Month: May 2015 (Page 3 of 10)

Digital Dating: Online Tips for Looking for Mr. or Mrs. Right

woman hugging man

The dating scene has changed a lot thanks to the Interwebs. It used to be that the best place to find a date or even just a random hookup was down at the local bar. But, that crowd is getting a little long in the tooth. In fact, some of those people don’t even have teeth anymore, right?

What you need is a fresh way to find interesting people fast, fast, fast without wasting your time or compromising your safety.

Take A Look In The Mirror

Before you do anything, take some time to introspect a bit. Where are you in life? What do you really want from a relationship? Do you want a relationship or just a hookup?

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Blu Tuesday: Seventh Son and The Loft

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Seventh Son”

WHAT: When the evil witch queen, Mother Malkin (Julianne Moore), escapes from the pit she was imprisoned in decades ago by professional monster hunter Master Gregory (Jeff Bridges), killing his young apprentice in the process, Gregory must train a new recruit – the seventh son of a seventh son, Tom Ward (Ben Barnes) – to help stop her before Malkin’s power is fully restored by the forthcoming blood moon.

WHY: Much like “The Loft” (see below), “Seventh Son” was the victim of a messy behind-the-scenes divorce that resulted in the film’s release date getting bumped several times over a two-year period. While that certainly didn’t make marketing the movie any easier, Sergey Bodrov’s English-language debut is plagued by many of the same problems as most foreign filmmakers who go too big, too soon. Based on the first book in Joseph Delaney’s “The Wardstone Chronicles,” “Seventh Son” is just another lifeless YA movie with very few original ideas and a crippling overdependence on CG-heavy spectacle. Though it boasts an impressive cast that includes two Oscar winners, the film wastes their talents with dull and poorly written material. Jeff Bridges does his Rooster Cogburn shtick for the third time running in the Obi-Wan mentor role, while Julianne Moore hams it up with a dreadful performance that, while not quite as terrible as recent Oscar winner Eddie Redmayne in “Jupiter Ascending,” is hardly flattering. And considering that the movie was initially delayed to polish the visual effects, they’re wildly inconsistent, ranging from pretty good (the dragons) to alarmingly bad (almost everything else). “Seventh Son” could have been something special, but in failing to push itself beyond the typical fantasy fare, it’s more than deserving of the critical bashing it received.

EXTRAS: The Blu-ray release includes a making-of featurette, an alternate ending, deleted scenes, a visual effects gallery and more.

FINAL VERDICT: SKIP

“The Loft”

WHAT: Five married friends agree to share a penthouse loft in the city where they can cheat on their wives in private, but when they discover the dead body of a woman in their secret hideaway, friendships and loyalties are tested as the guys begin to suspect one another for the murder.

WHY: Director Erik Van Looy’s U.S. remake of his own Dutch-language erotic thriller was filmed back in 2011 before getting shelved for three years, and that’s pretty much all you need to know about whether or not the movie is any good. Though “The Loft” boasts a solid cast led by the usually reliable Karl Urban and James Marsden, that’s probably the only reason it was spared the embarrassment of being released straight to video. Wentworth Miller and Matthias Schoenaerts (reprising his role from the original) are both fine in their respective parts, but the addition of Eric Stonestreet (no doubt trying to distance himself from his “Modern Family” character with edgier, more adult material) is very much a case of “one of these things is not like the other.” The actor doesn’t fare any worse than his fellow co-stars, but he sticks out like a sore thumb. That’s the least of the film’s problems, however, because for an erotic thriller, “The Loft” isn’t particularly erotic or thrilling. Additionally, none of the characters are very likeable, and though Wesley Strick’s screenplay is jam-packed with twisty plot turns, by the time it gets even remotely interesting, you’ll likely have already tuned out.

EXTRAS: Nothing. Not even a trailer for the film.

FINAL VERDICT: SKIP

Warm weather means it’s time to drink rosé

Thankfully, winter’s icy grip is nothing but a fading nightmare now. Warm weather means different things to everyone. For some, it’s the beach, outdoor grilling and sports, and for others, it represents the time to get their yards or vegetable gardens growing. Each of those things is certainly worthy, but none as fun to me as always having at least one bottle of delicious, dry rosé in my refrigerator ready to go. I’ll drink them all year round, but when the thermostat starts going up, my consumption of them does too. Here are three I just tasted that are delicious, fairly priced and very different from one another.

rose_1

Michael Torino 2014 Malbec Rosé

All of the fruit for this wine was sourced in the Cafayete region of Argentina. It’s composed entirely of Malbec and all of the grapes are from estate vineyards. After pressing, the juice had minimal contact with skins to achieve its color. After that, fermentation and vinification follows the same protocol used for white wines. Suggested retail price is $12. The first thing that stands out about this rosé is the color, which is deeper and darker than average. Wild ripe strawberry and red cherry aromas leap from the nose here along with a touch of vanilla bean. The palate is loaded with a bevy of sumptuous fruit flavors such as cherry, raspberry and bits of red plum. Sour cherry and a hint of white pepper are each substantial parts of the finish, which has good length. This rosé has a bit more weight than usual and will stand up to more substantial foods.

