Category: Movies (Page 141 of 191)

Movie Review: “Despicable Me 2”

Starring
Steve Carell, Kristen Wiig, Russell Brand, Miranda Cosgrove, Ken Jeong, Steve Coogan, Benjamin Bratt
Directors
Pierre Coffin & Chris Renaud

When it comes to filmmaking, there are multiple types of chemistry. The one most often discussed is the chemistry between actors; when it’s good, it can make good movies great and even unwatchable movies tolerable (say, Jennifer Aniston and Adam Sandler in “Just Go with It”), but when it’s bad, it will consume all living things on the screen (Jennifer Aniston and every other co-star she’s had in the last 10 years in movies not named “Horrible Bosses”). The other, arguably more important bit of chemistry involves story lines. 2011’s “Despicable Me” was about 45% villain plot, 45% foster parent plot and 10% minions. Now, of course, the minions are stars, so they get more screen time in “Despicable Me 2.” And the movie suffers because of it.

That’s not the only reason the movie suffers, mind you; the villain story isn’t as compelling, they lean really hard on the bathroom jokes (the “dart” gun from the first movie makes multiple appearances here), and for a movie that is supposed to have a mystery angle to it, everyone hides in plain sight.

Gru (Steve Carell) has quit villainy in order to be a good father to adopted daughters Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Elsie Kate Fisher), but he is soon recruited by the Anti-Villain League, due to his expertise as a bad guy, to track down a new super-villain who has stolen a serum that turns its subjects into indestructible monsters. The AVL tracks the serum to a local mall, and Gru, with the help of AVL agent Lucy Wilde (Kristen Wiig), go undercover to find out which merchant is hiding the serum. The girls, meanwhile, want a mom, and pressure Gru into dating, while Margo falls for a boy, something Gru is not remotely prepared to handle in a way that doesn’t involve the words “Freeze ray!”

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Coming Soon: A Moviegoer’s Guide to July

july_movies

Audiences have seen quite a few big movies may their way into theaters over the past two months, but the onslaught of summer tentpole films isn’t even close to over. In fact, we’ve just reached the midway point of the season, and as you might expect, there’s plenty more big blockbusters on their way, including a potential new Disney franchise for Johnny Depp, Guillermo del Toro’s answer to Godzilla, and the return of Wolverine.

“THE LONE RANGER”

Who: Johnny Depp, Armie Hammer, William Fichtner and Helena Bonham Carter
What: Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.
When: July 3rd
Why: Disney may think that they have another ready-made hit on their hands with this big screen adaptation of the popular radio serial, but I don’t know many people that are actually excited about “The Lone Ranger,” and that includes myself. Though Johnny Depp will almost certainly be a riot as the dead-bird wearing Tonto (he’s at his best when playing eccentric characters), Armie Hammer has yet to prove himself as a viable leading man. Additionally, the rumors about the film’s troubled production don’t exactly exude confidence, and although “World War Z” taught us not to take behind-the-scenes drama at face value, there hasn’t been a single trailer released yet that doesn’t make the movie look like one really expensive mess.

“THE WAY, WAY BACK”

Who: Liam James, AnnaSophia Robb, Sam Rockwell, Steve Carell and Amanda Peet
What: Over the course of his summer break, a teenager comes into his own thanks in part to the friendship he strikes up with one of the park’s managers.
When: July 5th
Why: After becoming a smash hit at this year’s Sundance Film Festival, the coming-of-age comedy ignited a bidding war, with Fox Searchlight ultimately acquiring the rights for a near-record $10 million. The indie studio clearly believes that the film can replicate the box office success of “Little Miss Sunshine” (it even features two of the actors from that movie in Steve Carell and Toni Collete), and if the festival buzz is to be believed, an awards campaign might not be too far behind. The film marks the directorial debuts of Nat Faxon and Jim Rash, who first turned industry heads with their Oscar-winning script for “The Descendants,” and boasts a star-studded cast that also includes Sam Rockwell, Allison Janney, Rob Corddry and Amanda Peet. Though it may seem like an odd time of the year to release such a small comedy, it’s actually a smart piece of counterprogramming that could work to its benefit.

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Movie Review: “The Heat”

Starring
Sandra Bullock, Melissa McCarthy, Demian Bichir, Marlon Wayans, Michael Rapaport, Michael McDonald
Director
Paul Feig

With the exception of the 1988 comedy “Feds” (and to a certain degree, the “Charlie’s Angels” films), the buddy cop movie has been an exclusively male-dominated genre. It’s only a matter of time before Hollywood finally gets its act together and delivers a great female-centric action comedy, but “The Heat” is not that film. Though fans of Paul Feig’s “Bridesmaids” will likely enjoy his latest R-rated romp with Melissa McCarthy, anyone that wasn’t already sick and tired of the actress definitely will be after sitting through two hours of her annoyingly boorish and over-the-top brand of humor. “Identity Thief” should have been the final nail in the coffin of America’s love affair with McCarthy, but if her irritating performance in “The Heat” doesn’t put an end to that reign, then the moviegoing public deserves more lowbrow comedies just like it.

