Author: Jason Zingale (Page 104 of 112)

Blu Tuesday: Drugs, Politics and Teenage Bourne

It’s been more than a year since I published my last Blu-ray column over at Premium Hollywood, but I’ve decided to revive it here on the Bullz-Eye Blog for the simple reason that I kind of miss doing it. Sure, I used to quietly complain to myself every week about having to actually write the damn thing, and some weeks, I gave in to my frustration by not writing anything at all, but I’m back to give it another go. It certainly helps that there are a couple of good films worth talking about this week or I might have never had this crazy (and almost surely regrettable) idea to begin with. Let’s get started, shall we?

“Traffic”

The last time I watched Steven Soderbergh’s Oscar-winning drama “Traffic” was when it was released in theaters, but the film is just as riveting today as it was back in 2000. Criterion’s Blu-ray release has everything that you’ve come to expect from the cinephile label – including a digitally restored high-definition transfer, hours of bonus material and an excellent essay by New York Times critic Manohla Dargis – but nothing outshines the movie itself. An expertly crafted examination of the illegal drug trade that effortlessly interweaves its many narratives into a searing commentary on the war on drugs, Soderbergh distinguishes each story with a unique color-coded treatment that adds style. And although the cast is overflowing with talent, Benicio del Toro and Michael Douglas are the real standouts. “Traffic” is without a doubt Soderbergh’s best film, and with the recent rumors of his impending retirement, there’s a pretty good chance it will stay that way.

Blu-ray Highlight: There’s some really good supplemental material on the disc – like audio commentaries with the movie’s producers, consultants and composer Cliff Martinez, as well as demonstrations on film processing, editing and dialogue editing – but Soderberg and writer Stephen Gaghan’s commentary track is jam-packed with so much great information about making the movie that you’ll definitely want to start there.

“The Ides of March”

George Clooney will probably never be as successful behind the camera as he is in front of it, but his latest directorial effort is still a really solid political thriller that thrives thanks to its fantastic ensemble cast. Ryan Gosling continues to prove why he’s one of this generation’s finest actors with perhaps his most grown-up role to date, while veterans like Philip Seymour Hoffman, Paul Giamatti and Marisa Tomei also get in on the fun playing characters whose only real flaw is that they’re not in the movie enough. The scandal at the center of the story may seem a little trite (and as an interview with Clooney and producing partner Grant Heslov reveals, it’s probably the biggest difference between the film version and the Beau Williamson stage play that it’s based on), but you can hardly fault “The Ides of March” for relying on such a tried and trusted premise when real-life politics are just as dirty.

Blu-ray Highlight: Though Clooney and Heslov’s audio commentary is worth a listen, the aforementioned featurette where they discuss adapting “Farragut North” for the big screen will make anyone unfamiliar with the stage play interested in checking it out.

“Abduction”

Taylor Lautner’s first starring vehicle didn’t perform as well as studio execs probably anticipated based on the star’s “Twilight” fame, but you have to wonder if any of them actually watched the movie. Not only is it a blatant rip-off of the Jason Bourne franchise, but it’s a pretty terrible one at that, with Lautner’s complete lack of acting talent even more noticeable than usual. There’s absolutely nothing redeeming about this film. Lautner’s history of martial arts (the one thing that he actually had going for him as an action star in training) is never exploited to its full potential, while veteran actors like Jason Isaacs, Maria Bello and Sigourney Weaver are smart enough to jump ship before the first act is even over. I could continue to list reasons why you shouldn’t waste your time, but what’s the point when you can read this much funnier, snark-fueled review by Dustin Rowles at Pajiba?

Blu-ray Highlight: The movie may be really bad, but the extras are actually quite good, especially when viewed in the Abduction Application, which integrates all three production featurettes (including a making-of) into a personalized in-movie experience.

Coming Soon: A Moviegoer’s Guide to January

I’ve joked in the past about January being a dumping ground for all the misfit movies that the studios deemed unworthy of a more attractive release date, but the truth of the matter is that there are 12 months in a year, and you can’t expect every month to be overflowing with quality programming. With that said, however, this year’s pickings don’t look as bad as usual, with a surprising amount of action films led by big-name stars, some of which have real sleeper hit potential. The general lack of confidence by the studios suggests otherwise, but when expectations are this low, anything is possible.

