Author: Jason Zingale (Page 29 of 112)

Movie Review: “In the Heart of the Sea”

Starring
Chris Hemsworth, Benjamin Walker, Tom Holland, Cillian Murphy, Brendan Gleeson, Ben Whishaw
Director
Ron Howard

Herman Melville’s “Moby Dick” might be one of the most boring literary classics ever published, yet that hasn’t stopped Hollywood from going back to the source material time and time again. Though Ron Howard’s “In the Heart of the Sea” technically isn’t an adaptation of “Moby Dick,” it is based on the non-fiction book by Nathaniel Philbrick about the real-life events that inspired Melville’s seafaring adventure. Sadly, that doesn’t make it any less dull. A well-intentioned cross between the nautical drama of “Master and Commander” and the against-all-odds survival elements of “Unbroken,” “In the Heart of the Sea” is an instantly forgettable movie that completely wastes the talents of Howard and his cast.

The year is 1850, and author Herman Melville (Ben Whishaw) has traveled to Nantucket to visit Thomas Nickerson (Brendan Gleeson), the last surviving crew member of the Essex whaling ship, to find out if the rumors that it was capsized by a giant sperm whale 30 years earlier are true. Melville hopes to use the story as inspiration for his next novel, and although Nickerson is hesitant about disclosing any details of the harrowing event, he reluctantly agrees when his wife (an underused Michelle Fairley) reminds him that they desperately need the money Melville has offered in exchange for his time.

Curiously, the focus of Nickerson’s tale isn’t himself, but rather Owen Chase (Chris Hemsworth), a master whaler assigned to serve as the first mate on the Essex’s upcoming voyage under the leadership of the less experienced Captain George Pollard (Benjamin Walker), who hasn’t earned his position through hard work like Chase, but through family ties to the whaling company that controls most of Nantucket’s economy. Though the two men immediately butt heads, particularly after Pollard’s rash decision to sail directly into a storm nearly gets the entire crew killed, they have much bigger problems to worry about when they find their usual hunting waters devoid of whales. Upon hearing gossip of large herds for the taking off the coast of South America, the Essex crew sails into uncharted waters in search of glory, only to encounter a mammoth, alabaster sperm whale that destroys their vessel, leaving the men stranded at sea in a struggle for survival.

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Movie Review: “The Big Short”

Starring
Steve Carell, Ryan Gosling, Christian Bale, Brad Pitt, John Magaro, Finn Wittrock, Marisa Tomei
Director
Adam McKay

The housing market crash of 2008 was no joke, which is why it might come as somewhat of a surprise that “The Big Short” is directed by the same man responsible for goofball comedies like “Anchorman,” “Step Brothers” and “Talladega Nights.” Though Adam McKay isn’t the first person you’d think of to direct a (mostly) serious movie about the worst economic crisis since the Great Depression, he’s clearly passionate about the material – both the real-life events and the book on which the film is based – because it shows in the final product. “The Big Short” isn’t quite as hard-hitting as J.C. Chandor’s “Margin Call,” the underseen 2011 drama that offers a different perspective of the same events, but it’s a nonetheless effective examination of a nationwide disaster so ridiculous that it’s difficult not to laugh.

Adapted from “Moneyball” author Michael Lewis’ bestselling book of the same name, “The Big Short” follows a group of investment bankers through the years 2005-2008 as they predicted what many thought was impossible – the always-sturdy housing market collapsing – and then did the unthinkable by betting against (or shorting) the big banks to profit off their greed. The first to make his move is financial guru Dr. Michael Burry (Christian Bale), a socially awkward hedge fund manager who discovers a worrying pattern in defaulted subprime mortgages (which make up the mortgage bonds that the banks trade on) and invests more than a billion dollars of his investors’ money into credit default swaps, i.e. insurance against the failure of those bonds, which didn’t even exist at the time.

Everyone on Wall Street thinks he’s crazy, except for hotshot Jared Vennett (Ryan Gosling), who sees a potential gold mine in Burry’s theory and convinces short-tempered, nihilistic hedge funder Mark Baum (Steve Carell) and his tight-knit team (Jeremy Strong, Rafe Spall and Hamish Linklater) to go into business with him, despite the fact that Mark hates everything that guys like Jared stand for. Word of Vennett’s proposal also reaches small-time investors Charles Geller (John Magaro) and Jamie Shipley (Finn Wittrock), who request help from their mentor, former banker Ben Rickert (Brad Pitt), in getting them a seat at the big boys table.