Sandra Bullock stars as FBI agent Sarah Ashburn, an arrogant overachiever who’s up for a big promotion in her department. But while she’s the perfect candidate on paper, Sarah still hasn’t earned the respect of her peers, whom she frequently humiliates during busts. To prove that she’s a team player and the right person for the job, Sarah’s boss (Demian Bichir) sends her to Boston, where she must partner up with local detective Shannon Mullins (McCarthy) to bring down a ruthless drug lord. Unfortunately, no one actually knows what the guy looks like, but Sarah has much bigger problems in the form of the uncouth Mullins, whose sloppy demeanor and unconventional methods clash with her straight-laced, by-the-books personality.

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Movie Review: “White House Down”

Starring
Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Richard Jenkins, James Woods, Jason Clarke
Director
Roland Emmerich

Twenty-five years ago, Sandra Boynton wrote a greeting card where a cat tells his or her paramour, “What I lack in finesse, I make up with raw enthusiasm.” It’s a cute sentiment, and it also serves as a shockingly good description of director Roland Emmerich’s filmography (“2012,” “The Day After Tomorrow,” “Independence Day”). His movies are not what one would call subtle, but they’re infused with a relentlessness that carries them through even the darkest plot hole and corniest joke.

None of Emmerich’s movies, though, works as hard as “White House Down.” This is a script that feels like it was born from a weekend binge session of caffeine and ‘90s-era Jerry Bruckheimer movies, capped off with about 30 minutes of Wikipedia searches on the layout of the White House and the succession of the chain of command during wartime. And yet, somehow, it (mostly) rises above its shortcomings to deliver an entertaining shoot ‘em up. Channing Tatum should get the lion’s share of the credit for this, thanks to his effortless charm, but it doesn’t hurt that he and Jamie Foxx have good chemistry as well.

Former soldier John Cale (Tatum) is trying to land a job with the Secret Service, and he brings his estranged political junkie daughter Emily (Joey King, who looks like the little sister of Alia Shawkat) with him to his interview at the White House in the hopes of buttering her up. While they are there, a group of goons infiltrates the grounds and dispatches with White House security rather quickly. John and Emily were apart when the attack takes place, and as John looks for Emily, he winds up locating and rescuing President Sawyer (Foxx), though both are still trapped inside the White House. Cale and Sawyer try to sort out why the siege is happening and who could be responsible, but more importantly for Cale, he needs to find Emily.

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Blu Tuesday: The Incredible Burt Wonderstone, The Call and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Incredible Burt Wonderstone”

WHAT: Burt Wonderstone (Steve Carrel) and Anton Marvelton (Steve Buscemi) used to be the hottest act on the Vegas Strip, but in recent years, they’ve been overshadowed by a self-mutilating street magician named Steve Gray (Jim Carrey). When the duo parts ways following a failed attempt to update their show, they must put aside their differences and compete against Gray for the chance to earn the headlining spot at their former employer’s brand new hotel.

WHY: The trailer for “The Incredible Burt Wonderstone” had disaster written all over it, but much to my surprise, I actually enjoyed the film quite a bit. The movie is laugh-out-loud funny at times, and there’s not a single weak link in the cast. Steve Carell channels his inner Will Ferrell as the conceited magician, while Jim Carrey proves that he’s still got it as the Criss Angel-like villain. Even Steve Buscemi, Olivia Wilde, Alan Arkin and James Gandolfini (in one of his final film roles) get in on the laughs, and that’s mostly to the credit of Jonathan M. Goldstein and John Francis Daly’s amusing screenplay. Though it may seem like the movie is just making fun of magicians at their expense, it has a healthy respect for its subject matter (David Copperfield even served as a special consultant) and does a better job of showcasing the art of magic than last month’s “Now You See Me.”

EXTRAS: In addition to nearly 30 minutes of deleted scenes and alternate takes, there’s also a short magic featurette with Copperfield, footage from Steve Gray’s faux video series “The Best of the Brain Rapist” and a gag reel.

FINAL VERDICT: RENT

“The Call”

WHAT: Feeling partially responsible for the kidnapping and subsequent death of a teenage girl, 911 dispatcher Jordan Turner (Halle Berry) takes a leave of absence, eventually returning six months later in a new position as a training supervisor. But when a fellow operator receives a distress call from teenager Casey Wilson (Abigail Breslin) after she’s kidnapped and locked in the trunk of a car, Jordan jumps back into the hot seat, only to discover that the abductor is the same man from the previous incident.

WHY: The WWE logo is a strange thing to see before any movie, but especially one that stars a former Oscar winner like Halle Berry. Sadly, just when it looks like “The Call” is going to deliver a fresh take on the kidnapping genre, it switches gears and becomes another run-of-the-mill thriller better suited for VOD than the big screen. Though it’s hard to pinpoint exactly where the film starts to go downhill, you won’t find a more unintentionally funny scene this year than the introduction of the villain – an over-the-top Norman Bates clone who’s first seen listening to Taco’s synth-pop cover of Puttin’ on the Ritz.” It’s disappointing to see Brad Anderson’s once-promising career relegated to low-rent fodder like this, because while the director and his two stars try their best to elevate the material, their effort only goes so far before the movie crumbles into a clichéd mess.

EXTRAS: The bonus material features a little bit of everything, including deleted scenes, an alternate ending, the audition tape for actor Michael Eklund, a tour of the film’s two main sets, and a stunt featurette on the gas station sequence.

FINAL VERDICT: SKIP

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