Blu Tuesday: True Detective, Non-Stop and Jack Ryan: Shadow Recruit

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“True Detective: The Complete First Season”

WHAT: In 1995, Louisiana detectives Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson) track down the disturbed murderer of a young woman while dealing with personal issues that threaten to interfere with the case. 17 years later, a similar murder brings the two cops back together when their original case is reopened for investigation.

WHY: Few shows have had such a spellbinding effect on its audience like HBO’s “True Detective,” the gritty crime drama that feels more like an eight-hour movie than a limited TV series. That’s because everything about the show is incredibly cinematic, from the smart writing by creator Nic Pizzolatto, to the brilliant direction by Cary Fukunaga, to Adam Arkapaw’s gorgeous cinematography. This is the kind of show that requires absolute patience and trust in the storytellers, opting for a slow-burning pace that allows the characters to evolve naturally over the course of its time-jumping narrative. Unlike most crime dramas, the mystery surrounding the killer’s identity is never as important as Rust and Marty’s respective arcs, and that’s what makes it such rich and gripping television. Well, that and two knockout performances by Matthew McConaughey and Woody Harrelson, who deliver some of the best work of their careers as the strikingly different partners. They elevate “True Detective” from a damn good drama to one that will be remembered as one of the greatest shows of its time, and while that kind of praise only heaps even more pressure on Pizzolatto for Season Two, if the first season is anything to go by, he’s definitely up for the challenge.

EXTRAS: In addition to a pair of audio commentaries with creator Nic Pizzolatto, composer T Bone Burnett and executive producer Scott Stephens, there’s a making-of featurette, interviews with Matthew McConaughey and Woody Harrelson, deleted scenes and more.

FINAL VERDICT: BUY

“Non-Stop”

WHAT: While on a transatlantic flight from New York to London, air marshal Bill Marks (Liam Neeson) receives a series of text messages threatening to kill a passenger every 20 minutes unless $150 million is transferred into an off-shore account. But when it’s made to look like Marks is the one hijacking the plane, he must find the real culprit before it’s too late.

WHY: Liam Neeson has certainly made a go of this whole action star phase over the last few years, but even he must be growing tired of playing what’s essentially the same character over and over again. Granted, “Non-Stop” doesn’t have nearly as much action as its trailers would lead you to believe, but just like “Unknown,” Jaume Collet-Serra’s previous collaboration with Neeson, it’s a disappointing attempt to cash in on the success of the “Taken” franchise. For as ridiculous as the premise may be (and it becomes even more so as the story progresses), “Non-Stop” does a good job of building suspension by throwing an almost endless barrage of red herrings at the audience. The bad guy could pretty much be anyone on the plane – from Julianne Moore’s chatty passenger, to Michelle Dockery’s meek stewardess, to Corey Stoll’s no-nonsense NYPD cop – and Collet-Serra makes the most of that paranoia. Where “Non-Stop” fails, however, is in its last-ditch effort to suddenly become an action movie in the final act, letting out all the mounting tension like air from a balloon.

EXTRAS: There’s a pair of short featurettes covering various aspects of production, but sadly, that’s the extent of the bonus material.

FINAL VERDICT: RENT

“Jack Ryan: Shadow Recruit”

WHAT: When CIA analyst Jack Ryan (Chris Pine) uncovers a Russian plot to crash the U.S. economy with a terrorist attack, he’s sent into the field for his very first mission. But after his fiancée (Kiera Knightley) arrives in Moscow unannounced, Jack must keep her out of harm’s way as he attempts to defuse the threat against the country he swore to protect.

WHY: Unlike James Bond or Batman, it’s hard to imagine that a Jack Ryan reboot (especially one packaged as an origin story) was in very high demand, but that didn’t stop Paramount from making it anyway. After all, franchises are a hot commodity these days, and the studio apparently has so much faith in Chris Pine that they’ve entrusted him with yet another iconic character despite already playing Captain Kirk in the new “Star Trek” films. It’s not that the actor is necessarily bad for the role – he can be extremely charming at times and has proven himself adept at action – but the casting is uninspired to say the least. However, Kevin Costner (as Ryan’s mentor) and Kenneth Branagh (pulling double duty as the film’s villain) are both enjoyable in supporting roles, while Keira Knightley does the best she can with an underwritten character. The only reason the actress likely even bothered with such a rote action thriller was the chance to work with Branagh, and although the director isn’t exactly in top form here, he makes “Jack Ryan: Shadow Recruit” a lot more entertaining than it deserved to be.

EXTRAS: The Blu-ray release includes an audio commentary with director Kenneth Branagh and producer Lorenzo di Bonaventura, six deleted scenes, a retrospective on the Jack Ryan franchise, a profile on Branagh and more.

