24 Blog 9.7: Bombs Away

24 9 7-2

Tonight’s episode of “24” made up for the last couple of weeks in terms of Bullz-Eye’s “24” drinking game, which revolves around three lines of dialogue: “Dammit,” “We’re running out of time,” and “Put down / Lower your weapon.” (Yes, there are other, more in-depth drinking games for this show out there on the web, but Jesus, it’s Monday night, people.) By our count, there were at least three “Dammits” and one “We’re running out of time,” the latter of which is making its season debut, if I’m not mistaken. Either way, the show gave me a bit of a workout, as it were, so what follows might be a bit more incoherent than in previous weeks.

I’ll pause while you come up with your own joke here.

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2014 Father’s Day Gift Guide: Entertainment

Everyone loves watching a great movie or TV series, so we’ve compiled some of our favorite releases from the past year that just about guy will enjoy. And for more gift ideas, be sure to check out the other categories in our Father’s Day gift guide.

The Wolf of Wall Street

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It’s been a while since Martin Scorsese’s last truly great film, but the director has rebounded in style with “The Wolf of Wall Street,” highlighted by Terrence Winter’s hilarious script and Leonard DiCaprio’s brilliant turn as Jordan Belfort. You’ve never seen the actor quite like this before, and he’s in top form as the notorious stockbroker, delivering what is arguably his best performance with Scorsese yet. The rest of the cast is great as well, especially Jonah Hill in another award-worthy turn, up-and-comer Margot Robbie and Matthew McConaughey in a short but memorable cameo. Loud, flashy and totally obscene, the movie is like a private tour through Belfort’s excessive, hard-partying lifestyle, including easily one of the greatest sequences of the year. (Hint: it involves a highly potent strain of Quaaludes.) Though it’s a little too long for its own good, the characters are so magnetic and the dialogue so fast and funny that “The Wolf of Wall Street” is hard not to enjoy. It’s Scorsese’s best film in years, and one that will only get better with time.

Gravity

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It’s been six years since Alfonso Cuarón’s last feature film – the criminally underrated “Children of Men” – but his outer space survival thriller was well worth the wait. “Gravity” is the kind of movie that will likely change the way films are made in the future. From the stunning, single-take opening sequence that lasts more than 12 minutes, to the numerous set pieces throughout, “Gravity” is such a technical marvel that it looks like Cuarón shot the whole damn thing in space. Though the story is ridiculously simple, not a single second of its 91-minute runtime is wasted, extracting so much suspense from the film’s terrifying setup that the brief injections of comedy (courtesy of George Clooney’s easygoing astronaut) are a welcome reprieve from the almost unrelenting intensity. Sandra Bullock delivers one of the best performances of her career as the rookie astronaut caught up in a seemingly impossible situation, but the real star of “Gravity” is Cuarón himself, and he deserves every bit of praise for creating what can only be described as pure movie magic.

Game of Thrones: The Complete Third Season

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Creators David Benioff and D.B Weiss have stated numerous times that they set Season Three as the unofficial benchmark as to whether or not the show would be a success, and it’s easy to see why, because it showcases the full complexity and richness of the universe that they inherited from George R.R. Martin. The third season expands its scope even further than the previous year, with several new characters quickly making their mark, and old ones (like Nikolaj Coster-Waldau’s Jamie Lannister, one of the season’s MVPs) continuing to evolve within that moral gray area where “Game of Thrones” thrives. It also featured some of the most shocking story developments to date, perhaps none more so than Episode 9’s infamous Red Wedding, which made Ned Stark’s beheading look like child’s play in comparison and was without a doubt one of the biggest television events of last year. The audience reaction to that episode is very telling of the show’s pop cultural footprint, and when the writing and acting is this good, it’s no surprise why its popularity continues to grow.

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Blu Tuesday: Lone Survivor, RoboCop and True Blood

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Lone Survivor”

WHAT: In June 2005, a quartet of Navy SEALs (Mark Wahlberg, Taylor Kitsch, Ben Foster and Emile Hirsch) set out on a mission to kill Taliban leader Ahmad Shah. But when they encounter some goat farmers in the mountains and agree to let them go, knowing full well that they’ll alert the Taliban to their presence, the SEALS are forced engage in a fight for their lives.

WHY: Peter Berg’s “Lone Survivor” might be the worst military recruitment video ever made, which is a marked departure from the current crop of war movies. Though the story of Marcus Luttrell’s incredible survival is tailor-made for the big screen, and Berg does a good job of highlighting the soldiers’ brotherhood and courage under fire, it’s hard to find any pleasure or entertainment value from watching the characters (real-life men whose family and friends are still living with that loss) get brutally slaughtered. It’s incredibly harrowing stuff, and perhaps the reason why Berg went with such a spoilerific title, because it would have been that much harder to watch if you didn’t already know how it ended. But like many of Berg’s recent films, “Lone Survivor” is unwaveringly pro-American, almost to a fault. It never digs very deep into the problems surrounding the ill-fated operation (from a lack of air support to faulty communications equipment), and the final act feels a bit too Hollywoodized for what comes before. There’s a lot to admire about the movie thanks to some strong performances from the four actors, but your mileage will vary depending on how you feel about watching these fathers, husbands and sons die before your very eyes.

