Category: Movie Reviews (Page 78 of 81)

Movie Review: “This Is the End”

Starring
Seth Rogen, Jay Baruchel, James Franco, Jonah Hill, Craig Robinson, Danny McBride, Emma Watson
Director
Seth Rogen & Evan Goldberg

It makes sense that “This Is the End” turned out the way it did. If Seth Rogen is going to write a script about the Apocalypse, it’s not going to be subtle, nor should it be. (Come on, how boring would that be?) However, in his attempt to spread the wealth among his six leads, he loses sight of what would work best for the story, and in the process loses nearly all of the momentum he and co-writer Even Goldberg gained with an explosively funny first act.

Jay Baruchel (all of the name actors in this movie are playing themselves) flies to Los Angeles for a weekend of bonding with lifelong friend Seth Rogen. Seth asks Jay if he wants to go to a party at James Franco‘s house, but Jay isn’t crazy about Seth’s new friends, and just as he expected, he winds up bored and angry at Seth. When the two leave to get some cigarettes, the Rapture takes place before their eyes, with people being beamed up to heaven while hell is unleashed on earth. They get back to Franco’s house just before a giant hole swallows up everyone but Seth, Jay, James, Craig Robinson and Jonah Hill. Oh, and Danny McBride, who crashed the party and fell asleep in the bathtub.

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Movie Review: “The Internship”

Starring
Vince Vaughn, Owen Wilson, Rose Byrne, Max Minghella, Aasif Mandvi
Director
Shawn Levy

It’s been nearly a decade since Vince Vaughn and Owen Wilson first teamed up for the R-rated comedy “Wedding Crashers,” and moviegoers have been clamoring for the pair to do another film together ever since. The reunion may have taken a little longer than expected, but it’s nice to see that they didn’t go the easy route with a “Wedding Crashers” sequel, even if their new movie falls well short of recapturing that same spark. “The Internship” isn’t nearly as bad as its trailers led me to believe, but while Vaughn and Wilson don’t waste any time in renewing their great onscreen chemistry, it’s still not very funny.

Billy McMahon (Vaughn) and Nick Campbell (Wilson) have built successful careers as salesmen, but when their company closes due to the economic crunch, they suddenly find themselves without a job and no real marketable skills to speak of. Analog dinosaurs living in a digital world, their futures look bleak – that is, until Billy gets the idea to apply for a summer internship program at Google. Though they clearly lack the general computer knowledge of most candidates, the company decides to take a chance on the two guys anyway. Placed into a group of fellow outcasts with poor social skills, Billy and Nick are quickly discounted as a couple of inept goofballs that are more trouble than they’re worth. But what they lack in technological savvy, they make up for in life experience, and that proves just as valuable when they compete in a series of team challenges for the chance to earn a job at the tech giant.

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Movie Review: “Now You See Me”

Starring
Jesse Eisenberg, Woody Harrelson, Isla Fisher, Mark Ruffalo, Morgan Freeman, Michael Caine, Dave Franco
Director
Louis Leterrier

It takes balls of steel to write a film like “Now You See Me.” It’s the screenwriter declaring to the moviegoing public that he or she is smarter than they are, which motivates the audience to prove them wrong. Now, to be fair to the screenwriters of this particular film, anyone who says they figured out the ending before the Big Reveal just got lucky. At the same time, there are a lot of things about the movie that are a little…off, and not in a ‘this is a clue in disguise’ kind of way. The characters themselves tell you that you’re too close to see the big picture. As it turns out, the movie is the same way. It’s a thrill to watch while it’s happening, but take a step back when the credits roll, and it reveals itself to be a house of cards.

J. Daniel Atlas (Jesse Eisenberg), Henley Reeves (Isla Fisher), Merritt McKinney (Woody Harrelson) and Jack Wilder (Dave Franco) are talented illusionists with varying degrees of success – a couple of them are actually cons – when they receive a mysterious invitation to meet in an abandoned building. One year later, they are performing together in Las Vegas as the Four Horsemen, and they execute a dazzling stunt that involves robbing a bank halfway around the world. This, naturally, attracts the attention of both the FBI and Interpol, which leads to cynic Fed Dylan Rhodes (Mark Ruffalo) being teamed up with French desk jockey Alma Day (Melanie Laurent). Watching from the sidelines with bemusement is Thaddeus Bradley (Morgan Freeman), an illusionist who has made a career out of debunking other illusionists. Rhodes isn’t sure whether he is trustworthy or another piece in a larger puzzle.

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Movie Review: “Fast & Furious 6”

Starring
Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Luke Evans, Tyrese Gibson, Ludacris, Sung Kang, Gal Gadot, Gina Garano
Director
Justin Lin

The “Fast and Furious” franchise is like popcorn movie kryptonite – it’s my only weakness. (Okay, maybe not my only weakness.) But for as cheesy, soapy and utterly preposterous as the movies can get at times, they’re also incredibly entertaining, especially following director Justin Lin’s retooling of the series. Though the sixth installment doesn’t quite live up to 2011’s “Fast Five,” which took the franchise to new heights in more ways than one, it still delivers everything that fans have come to expect over the years. Bigger and dumber but still tons of fun, “Fast & Furious 6” may have you rolling your eyes even more than usual, but that’s part of what make the series so great.

Picking up several months after the events of “Fast Five,” the movie finds Dominic Toretto (Vin Diesel) laying low in Spain when he’s visited by DSS agent Luke Hobbs (Dwayne Johnson) with some interesting news: his old flame, Letty (Michelle Rodriguez), isn’t quite as dead as previously believed. In fact, she’s working with a British soldier turned criminal named Owen Shaw (Luke Evans) who’s planning on stealing a top secret computer chip worth billions, and Hobbs needs Dom’s help to catch him. With the promise of full pardons for everyone involved, and the added incentive of finding out what happened to Letty, Dom enlists the rest of the crew (save for Puerto Rican jokesters Tego and Rico) and heads to London to face off against Shaw and his own team of street racing criminals.

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Movie Review: “The Hangover Part III”

Starring
Bradley Cooper, Ed Helms, Zach Galifianakis, Ken Jeong, John Goodman
Director
Todd Phillips

After the last “Hangover” film left most people with a sour taste in their mouth, it was no secret that director Todd Phillips would have to change up the formula if he ever made another sequel. Unfortunately, despite heeding that advice on the latest installment, “The Hangover Part III” is a really bad movie (like, worst film of the year bad) – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m still not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise.

The film opens with a silly gag involving Alan (Zach Galifianakis) buying and subsequently killing a giraffe while transporting it home, and it only goes downhill from there. (Sadly, that’s also just the start of the movie’s streak of animal cruelty.) When his latest antics cause his father (Jeffrey Tambor) to have a heart attack and die, it puts Alan in a bit of tailspin. Concerned about his well-being, the guys (Bradley Cooper, Ed Helms and Justin Bartha) stage an intervention and convince him to get help at a mental health clinic in Arizona. On the way there, however, they’re kidnapped by a surly gangster named Marshall (John Goodman), who blames them for introducing Leslie Chow (Ken Jeong) into his life. Apparently, Chow stole a lot of money from Marshall and has evaded him ever since, so he tasks the Wolfpack (minus Doug of course, who’s kept as collateral) to track him down, taking them from Tijuana to Las Vegas, the city where it all began.

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