Category: Entertainment (Page 64 of 277)

Movie Review: “Pan”

Starring
Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara
Director
Joe Wright

You’d be hard pressed to find another movie released this year as unnecessary as “Pan.” Origin stories are a thing at the moment, even though they are the last refuge of the scoundrel, a telltale sign of creative bankruptcy. Interestingly, this retelling of Peter Pan is from Joe Wright, who’s delivered some good (“Hanna”) to great (“Atonement”) work of late. How did he get caught in the origin story trap? It’s unclear, but his “Pan,” despite its needlessness, is surprisingly entertaining, with a couple of moments that owe a debt of gratitude to “Moulin Rouge.” This is a good thing, in case you weren’t sure.

A newborn Peter (Levi Miller) is left at the front door of a UK orphanage by his mother (Amanda Seyfreid). Twelve years later, World War II has erupted, and Peter is still at the orphanage, hopeful that his mother will return for him, largely because the nuns who run the orphanage are awful and corrupt. One night, Peter and nearly everyone in the orphanage are kidnapped by flying pirates (you read that right) and brought to Neverland to live with Captain Blackbeard (Hugh Jackman), where they’re told that they are finally free, but really they’re just a different kind of slave, and spend their days digging for a rare element with special powers. Peter finds a piece, but is ultimately forced to walk the in-air plank after someone steals the gem and accuses him of a crime that he didn’t commit. Incredibly, Peter begins to fly just before hitting the ground, and Blackbeard fears that Peter is the boy that an old legend says will be his undoing. Miner James Hook (Garrett Hedlund) takes Peter under his wing (with conditions), and the two manage to escape Blackheard’s clutches, only to discover that they have a whole new battle ahead of them, while Blackbeard’s crew is hot on their trail.

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Blu Tuesday: Magic Mike XXL, Dracula and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Magic Mike XXL”

WHAT: Three years after leaving the stripper life to pursue his dream of starting his own business, “Magic” Mike Lane (Channing Tatum) reunites with the remaining Kings of Tampa – Ken (Matt Bomer), Big Dick Ritchie (Joe Manganiello), Tito (Adam Rodriguez) and Tarzan (Kevin Nash) – for a road trip to the annual stripper convention in Myrtle Beach for one final performance.

WHY: One of the biggest complaints about “Magic Mike” was that it was a lot more serious than people were expecting for a film about male strippers, and “Magic Mike XXL” addresses those criticisms head-on by delivering a more upbeat and whimsical bro-fest that plays like a racier version of “Entourage.” Channing Tatum is still the star, but supporting players like Matt Bomer and Joe Manganiello are given larger roles, while new addition Jada Pinkett Smith nearly steals the whole movie. It’s everything the first film should have been and more, making up for its loose narrative structure by unabashedly pandering to the audience with show-stopping dance numbers that are so theatrical it could be turned into a traveling stage show. Though the movie is slightly ridiculous and lacking any real substance, it’s also incredibly entertaining, with rarely a dull moment despite the almost two-hour runtime. You have to respect a film that does exactly what it sets out to achieve (in this case, slow-jam beefcake cheesiness) and doesn’t apologize for it, because “Magic Mike XXL” embraces that attitude full tilt and never looks back.

EXTRAS: There’s a pair of featurettes on the film’s choreography and location shooting in Georgia, as well as an extended version of Stephen Boss’ dance sequence.

FINAL VERDICT: RENT

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Movie Review: “The Martian”

Starring
Matt Damon, Jessica Chastain, Chiwetel Ejiofor, Jeff Daniels, Kristen Wiig, Kate Mara, Michael Pena, Sebastian Stan
Director
Ridley Scott

Sir Ridley Scott has never been the most emotional filmmaker. Most of the director’s movies have been driven by atmosphere and themes, not so much emotion. But that’s not the case with “The Martian,” a thrilling, human and moving sci-fi picture that is easily the most emotionally engaging film Scott has made in a long time.

Astronaut Mark Watney (Matt Damon) is stranded on Mars. After a storm hits during the first human expedition to the planet, Mark and his crew are forced to evacuate. However, he gets hurt and separated from his fellow crewmembers, and they leave the planet without him, presuming their friend to be dead. But the charming “space pirate” and wiseass survives, and he has to find a way to communicate with NASA back home and create more resources to stay alive long enough to be rescued. Thankfully, he’s a botanist – and the best botanist on Mars, according to him – which comes in handy with his new mission: survive.

The movie is far from a one-man show. Scott put together one hell of a cast with Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Peña, Chiwetel Ejiofor, Mackenzie Davis and more. They all play a role in Watney’s survival. The film, based on Andy Weir’s novel of the same name, is about the effort to save one man’s life. It’s about more than that, but first and foremost, it’s an inspiring story about the brighter side of humanity. “The Martian” is refreshingly optimistic, without any hint of naiveté, about the boundaries humans are capable of pushing and the effort we’d hopefully go to for one life. None of this comes off as phony or insincere, either.