“CONTRABAND”

Who: Mark Wahlberg, Kate Beckinsale, Giovanni Ribisi, Lukas Haas and Ben Foster
What: To protect his brother-in-law from a drug lord, a former smuggler heads to Panama to score millions of dollars in counterfeit bills.
When: January 13th
Why: It’s pretty funny that a movie about counterfeiting should turn out to be an imitation itself (the Icelandic film on which its based featured the U.S. version’s director, Baltasar Kormákur, in the lead role), but despite the fact that its clichéd plot seems to have been ripped off from a number of generic action thrillers just like it, “Contraband” has one thing that a lot of those films didn’t – a killer ensemble cast. Mark Wahlberg has had his share of duds over the years, but he’s always entertaining to watch, and guys like Giovanni Ribisi, Ben Foster and J.K. Simmons are some of the best character actors in the game. It’s probably not something you should rush out to see on opening weekend, but “Contraband” at least looks like it’ll be a fun way to kick off the 2012 movie season.

“UNDERWORLD: AWAKENING”

Who: Kate Beckinsale, Michael Ealy, Stephen Rea and Kris Holden-Ried
What: When human forces discover the existence of the Vampire and Lycan clans, Selene leads the battle to protect both of their species.
When: January 20th
Why: For as entertaining as the first “Underworld” movie was, I’ve never understood how the series has managed to stick around for as long as it has. The second film was really bad and the third one was even worse, but for some reason, Screen Gems is intent on milking the vampire/werewolf franchise for as long as they can. And until people stop blindly handing the studio their money, they’ll keep making them. The only reason anyone should even consider seeing this fourth installment is for the leather-clad return of Kate Beckinsale as vampire heroine Selene, because the rest of the film reeks of desperation. Why else would they be releasing it in (undoubtedly subpar) 3D?

Continue reading »

2011 Year-End Movie Review: Jason Zingale

Looking back at this year’s slate of films, it would be easy to label it a disappointment. But while 2011 may not have been very memorable, it wasn’t exactly forgettable either. In fact, the biggest problem I came across while compiling my year-end list was that while there were a lot of movies I really enjoyed, there weren’t very many that I loved. That might not be the most encouraging statement to make before announcing one’s Top 10, but it’s the honest truth, and it doesn’t make the movies listed below any less deserving of my praise, even if there are some films missing that you believe should have made the final cut. But that’s why critics love writing year-end reviews; each one is unique to their specific taste, and mine is nothing if not unique. Well, except for maybe my worst-of list, which is filled with movies that I think we can all agree sucked big time.

Check out David Medsker’s 2011 Year-End Movie Review as well for David’s picks.

Best Movies of 2011

1. “DRIVE

Though I wasn’t that impressed by Nicolas Winding Refn’s previous films, they have an undeniable visual flair and originality that you don’t see very often. “Drive” took those qualities and applied them to a conventional Hollywood thriller, resulting in a movie that feels much more mainstream without abandoning Refn’s art house sensibilities. The film is as beautifully poetic as it is strikingly violent, while Ryan Gosling (who’s had a banner year between this, “The Ides of March” and “Crazy Stupid Love”) has never been better as the soft-spoken yet brutally intense protagonist. But for as much attention as the film’s graphic violence has received, it’s the opening sequence – an edge-of-your-seat car chase packed with tension so thick you could cut it with a knife – that is without a doubt the biggest highlight. And when a movie can start so brightly and continue to build on it like “Drive” does (thanks in part to fine supporting turns from Carey Mulligan, Bryan Cranston and Albert Brooks), it’s no wonder why so many people love this film.

2. “ATTACK THE BLOCK

It’s not every day that you get to see a film before the rest of the world, so I’d be lying if I didn’t admit that being among the lucky few in attendance at the SXSW premiere of Joe Cornish’s “Attack the Block” played a part in my overall enjoyment of the movie. A genre hybrid film with influences ranging from “The Warriors” to “Critters,” Cornish’s directorial debut is a lean, mean sci-fi action thriller that, although it boasts a mostly unknown cast and was made for a fraction of the cost of the average Hollywood movie, is the most fun I’ve had at a theater all year. The young actors are great, the creature effects are even better, and the film is fueled by a relentless, infectious energy that keeps the action moving at a rapid clip. There might have been several alien invasion movies in theaters this year, but “Attack the Block” was the best of the bunch – a fun slice of nostalgic geek cinema that blended action, comedy, horror and sci-fi to create an instant cult classic.

