operations, and within six months, the pair lands its biggest deal yet. But when that contract leads to a more lucrative opportunity with the Pentagon to supply weapons and ammo to the Afghan army, the two friends quickly find themselves in over their heads.

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Movie Review: “Kubo and the Two Strings”

“If you must blink, do it now,” warns the narrator of “Kubo and the Two Strings,” a movie so confident in its eye-popping visuals and brilliant storytelling that it knows you won’t want to miss a single moment. It’s advice you’ll definitely want to follow, because after the disappointment of 2014’s “The Boxtrolls,” Portland-based animation studio Laika is back at the top of its game with this wildly inventive adventure film that’s packed with the kind of sincerity and heartfelt emotion you rarely find in the medium, Pixar excluded. But “Kubo and the Two Strings” is more than just a return to form for the studio; it’s their funniest and finest movie to date – an absolutely delightful fairy tale that will likely go down as one of the year’s best.

In feudal Japan, a young, one-eyed boy named Kubo (Art Parkinson) has been tasked with taking care of his sick mother in their remote mountain home. During the day, Kubo goes down to the nearby village to tell stories about the legendary samurai Hanzo with his magical samisen, a traditional, three-stringed Japanese instrument that can manipulate colorful sheets of paper into animated origami figures that move and dance with the strum of a string. When he doesn’t heed his mother’s warning and stays out after dark one night, however, Kubo inadvertently summons his evil twin aunts (Rooney Mara), who have been sent by his grandfather, the Moon King (Ralph Fiennes), to steal his other eye. Kubo’s mother comes to his rescue just in time, sacrificing herself to save him and using her last bit of magic to bring to life a wooden monkey charm that serves as his guardian. With the help of Monkey (Charlize Theron) and a cursed man-beetle warrior (Matthew McConaughey) with no memory of his previous life, Kubo must embark on a quest to retrieve the three pieces of Hanzo’s fabled gold armor in order to defeat his vengeful family.

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Movie Review: “Hell or High Water”

Starring
Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham, Katy Mixon, Kevin Rankin
Director
David Mackenzie

“Hell or High Water” is one magnificently self-aware film. There is a strong Coen brothers vibe to both the plot and the dialogue (if “Blood Simple” and “Fargo” were forced to mate, the offspring would turn out a lot like this), which is why the casting of Jeff Bridges is a stroke of genius. As a Coen veteran, he understands the material, and is able to not just humanize a character that would be monstrous in the hands of a lesser actor – he’s able to make the character charming and likable.

In the bleak, seemingly waterless landscape of west Texas, Toby Howard (Chris Pine) and his ex-con brother Tanner (Ben Foster) begin the day by robbing two small banks of all of their chump change. The Howards are in danger of losing their farm to the very bank that they’re robbing; the plan is to pay off their debt with the bank’s own money and put the land in a trust to benefit Toby’s children. Due to the amount of money being stolen, the FBI isn’t interested in investigating the case, but Texas Ranger Marcus Hamilton (Bridges) has a week until he retires, so he drags his reluctant partner Alberto Parker (Gil Birmingham) along for one last rodeo.

There aren’t a lot of moving parts here, and that is a good thing. Screenwriter Taylor Sheridan (“Sicario”) keeps his characters focused on their respective prizes, with no unnecessary side plots about poor people foolishly spending their newfound riches, a common trap to these types of stories. The most pleasant surprise is how funny the movie is, and not solely of the pitch-black variety. There are some gut-busting moments here. The waitresses, in particular, bring the funny in spades.

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Blu Tuesday: Gotham and Angry Birds

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Gotham: The Complete Second Season”

WHAT: When wealthy aristocrat Theo Galavan (James Frain) returns to Gotham and runs for mayor, Detective James Gordon (Ben McKenzie) becomes obsessed with exposing his true intentions. Meanwhile, as young Bruce Wayne continues his training alongside Alfred (Sean Pertwee) and Selina Kyle (Camren Bicondova), a new wave of criminals begins to terrorize the city, including Edward Nygma (Cory Michael Smith), Victor Fries (Nathan Darrow) and Arkham Asylum’s chief of psychiatry, Hugo Strange (BD Wong).

WHY: It’s fitting that “Gotham” isn’t associated with the other DC Comics TV shows, because unlike those fan-friendly series, the Fox drama might as well be taking place in an alternate universe – one that doesn’t seem at all interested in staying true to its roots. There’s nothing wrong with a little reinvention, but when the heroes and villains no longer resemble their comic book counterparts, it sort of defeats the purpose of making a show called “Gotham.” For instance, James Gordon’s Season Two arc is not only completely out of character, but it boxes him into a corner that has irreparable repercussions. It’s a frustrating occurrence that happens far too often during the course of the season, damaging the overall quality of the show in the process. The ensemble cast makes the most of the material provided, and there’s a certain joy in seeing Batman’s rogue’s gallery brought to life (even if they’re watered down versions of the characters), but for a series that started off so promising, “Gotham” doesn’t provide many reasons to continue watching.

EXTRAS: The Blu-ray release includes the 2015 Comic-Con panel, a trio of featurettes covering the show’s film noir style, the relationship between Alfred and Bruce Wayne, and the origin of Mr. Freeze, as well as additional cast interviews and more.

FINAL VERDICT: RENT

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Animated Adults: Why the time for mature stories told through animation is now

adult_animation

“Animators can only draw from their own experiences of pain and shock and emotions.” – Hayao Miyazaki

Firstly, no, this isn’t about hentai or those disturbing cartoons that have the Simpsons or the Griffins engaging in unspeakable acts. So for those that came upon this post either hoping for that or by simple (if deranged) Googling, my apologies. Adult animation isn’t meant to evoke pornographic images of cartoon boobs flopping about but instead is the idea of animated films made specifically for mature audiences, dealing with mature subjects. The fact is that there are some stories that can truly only be told through certain mediums, whether it’s the printed page or the silver screen. And within those mediums, there are subcategories of ways to tell stories – live action versus animation being one divide. While animation has been relegated to “kids’ stuff” for the majority of its existence, the time is perfect for more animated films to be created and released that specifically target an adult audience.

The latest example to hit theaters is “Sausage Party,” a foul-mouthed computer animated film that sounds like a Pixar feature run through the National Lampoon‘s offices. The movie imagines a world where food is sentient and talks to each other but is unaware of their role in the lives of humans as something to be consumed. And so this “Toy Story” meets “Superbad” journey of a hot dog and a bun begins, with many deviations along the path for jokes of varying degrees of offensiveness and taste.

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