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Bag a Stone: Keystone Light’s “Hunt for the Great White Stone” with Chuck Testa

To us, no beer pitchman was ever as cool as Keith Stone, patron saint of Keystone Light and role model to many. “Always smooth,” Mr. Stone was never harried in his approach to the ladies, and always had an answer for everything, predicated on smoothness, just like Keystone Light.

How could you not love Keith Stone’s “Smooth Musings?” It still makes me long for the taste of a cool, freshly-cracked, crisp, spot-hitting, proprietary blend of awesome that Mr. Stone has been peddling for years, right now, here in the office.

This winter, Keystone Light has come up with the coolest reason to slam light beer that you’ve never thought of – The Hunt for the Great White Stone. Here’s how it works:

You buy an orange 30-pack of Keystone Light. Each one contains three styles of cans:

1) Standard orange hunting cans
2) Cans featuring white antlers
3) The Great White Stone

What is the Great White Stone? The Great White Stone is an elusive white can with the head of a deer buck on it that’s hiding in select orange packs of Keystone Light.

After you bag a Great White Stone, you can artfully mix your orange hunting cans and cans with white antlers to create your own legendary mount that even Keith Stone would be proud of.

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Movie Review: “In the Heart of the Sea”

Starring
Chris Hemsworth, Benjamin Walker, Tom Holland, Cillian Murphy, Brendan Gleeson, Ben Whishaw
Director
Ron Howard

Herman Melville’s “Moby Dick” might be one of the most boring literary classics ever published, yet that hasn’t stopped Hollywood from going back to the source material time and time again. Though Ron Howard’s “In the Heart of the Sea” technically isn’t an adaptation of “Moby Dick,” it is based on the non-fiction book by Nathaniel Philbrick about the real-life events that inspired Melville’s seafaring adventure. Sadly, that doesn’t make it any less dull. A well-intentioned cross between the nautical drama of “Master and Commander” and the against-all-odds survival elements of “Unbroken,” “In the Heart of the Sea” is an instantly forgettable movie that completely wastes the talents of Howard and his cast.

The year is 1850, and author Herman Melville (Ben Whishaw) has traveled to Nantucket to visit Thomas Nickerson (Brendan Gleeson), the last surviving crew member of the Essex whaling ship, to find out if the rumors that it was capsized by a giant sperm whale 30 years earlier are true. Melville hopes to use the story as inspiration for his next novel, and although Nickerson is hesitant about disclosing any details of the harrowing event, he reluctantly agrees when his wife (an underused Michelle Fairley) reminds him that they desperately need the money Melville has offered in exchange for his time.

Curiously, the focus of Nickerson’s tale isn’t himself, but rather Owen Chase (Chris Hemsworth), a master whaler assigned to serve as the first mate on the Essex’s upcoming voyage under the leadership of the less experienced Captain George Pollard (Benjamin Walker), who hasn’t earned his position through hard work like Chase, but through family ties to the whaling company that controls most of Nantucket’s economy. Though the two men immediately butt heads, particularly after Pollard’s rash decision to sail directly into a storm nearly gets the entire crew killed, they have much bigger problems to worry about when they find their usual hunting waters devoid of whales. Upon hearing gossip of large herds for the taking off the coast of South America, the Essex crew sails into uncharted waters in search of glory, only to encounter a mammoth, alabaster sperm whale that destroys their vessel, leaving the men stranded at sea in a struggle for survival.

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Movie Review: “The Big Short”

Starring
Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, John Magaro, Finn Wittrock, Marisa Tomei
Director
Adam McKay

The housing market crash of 2008 was no joke, which is why it might come as somewhat of a surprise that “The Big Short” is directed by the same man responsible for goofball comedies like “Anchorman,” “Step Brothers” and “Talladega Nights.” Though Adam McKay isn’t the first person you’d think of to direct a (mostly) serious movie about the worst economic crisis since the Great Depression, he’s clearly passionate about the material – both the real-life events and the book on which the film is based – because it shows in the final product. “The Big Short” isn’t quite as hard-hitting as J.C. Chandor’s “Margin Call,” the underseen 2011 drama that offers a different perspective of the same events, but it’s a nonetheless effective examination of a nationwide disaster so ridiculous that it’s difficult not to laugh.

Adapted from “Moneyball” author Michael Lewis’ bestselling book of the same name, “The Big Short” follows a group of investment bankers through the years 2005-2008 as they predicted what many thought was impossible – the always-sturdy housing market collapsing – and then did the unthinkable by betting against (or shorting) the big banks to profit off their greed. The first to make his move is financial guru Dr. Michael Burry (Christian Bale), a socially awkward hedge fund manager who discovers a worrying pattern in defaulted subprime mortgages (which make up the mortgage bonds that the banks trade on) and invests more than a billion dollars of his investors’ money into credit default swaps, i.e. insurance against the failure of those bonds, which didn’t even exist at the time.