FINAL VERDICT: RENT

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

24 Blog 9.7: Bombs Away

24 9 7-2

Tonight’s episode of “24” made up for the last couple of weeks in terms of Bullz-Eye’s “24” drinking game, which revolves around three lines of dialogue: “Dammit,” “We’re running out of time,” and “Put down / Lower your weapon.” (Yes, there are other, more in-depth drinking games for this show out there on the web, but Jesus, it’s Monday night, people.) By our count, there were at least three “Dammits” and one “We’re running out of time,” the latter of which is making its season debut, if I’m not mistaken. Either way, the show gave me a bit of a workout, as it were, so what follows might be a bit more incoherent than in previous weeks.

I’ll pause while you come up with your own joke here.

Read the rest of this entry »

  

2014 Father’s Day Gift Guide: Entertainment

Everyone loves watching a great movie or TV series, so we’ve compiled some of our favorite releases from the past year that just about guy will enjoy. And for more gift ideas, be sure to check out the other categories in our Father’s Day gift guide.

The Wolf of Wall Street

the_wolf_of_wall_street-gg

It’s been a while since Martin Scorsese’s last truly great film, but the director has rebounded in style with “The Wolf of Wall Street,” highlighted by Terrence Winter’s hilarious script and Leonard DiCaprio’s brilliant turn as Jordan Belfort. You’ve never seen the actor quite like this before, and he’s in top form as the notorious stockbroker, delivering what is arguably his best performance with Scorsese yet. The rest of the cast is great as well, especially Jonah Hill in another award-worthy turn, up-and-comer Margot Robbie and Matthew McConaughey in a short but memorable cameo. Loud, flashy and totally obscene, the movie is like a private tour through Belfort’s excessive, hard-partying lifestyle, including easily one of the greatest sequences of the year. (Hint: it involves a highly potent strain of Quaaludes.) Though it’s a little too long for its own good, the characters are so magnetic and the dialogue so fast and funny that “The Wolf of Wall Street” is hard not to enjoy. It’s Scorsese’s best film in years, and one that will only get better with time.

Gravity

gravity-gg

It’s been six years since Alfonso Cuarón’s last feature film – the criminally underrated “Children of Men” – but his outer space survival thriller was well worth the wait. “Gravity” is the kind of movie that will likely change the way films are made in the future. From the stunning, single-take opening sequence that lasts more than 12 minutes, to the numerous set pieces throughout, “Gravity” is such a technical marvel that it looks like Cuarón shot the whole damn thing in space. Though the story is ridiculously simple, not a single second of its 91-minute runtime is wasted, extracting so much suspense from the film’s terrifying setup that the brief injections of comedy (courtesy of George Clooney’s easygoing astronaut) are a welcome reprieve from the almost unrelenting intensity. Sandra Bullock delivers one of the best performances of her career as the rookie astronaut caught up in a seemingly impossible situation, but the real star of “Gravity” is Cuarón himself, and he deserves every bit of praise for creating what can only be described as pure movie magic.

Game of Thrones: The Complete Third Season

game_of_thrones-gg

Creators David Benioff and D.B Weiss have stated numerous times that they set Season Three as the unofficial benchmark as to whether or not the show would be a success, and it’s easy to see why, because it showcases the full complexity and richness of the universe that they inherited from George R.R. Martin. The third season expands its scope even further than the previous year, with several new characters quickly making their mark, and old ones (like Nikolaj Coster-Waldau’s Jamie Lannister, one of the season’s MVPs) continuing to evolve within that moral gray area where “Game of Thrones” thrives. It also featured some of the most shocking story developments to date, perhaps none more so than Episode 9’s infamous Red Wedding, which made Ned Stark’s beheading look like child’s play in comparison and was without a doubt one of the biggest television events of last year. The audience reaction to that episode is very telling of the show’s pop cultural footprint, and when the writing and acting is this good, it’s no surprise why its popularity continues to grow.

Read the rest of this entry »

  

Blu Tuesday: Lone Survivor, RoboCop and True Blood

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Lone Survivor”

WHAT: In June 2005, a quartet of Navy SEALs (Mark Wahlberg, Taylor Kitsch, Ben Foster and Emile Hirsch) set out on a mission to kill Taliban leader Ahmad Shah. But when they encounter some goat farmers in the mountains and agree to let them go, knowing full well that they’ll alert the Taliban to their presence, the SEALS are forced engage in a fight for their lives.

WHY: Peter Berg’s “Lone Survivor” might be the worst military recruitment video ever made, which is a marked departure from the current crop of war movies. Though the story of Marcus Luttrell’s incredible survival is tailor-made for the big screen, and Berg does a good job of highlighting the soldiers’ brotherhood and courage under fire, it’s hard to find any pleasure or entertainment value from watching the characters (real-life men whose family and friends are still living with that loss) get brutally slaughtered. It’s incredibly harrowing stuff, and perhaps the reason why Berg went with such a spoilerific title, because it would have been that much harder to watch if you didn’t already know how it ended. But like many of Berg’s recent films, “Lone Survivor” is unwaveringly pro-American, almost to a fault. It never digs very deep into the problems surrounding the ill-fated operation (from a lack of air support to faulty communications equipment), and the final act feels a bit too Hollywoodized for what comes before. There’s a lot to admire about the movie thanks to some strong performances from the four actors, but your mileage will vary depending on how you feel about watching these fathers, husbands and sons die before your very eyes.

