Category: Entertainment (Page 128 of 277)

Blu-ray Review: “Treme: The Complete Series”

If you were offered a trip to New Orleans for just over a hundred bucks, you’d probably take it, right? Well, it is perhaps oversimplifying matters to equate the “Treme: The Complete Series” box set (available exclusively on Blu-ray) with a visit to N’Awlins, but maybe that’s only because there’s nothing particularly simple about “Treme.” Does that mean it’s the sort of series that will blow you away? Not at all. Indeed, “Treme” has no interest in even trying.

For those who missed the series over the course of its HBO run (and judging by its practically invisible ratings, there were quite a few of you), “Treme” begins three months after Hurricane Katrina all but wiped out the city of New Orleans, and follows more than a dozen NOLA residents from all different walks of life picking up the pieces and attempting to move forward. It’s a series about culture, politics, cooking, tradition, and most definitely music, which it revels in. The show dazzles viewers with one great musical sequence after another (all recorded live and with no overdubbing or lip-synching), and the list of artists – usually playing themselves – that appear on the series over the course of its 36 episodes is practically countless.

In many (if not most) ways, “Treme” is anti-television. It seemingly throws out the rulebook that started being written when TV came into existence, playing loose, but rarely fast. There’s a price to pay for this brand of innovative storytelling, though, and that’s that “Treme” does not excite in any of the traditional ways that we’ve come to expect television to. Not once in the entire series will you throw your arms up and cry, “Yeah right! That would never happen!” such is the day to day reality of its goings-on. Indeed, when viewing it, you almost have to train yourself to watch this brand of TV a little differently.

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Movie Review: “Gimme Shelter”

Starring
Vanessa Hudgens, Rosario Dawson, Brendan Fraser, Ann Dowd, James Earl Jones, Stephanie Szostak
Director
Ron Krauss

Vanessa Hudgens’ quest to prove to audiences that she’s all grown up takes a strange, dumpster-diving turn in Ron Krauss’ intentionally inspirational “Gimme Shelter,” about a girl’s quest to get off the streets.

Hudgens stars as Agnes “Apple” Bailey. Of course, being called Agnes makes her angry, and you wouldn’t like her when she’s angry. She’s a rolling snowball of rage as the film opens, hacking off about nine inches of her long but gnarly hair and setting out to find the person whose name is scrawled on a mysterious envelope. Her journey seems perilous from the start as her drugged-out mom (Rosario Dawson) literally stands in her way. A fistfight ensues before she hops into a waiting cab, from which she’s kicked out of for lack of payment and trying to steal said cab.

Who wouldn’t feel sorry for this girl?

Apple makes her way to the swanky estate of Tom (Brendan Fraser), who turns out to be the dad she never met. Tom’s new life as a Wall Street mogul, complete with two new kids and attractive French wife, Joanna (Stephanie Szostak), runs counter to Apple’s scavenger mentality, and it’s not long before Joanna demands that Apple leave as quickly as she entered. But Apple lays even more drama on the doorstep when she discovers that she’s pregnant. Tom goes into instant damage control mode, prompting Apple to “turn the page” on this unfortunate incident by getting an abortion. Joanna even offers to hold her hand and take her to the clinic. Once they get there, Joanna drops the handholding offer and leaves her at the clinic, where Apple decides she’s going to turn the page as a mother.

After a night on the streets and a frenetic encounter with a pimp that resembles the late Biggie Smalls, Apple ends up in the hospital, complete with a broken leg, a few facial scars and a bit of salvation in the form of Father Frank McCarthy (James Earl Jones). McCarthy refers her to a group home for pregnant teens where she meets girls just as messed up as she is and seem to be fine with it, because they’ve found a place where they fit in. It’s there that Apple’s journey takes on new and tragic turns that will either make you cheer her on or ask for a refund.

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Entertainment Untethered: What it’s like to ditch TV

flat screen TV

Before we begin, let me backpedal for a second and set the stage for “ditching TV”.

Here’s how I’d word it:

• Watching TV is the actual act of sitting down in front of one to consume entertainment
• Ditching TV is removing all those setbacks that come from viewing

What I’m trying to convey is the difference between being a zombie in front of a TV set versus having an a la carte choice in what shows and movies you watch. Instead of getting stuck with commercials and waiting for shows during primetime – you’re cutting those setbacks so you can binge.

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Blu Tuesday: Captain Phillips, Blue Jasmine and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Captain Phillips”

WHAT: While on a routine trip around the Horn of Africa, Captain Richard Phillips (Tom Hanks) orders his crew to practice prevention tactics against possible hijackers, only for the drill to become a real-world situation when a group of Somali pirates (led by Barkhad Abdi) boards the commercial freighter and takes Phillips hostage.

WHY: Based on the incredible true story of the 2009 hijacking of an American-flagged cargo ship, “Captain Phillips” is a gripping hostage thriller that boasts some of the year’s finest performances. Director Paul Greengrass has a knack for dramatizing real-life events (as evidenced in “Bloody Sunday” and the excellent “United 93”), and that success continues here, throwing the audience right into the middle of the action docudrama-style in order to best capture the intensity of the situation. But while Greengrass excels at creating a sense of claustrophobic tension (especially once the story moves into the lifeboat, where he really ratchets up the suspense), it’s the acting that makes “Captain Phillips” work as well as it does. Barkhad Abdi is particularly impressive as the leader of the pirates, while Tom Hanks delivers his strongest performance in over a decade in the title role. The final five minutes alone pack such an emotional wallop that it should have guaranteed him another Oscar nomination, and his work throughout is a stark reminder why he’s one of the best actors in the business.

EXTRAS: In addition to an excellent audio commentary by director Paul Greengrass, there’s a three-part featurette running just under an hour long that tells you pretty much everything you’d want to know about the making of the movie.

FINAL VERDICT: BUY

“Blue Jasmine”

WHAT: When her husband (Alec Baldwin) is arrested for investment fraud, New York socialite Jasmine French (Cate Blanchett) is forced to give up her glamorous lifestyle and go stay with her sister Ginger (Sally Hawkins) in San Francisco. Mentally unstable and on a steady diet of booze and prescription drugs, Jasmine attempts to put her life back together, with disastrous results.

WHY: Woody Allen is one of the most prolific filmmakers in history, but it’s hard to maintain any level of quality with that sort of productivity, and moviegoers have witnessed the hit-and-miss nature of the director’s work first-hand over the past two decades. “Blue Jasmine” falls somewhere in between, mainly because it doesn’t seem to know what it wants to be: a biting dark comedy or a drama. A modern-day retooling of “A Streetcar Named Desire,” the movie has its share of laughs in the opening act, but it gets darker by the minute, especially since Blanchett’s character is more of a schizophrenic than the typical Allenesque neurotic. The problem with that, of course, is that Jasmine is a lot less likable as a result, and though the actress turns in a mostly good performance, it borders on parody at times. In fact, there aren’t many characters in the movie that are very likable, and that’s the biggest obstacle standing in the way of “Blue Jasmine” being as great as it could have been.

EXTRAS: Woody Allen movies are always light on bonus material, and this one is no different. Apart from a press conference featuring actors Cate Blanchett, Peter Sarsgaard and Andrew Dice Clay, there’s a brief collection of red carpet interviews.

FINAL VERDICT: RENT

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