Author: Jason Zingale (Page 87 of 112)

Coming Soon: A Moviegoer’s Guide to May

may_movies

It’s not just the studios that get excited about the beginning of the summer movie season, but audiences as well, because the four-month period marks the release of some of the year’s most anticipated films, from action blockbusters to all-star comedies. This summer is particularly exciting, and it kicks off in May with the latest installments of some of Hollywood’s biggest franchises (“Iron Man,” “Star Trek,” “Fast & Furious” and “The Hangover”), as well as a few lower profile features with the potential to make a big impression.

“IRON MAN 3”

Who: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Ben Kingsley and Guy Pearce
What: When Tony Stark’s world is torn apart by a formidable terrorist called the Mandarin, Stark starts an odyssey of rebuilding and retribution.
When: May 3rd
Why: “Iron Man 2” may be one of the weaker films in Marvel’s Phase One, but it deserves some slack for shouldering a lot of the groundwork leading up to “The Avengers.” With that said, it’ll be nice to see Tony Stark in a more standalone adventure this time out, which is reportedly based on Warren Ellis’ well-received “Extremis” arc, ushering in a change of status quo for the Iron Man armor. The film also marks a change behind the camera as well, with Shane Black taking over for the departing Jon Favreau, although the trailers suggest that it’s business as usual. That’s great news for fans of the first two films, because with the addition of Guy Pearce, Rebecca Hall and Ben Kingsley to the cast, “Iron Man 3” is shaping up to the best of the series.

“THE ICEMAN”

Who: Michael Shannon, Winona Ryder, Chris Evans, James Franco and Ray Liotta
What: The true story of notorious contract killer Richard Kuklinski, from his early days in the mob until his arrest for the murder of more than 100 men.
When: May 3rd
Why: Millennium Entertainment doesn’t exactly have the best track record when it comes to releasing small movies with big stars, but the cast of “The Iceman” is almost too good to ignore. Michael Shannon tends to deliver his best work in these types of indie films, while Winona Ryder proved in “Black Swan” that she’s still capable of turning in a good performance with the right material. And it wouldn’t be a crime movie without Ray Liotta popping up at some point, so director Ariel Vromen has that box checked as well. Though most people have probably never even heard of Richard Kuklinski or his true life story, sometimes those ones are the best.

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Blu Tuesday: Mobsters, Mothers and More

After what can only be described as a really lousy last few weeks, things are finally starting to pick up again in the land of Blu-ray, with several key titles (including the 3D edition of “Jurassic Park”) arriving in stores today. Though the selection isn’t as great as it was a few months ago, when compared to the rest of April, it’s hard to complain.

“Gangster Squad”

It’s been a while since Hollywood delivered a truly great mobster movie, and though “Gangster Squad” falls a little short of remedying that, it’s still an entertaining and welcome return to the genre, partially because it doesn’t take itself too seriously. Will Beall’s script does a good job of balancing the drama with brief moments of humor, while Sean Penn’s gleefully over-the-top turn as Mickey Cohen is just campy enough without being distracting. The action sequences are also really well done, although the unique visual style that Ruben Fleischer brought to “Zombieland” isn’t as prevalent here as it was in that movie. If there’s one thing that really makes the film worth seeing, however, it’s the killer cast. Josh Brolin is great as the leader of the titular squad, and it’s nice to see Ryan Gosling and Emma Stone rekindle their chemistry from “Crazy, Stupid, Love,” even if both parts are poorly underwritten. The other cast members don’t get as much to do, but having top-notch actors like Nick Nolte, Anthony Mackie, Michael Peña, Giovanni Ribisi and Robert Patrick in those supporting roles definitely elevates the material. The story is predictable, and it owes a lot to “The Untouchables,” but “Gangster Squad” is enjoyable in spite of all that.

Blu-ray Highlight: It’s a shame that Warner Bros. didn’t include the original movie theater shootout sequence among the deleted scenes, but the rest of the bonus material is pretty good. “The Gangland Files” collects many of the disc’s extras (including Focus Point mini-featurettes, historical trivia and other bits) into a picture-in-picture track that plays alongside the film, while the audio commentary with director Ruben Fleischer is informative but not terribly engaging.

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Blu Tuesday: Django Unchained

April has been a pretty poor month for Blu-ray fans thus far, and the disappointment continues this week. With the exception of Quentin Tarantino’s latest film, there aren’t many new releases to get excited about unless you’re a fan of Marvel’s anime projects or the 1984 cult hit “Repo Man.” Unfortunately, I’m not particularly crazy about either, and so while today’s column would have been just as easy to skip as the previous two weeks, it’s hard to ignore Tarantino’s bloody Western.

