Category: Movies (Page 63 of 191)

Movie Review: “Sicario”

Starring
Emily Blunt, Josh Brolin, Benicio Del Toro, Daniel Kaluuya, Maximiliano Hernández, Victor Garber
Director
Denis Villeneuve

One popular web site called “Sicario” an unrelenting horror story disguised as a drug-war action movie. I wish I had seen that movie, because that sounds really interesting. The “Sicario” I saw was a ‘talented but naïve FBI agent falls under tutelage of high-ranking officer of questionable intent’ story that awkwardly morphs into a revenge thriller. It is beautifully directed, it features top-notch work by its three leads, and it is all set to a dazzling, unnerving score (Johan Johannson, who wrote the gorgeous score for 2014’s “The Theory of Everything”), but the film is all undone by a script that isn’t half as clever as it thinks it is.

Kate Macer (Emily Blunt) has impressed many people with her work on an FBI kidnapping task force in Arizona, and is asked if she would be interested in volunteering for a Department of Defense investigation that seeks to track down the Mexican drug kingpin who owns many of the homes in which their raids take place. She accepts, and her new boss Matt Graver (Josh Brolin) tells her nothing about what they’re doing: he simply asks her to watch and learn. Matt’s right hand man is Alejandro (Benicio Del Toro), who is valuable to Matt because of his extensive knowledge of the Mexican crime syndicates. Kate quickly realizes that Matt and Alejandro do not play by the same rule book that she does (read: the legal one), and begins to question why they brought her onto this team in the first place. That is when stuff gets real.

Roger Deakins’ cinematography, as usual, is gorgeous, but director Denis Villeneuve was thick with the symbolism. His overhead shots of the Mexican desert were bleached and reeking of death, while his landscape shots (also bleached and reeking of death) had a storm on the horizon nearly every time. In one scene, we even see lightning, but it never rains in the movie. This is a movie about drugs, and the battle to beat the people bringing them into the United States. We already knew that a storm was coming, and that the border is a hostile place. There was no need to constantly remind us of this.

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Blu Tuesday: Avengers: Age of Ultron, Entourage and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Avengers: Age of Ultron”

WHAT: After retrieving Loki’s scepter from Hydra, Tony Stark (Robert Downey Jr.) and Bruce Banner (Mark Ruffalo) attempt to use its power to produce an army of A.I. robots that can protect the world from any threat. But instead, they create Ultron (James Spader), a maniacal robot hell-bent on destroying the Avengers and remaking the world in his image with the help of a pair of super-powered twins (Aaron Taylor-Johnson and Elizabeth Olsen) who have a personal grudge against Stark.

WHY: The first “Avengers” was so much fun that it didn’t seem possible that “Age of Ultron” could be a disappointment, and yet it’s hard not to feel somewhat unsatisfied by the final product. Though it’s a decidedly darker and grittier entry that gives its characters actual problems to deal with, some are more successful than others. It makes sense that the three Avengers who have yet to receive their own solo movies – Hawkeye, Black Widow and Bruce Banner/Hulk – are treated the best in terms of development, but it comes at the cost of other characters, particularly Thor, who gets saddled with a pointless subplot involving the Infinity Stones. Newcomers Quicksilver and Scarlet Witch are also given little time to make an impression, and though James Spader is perfectly cast as Ultron, the robot isn’t a very engaging villain. The buffet of characters can be a tad overwhelming, but director Joss Whedon juggles the large ensemble and overstuffed action scenes incredibly well, creating memorable moments within each sequence that are filled with classic Whedon banter. In fact, while it’s arguably one of the studio’s weaker entries to date, “Age of Ultron” is still a mostly enjoyable installment that sets the stage for the future of the Marvel Cinematic Universe. With that said, I don’t envy the task ahead for the Russo brothers, because if this film proves anything, it’s that the upcoming two-part finale is going to be an even more daunting proposition than it originally appeared.

EXTRAS: In addition to an audio commentary by writer/director Joss Whedon, there are four featurettes – covering production, location shooting around the globe, the Marvel Cinematic Universe and the Infinity Stones – as well as deleted scenes and a gag reel.

FINAL VERDICT: RENT

“Entourage”

WHAT: Freshly divorced and raring to get back to work, Vincent Chase (Adrian Grenier) agrees to star in Ari Gold’s (Jeremy Piven) first movie as studio head under one condition: he also wants to direct it. But when the film goes over budget and Vince asks for more money, the financier’s son (Haley Joel Osment) begins to interfere with the production, pushing Ari to the breaking point as he tries to protect Vince’s vision and his job.

WHY: “Entourage” has always operated as a larger-than-life helping of male wish fulfillment, but while creator Doug Ellin was no doubt seduced by the lure of going even bigger for the film version, it’s refreshing to see that, for the most part, the movie is just more of the same. It’s like a supersized episode of the HBO show, not to mention a welcome return to the lighter, more playful tone of the earlier years that made it so popular. Admittedly, the movie doesn’t hit as many high notes as the series delivered at its very best, but fans of the show will like it regardless, and it might even convince some non-fans to go back and watch it from the start. More than anything else, though, “Entourage” is a fitting farewell to a series that never really felt like it got the ending it deserved, and Ellin embraces that second chance with so much fan service that it occasionally gets in the way of the story. The movie tries too hard to please everyone, resulting in a messy narrative, but it’s also sensationalized, fizzy fun, and as fans of the TV series know only too well, that’s all that counts.

EXTRAS: There’s a making-of featurette, a roundtable discussion with writer/director Doug Ellin and the cast, a behind-the-scenes look at Vincent Chase’s movie-within-the-movie, some deleted scenes and a gag reel.

