Tag: Blu Tuesday (Page 46 of 49)

Blu Tuesday: Spider-Man Redux, Crazy Cage and Chaplin

Following last week’s windfall of new releases, I’m happy to report that the rest of June looks just as bright, with a number of noteworthy Blu-rays arriving in stores today. In addition to the titles featured below, there are several other releases that I’d be remiss if I didn’t mention, including the new “Sherlock Holmes” sequel, the eighth and final season of “Entourage,” and Criterion editions of Hal Ashby’s “Harold and Maude” and Danny Boyle’s “Shallow Grave.” Those would have made for a pretty killer column on their own, but due to what has become a standard complaint around these parts, they weren’t sent to me for review. Nevertheless, it speaks volumes of the quality of this week’s Blu-rays that I was still able to conjure up three more titles worth talking about.

“Spider-Man Trilogy”

I’m not exactly sure why Sony would want to remind moviegoers about the original “Spider-Man” trilogy when the studio is only weeks away from rebooting the lucrative superhero franchise, but if you never got around to buying the films on Blu-ray, it’s as good a time as any to get them now. Granted, the cover art for all three movies is an appalling Photoshop hack job that shows just how little work went into these re-releases, but it’s what’s inside that really counts. Though “X-Men” was the first movie to revitalize the comic book genre, Sam Raimi’s “Spider-Man” films are what turned it into Hollywood’s obsession. Though the legacy of Raimi’s trilogy may have been marred a bit by the tepid reaction to the third installment (although for the record, I actually liked it quite a bit), it still contains some of the best superhero movies to date, especially the well-received sequel featuring Alfred Molina as classic Spidey villain Doc Ock. And no matter how amazing Mark Webb’s reboot may turn out to be, it wouldn’t have been possible without the spectacular trilogy that came before it.

Blu-ray Highlight: Fans will be happy to learn that the bonus material for “Spider-Man” and “Spider-Man 2” has been reinstated on their respective discs (unlike their Blu-ray debuts), even if “Spider-Man 3” was shortchanged in the process. Although it’s hard to pick just one highlight from the treasure trove of special features, the 12-part “Spider-Man 2” documentary “Making the Amazing” is an incredibly in-depth look at the amount of work that went into making the film. If you’re not a big fan of production featurettes, however, the numerous audio commentaries that appear on each disc are also great.

“Ghost Rider: Spirit of Vengeance”

Mark Steven Johnson’s 2007 attempt to bring Ghost Rider to the big screen didn’t turn out particularly well, and although many believed that would be the last we’d ever see of Marvel’s B-list antihero, Sony decided to give the character another shot with this equally shoddy reboot by Mark Neveldine and Brian Taylor. Though the directing duo behind the “Crank” films seemed like a natural fit to take on such a bizarre character, “Spirit of Vengeance” is only slightly better than the first movie. One of the few things they do get right is the scenes with Ghost Rider, emphasizing his demonic nature by making him as frightening and intimidating as possible, but he’s used far too sparingly. And unfortunately, that’s where the magic ends, because the rest of the film makes many of the same mistakes as its predecessors, with plenty of bad dialogue, poor attempts at humor, and a laughably bad performance by Johnny Whitworth. Neveldine and Taylor’s version at least seems to have been made more with fans of the comic in mind, but that doesn’t change the fact that it’s still bad.

Blu-ray Highlight: In addition to an excellent six-part documentary that runs the entire gamut of production – from location shooting in Romania, to Nicolas Cage’s (creepy) performance capture of the Ghost Rider, to special effects and more – the Blu-ray also includes a feature similar to Warner Bros.’ Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind-the-scenes footage. Both extras are definitely worth your time, even if it means having to watch the movie more than once.

“The Gold Rush”

Call me crazy, but I’ve never quite understood why Charlie Chaplin’s “The Gold Rush” was considered to be a cinematic masterpiece. Although there’s a lot to love about the movie – particularly the first 30 minutes in the cabin with the Tramp, Big Jim and Black Larsen – the second half is incredibly uneven. The gags that do work are still hilarious to this day, however, and it’s no doubt the memory of those iconic scenes that has led people to hold the film in such high regard. From eating a boiled leather shoe, to getting caught in the middle of a crosswind, to the dancing dinner roll routine, “The Gold Rush” contains some of Chaplin’s best movie moments. Unfortunately, the film’s dramatic beats only get in the way of its comic genius, while the big finale in the teetering cabin isn’t nearly as funny as some of the earlier scenes, like the bit where Chaplin tries to avoid the barrel of a shotgun, or when Big Jim imagines the Tramp as a giant chicken. It’s definitely one of those movies that you need to see at least once in your life, but it’s hardly the definitive Chaplin picture.