Hecht & Bannier 2014 Cotes de Provence Rosé

This offering is a classic blend of Cinsault (45%), Grenache (30%) and Syrah (25%). All of the fruit came from the limestone laden foothills of Montagne Sainte Victoire. The Grenache and Syrah are macerated together for maximum integration. Suggested retail price is $18. The pale pink hue of this offering from Provence is precisely the color in my mind’s eye when rosé comes to mind. Light red fruit aromas fill the nose along with subtle bits of tropical fruit. The palate is gently layered with oodles of continued fruit and accompanying spices. The finish is long and persistent with crisp acid. The lingering impression is of being refreshed. This wine pairs well with light food and is also just fabulous all by itself.

rose_2

Pascal Jolivet 2014 Sancerre Rosé

The fruit for this wine comes from France’s Loire Valley. It’s composed entirely of Pinot Noir. It was produced using two methodologies: saignée and direct press. It was fermented exclusively in stainless steel utilizing only native yeasts. Suggested retail price is $23. Strawberry aromas are underscored by a hint of pink grapefruit and crème fraiche on the nose. Wisps of bay leaf and thyme show up on the palate alongside tons more red fruit flavors, mainly in the form of strawberry. The finish shows off, firm crisp acidy and plenty of spice. This is a beautiful expression of rosé that will pair well with a wide array of foods.

If you don’t think you like rosé, I’d venture to guess you’re drinking the wrong ones. Each of the three above could easily be the right one. It all depends on what flavors you enjoy and what sort of food you’ll be eating. So figure out which one sounds most appealing and grab a bottle. If you do, I’m willing to bet you’ll be drinking rosé all summer long too. Cheers!

Check out Gabe’s View for more wine reviews, and follow Gabe on Twitter!

Now’s the Time to Invest in Wearable Technology

Whether you use them for GPS fitness and nutritional intake information, physical activity and life sign monitors, or merely to combine all that you love in your smartphone in something compact, stylish, and wrapped around your wrist, wearable gadgets are only now beginning to captivate public attention in dramatic ways. With untold health-related and even virtual reality-based technologies on the horizon, it’s time for your company to get ahead of the curve and start investing in wearable technology in a major way.

stats

As can be gleaned from this graphic, the data sent and received by wearable devices around the world is anticipated to increase (and almost double) in each year from now until the end of the decade. The market for wearable tech is estimated to reach close to 13 billion dollars per year by 2018, and according to Forbes, over 70 percent of young adults aged 16 to 24 desire some form of wearable tech. Just as mobile applications emerged, then irrevocably changed the way customers interact with brands, wearable technology is set to make a profound and fascinating impact on popular culture, consumerism, and lifestyle branding in the near future.

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Movie Review: “Poltergeist”

Starring
Sam Rockwell, Rosemarie DeWitt, Jared Harris, Kennedi Clements
Director
Gil Kenan

“Poltergeist” is the worst kind of remake. Director Gil Kenan’s film is neither terrible nor good, but rather flat-out uninspired. This is a remake that brings nothing new to the table. Instead of updating the classic 1982 film, it’s a stale and safe retread. The story is almost exactly the same, and although most horror remakes don’t usually stray too far from the source material, screenwriter David Lindsay-Abaire (“Rabbit Hole”) hardly ever makes this version feel fresh. Beat by beat, “Poltergeist” is a lame cover song.

After falling on hard times, Eric Bowen (Sam Rockwell) has to move his family – his wife, Amy (Rosemarie DeWitt), and their three children – to a cheap neighborhood. The neighborhood is actually quite nice from the looks of it, but there’s a catch: the house they bought is built on an old graveyard, and the bodies in the ground rise up to terrorize the Bowen family. After the abduction of the Bowens’ youngest daughter, it’s obvious why the family has to stay in their haunted house – they can’t call the cops or just leave her there – but this is still a horror movie where characters make incredibly stupid mistakes, and these decisions never come across as believable character traits or flaws, but instead, cheap tricks to achieve scares or move the plot along.

The film mostly consists of expected jump scares. Kenan and his DP, Javier Aguierresarobe, try to build an unnerving atmosphere with roaming camerawork, but they never build any real tension. Technically speaking, their work is more than competent, but none of their aesthetic choices ever add up to more than a few pretty frames, all serving a lifeless purpose. The third act comes close to conjuring up some scares, but by that point, it’s impossible to get invested in anything that’s happening on screen.

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