Tag: Blu Tuesday (Page 38 of 49)

Blu Tuesday: G.I. Joe: Retaliation and Black Rock

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“G.I. Joe: Retaliation”

WHAT: After G.I. Joe operatives Roadblock (Dwayne Johnson), Snake Eyes (Ray Park), Lady Jaye (Adrianne Palicki) and Flint (D.J. Corona) are framed for a crime they didn’t commit, they must team up with the original Joe (Bruce Willis) to stop the terrorist group Cobra from assuming control of the U.S. government and clear their names.

WHY: John M. Chu’s quasi-sequel to the 2009 flop, “G.I. Joe: Rise of the Cobra,” may be a slight improvement, but despite a clear passion for the source material (perhaps best illustrated by the faithful interpretation of Cobra Commander), it still suffers from equally bland action and a mediocre script. This is a property that has a ton of franchise potential, and yet time and again, Hollywood screws it up. In the case of “Retaliation,” it’s hampered by a clumsy attempt at acknowledging the events of its predecessor while also setting itself up as a reboot of sorts. But when you bring back some of the same characters, played by the same actors, it’s bound to create confusion. The small selection of Joes that Chu does have to work with is extremely limiting (especially with Channing Tatum’s Duke biting it in the first act), and as a result, the film lacks the personality that you’d expect from a series known for its colorful cast of characters.

EXTRAS: There’s an eight-part making-of featurette titled “G.I. Joe: Declassified” that covers all the usual production details, an audio commentary with director John M. Chu and producer Lorenzo di Bonaventura, and a few deleted scenes.

FINAL VERDICT: SKIP

“Black Rock”

WHAT: Three childhood friends (Kate Bosworth, Lake Bell and Katie Aselton) reunite for a girls’ weekend on a remote island, only to learn that they’re not alone when they encounter a trio of military buddies hunting in the woods. After one of the guys is accidentally killed, the women are thrust into a fight for survival when the remaining soldiers target them for revenge.

WHY: Katie Aselton’s follow-up to “The Freebie” has a fairly intriguing premise – a sort of female empowerment take on “Deliverance” – but it fails horribly in execution. Though Aselton’s husband, actor Mark Duplass, is credited for writing the screenplay, “Black Rock” is another one of those semi-improvised mumblecore films where you can see the gears turning in the actors’ heads as they try to create the movie one scene at a time. Instead, the best that they can muster is a bunch of really awful dialogue, and that includes improv veterans like Aselton (“The League”) and Bell (“Children’s Hospital”). The other actors are hilariously bad (especially the main “villain” played by Jay Paulson), but the biggest issue plaguing this so-called thriller is that there isn’t a shred of suspense to be found. And with characters as dumb and shallow as the ones that appear in “Black Rock,” that’s not much of a surprise.

EXTRAS: The single-disc release includes an audio commentary with co-stars Kate Bosworth and Lake Bell, a short making-of featurette and a behind-the-scenes look at scoring the film.

FINAL VERDICT: SKIP

Blu Tuesday: Trance, Welcome to the Punch and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Trance”

WHAT: With his gambling debt piling up, art auctioneer Simon (James McAvoy) teams up with a group of thieves to steal a Francisco Goya masterpiece. But during the robbery, Simon suffers a blow to his head, and in order to figure out where he stashed the painting, the gang’s leader (Vincent Cassel) hires a hypnotherapist (Rosario Dawson) to dig deep into Simon’s psyche and help jog his memory.

WHY: Adapted from the 2001 TV movie of the same name, “Trance” is so thinly plotted and riddled with gaps in logic that it’s to the credit of director Danny Boyle and his cast (including a surprisingly good Rosario Dawson) that they’re able to keep things interesting. Though Boyle masks a lot of the script’s problems with some nifty visuals and the same kinetic energy prevalent in his other films, the frantic pace only lasts so long before the story grinds to a halt, suffocated by a never-ending series of twists and red herrings that makes it almost impossible to discern what’s real. That’s obviously the point, but by the time the movie arrives at its climactic ending, it becomes one twist too many, and instead of a brilliant mind-bender, it feels like a cheap trick written by someone trying to outdo “Inception.” The movie is ultimately saved by Boyle’s ingenuity and some strong performances, but for a film with such a unique premise, “Trance” should have left a more lasting impression.

EXTRAS: There are six production featurettes (including one on the making of the film), deleted scenes, a retrospective on director Danny Boyle and the short film “Eugene.”

FINAL VERDICT: RENT

“Welcome to the Punch”

WHAT: After failing to capture master thief Jacob Sternwood (Mark Strong) several years earlier, detective Max Lewinsky (James McAvoy) is given a second chance to bring down the elusive criminal when Sternwood returns to London following his son’s death, only to uncover a much deeper conspiracy within his own police department.