Blu-ray Highlight: There’s some really great bonus material included on the disc, but the standout extra is “Presenting ‘The Gold Rush’,” a 16-minute featurette about the film’s long history that covers its initial theatrical release, Charlie Chaplin’s reworked 1942 sound version, and the various re-releases throughout the years, including the restoration of the 1925 original completed by David Gill and Kevin Brownlow in 1993.

Blu Tuesday: Con Games, Aliens and More

I’m lucky if there’s a few good Blu-ray releases worth considering for my column each week, let alone actually sent by the studios to review, but that’s definitely not the case with this week’s impressive haul. While I didn’t get copies of “John Carter,” “Breaking Bad: Season Four,” or many of the Universal and Disney catalog titles released, there was still plenty to choose from to make this edition of Blu Tuesday one of the best yet.

“The Sting”

It’s been a while since the last time I sat down to watch “The Sting,” but it shouldn’t come as much of a surprise that the movie still holds up remarkably well, especially now that it’s been digitally remastered as part of Universal’s 100th Anniversary Collector’s Series. Director George Roy Hill’s second collaboration with Robert Redford and Paul Newman epitomizes everything that made the 1970s such an amazing and transitional period for American cinema, beginning with David S. Ward’s Oscar-winning screenplay. While Hill does a great job making sense of the elaborate plot, and Redford and Newman replicate their wonderful chemistry from “Butch Cassidy and the Sundance Kid,” the film wouldn’t be such a timeless classic if it wasn’t for Ward’s smart and unpredictable script. From Newman’s poker showdown with Robert Shaw, to the climactic finale involving nearly every character in the story, there are so many memorable moments that it’s no wonder why “The Sting” remains as beloved today as when it was first released. It’s arguably the definitive con movie, and one that deserves a place in every film lover’s collection.

Blu-ray Highlight: Although it’s appeared on previous editions, “The Art of the Sting” is an excellent three-part retrospective that features interviews with Robert Redford, Paul Newman and other cast and crew as they reflect back on making the film, including the choice to use ragtime music for the score, cast chemistry and anecdotes from the set.

“Falling Skies: The Complete First Season”

Science fiction has enjoyed a renaissance of sorts on television in recent years, thanks in large part to the advances made in technology. Unfortunately, many of the major networks haven’t had a lot of luck with the genre, which is why the idea of a smaller fish like TNT dipping its toes into the sci-fi pool sounded like a disaster waiting to happen. Perhaps best described as a mix between “War of the Worlds” and “The Walking Dead,” the show strikes a good balance between the action sequences and the human drama that occurs within the Resistance, even if the writing and acting aren’t necessarily of the highest quality. It’s obvious from the first episode that “Falling Skies” is working with a limited budget, but while the special effects are only slightly better than your average SyFy made-for-TV movie, they’re never a crutch to the series. Granted, it probably won’t blow you away, but for sci-fi fans still mourning the loss of shows like “V,” it’s a pretty decent substitute.

Blu-ray Highlight: If you’re looking for a more in-depth conversation about specific episodes, then the included audio commentaries (five in all, featuring producer Greg Beeman, actor Noah Wyle and writer Mark Verheidan) are the way to go, but I enjoyed the footage of the “Falling Skies” panel from last year’s San Diego Comic-Con a little more. Though the panel isn’t available in its entirety, it features most of the cast (as well as a few of the producers) discussing the first season in a much broader capacity.

“Safe House”

If I’m being completely honest, I don’t really remember “Safe House” all that well, but that’s part of the problem. Despite starring two of the most charismatic actors in the industry in Denzel Washington and Ryan Reynolds, the movie is pretty forgettable. The actors do the best they can with the material that they’ve been given, but despite some small changes to the formula, the film is just another run-of-the-mill action thriller with hardly a surprising moment throughout. One of the few things that does work in the film is the setting. In addition to boasting a variety of unique locations (like the newly built soccer stadium), Cape Town, South Africa is a fresh and exotic locale that Hollywood hasn’t filmed to death. There’s also a really great action sequence with Reynolds and “The Killing” star Joel Kinneman (who previously worked with director Daniel Espinosa on the Swedish hit “Snabba Cash”) that will likely go down as one of the best fight scenes of the year, but for a movie packed with this much talent, there should have been a lot more highlights than that.