Though the director doesn’t make very many films, when Tarantino does release a new one, it’s always met with the same kind of crazed excitement usually reserved for summer tentpoles, and that’s because his movies are practically big events themselves. After dabbling in just about every genre at this point in his career, it was only natural that he would eventually try his hand at making a Western, even if “Django Unchained” is more of a genre mash-up between a spaghetti western and a blaxploitation film, complete with all the musical cues, whip pans and other stylistic flourishes. The film also reveals itself to be somewhat of a buddy comedy, and this is when “Django Unchained” is at its best, delivering some of Tarantino’s funniest dialogue and anchored by yet another show-stopping performance from Christoph Waltz. By the time Leonardo DiCaprio’s charming but villainous plantation owner is introduced, however, the movie starts to lose steam. Though DiCaprio is a lot of fun to watch in the role, the second half of the film drags on for too long, and that’s coming from someone who usually welcomes Tarantino’s tendency towards excess. “Django Unchained” is propped up by a pair of fantastic performances and is filled with plenty of classic Tarantino moments, but it’s hard not to feel a little letdown, because it simply doesn’t live up to the high standards set by his previous films.

Blu-ray Highlight: A review copy wasn’t provided in time, but if other sources are to be believed, the included bonus material is a bit lackluster, with only a handful of extras (including featurettes on the film’s costumes, stunts and production designer J. Michael Riva) and no audio commentary by Tarantino.

Movie Review: “42”

Starring
Chadwick Boseman, Harrison Ford, Nicole Beharie, Andre Holland
Director
Brian Helgeland

Every time Hollywood releases another civil rights sports movie, it calls to mind comedian Bill Burr’s funny bit about white guilt, because audiences have been inundated with so many of these films recently that they’ve begun to lose the potency of their message. Of course, if you are going to make another civil rights sports movie, the story of Jackie Robinson is pretty much the definitive version, so it’s surprising that only one other film (“The Jackie Robinson Story”) has been made on the subject, and that movie starred the famous baseball player as himself. It’s probably because no matter how inspiring Robinson’s tale may be, he’s not a particularly interesting figure apart from his contribution to history, and that’s something that director Brian Helgeland constantly wrestles with in “42.”

Unlike most biopics, the film only covers three years of Robinson’s life, beginning in 1945 when he was still playing in the Negro league after serving in World War II. Spring training has just begun and Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) has decided to make the bold move to break the color line and bring the first black player into the National League. Initially assigned to the Dodgers’ minor league team in Montreal, Jackie (Chadwick Boseman) must overcome immense racism from both the fans and his teammates, much to the concern of his wife Rachel (Nicole Beharie) and black sports journalist Wendell Smith (Andre Holland), who’s aware that there’s much more at stake than Jackie realizes. But instead of lashing out against his detractors like everyone is expecting, Robinson lets his talent do the talking on the baseball field, eventually earning a spot with the Dodgers and leading them to the pennant in his first year.

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Movie Review: “The Place Beyond the Pines”

Starring
Ryan Gosling, Bradley Cooper, Eva Mendes, Dane DeHaan, Emory Cohen
Director
Derek Cianfrance

After watching Derek Cianfrance’s “Blue Valentine,” it was clear that the writer/director would be one to watch for the future, even if the anti-romance film wasn’t exactly my cup of tea. His follow-up feature, “The Place Beyond the Pines,” reunites Cianfrance with his “Blue Valentine” star Ryan Gosling, and though the movie is hindered by its own set of problems, the multi-generational crime drama makes good on the potential he showcased in his directorial debut. While it’s difficult to talk about the movie without wading knee-high into spoiler territory, “The Place Beyond the Pines” is an impressive piece of American filmmaking that’s every bit as compelling as it is annoyingly flawed.

The movie’s triptych structure is like watching three separate but interconnecting films, and Cianfrance kicks things off with what is easily the best of the bunch as we’re introduced to Luke Glanton (Gosling), a motorcycle stunt driver who reconnects with a former one-night stand named Romina (Eva Mendes) at the local fair where he plies his trade. When he learns that Romina has given birth to his son, Luke agrees to quit his nomadic job and stay in town, even though Romina has already moved on with another man. Determined to do his fatherly duties and provide for his son, Luke decides to put his unique skills to use and start robbing banks, placing him on a collision course with rookie policeman Avery Cross (Bradley Cooper), an honest family man who gave up his promising career as a lawyer to serve on the force. After becoming privy to some dirty cops in the department, however, Avery must decide what’s more important: his integrity or loyalty to his brothers in blue.

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