Author: Jason Zingale (Page 24 of 112)

Movie Review: “London Has Fallen”

Starring
Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Charlotte Riley, Colin Salmon, Robert Forster
Director
Babak Najafi

“Olympus Has Fallen” was a pretty blatant rip-off of John McTiernan’s “Die Hard,” so it should come as no surprise that “London Has Fallen” – which is more of a spiritual successor than a literal sequel to the 2013 film – takes a page from another installment in the John McClane series, “Die Hard with a Vengeance,” by staging it as a buddy movie between Gerard Butler‘s gruff, no-nonsense Secret Service agent and Aaron Eckhart‘s hostage-prone president. The premise itself isn’t all that different from its somewhat enjoyable predecessor, but while “London Has Fallen” has its charms, this lean, mean POTUS-in-peril action thriller is ultimately hindered by its reluctance to fully embrace its own stupidity.

When the British Prime Minister unexpectedly dies after a routine surgery, U.S. President Benjamin Asher (Eckhart) insists on traveling to London for the funeral to pay his respects, despite the logistical nightmare that it creates for Secret Service director Lynne Jacobs (Angela Bassett) and head of security Mike Banning (Butler). Many of the world’s most powerful leaders are scheduled to attend, which provides the perfect opportunity for Yemenian arms dealer Aamir Barkawi (Alon Aboutboul) to launch a synchronized terrorist attack that kills several heads of state and reduces London’s most famous landmarks to rubble. President Asher manages to survive the initial attack, but when his rescue chopper is shot down, he’s forced to go on the run from his pursuers, relying once again on the highly skilled Banning to keep him safe and neutralize the threat.

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Blu Tuesday: Creed, Room and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Creed”

WHAT: Determined to get out from under his father’s shadow, Adonis Johnson (Michael B. Jordan) – the illegitimate son of former boxing champ Apollo Creed – leaves Los Angeles for Philadelphia to train with local legend Rocky Balboa (Sylvester Stallone). But when Adonis’ secret family history is revealed and he’s offered the chance to fight the reigning world champion, he must prove to himself (and his detractors) that he’s worthy of the Creed name.

WHY: After garnering critical acclaim for his directorial debut, “Fruitvale Station,” the last thing anyone expected from Ryan Coogler’s follow-up was a spin-off/sequel to a movie franchise that’s last meaningful installment was released 30 years ago. But while it may have seemed like a strange career move at the time, “Creed” is an energizing addition to the boxing series that succeeds as a respectful passing of the torch and one of the best “Rocky” films ever made. Michael B. Jordan and Sylvester Stallone are both excellent in their roles, especially the latter, who delivers his finest work in years with a subtler, more emotional performance than we’re used to seeing from the actor. Coogler, meanwhile, makes the transition from indie to mainstream filmmaking remarkably well; he provides all the usual crowd-pleasing moments without sacrificing the kind of intimate, character-driven storytelling that made “Fruitvale Station” so effective. Though “Creed” follows the 1976 original a little too closely at times, it does enough to stand on its own while still paying homage to the “Rocky” legacy.

EXTRAS: There’s a pair of featurettes on developing the movie and Michael B. Jordan’s training regime, as well as some deleted scenes.

FINAL VERDICT: RENT

“Room”

WHAT: After being abducted as a teenager and spending the past seven years in captivity, Joy (Brie Larson) and her five-year-old son, Jack (Jacob Tremblay) – who knows nothing of the outside world – finally gain their freedom following a brave escape. But adapting to life on the outside proves even more difficult for Joy than the impressionable Jack.

WHY: Brie Larson has been quietly making a name for herself over the past few years, but while 2013’s “Short Term 12” may have been her big breakthrough, “Room” confirms that she’s the real deal. Her emotionally-charged role as the abducted teen-turned-mother was one of the best performances of 2015, and though young co-star Jacob Tremblay is also really good as her sheltered son, it’s Larson who holds the movie together, even when her character is dangerously close to falling apart. The film is comprised of two very different halves (the world Joy has made for Jack inside “room” and the outside world), and each section gives its actors a wide range of emotions to play. While Joy’s journey is pretty dark and depressing – and rightfully so, because “Room” is every parent’s worst nightmare – the innocent yet insightful narration that Jack provides as he experiences things for the first time is bursting with optimism, and ultimately, it’s that hopefulness that makes the movie such a rewarding experience.

EXTRAS: In addition to an audio commentary by director Lenny Abrahamson, cinematographer Danny Cohen, editor Nathan Nugent and production designer Ethan Tobman, there’s a trio of production featurettes.

FINAL VERDICT: RENT

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Coming Soon: A Moviegoer’s Guide to March

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Let’s not beat around the bush: the big draw this month is undoubtedly the long-awaited match-up between superhero heavy hitters Batman and Superman. Although it’ll be interesting to see whether Warner Bros. and DC Comics are finally able to jumpstart their own shared cinematic universe à la Marvel with this very expensive Hail Mary, there are far more interesting movies that deserve your attention, including a pair of adult-minded sci-fi flicks from the makers of “Cloverfield” and “Take Shelter.”

