Author: Jason Zingale (Page 69 of 112)

Blu Tuesday: Gravity, Thor: The Dark World and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Gravity”

WHAT: When their space shuttle is destroyed by hurtling debris from a damaged Russian satellite, U.S. astronauts Ryan Stone (Sandra Bullock) and Matt Kowalsky (George Clooney) are left adrift in space with limited oxygen and a minimal chance of survival.

WHY: It’s been six years since Alfonso Cuarón’s last feature film – the criminally underrated “Children of Men” – but his outer space survival thriller was well worth the wait. “Gravity” is the kind of movie that will likely change the way films are made in the future. From the stunning, single-take opening sequence that lasts more than 12 minutes, to the numerous set pieces throughout, “Gravity” is such a technical marvel that it looks like Cuarón shot the whole damn thing in space. Though the story is ridiculously simple, not a single second of its 91-minute runtime is wasted, extracting so much suspense from the film’s terrifying setup that the brief injections of comedy (courtesy of George Clooney’s easygoing astronaut) are a welcome reprieve from the almost unrelenting intensity. Sandra Bullock delivers one of the best performances of her career as the rookie astronaut caught up in a seemingly impossible situation, but the real star of “Gravity” is Cuarón himself, and he deserves every bit of praise for creating what can only be described as pure movie magic.

EXTRAS: In addition to an excellent, 107-minute making-of featurette, the Blu-ray includes shot breakdowns for five scenes, a short film titled “Aningaaq” from co-writer Jonas Cuaron, and the documentary “Collision Point” narrated by Ed Harris.

FINAL VERDICT: BUY

“Thor: The Dark World”

WHAT: When Jane Foster (Natalie Portman) discovers an ancient power known as the Aether, she unknowingly awakens Malekith the Accursed (Christopher Eccleston), the leader of the Dark Elves who plans to use that power to plunge the world back into darkness. Against his father’s wishes, Thor (Chris Hemsworth) comes to Jane’s rescue in order to stop Malekith before his sinister plan can be completed.

WHY: I’m a really big fan of the first “Thor,” so my expectations were pretty high going into this sequel, and unfortunately, “The Dark World” fails to live up to them. Though there are some really great moments throughout, the movie is weakened by what is easily the worse villain of the Marvel films thus far. Nothing against Christopher Eccleston, but Malekith looks like a C-list “Star Trek” villain with similarly uninspired end-of-the-world ambitions. Additionally, Sif and the Warriors Three are criminally underused – something that will hopefully be remedied should there be a third installment. Most of what does work in the sequel is carried over from its predecessor. Tom Hiddlestone continues to prove why Loki is Marvel’s greatest asset, because as soon as he enters the film, it gets a lot more interesting, thanks in part to his excellent chemistry with Chris Hemsworth. The Earth-based scenes also feature some pretty big laughs, and the final act is a lot of fun. “The Dark World” isn’t quite on the same level as we’ve come to expect from Marvel, but it doesn’t make me want another “Thor” film any less.

EXTRAS: The Blu-ray release is headlined by a new Marvel One-Shot titled “All Hail the King” (with Ben Kingsley reprising his “Iron Man 3” role) and an audio commentary with director Alan Taylor, producer Kevin Feige, co-star Tom Hiddleston and cinematographer Kramer Morgenthau. There’s also a two-part featurette on the relationship between Thor and Loki, a short featurette on composer Brian Tyler’s score, some deleted and extended scenes, and a behind-the-scenes look at “Captain America: The Winter Soldier.”

FINAL VERDICT: RENT

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Movie Review: “Pompeii”

Starring
Kit Harrington, Emily Browning, Adewale Akinnuoye-Agbaje, Kiefer Sutherland, Jared Harris, Carrie-Anne Moss
Director
Paul W.S. Anderson

Paul W.S. Anderson must have had “Titanic” playing on a loop for his cast and crew during the making of “Pompeii,” because the director’s sword-and-sandals/disaster movie borrows heavily from the James Cameron drama. That’s not to say that “Titanic” was a wholly original story, but you’d think that Anderson could have done a better job of not making its influence so blatantly obvious. Of course, everything about “Pompeii” feels half-assed – from its bland romance, to its terrible dialogue, to the worthless addition of 3D – and though it’s slightly better than last month’s “The Legend of Hercules,” the film is still a pretty miserable viewing experience.

