Author: Jason Zingale (Page 4 of 112)

Blu Tuesday: Live by Night and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Live by Night”

Ben Affleck’s directorial career suffers its first major setback with “Live by Night,” a gorgeously crafted gangster film that doesn’t really add anything new to the genre. It’s basically a hodgepodge of much better movies, and while it features some great action and performances, the execution itself is pretty clunky. Working once again from a novel by Dennis Lehane, Affleck is unable to condense the sprawling crime drama into a cohesive two-hour film; he simply tries to do too much, tackling serious themes like race and religion while also juggling a number of subplots that could have easily been excised. Though fans of Affleck’s previous movies will still find plenty to enjoy here, “Live by Night” is easily his weakest directorial effort to date.

Extras include an audio commentary by director/writer/star Ben Affleck, a series of featurettes on the characters, author Dennis Lehane and the car chase sequence, and deleted scenes with optional commentary. FINAL VERDICT: RENT

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Blu Tuesday: Passengers and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Passengers”

Developed from one of the hottest scripts in Hollywood and starring two of its most bankable stars, “Passengers” should have been a slam dunk. But while the movie fails to reach its lofty ambitions, it’s still a thought-provoking piece of genre-hopping sci-fi that’s biggest misstep is the way in which it handles the story’s ethical dilemma. The world that director Morten Tyldum and writer Jon Spaihts have created is so captivating that it’s easy to see how their focus may have been derailed, but despite a few cool sequences in the latter half, the setup is much better than the payoff. Although it’s ultimately held together by some fantastic chemistry between Chris Pratt and Jennifer Lawrence, your mileage will vary depending on how you respond to the film’s polarizing plot twist.

Extras include a trio of featurettes on casting, production design and visual effects, as well as some outtakes, deleted scenes and more. FINAL VERDICT: RENT

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Movie Review: “Kong: Skull Island”

Starring
Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, John Goodman, Toby Kebbell, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann
Director
Jordan Vogt-Roberts

After the disappointment of 2014’s “Godzilla,” my expectations were pretty low going into “Kong: Skull Island” despite the talented cast and effective marketing campaign, but boy does it feel good to be proven wrong. Combining blockbuster filmmaking with the B-movie monster genre, “Kong: Skull Island” is Hollywood commercialism at its finest – a visually stunning adventure film that boasts great special effects, exciting set pieces and lots of humor. Though Peter Jackson’s 2005 remake was a decent but bloated take on the classic King Kong story, “Kong: Skull Island” is better in almost every way. This is what a modern day King Kong movie should look like, even one that has a foot firmly planted in the past.

The year is 1973, and with the Vietnam War drawing to a close, a pair of scientists (John Goodman and Corey Hawkins) from Monarch – the mysterious organization that unearthed Godzilla in the 2014 reboot – convinces the U.S. government to fund an expedition to an uncharted island in the South Pacific under the guise of a geological mapping mission. Joining them on their journey is former British SAS captain James Conrad (Tom Hiddleston), war photojournalist Mason Weaver (Brie Larson) and a military escort led by the tightly-wound Lt. Col. Preston Packard (Samuel L. Jackson), who jumps at the chance to extend his deployment, even if the rest of his squadron (including Toby Kebbell, Jason Mitchell, Shea Whigham and Thomas Mann) don’t quite share his enthusiasm.

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Blu Tuesday: Moana and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Moana”

Disney has been on an incredible run of form lately, comfortably outperforming sister studio Pixar over the past five years with films like “Wreck-It Ralph,” “Frozen” and “Zootopia,” and that trend continues with “Moana.” Although it’s structured as a rather traditional hero’s journey, the movie sets itself apart thanks to more progressive characters that break from the typical Disney stereotypes. Both leads are great – Dwayne Johnson is super charming as the demigod Maui, while newcomer Auli’i Cravalho more than holds her own in the title role – and the soundtrack (co-written by “Hamilton” star Lin-Manuel Miranda) is packed with infectious tunes that give “Frozen” a run for its money. Also boasting some of Disney’s most detailed and vibrant animation yet, “Moana” is an instant classic that only gets better with each viewing.

Extras include an audio commentary by directors Ron Clements and John Musker, a series of featurettes on the movie’s technical achievements, interviews with the cast and crew, deleted scenes, two short films and much more. FINAL VERDICT: BUY

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Movie Review: “Table 19”

Starring
Anna Kendrick, Wyatt Russell, June Squibb, Craig Robinson, Lisa Kudrow, Stephen Merchant, Tony Revolori
Director
Jeffrey Blitz

Many movies have been made about weddings both joyous and disastrous, but very few actually get them right, and Jeffrey Blitz’s indie dramedy, “Table 19,” is not one of them. A top-to-bottom misfire that feels like it was made by people who have never been to a real wedding in their lives, the film relies on the same tired clichés that you only see in the movies. As a result, “Table 19” reaches sitcom levels of absurdity at times and is almost completely devoid of any characters that behave like real people. It’s also a relatively uneventful and humorless affair, although one that’s made somewhat watchable by the casting of Anna Kendrick in the lead role.

The actress stars as Eloise McGarry, a recently single millennial who steps down as her best friend’s maid of honor after being dumped by the best man and brother of the bride, Teddy (Wyatt Russell), via text message. Refusing to let the breakup stand in the way of her attending the wedding reception as a regular guest, Eloise arrives to discover that she’s been seated at the “randoms” table in the back of the ballroom with a group of social misfits, including the bride’s childhood nanny Jo (June Squibb), married diner owners Jerry and Bina Kepp (Craig Robinson and Lisa Kudrow), oddball cousin Walter (Stephen Merchant) and horny teenager Rezno (Tony Revolori). While Eloise isn’t comfortable having complete strangers poke around in her personal business, as the night progresses and secrets are revealed, she forms an unlikely friendship with her tablemates.

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