Author: Jason Zingale (Page 34 of 112)

Movie Review: “The Intern”

September 24, 2015 / Jason Zingale

Robert De Niro, Anne Hathaway, Anders Holm, Rene Russo, Adam DeVine, Andrew Rannells, Christina Scherer

Nancy Meyers

It’s a good thing that Nancy Meyers has so many friends in Hollywood, because if anyone else made a film as terrible as “It’s Complicated,” it likely would have ended their careers. The 2009 romantic comedy took Meyers’ brand of wish-fulfillment fantasy to gag-inducing levels, and Meyers addresses some of those criticisms with “The Intern,” a welcome departure from her typical fluff that forgoes the romance between its two leads in favor of something more genuine. Granted, the movie still looks like it came out of a Pottery Barn catalog, but thanks to some good performances from Robert De Niro and Anne Hathaway, it’s a relatively enjoyable workplace comedy that’s marred only by its bipolar script.

De Niro stars as Ben Whittaker, a 70-year-old widower who’s quickly grown bored of retirement and is searching for something to help fill the void. When he applies for a senior internship program at a flourishing online fashion site, he’s assigned to be the personal intern to founder Jules Ostin (Hathaway), who in just 18 months has transformed a simple idea into a successful business, despite having no experience. Though her hands-on approach is admirable, the job has begun to consume her life, leaving little time to spend with her husband (Anders Holm) and daughter (JoJo Kushner). Jules is burnt out and clearly in over her head, but when the company’s investors suggest hiring a seasoned CEO to help steady the ship, she’s hesitant about handing over the keys to an outsider. Ben enters Jules’ life just when she needs it most, gradually breaking down her hard shell to become a mentor figure as she faces life-changing decisions in the office and at home.

Entertainment, Movie Reviews, Movies

Anne Hathaway Robert De Niro

Blu Tuesday: The Flash, Arrow and More

September 22, 2015 / Jason Zingale

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Flash: The Complete First Season”

WHAT: When Central City forensic investigator Barry Allen (Grant Gustin) gains super-human speed after he’s struck by electricity during a failed science experiment, he teams up with Dr. Harrison Wells (Tom Cavanagh) and his two assistants – Dr. Caitlin Snow (Danielle Panabaker) and Cisco Ramon (Carlos Valdes) – to stop criminals and other “metahumans” created from the explosion who don’t use their powers for good.

WHY: The idea of a “Flash” TV series didn’t sound very promising when the Barry Allen character was initially introduced in the second season of “Arrow,” but co-creator Greg Bertlanti quickly proved me wrong by delivering an immensely enjoyable (and much lighter) superhero drama that only got better as the season progressed. Much like its sister show, “The Flash” thrives primarily due to its awesome ensemble; everyone has a purpose, and they all bounce off one another incredibly well. Grant Gustin is perfectly cast as the titular hero, Tom Cavanagh handles the dual role of mentor and villain with ease, and Carlos Valdes provides great comic relief as the Q-like inventor/superhero expert of the group. Even the villains aren’t nearly as cheesy as they could have been, with Cavanagh’s Reverse-Flash, Wentworth Miller’s Captain Cold and Mark Hamill’s return as the Trickster among the standouts. The romantic subplot between Barry and childhood friend Iris West (Candice Patton) suffers from the same problems that plagued the first season of “Arrow” (namely, it’s just not as interesting as the superhero stuff), but “Flash” makes up for it with some sci-fi heavy mythology that isn’t afraid of alienating viewers by leaning on its comic book roots.

EXTRAS: The Blu-ray release includes an audio commentary by executive producers Greg Berlanti and Andrew Kreisberg on the pilot episode, four production featurettes, footage from DC Comics Night at Comic-Con 2014, deleted scenes and a gag reel.

FINAL VERDICT: RENT

“Arrow: The Complete Third Season”

WHAT: After defeating Slade Wilson and being accepted as a hero by the citizens of Starling City, Oliver Queen/The Arrow (Stephen Amell) struggles to keep his family together while facing off against a terrible new threat in the form of Ra’s al Ghul (Matthew Nable). Meanwhile, Laurel (Katie Cassidy) assumes the mantle of Black Canary after Sara is brutally murdered, Thea (Willa Holland) begins her training under Malcolm Merlyn (John Barrowman), and Queen Consolidated is taken over by wealthy businessman/aspiring hero Ray Palmer (Brandon Routh).