The movie opens in the year 62 A.D. as a young boy witnesses the murder of his entire Celtic tribe, including his mother and father, and is promptly sold into slavery. 17 years later, the now grown-up Milo (Kit Harrington) is fighting in Britannia as a gladiator known only as The Celt when his skills in the arena impresses a Roman lanista and he’s shipped off to the Italian city of Pompeii. Along the way, Milo catches the eye of a wealthy merchant’s daughter named Cassia (Emily Browning), who’s betrothed to the smarmy Senator Corvus (Kiefer Sutherland), the very man responsible for slaughtering his people. (Extraordinarily, neither Corvus nor his right-hand man have seemingly aged a single day, making identifying them that much easier.) Forced to fight in the upcoming games alongside fellow gladiator Atticus (Adewale Akinnuoye-Agbaje), Milo is given a chance to exact his revenge when Mount Vesuvius suddenly erupts, causing mass panic throughout Pompeii as the city crumbles.

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Blu Tuesday: Game of Thrones and Afternoon Delight

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Game of Thrones: The Complete Third Season”

WHAT: The power struggle across Westeros continues as Lord Tywin takes over as Hand of the King following his victory at Blackwater Bay, leaving Tyrion suddenly powerless and forcing Stannis back to Dragonstone to lick his wounds. Meanwhile, Robb Stark’s campaign against the Lannisters gets fiercer, Daenerys builds her army from afar, Arya earns new allies in her quest for revenge and Jon Snow goes undercover with the wildlings. And that’s just the first few episodes…

WHY: Creators David Benioff and D.B Weiss have stated numerous times that they set Season Three as the unofficial benchmark as to whether or not the show would be a success, and it’s easy to see why, because it showcases the full complexity and richness of the universe that they inherited from George R.R. Martin. The third season expands its scope even further than the previous year, with several new characters quickly making their mark, and old ones (like Nikolaj Coster-Waldau’s Jamie Lannister, one of the season’s MVPs) continuing to evolve within that moral gray area where “Game of Thrones” thrives. It also featured some of the most shocking story developments to date, perhaps none more so than Episode 9’s infamous Red Wedding, which made Ned Stark’s beheading look like child’s play in comparison and was without a doubt one of the biggest television events of last year. (So much so that HBO is spoiling it in their commercials for the Blu-ray/DVD release.) The audience reaction to that episode is very telling of the show’s pop cultural footprint, and when the writing and acting is this good, it’s no surprise why its popularity continues to grow.

EXTRAS: As usual, there’s plenty to dig into here, including 12 audio commentaries with the cast and crew, an in-depth look at the making of “The Rains of Castamere,” a Season Two recap, featurettes on the show’s new characters, politics of marriage and wildlings, five deleted/extended scenes and the customary interactive guides.

FINAL VERDICT: BUY

“Afternoon Delight”

WHAT: Rachel (Kathryn Hahn) is a thirty-something stay-at-home who’s become bored with her daily routine, lackluster sex life and failed career. Looking to spice things up, Rachel takes her husband (Josh Radnor) to a strip club one night and meets erotic dancer McKenna (Juno Temple), who she becomes obsessed with saving, only to cause more harm than good.