WHY:Welcome to the Punch” has garnered a few comparisons to Michael Mann’s cat-and-mouse thriller “Heat,” but the movie pales in comparison. Though it boasts a similar visual style to a lot of Mann’s films, the tension is almost non-existent, and despite an interesting dynamic between McAvoy’s cop and Strong’s robber, it’s never fully explored, nor does it have the same allure of seeing Hollywood heavyweights like Robert De Niro and Al Pacino face off. This is a movie in dire need of a better script, because not only does it lack personality, but it’s too complicated for its own ogod – a tangled mess of half-baked ideas and telegraphed plot twists that never properly explains anything. It’s a generic crime thriller in just about every way, and although it looks great and features a couple of nifty gunfights, the film is ultimately a case of style over substance, and one that its top-notch British ensemble is unable to rescue.

EXTRAS: The single-disc release is a little light on bonus material, but it does include a making-of featurette and interviews with the cast and crew.

FINAL VERDICT: SKIP

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Blu Tuesday: Evil Dead, 42 and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Evil Dead”

WHAT: Drug addict Mia (Jane Levy) is taken to a remote cabin in the woods by her brother (Shiloh Fernandez) and three friends to help kick the habit. But when one of them unknowingly summons an evil spirit from the Book of the Dead, the demon possesses Mia and turns her against the others.

WHY:Evil Dead” is one of the few remakes that’s not only a success, but actually improves upon the original in certain departments. Though Sam Raimi’s version will forever be the “Evil Dead” of choice for horror purists, director Fede Alvarez has done an admirable job of preserving the tone of Raimi’s film while making it just different enough to stand on its own. The whole drug angle was a really smart way of introducing the characters into the story, and although they still make their share of bad decisions (particularly Lou Taylor Pucci’s Eric, whose stupidity will drive you crazy), for the most part, they’re much more developed than the typical cast of horror victims. Where Alvarez’s “Evil Dead” really flourishes, however, is the gore factor, because there’s absolutely no shortage of the red gooey stuff throughout the film’s brisk 91-minute runtime, and for horror fans, that’s surely music to their ears.

EXTRAS: In addition to an audio commentary with director Fede Alvarez, writer Rodo Sayagues and stars Jane Levy, Lou Taylor Pucci and Jessica Lucas, there’s a pair of behind-the-scenes featurettes, interviews with the cast and crew about remaking the horror classic and more.

FINAL VERDICT: RENT

“42”

WHAT: In 1947, African-American baseball players were relegated to their own Negro League, but that all changed when Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) made the bold decision to break the color line and offer Jackie Robinson (Chadwick Boseman) the chance to make history as the first professional black player in the National League.

WHY: The story of Jackie Robinson is pretty much the ultimate civil rights tale, so it’s surprising that only one other film has been made on the subject, and that movie starred the famous athlete as himself. It’s probably because no matter how inspiring Robinson’s story may be, he’s not a particularly interesting figure, and that’s something that director Brian Helgeland constantly wrestles with in “42,” a conservative and slightly cheesy sports drama that feels like a product of its 1940s setting. Though Robinson makes for a dull protagonist, Helgeland surrounds him with a cast of colorful characters, including Christopher Meloni as Dodgers manager Leo Durocher, Alan Tudyk as racist Phillies manager Ben Chapman and Harrison Ford in a standout performance as Branch Rickey. It’s the veteran actor’s involvement that just barely tips the scale in the favor of “42,” because while the movie is an enjoyable tribute to one of baseball’s biggest heroes, it’s not as memorable as the source material warrants.

EXTRAS: There’s a behind-the-scenes featurette on training the actors to play baseball and recreating the old stadiums with special effects, another featurette on Boseman and Ford getting into character, and a brief retrospective on Robinson’s legacy.

FINAL VERDICT: RENT

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Blu Tuesday: Dead Man Down, Spring Breakers and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Dead Man Down”

WHAT: After she’s horribly injured in a drunk driving accident, French immigrant Beatrice (Noomi Rapace) seduces and then blackmails a professional killer named Victor (Colin Farrell) into exacting revenge in her name. What she doesn’t realize, however, is that Victor is also the victim of an unforgivable crime who’s spent the past two years plotting his own vengeance.

WHY: After making a name for himself with the Swedish-language adaptation of “The Girl with the Dragon Tattoo,” it was only a matter of time before Hollywood came calling for director Niels Arden Opev. But despite a solid cast and a bigger budget, “Dead Man Down” falls disappointingly short of its potential. There’s nothing about this crime thriller that’s even remotely suspenseful, and that’s due in part to some pretty dull characters and a general lack of focus. The subplot revolving around Rapace’s disfigured woman doesn’t add much to the main story, and although it’s nice to see the actress reuniting with her “Dragon Tattoo” director, Rapace’s performance pales in comparison to her award-winning turn as Lisbeth Salander. Terrence Howard and Dominic Cooper fare a little better in supporting roles, but it’s not quite enough to save the movie from mediocrity. Then again, considering “Dead Man Down” was produced by WWE Studios (who have yet to make one good film), that’s not too surprising.

