Category: Movies (Page 119 of 191)

Summer Glau in “Knights of Badassdom”

Summer Glau - Knights of Badassdom

Summer Glau eanred her badass credentials early on with her role as the sexy, young terminator Cameron on the television series “Terminator: The Sarah Connor Chronicles.” We were big fans of the show and of Summer, and we’ve enjoyed following her career ever since. We featured Summer in the Fox Force Five bracket of our Favorite TV Girlfriends competition several years back.

Now you can see her in a new role, and we have three exclusive photos above from her latest film. “Knights of Badassdom” features an excellent cast, with Steve Zahn, Ryan Kwanten and Peter Dinklage joining Summer. It’s a comedy about a group of live-action roleplayers (LARPers) who mistakenly conjure up a demon from hell and must deal with the consequences. You’ll see plenty of Summer dressed up in a cool outfit as she puts her comedic skills to work.

You can get more information on Summer and the film at the official website, on Facebook and Tumblr.

You can also watch it now with On Demand on television or online at iTunes, Amazon, Google Play and other sources. It’s currently the #1 horror film on iTunes, and the the #9 action film and #10 comedy film

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Blu Tuesday: Game of Thrones and Afternoon Delight

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Game of Thrones: The Complete Third Season”

WHAT: The power struggle across Westeros continues as Lord Tywin takes over as Hand of the King following his victory at Blackwater Bay, leaving Tyrion suddenly powerless and forcing Stannis back to Dragonstone to lick his wounds. Meanwhile, Robb Stark’s campaign against the Lannisters gets fiercer, Daenerys builds her army from afar, Arya earns new allies in her quest for revenge and Jon Snow goes undercover with the wildlings. And that’s just the first few episodes…

WHY: Creators David Benioff and D.B Weiss have stated numerous times that they set Season Three as the unofficial benchmark as to whether or not the show would be a success, and it’s easy to see why, because it showcases the full complexity and richness of the universe that they inherited from George R.R. Martin. The third season expands its scope even further than the previous year, with several new characters quickly making their mark, and old ones (like Nikolaj Coster-Waldau’s Jamie Lannister, one of the season’s MVPs) continuing to evolve within that moral gray area where “Game of Thrones” thrives. It also featured some of the most shocking story developments to date, perhaps none more so than Episode 9’s infamous Red Wedding, which made Ned Stark’s beheading look like child’s play in comparison and was without a doubt one of the biggest television events of last year. (So much so that HBO is spoiling it in their commercials for the Blu-ray/DVD release.) The audience reaction to that episode is very telling of the show’s pop cultural footprint, and when the writing and acting is this good, it’s no surprise why its popularity continues to grow.

EXTRAS: As usual, there’s plenty to dig into here, including 12 audio commentaries with the cast and crew, an in-depth look at the making of “The Rains of Castamere,” a Season Two recap, featurettes on the show’s new characters, politics of marriage and wildlings, five deleted/extended scenes and the customary interactive guides.

FINAL VERDICT: BUY

“Afternoon Delight”

WHAT: Rachel (Kathryn Hahn) is a thirty-something stay-at-home who’s become bored with her daily routine, lackluster sex life and failed career. Looking to spice things up, Rachel takes her husband (Josh Radnor) to a strip club one night and meets erotic dancer McKenna (Juno Temple), who she becomes obsessed with saving, only to cause more harm than good.

WHY: “Afternoon Delight” feels like a spiritual companion piece to Judd Apatow’s “This Is 40,” only not quite as dreadful to watch. Much like that movie, Jill Soloway’s directorial debut examines a middle-aged woman trying to break the soul-crushing routine that she’s become far too comfortable living. It’s something that most people dread happening at one point in their life, but it’s hard to feel bad for characters that already have so much going for them. And therein lies the problem with “Afternoon Delight.” Though its intentions are admirable, the film asks you to pity a woman who doesn’t really have the right to complain nearly as much as she does. Kathryn Hahn turns in a solid performance as the woman in question, and Juno Temple shines as the sex worker she takes in to her home, but while the movie gets off to a strong start as the two ladies form their friendship, the latter half is so ugly in its attempt to create conflict between them that it leaves a bitter taste in your mouth.

EXTRAS: There’s an audio commentary with writer/director Jill Soloway and actress Kathryn Hahn, a behind-the-scenes featurette and some deleted scenes.