Blu-ray Highlight: There really isn’t a standout special feature on Universal’s two-disc release, but there are still a few good extras worth checking out, including a short but sweet making-of featurette that covers a range of topics like the script, casting and production; an in-depth look at the film’s fight choreography; and a featurette on ex-CIA operative Luis Falcon III’s assistance in making the movie as accurate as possible.

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Blu Tuesday: Evil Children, Fistfights and More

After celebrating Memorial Day weekend partying with your friends and family, eating good food, and drinking way more than you planned, there’s nothing better than relaxing in the cool confines of your home while watching a movie. Thankfully, there are a few new Blu-rays out today to help pass the time, including a personal favorite from last year and one of the more enjoyable sports comedies in recent memory.

“We Need to Talk About Kevin”

Every once in a while, a movie comes along that knocks you completely on your ass, and Lynne Ramsey’s psychological thriller “We Need to Talk About Kevin” is such a film. A thoroughly engaging and disturbing look at the strained relationship between a mother and her sociopathic child, Ramsey has crafted a modern day “Rosemary’s Baby” of sorts that lingers in the back of your mind long after it’s over. Tilda Swinton delivers a powerhouse performance as a mother trying to adapt to life after her son commits a Columbine-esque massacre at his school, although most of the story takes place before the tragic event, with Ramsey exploring the idea of nature vs. nurture and how much Swinton’s parenting tactics are to blame for the subsequent actions of her malevolent son. Though the constant use of red imagery throughout the film feels a little forced at times, “We Need to Talk About Kevin” is so brilliant from top to bottom (especially the acting, score and cinematography) that it’s absolutely mesmerizing.

Blu-ray Highlight: “Behind the Scenes of Kevin” isn’t your typical making-of featurette, but rather an intelligent discussion about the movie with interviews from the cast and crew on a number of topics like adapting Lionel Shriver’s controversial novel for the big screen, casting, production design and the film’s various themes.

“Goon”

With the exception of Disney’s “The Mighty Ducks” series, the hugely overrated “Slap Shot” and a handful of other films, hockey has been inadequately represented by Hollywood compared to most sports, which is probably why “Goon” is such a welcome treat. Though the Michael Dowse-directed comedy is a fairly average underdog story in most respects, it’s still one of the best sports films in recent years. Seann William Scott has never had a better role than that of bouncer turned hockey enforcer Doug Glatt, and his understated performance is a big reason why the movie works as well as it does. In fact, most of the cast is excellent throughout, including Liev Schreiber as a fellow enforcer nearing retirement, the divine Alison Pill as Doug’s awkward but sweet love interest, and Kim Coates as the no-nonsense coach who recruits Doug for his special talents. Speaking of which, the fight scenes are awesome, delivering plenty of blood and laughs with every blow. And if you didn’t know much about hockey goons before, you’ll have a newfound respect for them by the time it’s over.

Blu-ray Highlight: Magnolia’s two-disc release of “Goon” comes jam-packed with extras, some of which are actually quite good. Though the audio commentary with director Michael Dowse and actor/co-writer Jay Baruchel is definitely worth checking out, there’s a pretty lengthy interview with Baruchel and star Seann William Scott that covers a lot of the same material about making the film in a third of the time.

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Blu Tuesday: Sherlock, Frenemies and Dogfights

If you didn’t believe me when I said that May was going to be a great month for Blu-rays, well, you never should have doubted me to begin with, but I forgive you. Following in the footsteps of last week’s releases, there are several great movies and TV series arriving in stores today, including Season Two of the BBC drama “Sherlock.” Although I would have liked to see Studio Ghibli’s latest animated film, “The Secret World of Arriety,” in time to review, it’s probably safe to say that it’s at least worth renting. Sadly, that’s not the case for every new release, but one man’s trash is another man’s treasure, and that applies to one’s taste in movies as well.

“Sherlock: Season Two”

Fans of Stephen Moffat and Mark Gatiss’ modern-day update of Sherlock Holmes have had to endure an agonizingly long wait between seasons, but I think most people would agree that it was well worth it, because “Sherlock” is every bit as good (and perhaps even better) in its second year. Part of that likely has to do with Moffat and Gatiss choosing to adapt arguably the three most popular stories in Sherlock Holmes canon. Though I’ve never been particularly fond of the oft-filmed “The Hounds of Baskerville,” the two movies that bookend it – “A Scandal in Belgravia” and “The Reichenbach Fall” – are nothing short of perfect, featuring a pair of magnetic performances by Lara Pulver (as the sexy and smart femme fatal Irene Adler) and Andrew Scott, whose deliciously twisted Moriarty is one for the ages. Of course, Benedict Cumberbatch and Martin Freeman are still very much the heartbeat of “Sherlock,” because no matter how clever the writing may be, the show wouldn’t work as well as it does if it weren’t for the chemistry between its two leading men.

