Month: June 2016 (Page 2 of 11)

Being a Gentleman: Beyond the looks

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Wearing a suit? A tie? A fedora, maybe? Do your shoes constantly shine? Are you a perfect example of how a gentleman should look? In this case, you’ve taken the first step toward becoming one. Because being a gentleman is not about the looks. Well, it is in part, but looks are not the most important in this case. The word itself is composed of “gentle,” which refers to your character, and “man,” which refers to more than just your gender. Let me give you a few tips on what makes a true gentleman, because as Vin Diesel said, “Being male is a matter of birth. Being a man is a matter of age. But being a gentleman is a matter of choice.”

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Blu Tuesday: Whiskey Tango Foxtrot, Eye in the Sky and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Whiskey Tango Foxtrot”

WHAT: In 2003, cable news producer Kim Baker (Tina Fey) leaves behind her banal, dead-end life in New York to accept a daring assignment covering the war in Afghanistan. Dropped into a chaotic war zone without the comforts of home, Kim befriends a fellow female reporter (Margot Robbie) and a charming photojournalist (Martin Freeman) to help navigate her strange new surroundings.

WHY: Based on journalist Kim Barker’s 2011 memoir, “The Taliban Shuffle,” about her experiences reporting in Afghanistan and Pakistan from 2004-2009, “Whiskey Tango Foxtrot” is a tonally confused war satire that struggles to find the right balance between drama and comedy. This isn’t the first movie of its kind to run into that problem, but it handles the juggling of the two genres better than most thanks to a solid script by Tina Fey’s longtime writing partner, Robert Carlock (“30 Rock,” “Unbreakable Kimmy Schmidt”), and some deft direction by Glenn Ficarra and John Requa (“Crazy Stupid Love”). Though the decision to cast non-Afghan actors in prominent roles is disappointing, Christopher Abbott’s local fixer, and the relationship he forms with Kim, is one of the best things about the film. (Alfred Molina’s government official is more problematic, although that has more to do with the character itself than who’s playing him.) “Whiskey Tango Foxtrot” is equally as hit-and-miss on the whole, but it’s nonetheless a fun if slight tragicomedy that benefits greatly from its talented cast.

EXTRAS: The Blu-ray release includes a behind-the-scenes look at making the movie, four additional featurettes and some deleted scenes.

FINAL VERDICT: RENT

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Warm weather means Rosé

Summer is here, and it’s time to start drinking more Rosé. Well-made examples of Rosé bridge the gap between red and white wines. Generally, using red grapes and white wine production methodologies Rosé’s tend to lean toward the structure of red wines and many of the refreshing qualities of white wines. That’s an oversimplification, but the real point is that when you drink a good Rosé, you’re in for the best of both worlds.

To be clear, when I use the word “good” here, I’m talking about dry Rosé’s, which have a long and storied history in many countries around the world. What I’m not referring to is White Zinfandel, Blush wines or other insipid offerings that lean closer to grape juice than wine. Here are four currently available Rosé’s you should consider keeping in your refrigerator all summer long.

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El Coto de Rioja 2015 Rosado ($12)

This Rosé from the Rioja region of Spain was produced from equal parts Tempranillo and Garnacha. The color is an intense bright pink. Aromas of red cherry and watermelon light up the nose. The palate is loaded with all manner of juicy, red fruit flavors. Bits of candied apple emerge on the finish along with wisps of savory herbs. Firm acid add to the refreshing and mouth-watering nature of this wine. Year after year, this is one of my favorite Rosé values. It’s a consistently delicious crowd pleaser, so stock up.

Sip 2015 Rosé ($15)

The fruit for this wine (entirely Pinot Noir) came from vineyards in Napa and Sonoma. The color is a lovely pale pink. Ripe wild strawberry aromas lead the nose. The palate is stuffed to the brim with appealing, bright red fruit flavors galore. Spices such as white pepper and hints of nutmeg are in play as well. Red raspberry, plum and continued strawberry notes are all part of the long, crisp finish. This ultra-refreshing wine is hard to put down. Pair it with all but extremely hearty foods.

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How You Can Become a Casino Superstar

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Before you hit the casino, now is the time to brush up on your skills, depending on your choice of game. High rollers often feel like superstars when in a casino, and there’s a big reason for that, as they win big often and are the superstars of casinos quite frequently. If you are looking for some tips on how you become a casino superstar, these aren’t guaranteed to bring you success, but they very well could help.

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Coming Soon: A Moviegoer’s Guide to July

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With summer blockbuster season in full swing, July is surprisingly full of original releases. Sure, there are three sequels, a remake and a reboot, but the rest are original (or adapted) films that seemingly have something to offer everyone. From horror to comedy, intense drama to family-friendly fare, and even some of those patented, action-packed blockbuster franchises, July looks to be an eclectic month for moviegoers.

“The BFG”

Who: Ruby Barnhill, Mark Rylance, Bill Hader, Jemaine Clement and Rebecca Hall
What: A girl named Sophie encounters the Big Friendly Giant who, despite his intimidating appearance, turns out to be a kindhearted soul that refuses to eat children.
When: July 1st
Why: Steven Spielberg returns both to family fare and summer spectacle with this adaptation of the beloved Roald Dahl book. On hand are some seriously funny people (Hader, Clement) and the always-welcomed presence of Oscar-winner Rylance to help deliver the story of childhood outcasts and strange friendships that helped cement Spielberg’s reputation back in the Amblin days of the ’80s. Will this be a return to form or too sentimental for most crowds? Will the darker elements of the story translate to the movie? And does that mean Spielberg’s old relishing of darker tones in children’s films will also return? Lots of unknowns, but this film may surprise a lot of people.

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