Category: Entertainment (Page 18 of 277)

Movie Review: “Arrival”

Starring
Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg
Director
Denis Villeneuve

Canadian-born director Denis Villeneuve makes movies that block out the world. From the first to the last frame, his films keep you engaged and, more often than not, transfixed. Building on the success of past movies like “Prisoners” and “Sicario,” the director’s latest film, “Arrival,” is arguably the most emotional, thought-provoking and visceral experience he’s crafted yet.

Based on Ted Chiang’s short story, “Story of Your Life,” “Arrival” is a grounded alien invasion tale that poses the question: If first contact was made, how would we communicate with extraterrestrials? That becomes a terrifying reality when mysterious ships begin to land around the world. It’s an unsettling day full of fear and paranoia, but some believe that the aliens may be a symbol of hope and not terror. To find out the aliens’ motivations, Linguistics professor Louise Banks (Amy Adams) is brought in by the U.S. government to interpret their language and find a way to communicate. At the start of the film, Louise is tired and haunted by visions of her dead daughter, but with the world at stake, she’ll do everything she can to maintain peace between Earth and these beautiful and sparsely designed extraterrestrials, working with mathematician Ian Donnelly (Jeremy Renner) and U.S. Army Colonel Weber (Forest Whitaker) to form a plan before China declares war on the visitors.

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Blu Tuesday: Sausage Party and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Sausage Party”

WHAT: The food at Shopwell’s supermarket has been raised to believe that going home with a customer is the greatest honor they can achieve. But when a horny sausage named Frank (Seth Rogen) is informed that the whole thing is a ruse, he embarks on an adventure to uncover the truth about humans and what really happens to food when it leaves the store.

WHY: “Sausage Party” isn’t a very subtle movie (the dialogue is laced with so much profanity that it feels like it was written by a bunch of prepubescent boys who just learned about swear words), but what the comedy lacks in maturity it makes up for with some clever commentary on faith, sexual temptation and the Palestine/Israel conflict. No, seriously. Unfortunately, that isn’t enough to disguise the fact that the film is essentially a one-joke affair. Vulgar food puns and visual gags abound throughout its brisk 89-minute runtime, but apart from the movie’s villain (a literal juiced-up douche who sounds like a “Jersey Shore” reject) and the totally bonkers finale, most of them fall flat. Although “Sausage Party” feigns subversiveness on the surface, it’s actually quite formulaic underneath all that foul-mouthed depravity, and kind of boring too. Nevertheless, Seth Rogen and Evan Goldberg deserve enormous credit for convincing a major studio to release an R-rated film about talking food and religion, because despite the letdown, it’s so wonderfully stupid and strange that you have to see it at least once.

EXTRAS: The Blu-ray release includes featurettes on the voice cast and Alan Menken’s opening musical number, an interview with co-writers/producers Seth Rogen and Evan Goldberg about the pitching process, alternate line readings, a gag reel and more.

FINAL VERDICT: RENT

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Movie Review: “Doctor Strange”

Starring
Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Mads Mikkelsen, Rachel McAdams, Benedict Wong
Director
Scott Derrickson

Like many of the filmmakers involved in the Marvel Cinematic Universe, Scott Derrickson (who’s best known for horror films like “Sinister”) may not seem like the obvious choice to direct a “Doctor Strange” movie. Then again, it’s pretty amazing that a film called “Doctor Strange” exists at all, because it’s arguably one of the weirder properties under the Marvel banner. That uniqueness ends up working in its favor, however, as Derrickson has basically made a psychedelic kung fu/fantasy movie that is without question the most visually stunning film that Marvel has ever produced. Joining the ranks of other B-list characters like Ant-Man and the Guardians of the Galaxy, “Doctor Strange” marries its inventive visuals with the usual superhero story beats to deliver the best solo origin movie since director Jon Favreau kicked off the MCU with “Iron Man.”

The two films have a lot in common, beginning with their titular characters. Like Tony Stark, Dr. Stephen Strange (Benedict Cumberbatch) is a bit of an egomaniac – a brilliant neurosurgeon whose own hubris leads to his downfall. After he’s injured in a near-fatal car accident that renders his hands unusable, Strange tries every surgery and experimental treatment available in an attempt to save his career. When traditional medicine fails him, the bitter and defeated Strange goes looking for a miracle cure in Nepal, where he’s introduced to the Ancient One (Tilda Swinton), a powerful sorcerer who commands a mysterious order of warrior monks, including Karl Mordo (Chiwetel Ejiofor) and Wong (Benedict Wong), charged with protecting Earth from supernatural threats. Though Strange is skeptical at first, the Ancient One opens his mind to the infinite power and knowledge that the universe contains, ultimately taking him on as a student of the mystic arts. But after a former acolyte named Kaecilius (Mads Mikkelsen) steals a forbidden ritual from the Ancient One and goes rogue, amassing his own army of zealots to bring about world destruction, Strange must put aside his selfishness to help stop him.