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Blu Tuesday: Ant-Man and Minions

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Ant-Man”

WHAT: Ex-convict Scott Lang (Paul Rudd) is given a chance at redemption when genius inventor Dr. Hank Pym (Michael Douglas) enlists his help to break into his company’s research facility and stop former protégé Darren Cross (Corey Stoll) from weaponizing Pym’s groundbreaking particle technology. In order to do so, Scott must assume the mantle of the Ant-Man using a suit that grants its wearer increased strength while microscopic and the ability to telepathically control ants.

WHY: “Ant-Man” may have been a decade in the making, but despite its troubled production, director Peyton Reed has produced a funny and fast-paced standalone adventure that weaves in small references to the MCU without feeling slavish to the material. In keeping with Marvel’s tradition of exploring different genres with each new movie, “Ant-Man” is primarily a heist film that strikes a nice balance between comedy, action and drama. It’s also a movie that has serious daddy issues, featuring parallel father/daughter stories that drive the overall narrative, add some emotional weight and strengthen the connective tissue of Marvel’s expansive cinematic universe. Though it’s difficult to know exactly how much of Edgar Wright and Joe Cornish’s original script was retained in the final version, the former’s fingerprints are all over the film, especially the climactic third-act battle that takes place entirely inside of a little girl’s bedroom. Still, while “Ant-Man” isn’t quite as out there as Wright’s version likely would have been (even for a movie about a guy who talks to ants), it’s an undeniably unique comic book film that’s loaded with charm.

EXTRAS: In addition to an audio commentary by director Peyton Reed and star Paul Rudd, there’s a behind-the-scenes look at making the movie, a visual effects featurette and some deleted scenes.

FINAL VERDICT: RENT

“Minions”

WHAT: Set in the late 1960s, before their introduction to the despicable Gru, the Minions send Stuart, Kevin and Bob on a journey to find their tribe an evil boss to serve. They’re eventually recruited by supervillain Scarlett Overkill (Sandra Bullock), who plans to steal the Queen of England’s royal crown and take over the world.

WHY: After emerging as the unexpected stars of “Despicable Me,” it was only a matter of time before the Minions were given a movie of their own. Unfortunately, what anyone at Universal failed to realize is that the yellow, gibberish-speaking henchmen only work in small doses. Or maybe they did but simply didn’t care, because “Minions” is an uninspired cash grab that feels more like an attempt to sell branded merchandise than create a film that actually contributes something to the franchise. Nobody cares what the Minions were up to before meeting Gru, including the movie’s writer, who can’t even produce a mildly interesting story about the creatures’ origins. And when your protagonists don’t have any distinct personalities or character-defining arcs, no amount of silly, pantomimed humor changes the fact that without someone to truly invest in, it’s a pretty one-dimensional experience.

EXTRAS: The Blu-ray release includes three new shorts starring the Minions, a series of featurettes about making the movie, and an interactive map with fun facts about each location visited by the Minions in the film.

FINAL VERDICT: SKIP

2015 Holiday Gift Guide: Games

The holiday season is the video game industry’s busiest time of year, with publishers saving many of their marquee titles to release on the public like an avalanche of digital goodness. It can actually be quite overwhelming with so many different options to choose from, so we’ve done our best to put together a collection of what we feel are some of the year’s best titles, and ones that the gamer on your list will love.

Click the links within the write-ups to purchase each product online, and for more gift ideas, check out the other categories in our Holiday Gift Guide.

Star Wars: Battlefront

destiny

If you’ve ever wanted to know what it would be like to be a part of the “Star Wars” universe, Electronic Arts’ “Star Wars: Battlefront” lets you live out your ultimate fantasy by dropping you into the middle of the action in some of the most famous locations from the original trilogy. Whether assuming the role of a Rebel soldier or Stormtrooper fighting on the ground, an X-Wing or TIE pilot engaged in a massive dogfight in the skies, or as one of the many legacy characters like Luke Skywalker and Darth Vader, this is “Star Wars” fan service at its very best. Boasting gorgeous, photorealistic visuals and addictive gameplay, “Battlefront” is the most enjoyable “Star Wars” game since “Knights of the Old Republic.” Though the single player/co-op modes aren’t very exciting (they’re mostly just a place to hone your skills and waste a few hours with a friend), the online multiplayer is where the game really shines. There are nine modes to choose from – including favorites like Fighter Squadron, Heroes vs. Villains and Supremacy – with each one delivering a unique experience from the others. “Battlefront” is the “Star Wars” game that fans have been waiting for, and with more content planned for the future, it can only get better.

