Category: Movie Reviews (Page 75 of 81)

Movie Review: “The World’s End”

Starring
Simon Pegg, Nick Frost, Martin Freeman, Paddy Considine, Eddie Marsan, Rosamund Pike, David Bradley
Director
Edgar Wright

Fans of “Shaun of the Dead” and “Hot Fuzz” have been badgering director Edgar Wright about the final installment in his self-titled Three Flavours Cornetto trilogy for so long that it seemed like it might never happen. Granted, it’s not really a trilogy at all, at least not in the traditional sense, but any time that good friends Wright, Simon Pegg and Nick Frost get together is cause for celebration, and the long-awaited “The World’s End” is no exception. While expectations are undoubtedly high for their third (and hopefully not last) cinematic outing together, Wright and Co. have produced another excellent comedy that, although it falls a little short of their previous two films, still delivers all the laughs that we’ve come to expect from the trio.

Back in 1990, a group of high school friends embarked on a quest to finish The Golden Mile, a 12-pub crawl through their peaceful town of Newton Haven ending at the titular World’s End. They never made it that far, however, and more than 20 years later, it still haunts would-be leader Gary King (Pegg), who’s refused to grow up while the rest of his friends have gone on to build families and careers. While reminiscing about the good old days in group therapy, Gary decides to get the gang back together so they can finally complete the illustrious pub crawl, and seeing how much it means to him, Andrew (Frost), Steven (Paddy Considine), Oliver (Martin Freeman) and Peter (Eddie Marsan) reluctantly agree to tag along. Upon their return to Newton Haven, they inadvertently uncover a secret invasion by robot-like beings that have assimilated most of the town’s inhabitants. When their attempts to blend in fail miserably, the guys are targeted by the robotic collective and given a choice: submit or die, but Gary’s not about to let that get in the way of him finishing the Golden Mile.

Continue reading »

Movie Review: “The Conjuring”

Starring
Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston, John Brotherton
Director
James Wan

The strange thing about horror movies of the last 10 years is that they’ve rarely been scary. They’ve been grotesque – take, please, “Evil Dead” from earlier this year – but few of them have been legitimately frightening. “The Conjuring,” on the other hand, understands that violence is not horror, and delivers a truly disturbing viewing experience. It may use a little Hollywood pixie dust to make it to the finish line, but the pre-Hollywood psychodrama is positively chilling, and the use of old-school techniques only adds to the creep factor.

It’s the fall of 1971, and Roger and Carolyn Petton (Ron Livingston and Lili Taylor), along with their five daughters, are moving into an old farm house in Rhode Island. From the very beginning, the place seems a little off (the dog won’t go in the house, the basement is boarded up), but the family puts up with all of the seemingly unrelated annoyances (cold, the occasional foul stench, youngest daughter April’s new imaginary friend) and attributes it to, well, something rational, something explainable. It is not long, though, before the “house” ramps up the offensive, and an exasperated Carolyn asks local paranormal researchers Lorraine and Ed Warren (Vera Farmiga and Patrick Wilson) to come to the house and evaluate their problem. Lorraine, a clairvoyant, gets bad vibes from the very beginning, and after doing a little research on the former homeowners, she is fearful for the lives of the entire Perron family, Carolyn in particular.

Screenwriting twins Chad and Carey Hayes wrote the script of their lives here – though to be fair, one look at their IMDb profile and you’ll see that that is a backhanded compliment – by framing the ‘A’ story (the Perrons) and the ‘B’ story (the Warrens) side by side until such time that the families can come together organically. It’s a shrewd move, because it gives the audience the occasional, much-needed break from the terror that the Perrons are suffering, while slowly allowing the audience to get to know the Warrens and the, um, ghosts of their past that they bring with them to this case. That, plus Wan’s refusal to resort to the cheap ‘boo’ scare, gets the audience emotionally invested early, and never lets them go.

Continue reading »

Movie Review: “RED 2”

Starring
Bruce Willis, Mary-Louise Parker, John Malkovich, Helen Mirren, Anthony Hopkins, Byung-hun Lee, Catherine Zeta-Jones, Neal McDonough
Director
Dean Parisot

Though it featured a veritable who’s who of some of Hollywood’s greatest veteran actors, 2010’s “RED” was a bit of a surprise hit, earning $200 million worldwide during the doldrums of October. You’d forgive Summit Entertainment for wanting to fast-track a sequel then, even if the source material on which it’s based (Warren Ellis and Cully Hammer’s three-issue comic book series of the same name) was completely exhausted in the first film. Of course, that hasn’t stopped series writers Jon and Erich Hoeber from continuing their story of retired, extremely dangerous CIA agent Frank Martin, and although it doesn’t quite pack the same punch as its predecessor, “RED 2” is still a good deal of fun thanks almost entirely to its star-studded cast.

