Category: Movie Reviews (Page 71 of 81)

Movie Review: “Ender’s Game”

Starring
Asa Butterfield, Harrison Ford, Hailee Steinfeld, Ben Kingsley, Viola Davis
Director
Gavin Hood

Much like the Alan Moore/Dave Gibbons comic book miniseries “Watchmen,” Orson Scott Card’s sci-fi military novel “Ender’s Game” was deemed unfilmable by the author for years. But just as Zack Snyder found a way to bring “Watchmen” to the big screen, so too has Gavin Hood with “Ender’s Game.” Despite having never read the novel myself, it’s easy to see why Hollywood had so much trouble adapting the source material, because although Hood has succeeded in some respects, it feels like a more streamlined version that’s missing a lot of the complexity that made the novel so revered in the first place. It’s like “Harry Potter” meets “Full Metal Jacket,” and while that’s certainly an intriguing mash-up, the movie doesn’t quite live up to the book’s reputation.

Following an attack on Earth by an alien species known as the Formics – in which millions of people were killed before a brave fighter pilot single-handedly defeated the enemy fleet – the planet’s military leaders have begun planning for their return. At the forefront of the defense effort is Colonel Graff (Harrison Ford), who runs a program training gifted youngsters with the best tactical minds in the hope that they can lead Earth to victory should the insect-like Formics return again. One of the program’s newest recruits is 12-year-old outsider Andrew “Ender” Wiggin (Asa Butterfield), a brilliant strategist whom Graff believes has the potential to save their entire species. Sent to an orbiting space station for a boot camp called Battle School to train with the other top recruits in a series of physical and mental challenges, Ender is pushed to his limits by Graff to prepare him in time for the next attack.

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Movie Review: “About Time”

Starring
Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lydia Wilson, Lindsay Duncan
Director
Richard Curtis

Richard Curtis has written (and directed, in the case of “Love Actually”) some of the best romantic comedies of the past two decades, so it should come as no surprise that his latest movie follows in the same footsteps. Though Curtis has recently announced that “About Time” will likely be his final film as a director, the movie represents everything that’s great about the kind of romantic comedies Curtis excels at making. That’s because unlike most of the garbage in the genre, his films are about much more than just the superficial meet-cute between boy and girl, aiming for something a lot deeper and more emotionally rewarding, which he delivers in spades with the excellent “About Time.”

Tim Lake (Domhnall Gleeson) has just turned 21, and the day after his family’s customary New Year’s Eve party, his father (Bill Nighy) lets him in on a secret: the men on his side of the family have the ability to travel through time. All he needs to do is go somewhere dark (like a closet or bathroom), clench his fists, and think of the time and place he wants to go back to. There are some caveats to Tim’s newfound powers, but the most important one is that he can only change events in his own life, so he decides to use them to find a girlfriend. It’s hardly the most inspiring use of such an incredible gift, but after moving to London to work as a lawyer, Tim meets the girl of his dreams in American import Mary (Rachel McAdams). He’s able to perfect every moment in their relationship by doing it over and over again “Groundhog Day”-style, but Tim eventually discovers that there are consequences to altering history.

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Movie Review: “Last Vegas”

Starring
Robert De Niro, Michael Douglas, Morgan Freeman, Kevin Kline, Mary Steenburgen
Director
Jon Turteltaub

Talk about being acutely aware of one’s demographics. “Last Vegas” takes the easy joke at nearly every opportunity, and it is exactly what makes the movie work. It’s a familiar story line with punched up dialogue (as well as a pair of killer visual gags), delivered by comedy masters. Where action movies are equated with popcorn, “Last Vegas” is comfort food. It’s not terribly good for you, but it sure tastes good.

Billy (Michael Douglas), Paddy (Robert De Niro), Archie (Morgan Freeman), and Sam (Kevin Kline) were best buds as kids in the ‘50s. The Flatbush Four, they called themselves. Life took them in various directions, and the latter three are living in a private hell for various reasons (death of a spouse, failing health, and boredom, respectively). One day, Billy calls them and tells them he’s finally getting married to the lovely 30-something Lisa (Brie Blair). The group decides to get together in Las Vegas to send Billy off in style, but old feelings between Paddy and Billy flare up immediately, and are only further complicated when they meet Diana (Mary Steenburgen), a lounge singer who ignites a similar rivalry to the one Billy and Paddy had when they were kids.

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Movie Review: “Man of Tai Chi”

Starring
Tiger Hu Chen, Keanu Reeves, Karen Mok, Simon Yam
Director
Keanu Reeves

Nearly 15 years after kicking digital behind in “The Matrix,” Keanu Reeves puts on the director hat to introduce the next generation to a new way of viewing martial arts that goes beyond standard chop-socky fare in “Man of Tai Chi.”

If the first rule of Fight Club is not to talk about Fight Club, then the second rule is not to disobey the boss, as an unwitting fighter discovers in the opening scene. When the fighter refuses to take Donaka Mark (Reeves) literally after being told to finish off his opponent, the warrior loses more than his employee parking.

Chen Lin-Hu (Tiger Chen) is an overworked delivery driver (think FedEx on mopeds). When he’s not delivering parcels in the congested streets of Beijing, young Chen is spending time at Master Yang’s (Yu Hai) Tai Chi temple. Chen has all the moves, but he’s unfocused, believing power over spiritual balance is the way to excel, and more importantly, win fame through the nationally televised martial arts tournament. It’s not long before Mark catches wind of Chen’s fighting prowess and tries to bring him into the fold. Chen initially resists the promise of money and fame to be part of Mark’s underground fighting ring, but when situations threaten the temple, Chen gives in. As his victories begin to pile up, all the rage Chen’s been holding back begins to surface, prompting him to team up with an ambitious detective named Suen Jing-Si (Karen Mok) to bring down the elusive Donaka Mark before Chen’s next fight is his last.

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Movie Review: “12 Years a Slave”

Starring
Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Sarah Paulson
Director
Steve McQueen

If the critics at this year’s Toronto International Film Festival had their way, “12 Years a Slave” would win the Academy Award for Best Picture, despite the fact that there are still plenty of Oscar hopefuls yet to be released. That kind of short-sightedness and hyperbolic mentality is exactly what’s wrong with the dog and pony show we call awards season, because while Steve McQueen’s historical drama may tick several of the requisite boxes for a typical Oscar-winning movie, it’s far too early to make that call. You can praise the film’s realistic depiction of slavery all you like, but just because “12 Years a Slave” is hard to watch doesn’t necessarily mean that it’s deserving of the top prize.

Based on the 1853 memoir of the same name, the film recounts the tale of Solomon Northup (Chiwetel Ejiofor), a free black man living with his wife and children in Saratoga, New York in 1841. Well-educated and a talented violinist, Solomon is invited to Washington, D.C. by a pair of circus promoters who offer him a lucrative job playing at one of their shows. Upon arriving in the capital city, Solomon is wined and dined by the two men, only to awaken the next morning to find himself shackled and charged as a fugitive slave from Georgia. Despite his claims that he’s a free man, Solomon is wrangled up with other “fugitives” and shipped to a slave trader in the South, who then sells him to a kindly plantation owner named William Ford (Benedict Cumberbatch). But when Solomon causes trouble with one of Ford’s white employees, he’s sold again, this time to Edwin Epps (Michael Fassbender), a decidedly more malicious owner with a reputation for breaking the spirits of any slave under his rule.

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