Tag: new Blu-rays (Page 35 of 48)

Blu Tuesday: The Hangover Part III, The Purge and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Hangover Part III”

WHAT: When the Wolfpack is kidnapped by a vengeful gangster (John Goodman) who blames the guys for introducing Leslie Chow (Ken Jeong) into his life, he tasks them (sans Doug, naturally, who’s kept as collateral) with tracking Chow down and recovering his stolen money, taking them back to Las Vegas, the city where it all began.

WHY:The Hangover Part III” is a really bad movie – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise. Galifianakis and Jeong are more annoying than ever in their respective roles, while Bradley Cooper and Ed Helms are simply on auto-pilot, going through the motions to collect their paychecks. And can you really blame them? The script is so terrible and devoid of laughs (despite some half-assed attempts at humor that rarely land) that it’s hard to imagine anyone signing on to the movie for anything other than the great payday. The film mostly runs on nostalgia – a fact made clear by the return of several familiar faces, even if they have nothing to offer the story – but even that little bit of fan service sputters out well before the end, much like the finale itself.

EXTRAS: The two-disc release includes a few extended scenes, an 8-minute outtakes reel, and some mini-featurettes that are all pretty terrible.

FINAL VERDICT: SKIP

“The Purge”

WHAT: In the near future, the government has introduced an annual event called The Purge where all crime – including murder – is legal for 12 hours. The Sandins are fortunate enough to be able to afford a security system that keeps them safe, but when son Charlie (Max Burkholder) provides sanctuary to a homeless man on the run from some attackers, James (Ethan Hawke) and the rest of his family become their new targets.

WHY: “The Purge” is hands-down one of the dumbest movies of the year. Nothing about this film works, beginning at the concept stage, which is laughable in its suggestion that a) the government would ever impose something like the Purge, b) everyday people would actually embrace it, and c) no one would commit crimes during the rest of the year, not even the homeless people being beaten and murdered. It just isn’t plausible, and as such, the premise is completely drained of any suspense. The characters all act like idiots – especially Charlie, who doesn’t think twice about the fact that the man he’s helping could be tricking him in order to gain entry to the house – and the lead villain is just plain ridiculous. (His gang wears masks for no apparent reason other than that writer/director James DeMonaco thought it would be creepy.) And if that wasn’t bad enough, DeMonaco actually thinks that he’s making some kind of bold political statement, when in reality, it’s simply the musings of a crazy person.

EXTRAS: Considering how well it performed in theaters, it’s a little surprising that the only included bonus material is a making-of featurette titled “Surviving the Night.”

FINAL VERDICT: SKIP

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Blu Tuesday: World War Z, Behind the Candelabra and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“World War Z”

WHAT: After barely surviving a zombie outbreak in his hometown of Philadelphia, former United Nations crisis specialist Gerry Lane (Brad Pitt) leaves his family aboard a military vessel and heads to the other side of the world to track down the cause of the epidemic before it’s too late.

WHY:World War Z” may have gone through a battle of its own on the way to theaters – with rumors of a ballooning budget, massive reshoots and more – but you wouldn’t know it from the final product. Staged more like a socio-political thriller than a typical zombie film, even the creatures themselves are unique compared to the classic variety. Not only are they fast and twitchy, but they behave like insects, swarming together to create large, living structures in order to attack helicopters or traverse walls. It’s a really interesting, nature-based approach to the timeworn zombie mythology, and it makes the action sequences even more intense as a result. The movie is also peppered with some great actors in small supporting roles, although it’s essentially the Brad Pitt Show, who’s one of the few guys that can pull off such a star-centric performance without making it feel flashy. Fans of Max Brooks’ bestselling novel will undoubtedly be disappointed by how much was changed from page to screen, but “World War Z” is an immensely entertaining film that’s smarter than your average summer blockbuster.

EXTRAS: Though it was a missed opportunity on Paramount’s part to include the original ending (unless they’re saving it for the rumored sequel), the two-disc set boasts behind-the-scenes featurettes on the movie’s journey to the big screen, the filming of several major set pieces and more.

FINAL VERDICT: RENT

“Behind the Candelabra”

WHAT: Based on the autobiography of Scott Thorson (Matt Damon), a veterinarian who had a chance meeting with Liberace (Michael Douglas) at one of his Las Vegas shows, leading to a secretive five-year love affair with the famous piano player from 1977 to 1982.