FINAL VERDICT: RENT

Movie Review: “RoboCop”

Starring
Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Earle Haley, Samuel L. Jackson
Director
Jose Padliha

At the rate that Hollywood is plowing its way through Paul Verhoeven’s sci-fi catalog, you’d expect Vegas bookies to start slashing the odds on an eventual “Starship Troopers” remake. Though it’s only been two years since fanboys got their panties in a bunch over Len Wiseman’s “Total Recall” reboot, many of those same fans have been dreading the release of the new “RoboCop.” It will probably come as a surprise, then, that the film isn’t nearly as bad as people feared it would be. In fact, it boasts a better cast, better effects and a better story, even if the 1987 original – which is admittedly pretty cheesy by today’s standards – is still the better movie. So why bother with this remake? For starters, because it’s not really a remake at all, instead taking the basic premise and carving its own path that falls more in line with current politics.

The year is 2028, and with the exception of the United States, the rest of the world is now policed by a robot military force operated by technology giant OmniCorp. The government has blocked the use of robots in the U.S. due to the belief that they can’t be held accountable for killing, so OmniCorp CEO Raymond Sellars (Michael Keaton) decides to give the American public someone they can identify with by putting a man in a machine. And it’s not long before they find the perfect subject when Detroit cop Alex Murphy (Joel Kinnaman) is critically injured in a car bombing after he’s targeted by a local drug kingpin. With the help of Dr. Dennett Norton (Gary Oldman), a pioneer in robotic prosthetics, Sellars convinces Alex’s wife, Clara (Abbie Cornish), that the procedure is the only way to keep him alive. But the very thing that makes Alex unique (his emotions) also affects his performance in the field, and when Norton tries to counteract that by programming his brain to act more like a machine, Alex’s human side begins to fight back as he investigates his own murder.

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Movie Review: “The LEGO Movie”

Starring
Chris Pratt, Elizabeth Banks, Morgan Freeman, Will Arnett, Will Ferrell, Liam Neeson, Charlie Day
Director
Phil Lord & Christopher Miller

The biggest conundrum for the makers of “The LEGO Movie”: how to make a movie that promotes the product without playing like a 100-minute informercial. To that point, we have heard from friends who refuse to see the movie because, in their opinion, it is blatantly designed to sell more LEGOs. Well, sure, the LEGO Corporation would certainly like people to buy more of their product, but that in and of itself is not the point of the movie. If anything, the movie is quite subversive in tone, in that it encourages kids to take their uber-precise themed kits and build whatever the hell they want to with the pieces. It preaches against conformity and encourages imagination, both noble goals, and it has Morgan Freeman saying Milhouse Van Houten’s name out loud. Yes, yes, yes.

Emmet (Chris Pratt) is a construction worker who does everything he’s supposed to do. He follows the instructions set forth by President Business (Will Ferrell), which in a nutshell ask everyone to bend to his will in the friendliest manner possible. One day, Emmet sees the lovely Wyldstyle (Elizabeth Banks) poking around his construction site, and as he goes to catch up to her, he discovers an underground group of rebels, led by the blind prophet Vitruvius (Freeman), who refuse to live by President Business’ law. Emmet has discovered a piece that Vitruvius believes will stop President Business’ insidious plan to glue all LEGO pieces together, and because of that, Vitruvius declares that Emmet is the one that an ancient legend predicted will lead them to victory. This group of rebels includes every superhero imaginable (in the DC universe, anyway), along with several other “master builders.” Emmet, on the other hand, doesn’t have an original thought in his head. The rebels have their doubts about him, to say the least.

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Movie Review: “The Monuments Men”

Starring
George Clooney, Matt Damon, Cate Blanchett, Bill Murray, John Goodman, Bob Balaban, Jean Dujardin, Hugh Bonneville, Dimitri Leonidas
Director
George Clooney

When news spread that George Clooney’s latest directorial effort, “The Monuments Men,” wouldn’t be making its original December 2013 release date, many people were surprised, to say the least. After all, nothing sounded more Oscar-ready than a World War II film based on a true story and starring some of Hollywood’s finest actors. Although the studio’s official response on the matter was that Clooney needed more time to finish post-production, it was most likely because “The Monuments Men” just isn’t a very good film. It’s a lot better than most of the dreck that’s forced down our gullets this time of year, but for a movie overflowing with promise, it’s hard not to feel the sting of disappointment.

Clooney stars as Frank Stokes, an American art conservationist who leads a small platoon of experts – including museum curator James Granger (Matt Damon), architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), theater director Preston Savitz (Bob Balaban), French art dealer Jean-Claude Clermont (Jean Dujardin) and British professor Donald Jeffries (Hugh Bonneville) – into Europe during the final year of World War II. Their mission is to protect various monuments and buildings from being needlessly destroyed by Allied forces, as well as locate and retrieve the Nazi-stolen paintings and sculptures hand-picked for Hitler’s planned Führer Museum. After completing basic training, the men split up to undertake specific assignments across the war-torn continent, with Granger heading to Paris to meet a fellow museum curator (Cate Blanchett) who could be the key to tracking down some of the world’s most important cultural treasures.

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