WHY: Despite making some huge strides in its sophomore year, “Arrow” suffered a bit of a slump during Season Three due to a number of factors. Though the superhero drama has had a problem maintaining the same level of energy and quality over the course of each 22-episode season, it’s especially noticeable here, in large part because the accompanying flashback storyline (which trades the deserted island setting for Hong Kong) isn’t very compelling. Additionally, the show’s insistence on making nearly everyone in Oliver’s life a crime-fighting member of Team Arrow not only defies logic (there’s no way Laurel, Roy and Thea got that good in such a short amount of time), but gives Oliver less to do as a result. Laurel, in particular, is so lame as the new Black Canary that it’s almost as if the writers were trying to find ways to make her character even more annoying. Thankfully, Season Three isn’t a complete disaster. The group dynamic remains one of its best assets, the crossover episodes with the Flash are a lot of fun, and both Brandon Routh and Matthew Nable prove strong additions to the cast. “Arrow” doesn’t play to its strengths as often as it should, but when it does, you’d be hard-pressed to find a better comic book show on TV, other than “The Flash,” of course.

EXTRAS: The four-disc set includes a pair of audio commentaries by executive producers Marc Guggenheim and Wendy Mericle, featurettes on costume and production design, a behind-the-scenes look at the Atom’s first fight, deleted scenes and a gag reel.

FINAL VERDICT: RENT

Entertainment, Movies, Television

Movie Review: “Black Mass”

September 17, 2015 / Jason Zingale

Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Rory Cochrane, Jesse Plemmons, David Harbour, Kevin Bacon

Scott Cooper

There was a time when Johnny Depp could seemingly do no wrong, but in recent years, he’s mistaken that goodwill for the freedom to do whatever the hell he wants, and it hasn’t really worked out in his favor. Not counting cameos and animated voice work, it’s been a while since Depp delivered a genuinely good performance. (You’d have to go all the way back to 2009’s “Public Enemies,” in which he played another famous gangster, John Dillinger.) But the actor finally stops the rot with his turn as the menacing Whitey Bulger in “Black Mass,” and though it isn’t exactly Oscar worthy, it’s just nice to see him back doing what he does best: creating complex, memorable characters instead of broadly painted caricatures.

The movie opens in 1975 as small-time criminal Jimmy “Whitey” Bulger (Depp) begins to make a name for himself in South Boston with the help of his Winter Hill Gang, including trusted right-hand man Steve Flemmi (Rory Cochrane), hitman John Martorano (W. Earl Brown) and muscle Kevin Weeks (Jesse Plemmons). When one of Whitey’s old childhood friends, FBI agent John Connolly (Joel Edgerton), returns to Boston to clean up the streets by bringing down the Italian mafia, he suggests that Whitey become his informant – a mutually beneficial business arrangement that would allow John to get rid of the mob and give Whitey free reign over the city. But as John struggles to cover up Whitey’s growing criminal empire, he unknowingly places himself in the FBI’s crosshairs when his superiors begin to question how Whitey continues to get away with murder, sometimes quite literally.

Entertainment, Movie Reviews, Movies

Joel Edgerton Johnny Depp

Blu Tuesday: Furious 7, The Jinx and More

September 15, 2015 / Jason Zingale

“Furious 7”

WHAT: When Deckard Shaw (Jason Statham) seeks revenge on Dominic Toretto (Vin Diesel) and company for putting his younger brother in a coma, they must team up with a shadowy government agent named Mr. Nobody (Kurt Russell) to recover a tracking device capable of locating anyone in the world and gain the upper hand.