WHY: Steven Soderbergh marked his early retirement from feature films with this long-gestating biopic about Liberace, and though it works perfectly fine as a TV movie, it’s hard to believe that it got a theatrical release in other countries. Though Douglas and Damon are both really good in their respective roles (the former is practically guaranteed to walk home a winner at this year’s Emmys), the film just isn’t as interesting as you might expect. The first half of the movie recounts the early years of the couple’s relationship, and it provides some great material for both actors, but the latter half is incredibly monotonous, devolving into movie-of-the-week melodrama that, quite frankly, is above Soderbergh and his two leads. The rest of the cast delivers solid performances, but only Rob Lowe makes much of an impact as the perpetually drugged-up plastic surgeon Dr. Jack Startz. Then again, the other actors aren’t given a whole lot to do, and it’s exactly this cursory treatment of the material that makes “Behind the Candelabra” feel like such a wasted opportunity.

EXTRAS: A making-of featurette with interviews from the cast and crew.

FINAL VERDICT: RENT

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Blu Tuesday: Star Trek Into Darkness, Parade’s End and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Star Trek Into Darkness”

WHAT: When Starfleet is attacked by a dangerous terrorist known as John Harrison (Benedict Cumberbatch), Captain Kirk (Chris Pine) and the crew of the U.S.S. Enterprise embark on a mission to track down the one-man killing machine and bring him to justice, only to discover that the situation is a lot more complicated than originally believed.

WHY: I don’t typically revisit many films so soon after their theatrical release unless I really enjoyed them, but in the case of J.J. Abrams’ “Star Trek Into Darkness,” I wanted to give it another chance after my first screening was spoiled by a terrible 3D projection. And I’m glad that I did, because although some of my issues with the movie still exist (like the “Wrath of Khan” copycatting and blasé wastefulness of its supporting cast), there are quite a few things to love about it. For starters, Cumberbatch absolutely kills it as Khan, bringing a level of strength and ruthlessness to the character that was never apparent in the Ricardo Montalban version. Simon Pegg also gets more to do this time around (albeit at the expense of co-stars like Karl Urban, John Cho and Anton Yelchin), and there’s a really good balance of action, drama and comedy throughout. It’s actually a bit puzzling why the sequel received so much flak from fans, because while it definitely has some problems, the film is just as much fun as its predecessor.

EXTRAS: In all their infinite wisdom, Paramount decided to make several extras (including a director commentary) exclusive to various retail chains, making it impossible for fans to dig into all the goodies unless they buy multiple versions of the film. The Blu-ray does come with seven short production featurettes, but it doesn’t make the studio’s actions sting any less.

FINAL VERDICT: RENT

“Parade’s End”

WHAT: Set over a ten-year period that intersects World War I, nobleman Christopher Tietjens (Benedict Cumberbatch) is stuck in a loveless marriage with manipulative socialite Sylvia (Rebecca Hall). After being publicly embarrassed by his wife, Christopher finds comfort in a young suffragette named Valentine Wannop (Adelaide Clemens), but refuses to give into their mutual passion as he clings onto values of a bygone era.

WHY: “Parade’s End” had several things working in its favor – most notably HBO, which has produced some of the best miniseries of the past decade, and an incredible ensemble cast – but that doesn’t make this five-part miniseries (based on a quartet of novels by Ford Madox Ford) any easier to watch. In fact, although a lot of material has clearly been lost in the translation between book and screen – not surprising when you consider that writer Tom Stoppard has attempted to squeeze four novels’ worth of story into five hours of television – I couldn’t even make it past Part Two due to extreme boredom and, in some cases, utter confusion over the vague subplots and time jumps. If you like your period pieces overly stuffy and melodramatic, then “Parade’s End” might be just for you, but despite some solid performances from its cast (especially Cumberbatch, Hall and Clemens), they’re unable to make their dull characters, and by extension Stoppard’s script, even the least bit interesting.

EXTRAS: The only bonus material on the disc is an interview with writer Tom Stoppard from his visit to KCRW’s “The Treatment” hosted by Elvis Mitchell.

