Olivia DeJonge, Ed Oxenbould, Kathryn Hahn, Peter McRobbie
M. Night Shyamalan
It has been a rough decade for M. Night Shyamalan. The once promising filmmaker behind the chilling smash hit, “The Sixth Sense,” and its beautifully somber and superior follow-up, “Unbreakable,” hasn’t connected with audiences for a long time now. “The Last Airbender,” “After Earth” and “Lady in the Water” failed to connect with critics, audiences and plenty of the director’s own vocal supporters. This year, though, marks the return of a new and improved Shyamalan, who has delivered an unpretentious, darkly funny horror movie with “The Visit.”
Spending a week with grandma and grandpa – what could possibly go wrong? But in this story, it turns out that the answer is “everything.” Becca (Olivia DeJonge) and Style (Ed Oxenbould) don’t know what to expect when they arrive at the home of their grandparents, Pop Pop (Peter McRobbie) and Nana (Deanna Dunagan). The kids’ mother (Kathryn Hahn) hasn’t talked to her parents in years because of a heated disagreement they once had, and this is their chance to finally get to know their grandparents, which aspiring filmmaker Becca is documenting with her camera. Soon after their visit starts, however, the two kids realize that something is very, very wrong with grandma and grandpa.
“The Visit” is a refreshing found footage movie. Technically, the label doesn’t apply, since it’s not exactly “found footage,” but nonetheless, it plays with the form in some creative ways. Most found footage movies are bafflingly polished, with seamless cuts and the camera often in the right place at the right time. In this case, the camerawork makes sense. When a character holds a camera in a tense sequence, it makes sense: Becca is a filmmaker who wants to capture everything about this vacation. There’s only one scene that screams, “Drop the camera already!”
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