Category: Entertainment (Page 124 of 277)

Movie Review: “Pompeii”

Starring
Kit Harrington, Emily Browning, Adewale Akinnuoye-Agbaje, Kiefer Sutherland, Jared Harris, Carrie-Anne Moss
Director
Paul W.S. Anderson

Paul W.S. Anderson must have had “Titanic” playing on a loop for his cast and crew during the making of “Pompeii,” because the director’s sword-and-sandals/disaster movie borrows heavily from the James Cameron drama. That’s not to say that “Titanic” was a wholly original story, but you’d think that Anderson could have done a better job of not making its influence so blatantly obvious. Of course, everything about “Pompeii” feels half-assed – from its bland romance, to its terrible dialogue, to the worthless addition of 3D – and though it’s slightly better than last month’s “The Legend of Hercules,” the film is still a pretty miserable viewing experience.

The movie opens in the year 62 A.D. as a young boy witnesses the murder of his entire Celtic tribe, including his mother and father, and is promptly sold into slavery. 17 years later, the now grown-up Milo (Kit Harrington) is fighting in Britannia as a gladiator known only as The Celt when his skills in the arena impresses a Roman lanista and he’s shipped off to the Italian city of Pompeii. Along the way, Milo catches the eye of a wealthy merchant’s daughter named Cassia (Emily Browning), who’s betrothed to the smarmy Senator Corvus (Kiefer Sutherland), the very man responsible for slaughtering his people. (Extraordinarily, neither Corvus nor his right-hand man have seemingly aged a single day, making identifying them that much easier.) Forced to fight in the upcoming games alongside fellow gladiator Atticus (Adewale Akinnuoye-Agbaje), Milo is given a chance to exact his revenge when Mount Vesuvius suddenly erupts, causing mass panic throughout Pompeii as the city crumbles.

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Movie Review: “3 Days to Kill”

Starring
Kevin Costner, Hailee Steinfeld, Amber Heard, Connie Nielsen
Director
McG

It’s not often – on the big screen, anyway – that director McG traffics in human emotion. His films are mostly about the slam and the bang, so his attachment to a movie like “3 Days to Kill” is a bit surprising at first. This is not to say that the movie doesn’t have some slam-bang moments (it does), but that it operates at a different speed than McG’s other work. The father-daughter relationship comes first, though murder isn’t far behind. The story, by Luc Besson (“The Professional”), bites off more than it can chew, and it requires “Taken” levels of disbelief to excuse carnage that our government would surely have to answer for on a public stage, but the acting performances elevate the material from ‘predictable’ to ‘predictable but fun.’

Ethan Renner (Kevin Costner) is a seasoned field agent for the CIA. During an operation where he and his team are assigned to dispose of an arms dealer known as The Albino (Tómas Lemarquis), Ethan passes out after chasing down their target, wakes up in a hospital and is told he is gravely ill and has three months to live. Ethan plans on making the most of his time by reconciling with his estranged wife Tina (Connie Nielsen) and their daughter Zoey (Hailee Steinfeld). No sooner does he promise Tina that he’s finished with the CIA than he receives a visit from fellow CIA operative Vivi Delay (Amber Heard), who was tasked with taking down the Albino’s financier The Wolf (Richard Sammel) at the same time that Ethan was supposed to take out the Albino. Vivi has access to an experimental drug that may keep Ethan alive, and she will share it with him if he agrees to help her finish the job, as Ethan is the only one who knows what the Wolf looks like. Ethan reluctantly accepts, and it is not long before the unpredictable nature of being a hired killer makes life complicated for a man who already has a reputation with his angry teenaged daughter of never being there for her. Oh, and a family of squatters has taken over his Paris apartment while he was away, and it is against the law if he kicks them out.

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Summer Glau in “Knights of Badassdom”

Summer Glau - Knights of Badassdom

Summer Glau eanred her badass credentials early on with her role as the sexy, young terminator Cameron on the television series “Terminator: The Sarah Connor Chronicles.” We were big fans of the show and of Summer, and we’ve enjoyed following her career ever since. We featured Summer in the Fox Force Five bracket of our Favorite TV Girlfriends competition several years back.

Now you can see her in a new role, and we have three exclusive photos above from her latest film. “Knights of Badassdom” features an excellent cast, with Steve Zahn, Ryan Kwanten and Peter Dinklage joining Summer. It’s a comedy about a group of live-action roleplayers (LARPers) who mistakenly conjure up a demon from hell and must deal with the consequences. You’ll see plenty of Summer dressed up in a cool outfit as she puts her comedic skills to work.

You can get more information on Summer and the film at the official website, on Facebook and Tumblr.