Following the events of the last movie, Frank (Bruce Willis) has been trying to lead a quiet, domestic life with girlfriend Sarah (Mary-Louise Parker), but she yearns for another adventure. And her wish is granted when Marvin (John Malkovich) tracks Frank down to warn him that they’ve been framed as domestic terrorists involved in a top secret operation known as Nightshade, a ludicrous Cold War plot to sneak a portable WMD into Moscow, only for it to go missing. But the Russian nuke is very much real, and the only person who knows of its whereabouts is Dr. Edward Bailey (Anthony Hopkins), the physicist responsible for building it, who’s been locked away in a British insane asylum for over 30 years, despite being believed dead. So when the U.S. government hires a deadly assassin (Byung-hun Lee) to take Frank out, he must team up with his fellow operatives to recover the bomb and prevent it from falling into the wrong hands.

Continue reading »

Movie Review: “Turbo”

Starring
Ryan Reynolds, Paul Giamatti, Michael Pena, Samuel L. Jackson, Bill Hader, Richard Jenkins, Ken Jeong, Snoop Dogg
Director
David Soren

If you sit and think about “Turbo” for even half a second, it’s difficult not to notice what’s wrong with it, from the formulaic story to its blatant disregard for the rules of auto racing (spoken by a man who doesn’t follow auto racing; that’s how egregious the oversights were). Luckily for the film, it has several other things working in its favor, namely some inspired voice casting, gorgeous design, and smarter than average dialogue. “Turbo” rises above its familiarity and makes for a charming, if predictable, experience.

Theo (Ryan Reynolds) is a snail who, along with his brother Chet (Paul Giamatti), works in the garden outside a suburban southern California house. At night, Theo watches video tapes of race car driver Guy Gagne (Bill Hader), and dreams of being fast like him, a racer named Turbo. One night, while watching the cars on the 101 from an overpass, Theo inadvertently winds up taking part in a street race and ingesting nitrous oxide, which rewrites his DNA and gives him incredible speed. (Warning to children: drinking nitrous oxide will not give you superhuman speed. If anything, it will put you to sleep.) Soon after, Theo and Chet are captured by Tito (Michael Pena), who co-owns a taco truck in a run-down strip mall, and races snails for fun with his fellow mall employees. Once they realize that Theo is actually fast, Tito begins raising money to enter him into the Indianapolis 500, and his new crew of racing snail buddies, led by Whiplash (Samuel L. Jackson), provides support.

Continue reading »

Blu Tuesday: Evil Dead, 42 and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Evil Dead”

WHAT: Drug addict Mia (Jane Levy) is taken to a remote cabin in the woods by her brother (Shiloh Fernandez) and three friends to help kick the habit. But when one of them unknowingly summons an evil spirit from the Book of the Dead, the demon possesses Mia and turns her against the others.

WHY:Evil Dead” is one of the few remakes that’s not only a success, but actually improves upon the original in certain departments. Though Sam Raimi’s version will forever be the “Evil Dead” of choice for horror purists, director Fede Alvarez has done an admirable job of preserving the tone of Raimi’s film while making it just different enough to stand on its own. The whole drug angle was a really smart way of introducing the characters into the story, and although they still make their share of bad decisions (particularly Lou Taylor Pucci’s Eric, whose stupidity will drive you crazy), for the most part, they’re much more developed than the typical cast of horror victims. Where Alvarez’s “Evil Dead” really flourishes, however, is the gore factor, because there’s absolutely no shortage of the red gooey stuff throughout the film’s brisk 91-minute runtime, and for horror fans, that’s surely music to their ears.

EXTRAS: In addition to an audio commentary with director Fede Alvarez, writer Rodo Sayagues and stars Jane Levy, Lou Taylor Pucci and Jessica Lucas, there’s a pair of behind-the-scenes featurettes, interviews with the cast and crew about remaking the horror classic and more.

FINAL VERDICT: RENT

“42”

WHAT: In 1947, African-American baseball players were relegated to their own Negro League, but that all changed when Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) made the bold decision to break the color line and offer Jackie Robinson (Chadwick Boseman) the chance to make history as the first professional black player in the National League.

WHY: The story of Jackie Robinson is pretty much the ultimate civil rights tale, so it’s surprising that only one other film has been made on the subject, and that movie starred the famous athlete as himself. It’s probably because no matter how inspiring Robinson’s story may be, he’s not a particularly interesting figure, and that’s something that director Brian Helgeland constantly wrestles with in “42,” a conservative and slightly cheesy sports drama that feels like a product of its 1940s setting. Though Robinson makes for a dull protagonist, Helgeland surrounds him with a cast of colorful characters, including Christopher Meloni as Dodgers manager Leo Durocher, Alan Tudyk as racist Phillies manager Ben Chapman and Harrison Ford in a standout performance as Branch Rickey. It’s the veteran actor’s involvement that just barely tips the scale in the favor of “42,” because while the movie is an enjoyable tribute to one of baseball’s biggest heroes, it’s not as memorable as the source material warrants.

EXTRAS: There’s a behind-the-scenes featurette on training the actors to play baseball and recreating the old stadiums with special effects, another featurette on Boseman and Ford getting into character, and a brief retrospective on Robinson’s legacy.

FINAL VERDICT: RENT

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