“London Has Fallen”

Who: Gerard Butler, Aaron Eckhart, Morgan Freeman and Angela Bassett
What: While in London for the Prime Minister’s funeral, Mike Banning discovers a plot to assassinate all the attending world leaders.
When: March 4th
Why: “Olympus Has Fallen” may have been the better of the dueling “‘Die Hard’ in the White House” movies (though just barely), but the premise behind the sequel is almost as lame as its title, a moronic play on the famous children’s song. Not only does it seem ridiculous that Aaron Eckhart’s president and Gerard Butler’s secret service agent would find themselves in yet another hostage situation, but the very thing that made the first film enjoyable – the close quarters, single-location setting – has been discarded in favor of a more sprawling, city-wide adventure. Granted, it worked for “Die Hard,” but those movies also had John McClane.

“Whiskey Tango Foxtrot”

Who: Tina Fey, Margot Robbie, Martin Freeman and Billy Bob Thornton
What: A journalist recounts her wartime coverage in Afghanistan and Pakistan.
When: March 4th
Why: War comedies are a tough proposition, especially those set in real-life warzones, because it’s a tricky balancing act of trying to earn laughs while still being respectful of the people at the butt of the joke. Though “Whiskey Tango Foxtrot” sounds like a slam dunk on paper – in addition to Tina Fey reteaming with frequent collaborator Robert Carlock, it boasts a talented cast and a pair of directors (Glenn Ficarra and John Requa) with a solid track record – the trailers aren’t very encouraging. Moviegoers could use a good political satire after recent flops like “Our Brand is Crisis” and “Rock the Kasbah,” but sadly, this doesn’t seem to be it.

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Movie Review: “Gods of Egypt”

Starring
Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Courtney Eaton, Chadwick Boseman, Elodie Yung, Geoffrey Rush, Rufus Sewell
Director
Alex Proyas

You have to respect any studio daring enough to give director Alex Proyas – who hasn’t made a movie in over seven years – $140 million dollars to produce an adventure/fantasy film that isn’t based on a preexisting property. Unfortunately, that respect means very little when the money is wasted on a movie as hopelessly dumb as “Gods of Egypt,” though you could hardly say that the warning signs weren’t there, especially with a screenplay by the same hacks responsible for recent flops like “Dracula Untold” and “The Last Witch Hunter.” Credit to Proyas for attempting something this ambitious, but it doesn’t make the effects-heavy fantasy flick any less of a turkey.

The film takes place in ancient Egypt, where gods and mortals coexist under the leadership of King Osiris (Bryan Brown), the favored offspring of the sun god Ra (a strangely miscast Geoffrey Rush). But when it comes time to crown his son Horus (Nikolaj Coster-Waldau) as Egypt’s newest ruler, his jealous brother Set (Gerard Butler) stages a royal coup, killing Osiris and defeating Horus in battle. Set ultimately shows mercy to Horus by letting him live, but not before plucking out his magic eyes, which are the source of his god-like abilities. As Egypt is thrust into a slave-driven dictatorship, a young thief named Bek (Brenton Thwaites) decides to take action by stealing back one of Horus’ eyes and striking a deal with the self-exiled god. In exchange for its return, Bek demands that Horus resurrects his recently slain love (Courtney Eaton) before she reaches the afterlife, a seemingly impossible feat that Horus nevertheless agrees to in order to exact revenge on his murderous uncle.

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Movie Review: “Eddie the Eagle”

Starring
Taron Egerton, Hugh Jackman, Jo Hartley, Keith Allen
Director
Dexter Fletcher

Disney may be king of the underdog sports drama, but actor-turned-director Dexter Fletcher aims to beat the studio at its own game with this inspirational true story that’s equal parts “Rudy” and “Cool Runnings.” (Curiously, the story is set during the same Winter Olympics that marked the debut of the Jamaican bobsled team that inspired the latter film.) Though it’s a pretty formulaic underdog tale that checks off all the usual sports movie clichés – from the unlikely hero who overcomes insurmountable odds, to the training montages, setbacks and cardboard villains – “Eddie the Eagle” succeeds as an enjoyable feel-good film that wears its heart (and humor) on its sleeve just like its incredibly charismatic subject.

As long as he can remember, Eddie Edwards (Taron Egerton) wanted to compete in the Olympics, despite not being very athletic as a kid. Following a series of failed attempts at various sports, he eventually discovers a love for downhill skiing and turns out to be pretty good at it. But after narrowly missing out on selection for the squad representing Great Britain at the 1988 Winter Games in Calgary, Eddie switches his focus to ski jumping when he discovers that the country hasn’t had a recognized ski jumper in over 60 years. With no time to waste and plenty to learn, Eddie heads to an Olympic training camp in Germany, where he meets former ski jumping champion Bronson Peary (Hugh Jackman) – now a washed-up alcoholic who drives a snow plow for a living – and asks for his help in order to qualify for Calgary.

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