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Movie Review: “Sicario”

Starring
Emily Blunt, Josh Brolin, Benicio Del Toro, Daniel Kaluuya, Maximiliano Hernández, Victor Garber
Director
Denis Villeneuve

One popular web site called “Sicario” an unrelenting horror story disguised as a drug-war action movie. I wish I had seen that movie, because that sounds really interesting. The “Sicario” I saw was a ‘talented but naïve FBI agent falls under tutelage of high-ranking officer of questionable intent’ story that awkwardly morphs into a revenge thriller. It is beautifully directed, it features top-notch work by its three leads, and it is all set to a dazzling, unnerving score (Johan Johannson, who wrote the gorgeous score for 2014’s “The Theory of Everything”), but the film is all undone by a script that isn’t half as clever as it thinks it is.

Kate Macer (Emily Blunt) has impressed many people with her work on an FBI kidnapping task force in Arizona, and is asked if she would be interested in volunteering for a Department of Defense investigation that seeks to track down the Mexican drug kingpin who owns many of the homes in which their raids take place. She accepts, and her new boss Matt Graver (Josh Brolin) tells her nothing about what they’re doing: he simply asks her to watch and learn. Matt’s right hand man is Alejandro (Benicio Del Toro), who is valuable to Matt because of his extensive knowledge of the Mexican crime syndicates. Kate quickly realizes that Matt and Alejandro do not play by the same rule book that she does (read: the legal one), and begins to question why they brought her onto this team in the first place. That is when stuff gets real.

Roger Deakins’ cinematography, as usual, is gorgeous, but director Denis Villeneuve was thick with the symbolism. His overhead shots of the Mexican desert were bleached and reeking of death, while his landscape shots (also bleached and reeking of death) had a storm on the horizon nearly every time. In one scene, we even see lightning, but it never rains in the movie. This is a movie about drugs, and the battle to beat the people bringing them into the United States. We already knew that a storm was coming, and that the border is a hostile place. There was no need to constantly remind us of this.

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Blu Tuesday: Avengers: Age of Ultron, Entourage and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Avengers: Age of Ultron”

WHAT: After retrieving Loki’s scepter from Hydra, Tony Stark (Robert Downey Jr.) and Bruce Banner (Mark Ruffalo) attempt to use its power to produce an army of A.I. robots that can protect the world from any threat. But instead, they create Ultron (James Spader), a maniacal robot hell-bent on destroying the Avengers and remaking the world in his image with the help of a pair of super-powered twins (Aaron Taylor-Johnson and Elizabeth Olsen) who have a personal grudge against Stark.

WHY: The first “Avengers” was so much fun that it didn’t seem possible that “Age of Ultron” could be a disappointment, and yet it’s hard not to feel somewhat unsatisfied by the final product. Though it’s a decidedly darker and grittier entry that gives its characters actual problems to deal with, some are more successful than others. It makes sense that the three Avengers who have yet to receive their own solo movies – Hawkeye, Black Widow and Bruce Banner/Hulk – are treated the best in terms of development, but it comes at the cost of other characters, particularly Thor, who gets saddled with a pointless subplot involving the Infinity Stones. Newcomers Quicksilver and Scarlet Witch are also given little time to make an impression, and though James Spader is perfectly cast as Ultron, the robot isn’t a very engaging villain. The buffet of characters can be a tad overwhelming, but director Joss Whedon juggles the large ensemble and overstuffed action scenes incredibly well, creating memorable moments within each sequence that are filled with classic Whedon banter. In fact, while it’s arguably one of the studio’s weaker entries to date, “Age of Ultron” is still a mostly enjoyable installment that sets the stage for the future of the Marvel Cinematic Universe. With that said, I don’t envy the task ahead for the Russo brothers, because if this film proves anything, it’s that the upcoming two-part finale is going to be an even more daunting proposition than it originally appeared.

EXTRAS: In addition to an audio commentary by writer/director Joss Whedon, there are four featurettes – covering production, location shooting around the globe, the Marvel Cinematic Universe and the Infinity Stones – as well as deleted scenes and a gag reel.

FINAL VERDICT: RENT

“Entourage”

WHAT: Freshly divorced and raring to get back to work, Vincent Chase (Adrian Grenier) agrees to star in Ari Gold’s (Jeremy Piven) first movie as studio head under one condition: he also wants to direct it. But when the film goes over budget and Vince asks for more money, the financier’s son (Haley Joel Osment) begins to interfere with the production, pushing Ari to the breaking point as he tries to protect Vince’s vision and his job.

WHY: “Entourage” has always operated as a larger-than-life helping of male wish fulfillment, but while creator Doug Ellin was no doubt seduced by the lure of going even bigger for the film version, it’s refreshing to see that, for the most part, the movie is just more of the same. It’s like a supersized episode of the HBO show, not to mention a welcome return to the lighter, more playful tone of the earlier years that made it so popular. Admittedly, the movie doesn’t hit as many high notes as the series delivered at its very best, but fans of the show will like it regardless, and it might even convince some non-fans to go back and watch it from the start. More than anything else, though, “Entourage” is a fitting farewell to a series that never really felt like it got the ending it deserved, and Ellin embraces that second chance with so much fan service that it occasionally gets in the way of the story. The movie tries too hard to please everyone, resulting in a messy narrative, but it’s also sensationalized, fizzy fun, and as fans of the TV series know only too well, that’s all that counts.

EXTRAS: There’s a making-of featurette, a roundtable discussion with writer/director Doug Ellin and the cast, a behind-the-scenes look at Vincent Chase’s movie-within-the-movie, some deleted scenes and a gag reel.

FINAL VERDICT: RENT

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