Tag: new Blu-rays (Page 44 of 48)

Blu Tuesday: Old School Marty, The Real Lord of the Dance and More

I’ve mentioned on several occasions how great the selection of Blu-rays has been this summer, and it’s not just the quality of the films that matters, but the variety as well. This week’s lineup of new releases is a perfect example, with something for just about everyone. Though I wish that a review copy of “Lockout” had arrived in time to include in my column, there’s still quite a bit here to keep you entertained for most of the week.

“Mean Streets”

“Mean Streets” is one of those movies that’s lingered on my must-see list for years but I never found the time to watch, so this Blu-ray release was the perfect opportunity to remedy the situation. But whether it was just a case of my expectations being too high or something else altogether, I couldn’t help but feel a little disappointed. Although there’s some great stuff in the movie that Martin Scorsese went on to utilize to even better effect in future projects, the sum of those parts feels too raw and unpolished. Robert De Niro delivers a stellar supporting performance in the first of his many collaborations with Scorsese, but the rest of the acting isn’t quite up to par. The story is also pretty lacking for a movie that runs nearly two hours in length, and it wastes so much time on petty confrontations that by the time the big finale finally arrives, my interest had waned considerably. I may be in the minority when it comes to the gritty crime drama, but when you’ve already seen all the other Scorsese/De Niro team-ups, it’s understandable why this might pale in comparison.

Blu-ray Highlight: Any audio commentary with Martin Scorsese should be considered mandatory listening material, and the one included here featuring the director with co-writer/frequent collaborator Mardik Martin and actress Amy Robinson is no exception.

“Singin’ in the Rain”

For a movie that’s considered by many to be the best musical of all time, it’s surprising that Warner Bros. took so long to release it on Blu-ray, although you could say the same for a lot of their classic titles. In celebration of its 60th anniversary (hardly an important milestone, but one that sounds impressive nonetheless), the studio has spared no expense for the film’s Blu-ray debut, which boasts a new 4k high definition video transfer that looks amazing. Though it’s a little strange to watch the movie after having seen “The Artist” (which, let’s be honest, was obviously heavily influenced by “Singin’ in the Rain”), it’s still a really enjoyable flick. The story is admittedly a bit cheesy, but almost every song-and-dance number is memorable, and the main three actors are perfectly cast in their roles. In fact, although the film may be a Gene Kelly vehicle, it’s his two co-stars that steal the show. Donald O’Connor manages to keep up with the fleet-footed Kelly every step of the way (and makes you laugh while doing so), while Debbie Reynolds is so charming that you’d be crazy not to fall madly in love with her the minute she appears onscreen.

Blu-ray Highlight: The Ultimate Collector’s Edition box set comes packed with some pretty cool goodies (including a 42-page hardcover book and your very own umbrella), but the all-new documentary “Raining on a New Generation” is the best of the limited bonus material. Featuring interviews with the likes of Paula Abdul, Matthew Morrison and Harry Shum Jr. of “Glee,” and the directors and choreographers of recent movie and TV musicals, the featurette is an interesting retrospective on the film that covers the choreography, ensemble cast and the effect that it still has on Hollywood today.

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Blu Tuesday: Another Slice of Pie, Batman Goes to China and More

Last week’s Blu-ray haul was so lackluster that I didn’t even bother writing a column, but thankfully, that doesn’t look like it’s going to be a problem in July. In addition to today’s great selection of new releases, the rest of the month promises to be just as bountiful, which is good news for anyone trying to get out of this insane summer heat.

“American Reunion”

It’s easy to forgive the cast of “American Reunion” for having some hesitations about returning for another installment of the comedy franchise (especially after that terrible line of direct-to-video spin-offs didn’t do much for its reputation), but credit to co-writers/directors Jon Hurwitz and Hayden Schlossberg for not only getting everyone on board, but delivering one of the better films in the series. Nothing will ever compare to the 1999 original, but seeing Jim, Stifler and the rest of the gang all grown-up is just as ripe for comedy as when they were horny teenagers. Though not every subplot (and with this many characters to juggle, there are quite a few) works as well as others, the chemistry among the core cast remains intact, and that’s a major reason for its success. It’s also clear that Hurwitz and Schlossberg are fans of the franchise themselves, and it definitely shows in their understanding of the characters’ relationships, as well as the balance between the sweeter moments and gross-out humor. And yes, there’s plenty of both to go around.

Blu-ray Highlight: There’s a ton of bonus material on the disc, but most of it feels like filler. The audio commentary with Jon Hurwitz and Hayden Schlossberg, however, offers some nice insight on making the film and other behind-the-scenes anecdotes.