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Movie Review: “Hacksaw Ridge”

Starring
Andrew Garfield, Teresa Palmer, Hugo Weaving, Sam Worthington, Vince Vaughn, Luke Bracey, Rachel Griffiths
Director
Mel Gibson

The story of Desmond Doss is so remarkable that it’s surprising it took this long for someone to make a film based on his life. Although Hollywood has produced plenty of movies about real-life war heroes, Doss is a fairly unique case: a U.S. Army medic and devout Seventh-day Adventist who single-handedly saved 75 men during the Battle of Okinawa without ever firing a shot. It’s the kind of material that Mel Gibson typically gravitates towards as a filmmaker, which is why it’s so fitting that “Hacksaw Ridge” marks the director’s long-awaited return behind the camera. “Hacksaw Ridge” isn’t as great as some of Gibson’s past work, but it’s a well-made drama that’s bolstered by a superb central performance and the best battle sequences since “Saving Private Ryan.”

Before plunging the audience into the horrors of WWII, however, Gibson flashes back to a year earlier to show how Desmond’s (Andrew Garfield) fractured home life and his romance with local nurse Dorothy Schutte (Teresa Palmer) led him to enlist in the Army. Though Desmond doesn’t believe in violence, his sense of patriotism and duty compels him to follow in his brother’s footsteps, much to the disapproval of his alcoholic father (Hugo Weaving), who witnessed all of his friends killed in action during the first World War.

Desmond wants to serve as a combat medic so that he can save lives rather than take them, but upon arriving at Fort Jackson for basic training, he’s met with resistance by his commanding officers, Sergeant Howell (Vince Vaughn) and Captain Glover (Sam Worthington), who try to convince Desmond to quit and then court-martial him for his refusal to carry a weapon. But since we already know how the story ends (in fact, Gibson opens the movie with a shot of Desmond being carried across the battlefield), it’s safe to say that he wins the case and is shipped out with the rest of his unit to Japan, where he would go on to earn the respect of his fellow soldiers in a miraculous act of heroism and bravery.

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Movie Review: “Trolls”

Starring
Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse, Christine Baranski, Russell Brand, John Cleese, Jeffrey Tambor
Director
Walt Dohrn & Mike Mitchell

A movie about Troll dolls is almost comically cynical. Take a product line that has lost its luster, repackage it for the next generation and laugh all the way to the bank. It’s the textbook definition of a cold, calculated, brand-driven cash grab. If that sounds familiar, it’s because that is exactly what people said about “The LEGO Movie” before it came out. Then that movie turned out to be awesome, and the nation ate a fair amount of crow.

“Trolls” is no “LEGO Movie,” but there is something to it, a relentlessness of spirit that is undeniable. It has a stunningly unique visual style, the musical numbers are a deftly chosen blend of big pop hits and lesser-known but worthy songs (all selected by co-star Justin Timberlake), and the voice casting is sublime. The ‘B’ story could have used some work (it’s a Disney princess story, almost verbatim), and it ultimately lacks the courage of its early convictions, but it is still a wildly entertaining movie.

The trolls are impossibly happy, follicly-blessed creatures who live in a tree in the middle of a village of Bergens, miserable folk whose only joy comes from eating a troll, and the eating of a troll becomes a Bergen holiday. On one of these holidays, the trolls escape, and for 20 years, they live a blissful, hug-filled existence. The new Bergen king (Christopher Mintz-Plasse) has been told his entire life that he will never be happy until he eats a troll, so when the disgraced Chef (Christine Baranski), who’s been cast out of Bergenville after the trolls’ great escape happened on her watch, finds the trolls’ hiding place and snatches several trolls to offer to the king, he is more than eager to restart the long-abandoned tradition of eating a troll. Troll Princess Poppy (Anna Kendrick) sets out to save her kidnapped friends with reluctant assistance from sullen troll Branch (Timberlake).

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