Author: Jason Zingale (Page 20 of 112)

Blu Tuesday: Dirty Grandpa and The Witch

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Dirty Grandpa”

WHAT: When his recently widowed grandpa Dick (Robert De Niro), whom he used to be close with as a kid, needs someone to drive him to his Florida vacation home, uptight corporate lawyer Jason (Zac Efron) grudgingly volunteers. But as he soon discovers, Dick has ulterior motives for their road trip – namely, to get laid – and takes them on a detour through Daytona Beach to soak up the spring break festivities.

WHY: Robert De Niro has proven himself adept at comedy over the years, but he’s almost always played the straight man, which is what makes “Dirty Grandpa” an interesting choice for the actor, because it allows him to let loose in ways that audiences have never seen before. Though there’s something wrong about watching a screen legend like De Niro acting so raunchy, it’s also part of the film’s strange appeal. It would all be quite embarrassing if De Niro and Efron didn’t appear to be having such a good time, but the two actors form a great team, elevating the juvenile material just enough to earn a few chuckles. Unfortunately, that doesn’t change the fact that “Dirty Grandpa” is an incredibly stupid movie fueled by a never-ending stream of bad language, insults and frat humor that’s shocking for the sake of shock value. The film progressively gets worse the lower it sinks (wasting its supporting cast in the process), and yet despite its indefensible badness, “Dirty Grandpa” is still marginally entertaining, if only because De Niro makes it so.

EXTRAS: There’s an audio commentary by director Dan Mazer and writer John Phillips, a behind-the-scenes look at making the movie, three more featurettes and a gag reel.

FINAL VERDICT: SKIP

“The Witch”

WHAT: In 1630s New England, a devout Christian family is exiled from its village and builds a homestead on the outskirts of an eerie forest. But when their newborn son mysteriously vanishes and their crops suddenly die, the family members begin to turn on each other.

WHY: Praised as the best horror movie in years upon its debut at the 2015 Sundance Film Festival, “The Witch” is a decent but wildly overrated period drama masquerading as a genre flick. Though first-time director Robert Eggers creates an unsettling sense of dread that looms over the entire film, there’s nothing very scary about the events that transpire apart from a few choice moments, like the possession sequence with the family’s middle child, Caleb (Harvey Scrimshaw). “The Witch” is an incredibly slow burn that boasts some beautiful imagery and fantastic atmosphere, but there’s so little to the actual story that it’s easy to lose interest during its many lulls. Thankfully, the cast delivers such compelling performances – especially newcomer Anna Taylor-Joy – that it’s never as boring as it could have been. While “The Witch” is definitely worth experiencing once, the movie has too many issues (for instance, the manner in which it plants the seed of paranoia within the family) to warrant the kind of acclaim that’s been thrust upon it.

EXTRAS: There’s an audio commentary by director Robert Eggers, a making-of featurette, a Q&A with Eggers and star Anna Taylor-Joy, and a photo gallery.

FINAL VERDICT: RENT

Blu Tuesday: Deadpool and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Deadpool”

WHAT: After he’s diagnosed with cancer, mercenary Wade Wilson (Ryan Reynolds) agrees to participate in an experimental treatment that grants him special healing abilities but horribly scars his body in the process. Upon escaping the secret facility, Wade sets out to exact revenge on the deranged mutant (Ed Skrein) responsible for both saving and ruining his life.

WHY: The road to bringing “Deadpool” to the big screen may have been riddled with challenges, but it only makes the finished product that much more satisfying, because it’s a fresh and wildly entertaining action-comedy that demonstrates why studios should take more risks. Rhett Reese and Paul Wernick’s screenplay nails the dark, twisted and juvenile tone of the wisecracking antihero, and the decision to dole out his backstory in bits and pieces via flashback is a clever way of getting around the tediousness of the typical superhero origin story. The film also completely earns its “R” rating with enough violence and foul-mouthed language to please diehard fans. But while “Deadpool” has clearly been made with those fans in mind, the movie stretches beyond sheer fan service thanks to the strength of the script and Ryan Reynolds’ pitch-perfect performance (completely atoning for the bastardized version of the character in “X-Men Origins: Wolverine”) to deliver a hilariously self-aware take on the genre that audiences unfamiliar with Deadpool will enjoy as well.

EXTRAS: In addition to a pair of audio commentaries (one with director Tim Miller and Deadpool co-creator Rob Liefeld, and the other with star Ryan Reynolds and writers Rhett Reese and Paul Wernick), there’s a making-of featurette, five production galleries, deleted scenes and a gag reel.

FINAL VERDICT: BUY

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Blu Tuesday: Joy, The 5th Wave and Easy Rider

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Joy”

WHAT: After giving up her dreams to help take care of her family, Joy (Jennifer Lawrence) gets a second chance to make something of herself when she invents a self-wringing mop that has the potential to launch a business empire… if only her destructive family would get out of the way.