WHY: “Afternoon Delight” feels like a spiritual companion piece to Judd Apatow’s “This Is 40,” only not quite as dreadful to watch. Much like that movie, Jill Soloway’s directorial debut examines a middle-aged woman trying to break the soul-crushing routine that she’s become far too comfortable living. It’s something that most people dread happening at one point in their life, but it’s hard to feel bad for characters that already have so much going for them. And therein lies the problem with “Afternoon Delight.” Though its intentions are admirable, the film asks you to pity a woman who doesn’t really have the right to complain nearly as much as she does. Kathryn Hahn turns in a solid performance as the woman in question, and Juno Temple shines as the sex worker she takes in to her home, but while the movie gets off to a strong start as the two ladies form their friendship, the latter half is so ugly in its attempt to create conflict between them that it leaves a bitter taste in your mouth.

EXTRAS: There’s an audio commentary with writer/director Jill Soloway and actress Kathryn Hahn, a behind-the-scenes featurette and some deleted scenes.

FINAL VERDICT: RENT

Movie Review: “RoboCop”

Starring
Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Earle Haley, Samuel L. Jackson
Director
Jose Padliha

At the rate that Hollywood is plowing its way through Paul Verhoeven’s sci-fi catalog, you’d expect Vegas bookies to start slashing the odds on an eventual “Starship Troopers” remake. Though it’s only been two years since fanboys got their panties in a bunch over Len Wiseman’s “Total Recall” reboot, many of those same fans have been dreading the release of the new “RoboCop.” It will probably come as a surprise, then, that the film isn’t nearly as bad as people feared it would be. In fact, it boasts a better cast, better effects and a better story, even if the 1987 original – which is admittedly pretty cheesy by today’s standards – is still the better movie. So why bother with this remake? For starters, because it’s not really a remake at all, instead taking the basic premise and carving its own path that falls more in line with current politics.

The year is 2028, and with the exception of the United States, the rest of the world is now policed by a robot military force operated by technology giant OmniCorp. The government has blocked the use of robots in the U.S. due to the belief that they can’t be held accountable for killing, so OmniCorp CEO Raymond Sellars (Michael Keaton) decides to give the American public someone they can identify with by putting a man in a machine. And it’s not long before they find the perfect subject when Detroit cop Alex Murphy (Joel Kinnaman) is critically injured in a car bombing after he’s targeted by a local drug kingpin. With the help of Dr. Dennett Norton (Gary Oldman), a pioneer in robotic prosthetics, Sellars convinces Alex’s wife, Clara (Abbie Cornish), that the procedure is the only way to keep him alive. But the very thing that makes Alex unique (his emotions) also affects his performance in the field, and when Norton tries to counteract that by programming his brain to act more like a machine, Alex’s human side begins to fight back as he investigates his own murder.

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Movie Review: “The Monuments Men”

Starring
George Clooney, Matt Damon, Cate Blanchett, Bill Murray, John Goodman, Bob Balaban, Jean Dujardin, Hugh Bonneville, Dimitri Leonidas
Director
George Clooney

When news spread that George Clooney’s latest directorial effort, “The Monuments Men,” wouldn’t be making its original December 2013 release date, many people were surprised, to say the least. After all, nothing sounded more Oscar-ready than a World War II film based on a true story and starring some of Hollywood’s finest actors. Although the studio’s official response on the matter was that Clooney needed more time to finish post-production, it was most likely because “The Monuments Men” just isn’t a very good film. It’s a lot better than most of the dreck that’s forced down our gullets this time of year, but for a movie overflowing with promise, it’s hard not to feel the sting of disappointment.

Clooney stars as Frank Stokes, an American art conservationist who leads a small platoon of experts – including museum curator James Granger (Matt Damon), architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), theater director Preston Savitz (Bob Balaban), French art dealer Jean-Claude Clermont (Jean Dujardin) and British professor Donald Jeffries (Hugh Bonneville) – into Europe during the final year of World War II. Their mission is to protect various monuments and buildings from being needlessly destroyed by Allied forces, as well as locate and retrieve the Nazi-stolen paintings and sculptures hand-picked for Hitler’s planned Führer Museum. After completing basic training, the men split up to undertake specific assignments across the war-torn continent, with Granger heading to Paris to meet a fellow museum curator (Cate Blanchett) who could be the key to tracking down some of the world’s most important cultural treasures.

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