EXTRAS: The Blu-ray release boasts a trio of behind-the-scenes featurettes on the film’s production, cinematography and stunts. It’s not much, but it’s better than nothing.

FINAL VERDICT: SKIP

“Spring Breakers”

WHAT: After four college girls rob a restaurant in order to fund their spring break vacation, the quartet’s hard-partying ways land them in prison. But when they’re bailed out by a charismatic drug and arms dealer named Alien (James Franco), the girls are introduced to a criminal lifestyle that’s far more dangerous than they could ever imagine.

WHY: Harmony Korine’s neon-tinged commentary on American youth culture has its fair share of admirers, but I’m definitely not one of them. Though I understand what the director was trying to accomplish with his satirical deconstruction of the typical spring break mindset (a heightened reality where there are no consequences for your actions), it doesn’t change the fact that it’s essentially a badly executed experimental film disguised as a mainstream crime drama. The female characters are excruciatingly one-dimensional (and whether or not that’s the point doesn’t make them any more engaging), and the constant repetition of certain scenes and lines of dialogue is incredibly grating. Sure, the movie looks great, but it’s also really boring – that is, until Franco shows up midway through and completely steals the show with one of the best performances of his career. His rapper-cum-gangster is immensely entertaining, almost hypnotically so, and it’s the only reason why anyone should consider seeking this movie out.

EXTRAS: In addition to a three-part making-of documentary, there’s a commentary with writer/director Harmony Korine, a music featurette, deleted and extended scenes, and a pair of VICE featurettes on the ATL Twins and party culture in Panama City Beach.

FINAL VERDICT: RENT

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Blu Tuesday: The Incredible Burt Wonderstone, The Call and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Incredible Burt Wonderstone”

WHAT: Burt Wonderstone (Steve Carrel) and Anton Marvelton (Steve Buscemi) used to be the hottest act on the Vegas Strip, but in recent years, they’ve been overshadowed by a self-mutilating street magician named Steve Gray (Jim Carrey). When the duo parts ways following a failed attempt to update their show, they must put aside their differences and compete against Gray for the chance to earn the headlining spot at their former employer’s brand new hotel.

WHY: The trailer for “The Incredible Burt Wonderstone” had disaster written all over it, but much to my surprise, I actually enjoyed the film quite a bit. The movie is laugh-out-loud funny at times, and there’s not a single weak link in the cast. Steve Carell channels his inner Will Ferrell as the conceited magician, while Jim Carrey proves that he’s still got it as the Criss Angel-like villain. Even Steve Buscemi, Olivia Wilde, Alan Arkin and James Gandolfini (in one of his final film roles) get in on the laughs, and that’s mostly to the credit of Jonathan M. Goldstein and John Francis Daly’s amusing screenplay. Though it may seem like the movie is just making fun of magicians at their expense, it has a healthy respect for its subject matter (David Copperfield even served as a special consultant) and does a better job of showcasing the art of magic than last month’s “Now You See Me.”

EXTRAS: In addition to nearly 30 minutes of deleted scenes and alternate takes, there’s also a short magic featurette with Copperfield, footage from Steve Gray’s faux video series “The Best of the Brain Rapist” and a gag reel.

FINAL VERDICT: RENT

“The Call”

WHAT: Feeling partially responsible for the kidnapping and subsequent death of a teenage girl, 911 dispatcher Jordan Turner (Halle Berry) takes a leave of absence, eventually returning six months later in a new position as a training supervisor. But when a fellow operator receives a distress call from teenager Casey Wilson (Abigail Breslin) after she’s kidnapped and locked in the trunk of a car, Jordan jumps back into the hot seat, only to discover that the abductor is the same man from the previous incident.

WHY: The WWE logo is a strange thing to see before any movie, but especially one that stars a former Oscar winner like Halle Berry. Sadly, just when it looks like “The Call” is going to deliver a fresh take on the kidnapping genre, it switches gears and becomes another run-of-the-mill thriller better suited for VOD than the big screen. Though it’s hard to pinpoint exactly where the film starts to go downhill, you won’t find a more unintentionally funny scene this year than the introduction of the villain – an over-the-top Norman Bates clone who’s first seen listening to Taco’s synth-pop cover of Puttin’ on the Ritz.” It’s disappointing to see Brad Anderson’s once-promising career relegated to low-rent fodder like this, because while the director and his two stars try their best to elevate the material, their effort only goes so far before the movie crumbles into a clichéd mess.

EXTRAS: The bonus material features a little bit of everything, including deleted scenes, an alternate ending, the audition tape for actor Michael Eklund, a tour of the film’s two main sets, and a stunt featurette on the gas station sequence.

FINAL VERDICT: SKIP

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