WHY: The “Fast and Furious” movies have always been about fast cars, beautiful women and ridiculous stunts, but the seventh installment in the long-running series has a weight on its shoulders unlike any sequel/prequel before it. The untimely death of Paul Walker not only affected the film’s production, but the manner in which he died cast a morbid shadow over the project. Thankfully, director James Wan was able to turn a horrible tragedy into a respectful and fitting farewell for Walker that adds a layer of emotion to “Furious 7” that resonates throughout the movie, and now, the entire franchise. Though the plot doesn’t always make sense, partially due to some last-minute rewrites to work around Walker’s absence, it’s easily one of the most entertaining “Fast and Furious” installments yet. There are four great fight scenes (Dwayne Johnson vs. Statham, Walker vs. Tony Jaa, Michelle Rodriguez vs. Rhonda Rousey, and Diesel vs. Statham), as well as more gravity-defying stunts that feature cars dropping out of cargo planes and hopping skyscrapers in Abu Dhabi. The whole thing is every bit as ridiculous as you’d expect, but thanks to some incredibly entertaining action and the ever-charming ensemble cast (which adds original badass Kurt Russell to the mix), “Furious 7” is an absolute blast.

EXTRAS: In addition to eight featurettes that explore the cars, stunts, fight choreography and evolution of the franchise, there’s a behind-the-scenes look at making the new Fast & Furious ride at Universal Studios and some deleted scenes.

FINAL VERDICT: RENT

“The Jinx: The Life and Deaths of Robert Durst”

WHAT: Filmmaker Andrew Jarecki examines the life of Robert Durst, the brilliant but eccentric heir to a New York real estate empire who was accused of three murders over 30 years.

WHY: A chilling and immensely fascinating piece of true crime that was nearly a decade in the making, HBO’s six-part docuseries takes the phrase “stranger than fiction” to dizzying new heights. Utilizing interviews with law enforcement officers, lawyers, the friends and family of Durst’s alleged victims, and in his first public interview, Durst himself, Jarecki’s investigation shines a light on one of the strangest stories in modern history. It’s no secret that Durst has since been arrested (though not yet found guilty) for one of the murders, partially due to new evidence uncovered by Jarecki and his team, but that doesn’t make “The Jinx” any less captivating, because it pulls you in from the opening minutes and never loosens its grasp. Durst is either the unluckiest guy on the planet or a total sociopath, and judging from the case presented against him, including some very telling moments during his interview sessions with Jarecki, the evidence certainly points toward the latter. Of course, this only makes “The Jinx” all the more entertaining, as Durst plays the role of the elitist villain to perfection, practically daring the authorities to outsmart him. Though Jarecki does mess with the chronology of certain events for dramatic effect, and probably could have trimmed some fat off each episode, “The Jinx” is so good that it’ll make you fall in love with detective stories all over again.

EXTRAS: Sadly, there’s no bonus material.

FINAL VERDICT: RENT

Entertainment, Movies, Television

Blu Tuesday new Blu-rays

Movie Review: “Sleeping with Other People”

September 10, 2015 / Jason Zingale

Jason Sudeikis, Alison Brie, Andrea Savage, Jason Mantzoukas, Adam Scott, Amanda Peet, Natasha Lyonne

Leslye Headland

Writer/director Leslye Headland’s debut feature, “Bachelorette,” was an incredibly cruel and unfunny dark comedy filled with selfish people doing horrible things, so it comes as a bit of a surprise that her follow-up, “Sleeping with Other People,” hardly has a mean-spirited bone in its body. Granted, the characters aren’t exactly saints, but for the most part, they’re likable human beings with very real flaws that you actually care about. That’s a welcome change from the insufferable assholes that populated Headland’s first film, and it helps solidify “Sleeping with Other People” as a sweet and candid romantic comedy that ranks as one of the more enjoyable entries in the genre in quite some time.

It’s been more than a decade since Jake (Jason Sudeikis) and Lainey (Alison Brie) first met as students at Columbia University, where they lost their virginities to one another on the roof of Jake’s college dorm before seemingly vanishing from each other’s life forever. They haven’t had a healthy relationship since that night, with Jake resigned to playing the field as a perpetual bachelor and Lainey’s love life stunted by her obsession with college crush, Matthew Sobvechik (Adam Scott). But when Jake and Lainey cross paths at a sex addicts meeting in New York City, they pick up right where they left off. Though the attraction between them is palpable, they agree to keep things strictly platonic because sex has always played a part in their failed relationships. However, as they spend more time together and begin to act like a real couple, Jake and Lainey must decide whether to break things off and save themselves the heartache or risk giving romance a shot.

Entertainment, Movie Reviews, Movies

Alison Brie Jason Sudeikis