“The Flowers of War”

The Nanking Massacre, which is arguably China’s most tragic event in modern history, has been portrayed in numerous films before, but not nearly with as much grace as Zhang Yimou’s “The Flowers of War.” The director doesn’t exactly shy away from the brutal and violent behavior by the Japanese soldiers who invaded the city, but he brings a beauty to the movie that you wouldn’t expect from such grim material. Though there are some subplots that could have easily been cut to prevent the film from feeling so bloated, in many cases, those scenes allow for the supporting cast to be developed beyond simple background extras. The cinematography is gorgeous as always, and the performances are pretty good across the board (particularly newcomer Ni Ni and Christian Bale as the Westerner caught in the middle of the conflict), but the real star is the story itself, which earns its emotional beats without feeling like it’s pandering to the audience. “The Flowers of War” may not be Yimou’s best work, but it’s a well-crafted drama that definitely deserves to be seen.

Blu-ray Highlight: Although there’s no “Play All” option for the five-part behind-the-scenes featurette, each section is worth watching for various reasons. “The Birth of ‘The Flowers of War’” is undeniably the most interesting of the bunch, as it crams in a lot of material (including casting the children and hookers, as well as their preparation for the roles), but the one dedicated to Christian Bale’s involvement is also fascinating, even if the Chinese cast and crew go a bit over the top with their adoration for the actor.

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Blu Tuesday: Oscar Gold, Greek Tragedies and More

This past month has been pretty spectacular for Blu-ray enthusiasts, as it’s given us a number of reasons to stay out of the heat and relax inside our air-conditioned homes. (Honestly, it’s been unreasonably hot for June, at least here in Ohio.) Though today’s new releases aren’t as great as previous weeks, there’s still quite a bit to choose from, including arguably the week’s two biggest releases – “21 Jump Street” and “Wrath of the Titans” – which sadly weren’t provided for review. Of course, that just made room for a few titles that probably wouldn’t have been featured otherwise, so no harm done.

“The Artist”

Celebrating “The Artist” for its originality may seem a tad contradictory – after all, silent movies have been around longer than any other form of cinema – but when compared to today’s crop of films, it certainly feels fitting. The big winner at last year’s Academy Awards, “The Artist” plays like a loving homage to an era of filmmaking that many people have either forgotten about or never knew. For as purely entertaining as “The Artist” can be at times, however, it doesn’t do nearly enough to make you fall in love with the film so much as the idea of it. Though the movie’s first 30 minutes are an absolute delight thanks to the charming screen presence of Jean Dujardin, the abrupt change in tone from light-hearted comedy to somber melodrama is a bit disappointing. Still, “The Artist” makes great use of its various stylistic devices, and French actors Dujardin and Bérénice Bejo deliver star-making performances. Although the film often favors the gimmick over the story, it serves as a great reminder that while not every off-the-wall idea is guaranteed to be a success like “The Artist,” it’s the willingness to take those risks that making movies is all about.

Blu-ray Highlight: While I had high hopes for the 45-minute Q&A with the filmmakers and cast, it’s spoiled by a terrible moderator and Jean Dujardin’s language barrier. Still, “The Making of an American Romance” is a pretty entertaining featurette that, in addition to focusing on the two French leads and their supporting cast, also covers many of the movie’s finest moments, including the big tap dance number at the end.

“Bullhead”

Though it was a bit of a surprise nomination for Best Foreign Language Film at this year’s Academy Awards, writer/director Michael R. Roskam’s “Bullhead” definitely deserved the attention it earned as a result. It’s not exactly in Drafthouse Films’ wheelhouse of bizarre midnight movies (see: “The FP”), but it’s the kind of film that I’d like to see the startup label distribute more often in the future. A unique, character-driven crime drama with one of the most memorable protagonists in recent years, “Bullhead” is worth seeing just for the amazing transformative performance by star Matthias Schoenaerts, who’s virtually unrecognizable under the facial prosthetics and 60 pounds of weight that he reportedly gained for the role. Schoenaerts is a physically intimidating beast of a man who looks like he might snap at any moment, but the brilliance of his performance is the vulnerability and innocence that he brings to the character. Unfortunately, “Bullhead” is yet another case of a sensational performance in an otherwise average movie, and though that doesn’t make it any less worth your time, it does prevent it from becoming the masterpiece it could have been.