EXTRAS: In addition to a fairly lengthy profile on Marcus Luttrell (which also doubles as a making-of featurette), the Blu-ray includes three additional production featurettes, an intimate look at the men who died in Operation Red Wings and an interview with Mohamad Gulab, the man who helped save Luttrell’s life.

FINAL VERDICT: RENT

“RoboCop”

WHAT: When Detroit cop Alex Murphy (Joel Kinnaman) is critically injured in a car bombing, he’s offered the chance to take part in an experimental procedure that rebuilds his body with robotic prosthetics, turning him into the ultimate law enforcement agent. But after his overseers program his brain to act more like a machine, Alex’s human side begins to fight back as he investigates his own murder.

WHY: Believe it or not, the new “RoboCop” isn’t nearly as bad as people feared. In fact, it boasts a better cast, better effects and a better story, even if the 1987 original – which is admittedly pretty cheesy by today’s standards – is still the better movie. Jose Padhila’s update actually starts surprisingly well, but it begins to drag in the middle and never quite recovers. The problem is twofold. With the exception of Kinnaman, Gary Oldman and Jackie Earle Haley in a fun supporting role, most of the other talent is wasted, and the lack of a standout villain doesn’t help matters either. Additionally, while the action scenes aren’t terrible, they’re not as exciting as you’d expect from a modern day “RoboCop” movie. This was Padilha’s big opportunity to compensate for the much-derided PG-13 rating, but between the annoying shaky cam and his tendency to cut away from the action too early, many of the set pieces are scattershot at best. The fact that it’s not a complete failure will feel like a win to some fans, but while this slick and overproduced update could have been much worse, its inability to capitalize on the promise that it shows early on is perhaps the biggest disappointment.

EXTRAS: There’s a trio of featurettes (on the differences between the original and the reboot, the weapons used in the film and designing the suit), as well as some deleted scenes and faux product announcements from OmniCorp.

FINAL VERDICT: RENT

“True Blood: The Complete Sixth Season”

WHAT: As Bill (Stephen Moyer) comes to terms with his newfound powers, Louisiana Governor Truman Burrell (Arliss Howard) declares war on vampires, capturing and detaining them in a concentration camp. Meanwhile, Sookie (Anna Paquin) and Jason (Ryan Kwanten) face off against the ancient and powerful vampire responsible for murdering their parents.

WHY: “True Blood” has been in steady decline for several years now, but Season Six is so goddamn awful – the final nail in the proverbial coffin, if you will – that it wasn’t much of a surprise when HBO announced that it would be ending the series after its upcoming seventh season. The supernatural drama was never particularly great, but it had its moments as a pulpy and fun guilty pleasure that helped introduce audiences to the likes of Alexander Skarsgard, Ryan Kwanten, Joe Manganiello, Deborah Ann Woll and many more. Unfortunately, that sense of fun is completely missing from the sixth season, which somehow manages to be even more ridiculous than usual. The departure of creator/showrunner Alan Ball was the perfect opportunity to reinvigorate the series, but instead, it only made things worse, to the point that I finally stopped watching midway through the season after threatening to do so for two years. After all, there’s only so much stupid one can take, and when a show has more short-lived love triangles in a single season than interesting characters, that’s a pretty good indicator that it’s lost its bite.

EXTRAS: The Blu-ray set includes cast and crew audio commentaries on five of the 10 episodes, “Inside the Episode” mini-featurettes and a pair of interactive features called “Vamp Camp Files” and “True Blood Lines.”

FINAL VERDICT: SKIP

  

24 Blog 9.6: There is a light that never goes out

24 9 6-1

”And if a double-decker bus crashes into us…”

It’s as if the writers of “24” have been reading this blog, and secretly sent me a love letter.

What, the Smiths reference isn’t enough proof? Fine, I’ll go one better. Jack is trying to trick weasel arms dealer Karl Rask into uploading tracking software to his computer – meanwhile, in the next room, Kate is getting the shit kicked out of her as a decoy, because what Federal agent wouldn’t sign up for that? – and Rask tells Jack that he knows the people at the bank where he set up the account, and asks him about Metzger (that’s the German spelling of my name. It means ‘butcher,’ if you’re curious). The move is clearly a bluff, and Jack sniffs it out. Still, both Rask and Jack are repeatedly talking about Metzger. “Describe Metzger to me!” “There is no Metzger at the bank.”

In the end, I apparently don’t exist. Damn. Still, for a few moments, this episode was all about me, and that felt pretty damn good.

Read the rest of this entry »

  

Related Posts