FINAL VERDICT: RENT

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Movie Review: “The Walk”

Starring
Joseph Gordon-Levitt, Charlotte Le Bon, Ben Kingsley, James Badge Dale, Clément Sibony, César Domboy
Director
Robert Zemeckis

Philippe Petit’s death-defying walk between the Twin Towers of the World Trade Center on August 7, 1974 was previously spotlighted in James Marsh’s Oscar-winning documentary, “Man on Wire.” But for as compelling as that film was, it lacked a key element: footage of Petit’s performance. Recognizing an opportunity to recreate that incredible moment (one that only a small crowd of people had the privilege to experience) on the big screen, director Robert Zemeckis gives Petit’s famous high-wire act the Hollywood treatment with the generically titled “The Walk,” and in IMAX 3D, no less. Though a majority of the movie doesn’t benefit from the premium format, it’s worth the upgrade for the big finale, which utilizes the added sense of depth to showcase the danger and awe of what Time magazine called the “artistic crime of the century.”

The story begins six years earlier in 1968, when Philippe (Joseph Gordon-Levitt) was just a young artist in Paris performing for audiences on the street. While waiting in a dentist’s office one day with a toothache, Philippe sees an article about the proposed construction of the Twin Towers and immediately becomes obsessed with walking between them on a high wire. Several years later, Philippe meets a street musician named Annie (Charlotte Le Bon) and falls in love, eventually enlisting her help, along with fellow friends Jean-Louis (Clément Sibony) and Jean-Francois (César Domboy), to fulfill his dream. There are a number of logistical issues standing in the way of Philippe’s success – including how they’re going to get a 200-foot steel cable across the gap between the buildings – but with construction on the towers almost complete, the group heads to New York City to put their plan into motion. No amount of surveillance and rehearsal could have prepared Philippe and his team for what they were about to attempt, and yet despite numerous close calls and an injured foot, Philippe emerged at the top of the South Tower on the morning of August 7th, with no harness and 1,368 feet in the air, and proceeded to put on a show for the next 45 minutes, crossing the gap eight times (in addition to some other tricks) before surrendering to the police.

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Coming Soon: A Moviegoer’s Guide to October

october

The awards season machine continues to chug along this month, with several high-profile contenders making their debut, including the latest from Ridley Scott, Steven Spielberg and Danny Boyle. Of course, if prestige films aren’t your thing, there are still plenty of options for those who simply want to be entertained, whether it’s Guillermo del Toro’s new gothic horror flick, Vin Diesel hunting witches or the origin story of Peter Pan. This is shaping up to be the best October in recent history, and moviegoers won’t want to miss it.

“The Martian”

Who: Matt Damon, Jessica Chastain, Chiwetel Ejiofor, Jeff Daniels and Kristen Wiig
What: When he’s stranded on Mars, astronaut Mark Watney must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.
When: October 2nd
Why: Andy Weir’s 2011 science fiction novel, “The Martian,” was one of the most talked about books of that year, so it’s not surprising that producer Simon Kinberg was so quick to nab the rights to adapt it for the big screen. Though director Ridley Scott has been in a bit of a rut lately, the premise for this movie is almost too good to mess up. Matt Damon is the perfect choice to play the stranded astronaut (even if it’s oddly similar to his cameo in “Interstellar”), while the supporting cast is comprised of A-list talent that should be headlining their own films.

“Steve Jobs”

Who: Michael Fassbender, Kate Winslet, Jeff Daniels and Seth Rogen
What: The true story of the life of visionary Apple CEO Steve Jobs.
When: October 9th
Why: Do we really need another movie about Steve Jobs so soon after the 2013 version starring Ashton Kutcher? Probably not, but the fact that it’s written by Aaron Sorkin and directed by Danny Boyle makes it awfully difficult to come up with reasons why you shouldn’t see it, even if the film appears to cover much of the same ground as “Jobs.” Michael Fassbender may not be the first person you’d think of to play the Apple co-founder (Christian Bale was originally attached to the project before dropping out), but he’s an incredible actor who will undoubtedly make up for his lack of physical similarity with yet another top-notch performance.

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Movie Review: “The Intern”

Starring
Robert De Niro, Anne Hathaway, Anders Holm, Rene Russo, Adam DeVine, Andrew Rannells, Christina Scherer
Director
Nancy Meyers

It’s a good thing that Nancy Meyers has so many friends in Hollywood, because if anyone else made a film as terrible as “It’s Complicated,” it likely would have ended their careers. The 2009 romantic comedy took Meyers’ brand of wish-fulfillment fantasy to gag-inducing levels, and Meyers addresses some of those criticisms with “The Intern,” a welcome departure from her typical fluff that forgoes the romance between its two leads in favor of something more genuine. Granted, the movie still looks like it came out of a Pottery Barn catalog, but thanks to some good performances from Robert De Niro and Anne Hathaway, it’s a relatively enjoyable workplace comedy that’s marred only by its bipolar script.

De Niro stars as Ben Whittaker, a 70-year-old widower who’s quickly grown bored of retirement and is searching for something to help fill the void. When he applies for a senior internship program at a flourishing online fashion site, he’s assigned to be the personal intern to founder Jules Ostin (Hathaway), who in just 18 months has transformed a simple idea into a successful business, despite having no experience. Though her hands-on approach is admirable, the job has begun to consume her life, leaving little time to spend with her husband (Anders Holm) and daughter (JoJo Kushner). Jules is burnt out and clearly in over her head, but when the company’s investors suggest hiring a seasoned CEO to help steady the ship, she’s hesitant about handing over the keys to an outsider. Ben enters Jules’ life just when she needs it most, gradually breaking down her hard shell to become a mentor figure as she faces life-changing decisions in the office and at home.

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