FIFA 16

destiny

How do you make a great game even better? That’s the challenge put forth each year to EA Sports and their “FIFA” franchise, and every time, they respond in brilliant fashion. Though there aren’t any major changes to the gameplay, “FIFA 16” has implemented some small but important refinements to deliver the most authentic soccer simulation yet. On the field, defending has been given a complete facelift, including the ability to defend better as a unit with enhanced AI awareness, goalkeepers who make less mistakes, and improved tackling mechanics. The EA Sports team has also added something called Passing with Purpose that allows you to ping driven ground passes to teammates in tight spaces, as well as No Touch Dribbling, which gives you more creativity on the ball. Off the field, the changes are even bigger, headlined by the announcement that you can now play as one of 12 Women’s National Teams in a variety of game modes. Career Mode has also received two of the most requested features – pre-season tournaments and player training to increase stats – while Ultimate Team has added a new mode called FUT Draft where you build a team by picking each position from a five-player draw and then compete in challenges to win rewards. This is the most definitive edition of “FIFA” yet, and it’s an absolute must-have for any soccer fan.

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Blu Tuesday: Fear the Walking Dead, Mississippi Grind and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Fear the Walking Dead: The Complete First Season”

WHAT: When a mysterious outbreak causes Los Angeles to go into complete meltdown, a dysfunctional blended family led by high school guidance counselor Madison (Kim Dickens) and her boyfriend Travis (Cliff Curtis) is forced to band together in order to survive the chaos.

WHY: Why: It’s easy to understand why AMC would be attracted to the idea of producing a companion series to “The Walking Dead” (after all, it’s the most-watched show in cable TV history), but there was always the risk that it would have an adverse effect on their flagship drama. Thankfully, the poorly titled “Fear the Walking Dead” distances itself enough from the original series that it doesn’t tarnish the brand, even if the new show pales in comparison. Not only is the writing heavy-handed, but the characters and their various relationships just aren’t as interesting. Though it makes sense that Madison and Co. wouldn’t be as savvy as anyone on “The Walking Dead” due to the story taking place during the early stages of the zombie outbreak, the characters come across as being especially whiny and foolish. Additionally, although the first season only contains six episodes, it’s a very slow burn that doesn’t hit its stride until the penultimate hour. If there’s any reason to stick around, it’s for Kim Dickens and Cliff Curtis, both of whom are such good actors that they manage to hold your interest even when you’ve given up hope that the show will improve. But while Season Two promises bigger and better things, whether anyone will still be watching is another matter entirely.

EXTRAS: There are two brief featurettes about the series and the characters.

FINAL VERDICT: RENT

“Mississippi Grind”

WHAT: Down-on-his-luck gambling addict Gerry (Ben Mendelsohn) owes everybody in town, and instead of paying off his debts, he continues to dig himself further into a hole. But his fortune begins to change when he meets a charismatic drifter named Curtis (Ryan Reynolds), who agrees to accompany Gerry on a road trip down the Mississippi River to play in a high stakes poker game in New Orleans.

WHY: After making a splash with the emotional one-two punch of “Half Nelson” and “Sugar,” writers/directors Ryan Fleck and Anna Boden were unable to replicate that success with their first studio project, the lackluster “It’s Kind of a Funny Story.” It’s been five years since Fleck or Boden did anything of significance, but the duo has bounced back nicely with their latest movie, a character-driven drama that plays like a gritty mash-up of “Rounders” and “Sideways” and is bolstered by a pair of fantastic performances. This is arguably the best that Ryan Reynolds has ever been, showcasing a subtler, more mature side that’s been missing in his previous work, while Ben Mendelsohn proves that he’s not just an amazing character actor, but a viable leading man as well. Both of their characters are deeply flawed, and it’s to their credit (as well as the script, which crackles with wit and heart) that you care about them even when they seem beyond all help. “Mississippi Grind” starts to drag in the final act, exposing its barebones plot in the process, but Reynolds and Mendelsohn have such great chemistry that it’s rarely boring.

EXTRAS: There’s a making-of featurette, but that’s all.

FINAL VERDICT: RENT

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