Blu-ray Highlight: There’s not a single weak link among the included extras, though it’s a bit strange that they’d include audio commentaries for the first two movies and not the last one. The commentaries are insightful and will appeal to both fans of the show and the original stories, while the making-of featurette “Sherlock Uncovered” offers a behind the scenes look at the work that went into producing each episode.

“This Means War”

Simon Kinberg has written some pretty good movies in the past (“Sherlock Holmes,” “Mr. and Mrs. Smith”), but he’s also written his share of bad ones as well, and “This Means War” falls somewhere in the middle. The film’s biggest problem is that it squanders its potential at almost every turn, and a lot of that blame falls on director McG, who fails to make the most of the promising setup. Though it’s not as flashy as you might expect compared to some of McG’s other work, “This Means War” really isn’t as much of an action movie. Instead, it’s a romantic comedy where the two love interests just so happen to be real-life action heroes, and while the scenes between Pine and Hardy in the field are a lot of fun, the main plot involving Reese Witherspoon dating both men at the same time is beyond ridiculous. Chelsea Handler is probably the only memorable thing about the movie, and not even in a good way. She’s so terrible as Witherspoon’s advice-bearing best friend that one can only hope it’ll finally expose her as the talentless famewhore she is.

Blu-ray Highlight: McG’s rapid-fire commentary is hands-down the best extra on the disc, with the director offering details on just about every aspect of the filmmaking process, even if he does talk about the attractiveness of his three stars quite a bit.

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Blu Tuesday: Superpowers, Hungry Wolves and More

It’s been a while since I’ve had this many new releases to choose from, but it looks like things are beginning to really pick up as we head into summer, which is great news. Though I didn’t have time to check out all of the week’s Blu-rays, it goes without saying that you shouldn’t limit yourself to the ones featured below. Criterion’s release of “Being John Malkovich” would be an excellent addition to any cinephile’s collection, while Western fans will probably enjoy the first season of the AMC drama “Hell on Wheels.”

“Chronicle”

With the exception of “The Blair Witch Project” and “Cloverfield,” the whole found-footage craze has generally failed to impress me as a viable storytelling device, usually because most of the movies in the subgenre are plagued by terrible scripts and bad acting. But director Josh Trank’s debut feature doesn’t run into any of those problems, and it’s exactly because the script and acting are so good that he’s able to utilize the low-budget gimmick to his benefit, delivering a fresh take on found-footage and superhero movies in the process. Additionally, the idea to tell the superhero origin story from the villain’s point of view is pretty ingenious, particularly because his fall from grace is a lot more complex than the typical hero’s tale. Though the format does yield a few nagging questions – like, for instance, why anyone would still bother recording any of this after all hell has broken loose – the cameras are integrated so cleverly into the story that it helps the movie a lot more than it hurts it.

Blu-ray Highlight: I didn’t receive a copy in time for review, but I’m curious to check out the proposed director’s cut to see if any cool stuff was left on the cutting room floor.

“The Grey”

The trailers for Joe Carnahan’s survival thriller may have promised one thing (namely, a showdown between Liam Neeson and a big bad wolf) and delivered something else entirely, but it’s still a solid adventure film with plenty of action. Though you pretty much know how it’s going to end as soon as the first few guys succumb to the deadly triumvirate of the punishing weather, dangerous terrain and hungry predators, Carnahan manages to hold your interest by taking the time to develop his characters, humanizing them beyond simple wolf fodder. Neeson and character actor Frank Grillo, in particular, deliver some really strong performances, with the latter even managing to outshine his co-star. “The Grey” can get a bit too philosophical at times when you’d rather just watch Neeson punch a wolf in the face, but while that would have certainly delivered the kind of instant adrenaline rush we all expected, it’s the bleak realism of the movie that stays with you long after it’s finished.

Blu-ray Highlight: Though Joe Carnahan has a tendency to be a bit of a tool when it comes to talking about his movies, the director’s commentary with editors Roger Barton and Jason Hellmann is nonetheless an engaging discussion about making the film that covers a range of topics like the cast, special effects and shooting in the Arctic.

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