EXTRAS: In addition to a fairly lengthy profile on Marcus Luttrell (which also doubles as a making-of featurette), the Blu-ray includes three additional production featurettes, an intimate look at the men who died in Operation Red Wings and an interview with Mohamad Gulab, the man who helped save Luttrell’s life.

FINAL VERDICT: RENT

“RoboCop”

WHAT: When Detroit cop Alex Murphy (Joel Kinnaman) is critically injured in a car bombing, he’s offered the chance to take part in an experimental procedure that rebuilds his body with robotic prosthetics, turning him into the ultimate law enforcement agent. But after his overseers program his brain to act more like a machine, Alex’s human side begins to fight back as he investigates his own murder.

WHY: Believe it or not, the new “RoboCop” isn’t nearly as bad as people feared. In fact, it boasts a better cast, better effects and a better story, even if the 1987 original – which is admittedly pretty cheesy by today’s standards – is still the better movie. Jose Padhila’s update actually starts surprisingly well, but it begins to drag in the middle and never quite recovers. The problem is twofold. With the exception of Kinnaman, Gary Oldman and Jackie Earle Haley in a fun supporting role, most of the other talent is wasted, and the lack of a standout villain doesn’t help matters either. Additionally, while the action scenes aren’t terrible, they’re not as exciting as you’d expect from a modern day “RoboCop” movie. This was Padilha’s big opportunity to compensate for the much-derided PG-13 rating, but between the annoying shaky cam and his tendency to cut away from the action too early, many of the set pieces are scattershot at best. The fact that it’s not a complete failure will feel like a win to some fans, but while this slick and overproduced update could have been much worse, its inability to capitalize on the promise that it shows early on is perhaps the biggest disappointment.

EXTRAS: There’s a trio of featurettes (on the differences between the original and the reboot, the weapons used in the film and designing the suit), as well as some deleted scenes and faux product announcements from OmniCorp.

FINAL VERDICT: RENT

“True Blood: The Complete Sixth Season”

WHAT: As Bill (Stephen Moyer) comes to terms with his newfound powers, Louisiana Governor Truman Burrell (Arliss Howard) declares war on vampires, capturing and detaining them in a concentration camp. Meanwhile, Sookie (Anna Paquin) and Jason (Ryan Kwanten) face off against the ancient and powerful vampire responsible for murdering their parents.

WHY: “True Blood” has been in steady decline for several years now, but Season Six is so goddamn awful – the final nail in the proverbial coffin, if you will – that it wasn’t much of a surprise when HBO announced that it would be ending the series after its upcoming seventh season. The supernatural drama was never particularly great, but it had its moments as a pulpy and fun guilty pleasure that helped introduce audiences to the likes of Alexander Skarsgard, Ryan Kwanten, Joe Manganiello, Deborah Ann Woll and many more. Unfortunately, that sense of fun is completely missing from the sixth season, which somehow manages to be even more ridiculous than usual. The departure of creator/showrunner Alan Ball was the perfect opportunity to reinvigorate the series, but instead, it only made things worse, to the point that I finally stopped watching midway through the season after threatening to do so for two years. After all, there’s only so much stupid one can take, and when a show has more short-lived love triangles in a single season than interesting characters, that’s a pretty good indicator that it’s lost its bite.

EXTRAS: The Blu-ray set includes cast and crew audio commentaries on five of the 10 episodes, “Inside the Episode” mini-featurettes and a pair of interactive features called “Vamp Camp Files” and “True Blood Lines.”

FINAL VERDICT: SKIP

  

24 Blog 9.6: There is a light that never goes out

24 9 6-1

”And if a double-decker bus crashes into us…”

It’s as if the writers of “24” have been reading this blog, and secretly sent me a love letter.

What, the Smiths reference isn’t enough proof? Fine, I’ll go one better. Jack is trying to trick weasel arms dealer Karl Rask into uploading tracking software to his computer – meanwhile, in the next room, Kate is getting the shit kicked out of her as a decoy, because what Federal agent wouldn’t sign up for that? – and Rask tells Jack that he knows the people at the bank where he set up the account, and asks him about Metzger (that’s the German spelling of my name. It means ‘butcher,’ if you’re curious). The move is clearly a bluff, and Jack sniffs it out. Still, both Rask and Jack are repeatedly talking about Metzger. “Describe Metzger to me!” “There is no Metzger at the bank.”

In the end, I apparently don’t exist. Damn. Still, for a few moments, this episode was all about me, and that felt pretty damn good.

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24 Blog 9.5: Panic Station

24 9 5-2

For all concerned, I think it’s safe to say that we’ve arrived at Panic Station.

The British Prime Minister (my wife still laughs whenever Stephen Fry is on screen, for the sheer absurdity of it all) has to be freaking the hell out right now, because he stands to lose far more than Big Dick Heller does. He stuck his neck out for Big Dick – let’s pause for a moment and examine that sentence, ‘stuck his neck out for Big Dick,’ shall we? – by defending the Americans’ drone program, and that decision might cost thousands of Londoners their lives. We have a small quibble with Mommie Dearest’s video, though. She made a point about how her group spared the innocent, then threatened to bomb London if Heller didn’t surrender to her, meaning that she had contradicted herself, on tape, within seconds. Terrorists: if you can’t trust them to be true to their word, who can you trust?

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