Blu-ray Highlight: The guys at Drafthouse have done an excellent job with this release, so there’s quite a bit of good material to choose from. In addition to a pair of insightful interviews by director Michael Roskam and star Matthias Schoenaerts (who talks about becoming obsessed with his physical preparation for the movie), there’s also a cool making-of featurette that delivers a behind-the-scenes look at the filmmaking process.

“A Thousand Words”

Director Brian Robbins’ third collaboration with Eddie Murphy isn’t nearly as terrible as their previous projects (“Norbit” and “Meet Dave”), but it’s not exactly an instance of “third time’s a charm” either. Although taking away Murphy’s best asset – his voice – is troublesome from the very start, the movie’s biggest problem is that it’s played as a silly comedy when it would have made for a much better drama. The basic premise is a pretty high concept idea, but instead of exploring the figurative relationship between Murphy’s character and the leaves on the tree that fall with every word he speaks, Robbins and screenwriter Steve Koren (who’s also responsible for last year’s incredibly awful “Jack and Jill”) take the broader route by making the bond much more literal. So when anything happens to the tree (whether it’s squirrels running around the trunk or the gardener spraying it with toxic gas), it also has a physical effect on Murphy, which only spoils the deeper philosophical and spiritual connotations that are briefly alluded to. “A Thousand Words” is still better than a lot of the crap the comedian has been doing in recent years, but not by very much.

Blu-ray Highlight: There are only two extras included on the disc – a subpar collection of deleted scenes and an inferior alternate ending – and neither one is very worthwhile.

Blu Tuesday: Slackers, Hippies and More

Another week, another great selection of Blu-rays. It’s too bad that every month isn’t as prolific as this, because it would sure make my job a whole lot easier. Although there are a few missing titles as usual (like the awful found footage comedy “Project X,” the inspirational drama “Big Miracle,” and the latest seasons of the FX comedies “Louie” and “Wilfred”), you’re not really missing anything. And on that note, let’s get started.

“Jeff, Who Lives at Home”

The so-called mumblecore movement is an interesting approach to filmmaking, because a director never really knows what kind of movie he’s going to end up with until it’s completely finished; which is probably why the Duplass brothers’ latest film is so different from what most people expected. Though it certainly had the right ingredients for a great comedy, “Jeff, Who Lives at Home” is instead a surprisingly heartfelt and meditative dramedy about the importance of family and finding one’s place in the world. It may not be as funny as advertised, but thanks to some naturalistic performances by sitcom stars Jason Segel and Ed Helms (both of whom prove perfectly adept at drama), the film still works, albeit on a whole different level. Mark and Jay Duplass have always been more interested in getting good performances out of their actors than the story, and that’s never been more evident than it is here, because without their core cast, “Jeff, Who Lives at Home” would be an absolute bore.

Blu-ray Highlight: Believe it or not, Paramount’s Blu-ray release has no bonus material whatsoever. I’m not sure how that happened, but it’s a disappointment nonetheless.

“Wanderlust”

I’ve never really understood the appeal of the David Wain-directed cult classic “Wet Hot American Summer,” so it’s no surprise that I didn’t like his latest comedy, because it feels like a more grown-up version of that film. Of course, just because the characters are more mature doesn’t mean that the humor isn’t still juvenile, and unless you’re a fan of Wain’s previous work, you probably won’t find much to laugh at here. Most of the supporting cast is wasted playing broad stereotypes that are weird just for the sake of being weird, while the script falls back on the same hippie clichés that we’ve seen many times before. Justin Theroux is one of the few actors who doesn’t completely embarrass himself as the alpha hippie who takes a liking to Jennifer Aniston’s closeted free spirit, and Paul Rudd has a few moments of improv genius, but it’s not enough. Though the film shows some promise early on, “Wanderlust” stalls out almost as soon as Rudd and Aniston’s characters arrive at the commune, and once Wain backs himself into that corner, it’s a lost cause.

Blu-ray Highlight: The making-of featurette “God Afton!” does a pretty good job of balancing the generic EPK-style material (like a breakdown of all the major characters and actors) with more detailed bits on things like Joe Lo Truglio’s prosthetic penis, turning Justin Theroux into a master guitarist, and the many stunts involved in the film.

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Blu Tuesday: Spider-Man Redux, Crazy Cage and Chaplin

Following last week’s windfall of new releases, I’m happy to report that the rest of June looks just as bright, with a number of noteworthy Blu-rays arriving in stores today. In addition to the titles featured below, there are several other releases that I’d be remiss if I didn’t mention, including the new “Sherlock Holmes” sequel, the eighth and final season of “Entourage,” and Criterion editions of Hal Ashby’s “Harold and Maude” and Danny Boyle’s “Shallow Grave.” Those would have made for a pretty killer column on their own, but due to what has become a standard complaint around these parts, they weren’t sent to me for review. Nevertheless, it speaks volumes of the quality of this week’s Blu-rays that I was still able to conjure up three more titles worth talking about.