Everyone on Wall Street thinks he’s crazy, except for hotshot Jared Vennett (Ryan Gosling), who sees a potential gold mine in Burry’s theory and convinces short-tempered, nihilistic hedge funder Mark Baum (Steve Carell) and his tight-knit team (Jeremy Strong, Rafe Spall and Hamish Linklater) to go into business with him, despite the fact that Mark hates everything that guys like Jared stand for. Word of Vennett’s proposal also reaches small-time investors Charles Geller (John Magaro) and Jamie Shipley (Finn Wittrock), who request help from their mentor, former banker Ben Rickert (Brad Pitt), in getting them a seat at the big boys table.

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Car Review – 2016 Lexus RC 350 F Sport

2016 Lexus RC 350 F Sport

Lexus introduced the RC as its new luxury sport coupe last year and we tested the new RC 350 F Sport for the 2016 model year. This Lexus delivered an all areas, from design to performance and comfort.

Exterior

The exterior of the RC is bold yet elegant, though I probably wouldn’t choose the Molten Pearl color of our test model pictures above. The Lexus signature spindle grille dominates the overall design with LED headlamps and separate L-themed daytime running lamps. The F Sport package offers some nice upgrades with the 19-inch alloy wheels with a distinctive 10 twin-spoke layout to create a deeply sculptured shape. Check it out from all angles and you’ll see a beautiful vehicle that fits the sport coupe segment perfectly.

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Blu Tuesday: Ant-Man and Minions

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Ant-Man”

WHAT: Ex-convict Scott Lang (Paul Rudd) is given a chance at redemption when genius inventor Dr. Hank Pym (Michael Douglas) enlists his help to break into his company’s research facility and stop former protégé Darren Cross (Corey Stoll) from weaponizing Pym’s groundbreaking particle technology. In order to do so, Scott must assume the mantle of the Ant-Man using a suit that grants its wearer increased strength while microscopic and the ability to telepathically control ants.

WHY: “Ant-Man” may have been a decade in the making, but despite its troubled production, director Peyton Reed has produced a funny and fast-paced standalone adventure that weaves in small references to the MCU without feeling slavish to the material. In keeping with Marvel’s tradition of exploring different genres with each new movie, “Ant-Man” is primarily a heist film that strikes a nice balance between comedy, action and drama. It’s also a movie that has serious daddy issues, featuring parallel father/daughter stories that drive the overall narrative, add some emotional weight and strengthen the connective tissue of Marvel’s expansive cinematic universe. Though it’s difficult to know exactly how much of Edgar Wright and Joe Cornish’s original script was retained in the final version, the former’s fingerprints are all over the film, especially the climactic third-act battle that takes place entirely inside of a little girl’s bedroom. Still, while “Ant-Man” isn’t quite as out there as Wright’s version likely would have been (even for a movie about a guy who talks to ants), it’s an undeniably unique comic book film that’s loaded with charm.

EXTRAS: In addition to an audio commentary by director Peyton Reed and star Paul Rudd, there’s a behind-the-scenes look at making the movie, a visual effects featurette and some deleted scenes.

FINAL VERDICT: RENT

“Minions”

WHAT: Set in the late 1960s, before their introduction to the despicable Gru, the Minions send Stuart, Kevin and Bob on a journey to find their tribe an evil boss to serve. They’re eventually recruited by supervillain Scarlett Overkill (Sandra Bullock), who plans to steal the Queen of England’s royal crown and take over the world.

WHY: After emerging as the unexpected stars of “Despicable Me,” it was only a matter of time before the Minions were given a movie of their own. Unfortunately, what anyone at Universal failed to realize is that the yellow, gibberish-speaking henchmen only work in small doses. Or maybe they did but simply didn’t care, because “Minions” is an uninspired cash grab that feels more like an attempt to sell branded merchandise than create a film that actually contributes something to the franchise. Nobody cares what the Minions were up to before meeting Gru, including the movie’s writer, who can’t even produce a mildly interesting story about the creatures’ origins. And when your protagonists don’t have any distinct personalities or character-defining arcs, no amount of silly, pantomimed humor changes the fact that without someone to truly invest in, it’s a pretty one-dimensional experience.

EXTRAS: The Blu-ray release includes three new shorts starring the Minions, a series of featurettes about making the movie, and an interactive map with fun facts about each location visited by the Minions in the film.

FINAL VERDICT: SKIP

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