WHY: Writer/director David O. Russell could seemingly do no wrong after the one-two-three punch of “The Fighter,” “Silver Linings Playbook” and “American Hustle,” but that hot streak has finally ended with this surprisingly joyless dramedy that’s all over the place. Though his films have always been slightly offbeat, Russell’s latest effort is a tonally inconsistent mess that bounces between family farce and soap opera, sometimes quite literally. The first 30 minutes are particularly bad as it figures out what kind of movie it wants to be, and while “Joy” eventually finds its groove once the titular character gets her big break at QVC, it makes you wish that more of the film was set within that world. Jennifer Lawrence is great as usual, showcasing her full range of talent, but the rest of the cast is hindered by shallow, underwritten characters. There’s a really great movie in here somewhere (perhaps one that more closely follows co-writer Annie Mumolo’s original biopic idea about HSN queen Joy Mangano), but unfortunately, this isn’t it.

EXTRAS: There’s a making-of featurette and a TimesTalk interview with director David O. Russell and star Jennifer Lawrence.

FINAL VERDICT: RENT

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Movie Review: “Keanu”

Starring
Keegan-Michael Key, Jordan Peele, Tiffany Haddish, Method Man, Jason Mitchell, Will Forte, Nia Long
Director
Peter Atencio

After gaining popularity with their eponymous Comedy Central sketch show, it was only a matter of time before Keegan-Michael Key and Jordan Peele made the jump to the big screen. The duo’s debut feature “Keanu,” co-written by Peele and frequent collaborator Alex Rubens, may not be as steeped in political and racial humor as some of their funnier skits, but it’s an enjoyable and often hilarious action-comedy that serves as the perfect showcase for Key and Peele’s excellent onscreen chemistry. Apart from perhaps Tina Fey and Amy Poehler, there isn’t a better comedy team in the business, and when combined with a cute-as-a-button tabby kitten that looks adorable even while dodging bullets amid a deadly gangland shootout, it’s no surprise that “Keanu” leaves you with a big smile plastered on your face.

The audience first meets the titular feline during the aforementioned massacre, barely escaping after his drug lord owner is killed by a pair of silent assassins and eventually landing on the doorstep of recently dumped stoner Rell (Peele), whose spirits are quickly lifted by the lovable kitten, which he renames Keanu. A few weeks later, Rell returns home from a night out with his cousin Clarence (Key) to find his place ransacked and Keanu stolen. Following up on a tip from Rell’s drug dealer neighbor (Will Forte), whose apartment was the intended target, the cousins go undercover as a pair of hardened thugs named Tectonic and Shark Tank to retrieve Keanu from the gang responsible for the robbery. Their leader Cheddar (Method Man) has already taken a shine to the kitten, but he agrees to give him up if Rell and Clarence – whom he mistakes for the Allentown Brothers (also played by Key and Peele), the assassins from the opening – tag along with his crew on an upcoming drug deal. Meanwhile, the real Allentown Brothers, who have fallen for the kitten as well (did I mention he’s really cute?), are hot on their trail.

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Movie Review: “High-Rise”

Starring
Tom Hiddleston, Luke Evans, Sienna Miller, Elisabeth Moss, Jeremy Irons, James Purefoy, Keeley Hawes
Director
Ben Wheatley

Producer Jeremy Thomas has been trying to bring J.G. Ballard’s acclaimed novel, “High-Rise,” to the big screen for almost 40 years, despite many claiming that the book was unfilmable. He probably should have heeded those warnings, because while Thomas finally got his wish with the help of director Ben Wheatley, the resulting product is a stylish but empty adaptation that doesn’t resonate as much today as it would have in the late 1970s, the dystopian setting of Ballard’s Thatcher-era satire. In many respects, it feels like a movie lost in time. Though Wheatley has shown great potential with some of his earlier films, “High-Rise” is yet another disappointment following the tedious, psychedelic head trip of “A Field in England” that hooks you with its intriguing premise but slowly loses its grasp as the story spirals out of control.

Tom Hiddleston stars as Dr. Robert Laing, the newest resident of a luxury apartment building that has all the conveniences and commodities of modern life without ever having to go outside. But while the high-rise seems like paradise on the surface, Laing notices a simmering tension between the upper-class tenants who live on the top floors and the middle-class tenants confined to the lower levels. The building’s reclusive architect, Anthony Royal (Jeremy Irons), chalks it up to “teething problems,” but when an increasing series of power outages and structural flaws begin to affect the standard of living – particularly among the poorer residents – that tension boils over, leading to a literal class war that devolves into a barbaric wasteland of debauchery and destruction. Oh, and the odd barbecued dog’s leg as well.

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