“Spider-Man Trilogy”

I’m not exactly sure why Sony would want to remind moviegoers about the original “Spider-Man” trilogy when the studio is only weeks away from rebooting the lucrative superhero franchise, but if you never got around to buying the films on Blu-ray, it’s as good a time as any to get them now. Granted, the cover art for all three movies is an appalling Photoshop hack job that shows just how little work went into these re-releases, but it’s what’s inside that really counts. Though “X-Men” was the first movie to revitalize the comic book genre, Sam Raimi’s “Spider-Man” films are what turned it into Hollywood’s obsession. Though the legacy of Raimi’s trilogy may have been marred a bit by the tepid reaction to the third installment (although for the record, I actually liked it quite a bit), it still contains some of the best superhero movies to date, especially the well-received sequel featuring Alfred Molina as classic Spidey villain Doc Ock. And no matter how amazing Mark Webb’s reboot may turn out to be, it wouldn’t have been possible without the spectacular trilogy that came before it.

Blu-ray Highlight: Fans will be happy to learn that the bonus material for “Spider-Man” and “Spider-Man 2” has been reinstated on their respective discs (unlike their Blu-ray debuts), even if “Spider-Man 3” was shortchanged in the process. Although it’s hard to pick just one highlight from the treasure trove of special features, the 12-part “Spider-Man 2” documentary “Making the Amazing” is an incredibly in-depth look at the amount of work that went into making the film. If you’re not a big fan of production featurettes, however, the numerous audio commentaries that appear on each disc are also great.

“Ghost Rider: Spirit of Vengeance”

Mark Steven Johnson’s 2007 attempt to bring Ghost Rider to the big screen didn’t turn out particularly well, and although many believed that would be the last we’d ever see of Marvel’s B-list antihero, Sony decided to give the character another shot with this equally shoddy reboot by Mark Neveldine and Brian Taylor. Though the directing duo behind the “Crank” films seemed like a natural fit to take on such a bizarre character, “Spirit of Vengeance” is only slightly better than the first movie. One of the few things they do get right is the scenes with Ghost Rider, emphasizing his demonic nature by making him as frightening and intimidating as possible, but he’s used far too sparingly. And unfortunately, that’s where the magic ends, because the rest of the film makes many of the same mistakes as its predecessors, with plenty of bad dialogue, poor attempts at humor, and a laughably bad performance by Johnny Whitworth. Neveldine and Taylor’s version at least seems to have been made more with fans of the comic in mind, but that doesn’t change the fact that it’s still bad.

Blu-ray Highlight: In addition to an excellent six-part documentary that runs the entire gamut of production – from location shooting in Romania, to Nicolas Cage’s (creepy) performance capture of the Ghost Rider, to special effects and more – the Blu-ray also includes a feature similar to Warner Bros.’ Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind-the-scenes footage. Both extras are definitely worth your time, even if it means having to watch the movie more than once.

“The Gold Rush”

Call me crazy, but I’ve never quite understood why Charlie Chaplin’s “The Gold Rush” was considered to be a cinematic masterpiece. Although there’s a lot to love about the movie – particularly the first 30 minutes in the cabin with the Tramp, Big Jim and Black Larsen – the second half is incredibly uneven. The gags that do work are still hilarious to this day, however, and it’s no doubt the memory of those iconic scenes that has led people to hold the film in such high regard. From eating a boiled leather shoe, to getting caught in the middle of a crosswind, to the dancing dinner roll routine, “The Gold Rush” contains some of Chaplin’s best movie moments. Unfortunately, the film’s dramatic beats only get in the way of its comic genius, while the big finale in the teetering cabin isn’t nearly as funny as some of the earlier scenes, like the bit where Chaplin tries to avoid the barrel of a shotgun, or when Big Jim imagines the Tramp as a giant chicken. It’s definitely one of those movies that you need to see at least once in your life, but it’s hardly the definitive Chaplin picture.

Blu-ray Highlight: There’s some really great bonus material included on the disc, but the standout extra is “Presenting ‘The Gold Rush’,” a 16-minute featurette about the film’s long history that covers its initial theatrical release, Charlie Chaplin’s reworked 1942 sound version, and the various re-releases throughout the years, including the restoration of the 1925 original completed by David Gill and Kevin Brownlow in 1993.

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