You can also watch it now with On Demand on television or online at iTunes, Amazon, Google Play and other sources. It’s currently the #1 horror film on iTunes, and the the #9 action film and #10 comedy film

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Blu Tuesday: Game of Thrones and Afternoon Delight

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Game of Thrones: The Complete Third Season”

WHAT: The power struggle across Westeros continues as Lord Tywin takes over as Hand of the King following his victory at Blackwater Bay, leaving Tyrion suddenly powerless and forcing Stannis back to Dragonstone to lick his wounds. Meanwhile, Robb Stark’s campaign against the Lannisters gets fiercer, Daenerys builds her army from afar, Arya earns new allies in her quest for revenge and Jon Snow goes undercover with the wildlings. And that’s just the first few episodes…

WHY: Creators David Benioff and D.B Weiss have stated numerous times that they set Season Three as the unofficial benchmark as to whether or not the show would be a success, and it’s easy to see why, because it showcases the full complexity and richness of the universe that they inherited from George R.R. Martin. The third season expands its scope even further than the previous year, with several new characters quickly making their mark, and old ones (like Nikolaj Coster-Waldau’s Jamie Lannister, one of the season’s MVPs) continuing to evolve within that moral gray area where “Game of Thrones” thrives. It also featured some of the most shocking story developments to date, perhaps none more so than Episode 9’s infamous Red Wedding, which made Ned Stark’s beheading look like child’s play in comparison and was without a doubt one of the biggest television events of last year. (So much so that HBO is spoiling it in their commercials for the Blu-ray/DVD release.) The audience reaction to that episode is very telling of the show’s pop cultural footprint, and when the writing and acting is this good, it’s no surprise why its popularity continues to grow.

EXTRAS: As usual, there’s plenty to dig into here, including 12 audio commentaries with the cast and crew, an in-depth look at the making of “The Rains of Castamere,” a Season Two recap, featurettes on the show’s new characters, politics of marriage and wildlings, five deleted/extended scenes and the customary interactive guides.

FINAL VERDICT: BUY

“Afternoon Delight”

WHAT: Rachel (Kathryn Hahn) is a thirty-something stay-at-home who’s become bored with her daily routine, lackluster sex life and failed career. Looking to spice things up, Rachel takes her husband (Josh Radnor) to a strip club one night and meets erotic dancer McKenna (Juno Temple), who she becomes obsessed with saving, only to cause more harm than good.

WHY: “Afternoon Delight” feels like a spiritual companion piece to Judd Apatow’s “This Is 40,” only not quite as dreadful to watch. Much like that movie, Jill Soloway’s directorial debut examines a middle-aged woman trying to break the soul-crushing routine that she’s become far too comfortable living. It’s something that most people dread happening at one point in their life, but it’s hard to feel bad for characters that already have so much going for them. And therein lies the problem with “Afternoon Delight.” Though its intentions are admirable, the film asks you to pity a woman who doesn’t really have the right to complain nearly as much as she does. Kathryn Hahn turns in a solid performance as the woman in question, and Juno Temple shines as the sex worker she takes in to her home, but while the movie gets off to a strong start as the two ladies form their friendship, the latter half is so ugly in its attempt to create conflict between them that it leaves a bitter taste in your mouth.

EXTRAS: There’s an audio commentary with writer/director Jill Soloway and actress Kathryn Hahn, a behind-the-scenes featurette and some deleted scenes.

FINAL VERDICT: RENT

Movie Review: “RoboCop”

Starring
Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Earle Haley, Samuel L. Jackson
Director
Jose Padliha

At the rate that Hollywood is plowing its way through Paul Verhoeven’s sci-fi catalog, you’d expect Vegas bookies to start slashing the odds on an eventual “Starship Troopers” remake. Though it’s only been two years since fanboys got their panties in a bunch over Len Wiseman’s “Total Recall” reboot, many of those same fans have been dreading the release of the new “RoboCop.” It will probably come as a surprise, then, that the film isn’t nearly as bad as people feared it would be. In fact, it boasts a better cast, better effects and a better story, even if the 1987 original – which is admittedly pretty cheesy by today’s standards – is still the better movie. So why bother with this remake? For starters, because it’s not really a remake at all, instead taking the basic premise and carving its own path that falls more in line with current politics.

The year is 2028, and with the exception of the United States, the rest of the world is now policed by a robot military force operated by technology giant OmniCorp. The government has blocked the use of robots in the U.S. due to the belief that they can’t be held accountable for killing, so OmniCorp CEO Raymond Sellars (Michael Keaton) decides to give the American public someone they can identify with by putting a man in a machine. And it’s not long before they find the perfect subject when Detroit cop Alex Murphy (Joel Kinnaman) is critically injured in a car bombing after he’s targeted by a local drug kingpin. With the help of Dr. Dennett Norton (Gary Oldman), a pioneer in robotic prosthetics, Sellars convinces Alex’s wife, Clara (Abbie Cornish), that the procedure is the only way to keep him alive. But the very thing that makes Alex unique (his emotions) also affects his performance in the field, and when Norton tries to counteract that by programming his brain to act more like a machine, Alex’s human side begins to fight back as he investigates his own murder.

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