There is a reason that stalker thrillers fell out of vogue: in terms of story structure, even the good ones have a lot in common with the bad ones. It’s a rigid narrative, which means it’s virtually impossible to surprise the audience. Joel Edgerton’s “The Gift” (in which he also stars) falls victim to the same trappings as stalker thrillers past, but only for the first half of the movie. From there, the movie breaks from tradition, offering several pleasant surprises in the process. There are no ‘boo’ moments in the score, and Edgerton’s script is transparent in ways that these films are rarely allowed to be. It’s almost unfair in how the movie is able to have its cake and eat it, too. And the ending will have people buzzing, and most likely wanting to take a shower.
Simon (Jason Bateman) and his wife Robyn (Rebecca Hall) have recently moved to California for Simon’s new job. As the two are shopping for furnishings, Simon runs into Gordon (Edgerton), a high school classmate that Simon hasn’t seen since they were teenagers. “Gordo” goes out of his way to be helpful to Simon and Robyn, and leaves multiple gifts for the two at their front door. Robyn is touched by Gordo’s generosity, and can relate to his social awkwardness, but Simon isn’t comfortable with the affection that Gordo lavishes on Robyn, and asks Gordo to leave them alone. Gordo does, but in doing so, he leaves a clue for Robyn that suggests that Simon is not being forthright about his and Gordo’s shared past.