FINAL VERDICT: SKIP

“La Cage aux Folles”

WHAT: Gay club owner Renato (Ugo Tognazzi) and his drag queen lover Albin (Michel Serrault) agree to hide their sexual identities for the sake of Renato’s grown-up son (Remi Laurent) when his new fiancée’s ultraconservative parents drive down to St. Tropez for a dinner meeting before they’ll agree to the marriage.

WHY: Though the movie was decades ahead of its time with its social message and treatment of LGBT characters, “La Cage aux Folles” is one of those rare films where the Hollywood remake is actually better than the original. That’s not to say that Edouard Molinaro’s movie – based on the stage play by Jean Poiret – isn’t any good, but Mike Nichols’ American version is even better, thanks in large part to the hilarious performances by stars Robin Williams and Nathan Lane. There are still some laughs in “La Cage aux Folles” (namely from Michel Galabru’s prudish government official), but a lot of the humor is pretty mild compared to the sheer outrageousness of the 1996 film, especially for those already familiar with the story. Of course, “The Birdcage” wouldn’t have been possible without Molinaro’s Franco-Italian comedy, and between its forward-thinking story and entertaining performances, fans of Nichols’ rendition (or the Harvey Fierstein Broadway musical) should probably see it at least once.

EXTRAS: Like most Criterion releases, they haven’t skimped on bonus material, including new interviews with director Edouard Molinaro and author Laurence Senelick (“The Changing Room: Sex, Drag and Theatre”), behind the scenes archival footage, and a booklet featuring an interview with critic David Ehrenstein.

FINAL VERDICT: RENT

Blu Tuesday: Now You See Me, The Office and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Now You See Me”

WHAT: When a quartet of illusionists called the Four Horsemen commit a series of crimes as part of a three-show performance bankrolled by business tycoon Arthur Tressler (Michael Caine), FBI agent Dylan Rhodes (Mark Ruffalo) teams up with an Interpol detective (Melanie Laurent) to track them down.

WHY: It’s always nice to see an original idea like “Now You See Me” find success amid the usual summer barrage of rehashed properties (and a sequel has since been greenlit), but unfortunately, the movie doesn’t live up to its full potential. The chemistry between the Four Horsemen – played with verve by Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco – provides many of the film’s best moments, so it’s really disappointing that the actors are used so sparingly. And though Ruffalo is certainly no slouch, following his dogged FBI agent around as he tries to unravel the mystery surrounding the Four Horsemen’s elaborate magic act isn’t nearly as much fun as watching them execute it. The movie is also riddled with giant plot holes, strange story developments and one of the lamest twist endings in recent memory. After all, if you’re going to make a film about magic, you shouldn’t cheat to sell the trick.

EXTRAS: There’s an audio commentary with director Louis Leterrier and producer Bobby Cohen, a making-of featurette, a brief history of magic and deleted scenes.

FINAL VERDICT: RENT

“The Office: Season Nine”

WHAT: Change is in the air at Dunder Mifflin as the documentary is finally scheduled for its TV debut, leading Andy (Ed Helms) to rethink his career choices. Meanwhile, Jim (John Krasinski) and Pam (Jenna Fischer) experience marital problems when he lands a dream job in Philadelphia; Angela (Angela Kinsey) discovers that her marriage has been a fraud; and Erin (Ellie Kemper) hooks up with the new office temp.

WHY: Though it was one of the funnier shows on television during its first few seasons, “The Office” has gradually become less entertaining over the years, with many clamoring for NBC to pull the plug when Steve Carell exited the workplace comedy at the end of Season Seven. Instead, they decided to forge ahead without him, and if the final two seasons are any indication, that was a terrible idea. Despite some desperate attempts to plug the hole with big-name guest stars like James Spader and Kathy Bates (both of whom made Season Eight more tolerable), the writing was already on the wall by the time Season Nine rolled along. From the contrived Jim-Pam subplot, to the complete devolution of the Andy Bernard character (somehow making him more annoying in the process), there wasn’t much to love about this season apart from the well-crafted series finale. It was a bumpy ride getting there, but at least they stuck the ending.

EXTRAS: As usual, there’s a ton of bonus material on the four-disc set, including never-before-seen audition tapes, over two hours of deleted scenes, a behind-the-scenes panel discussion, a blooper reel and more.

FINAL VERDICT: RENT

“The Iceman”

WHAT: Set over the course of several decades, the film tells the real-life story of Robert Kuklinski (Michael Shannon), a devoted husband and father of two who secretly worked as a contract killer for the mob, murdering more than 100 people before finally being arrested.

WHY: “The Iceman” had all the makings of a good film – a magnetic leading man, a great supporting cast (save for a pointless cameo by James Franco), and story almost too crazy to be true – but while it starts out well enough, it never really builds on that early promise. Instead, it seems content to follow the same generic formula of every other gangster drama, and as a result, the movie comes off dull and predictable. For a movie based on fact, it feels an awful lot like fiction, and that may be why it took so long for someone to make a film about Kuklinski’s life. While it’s definitely an incredible story, that doesn’t necessary guarantee that it’ll be interesting, and though that hasn’t stopped Michael Shannon from delivering another fine performance, it’s not quite enough to rescue the movie from the swamp of mediocrity surrounding him.

EXTRAS: There’s a 30-minute making-of featurette and a shorter, EPK-style look behind the scenes with interviews from the cast and crew.

FINAL VERDICT: SKIP

Blu Tuesday: The Great Gatsby, Pain & Gain and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Great Gatsby”

WHAT: Bond salesman Nick Carraway (Tobey Maguire) gets pulled into the extravagant world of Jay Gatsby (Leonardo DiCaprio) when he rents a small house on Long Island next to the reclusive millionaire’s lavish mansion. But Gatsby has ulterior motives for befriending Nick – he’s in love with his cousin, Daisy (Carey Mulligan), who’s currently trapped in a loveless marriage with wealthy socialite Tom Buchanan (Joel Edgerton).

WHY: If you ever wondered what a bad movie starring good actors looks like, then you’ll want to check out this disastrous adaptation of F. Scott Fitzgerald’s “The Great Gatsby.” Though Warner Bros. tried to put a positive spin on the film’s delay, it’s pretty clear why they decided not to release it during awards season like originally planned: it’s a boring mess. The only thing worse than a dull movie is one that tries to disguise it with razzle-dazzle, and director Baz Luhrman’s kitschy vision of the Roaring 20s is so oversaturated in style and off-the-wall choices (like the use of a contemporary, mostly hip-hop soundtrack) that he completely ignores the many nuances of Fitzgerald’s novel. The whole thing is executed so poorly that I came up with a drinking game just to keep myself entertained. Take a sip every time DiCaprio says “old sport,” and take a shot every time someone slicks back their hair. You’ll be plastered within the hour, but at least the film will be a lot easier to watch.

EXTRAS: Sadly, there’s no audio commentary by director Baz Luhrmann, but there are a number of featurettes on things like pre-production, costume design and the soundtrack, as well as on-set video diaries by Tobey Maguire, an in-depth look at five sequences and some deleted scenes.

FINAL VERDICT: SKIP

“Pain & Gain”

WHAT: Based on an unbelievably true story, physical trainer Daniel Lugo (Mark Wahlberg) enlists the help of fellow bodybuilder Adrian Doorbal (Anthony Mackie) and recently paroled born-again Christian Paul Doyle (Dwayne Johnson) to kidnap a Miami businessman (Tony Shaloub) and force him to sign over all his assets.

WHY: After three “Transformers” films, it’s nice to see Michael Bay challenging himself with something on a much smaller scale – one that doesn’t involve blowing shit up every 10 minutes – although it may not necessarily look like it due to the director’s trademark ramped-up style. Bay’s movies can be pretty grueling to watch at times between the relentless high energy intensity and overlong runtimes, and “Pain & Gain” is no exception. But whereas a film like “Bad Boys II” had the added annoyance level of Martin Lawrence (to the point that it gave me a headache), this movie actually benefits from its cast. Wahlberg, Johnson and Mackie all deliver enjoyable performances as the amateur criminals, and though no amount charm makes them come across any less idiotic, that’s part of the fun. “Pain & Gain” is a lot like “Raising Arizona” in many respects – if that film was shot up with a potent cocktail of steroids and speed – and though it’s fairly entertaining at times, it eventually becomes too crazy for its own good.

EXTRAS: Surprisingly, there’s no bonus material available. Nothing, nada, zilch.

FINAL VERDICT: RENT

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