3. “YOUNG ADULT

It’s no secret that Diablo Cody has her share of critics, but “Young Adult” proves that she’s more than just a vending machine for the kind of quirky one-liners that initially earned her notice back in 2008 with “Juno.” Thematically darker and more mature than her first feature, the film also feels more personal in its examination of what it means to grow up, providing the perfect platform for Cody’s voice to shine. Blisteringly funny and surprisingly poignant at times, “Young Adult” is so daringly original that its somewhat contentious ending has even divided audiences. But while Cody deserves a lot of credit for taking these risks, it’s Charlize Theron’s performance that brings out the comedy and emotion of the situation, delivering some of her best work as the beautiful but bitchy Mavis. It’s not very easy to make a character like that sympathetic, but Theron pulls it off so effortlessly that it would be criminal to see her name absent from any award ballot.

Continue reading »

Sons of Anarchy 4.14 – To Be, Act 2

In last week’s recap, I proposed that the only reason Romeo could have for telling Jax that Otto didn’t sell out the club was that he knew something SAMCRO didn’t, and as it just so happens, that something turned out to be pretty big. Shortly after Lincoln and his men set up surveillance on the Sons, Romeo and Luis roll into camp to announce that they’ve been working with the CIA and are shutting down the RICO investigation. I had a feeling this might be the case back when Lincoln was discussing Luis’ history with the Mexican military, but I had completely forgotten about it since then, mainly because it seemed a bit far-fetched at the time. And it still does, to be honest, even if this wouldn’t be the first time that the government has sided with the bad guys for the greater good. They’re essentially bankrolling the Galindo cartel so that they come out on top, because “whoever controls the drugs controls the politics,” and in order for that to happen, they need SAMCRO’s deal with the IRA to go through unimpeded.

Of course, nothing is ever that easy in the world of “Sons of Anarchy,” and although the Irish Kings seem open to working with the cartel, they’re only willing to do it with Clay as the intermediary. That puts Jax in a bit of a bind, who openly admits to Romeo that the club is already way over its head on this whole cartel business. Though he didn’t want to have to bring Jax into the loop on their CIA connections, Romeo’s hand was forced by the prospect of losing the IRA gun deal, so he explains to Jax that if the deal goes bust, the RICO case will be reopened and the club will be destroyed. All in all, it was a pretty clever way of keeping Clay alive and ensuring Jax remains in Charming. I also found it interesting that Romeo never intended to hurt Tara, but was instead going to put her into protective custody. That at least explains why the kidnappers didn’t just shoot the both of them when Jax came to her rescue in the park.

I don’t think we’ve ever seen Jax more pissed off than when he went to go visit Clay at the hospital (except perhaps at the end of last week’s episode), because despite every bone in his body telling him to kill the traitorous bastard, he had to keep him alive for the sake of the club. It’s hard to imagine a show where Clay can co-exist alongside Jax, Opie, Tara and Gemma now that they all know the truth, but Jax really has no other choice. Though he’s stripping him of the President patch, Jax is allowing Clay to keep a seat at the table and his vote for the sake of appearances, but what will the Irish think when they realize he’s no longer in control of the club? And while Clay may wish that he was dead now, that’s not going to stop him from putting up a fight when he recovers.

Continue reading »

Sons of Anarchy 4.13 – To Be, Act 1

After last week’s cliffhanger left many wondering if Clay was dead, tonight’s episode was quick to clarify things by confirming that, while he was definitely wounded, Opie hadn’t succeeded in killing him. (Surely a shot to the head or the heart would have been the way to go, but then there wouldn’t be a need for a two-part season finale.) Of course, Opie could have easily finished the job if Jax hadn’t shot him in the hand, but at that point in time, Clay was still innocent until proven guilty in his mind, despite Opie’s insistence that we was telling the truth. Jax wasn’t ready to buy into that theory just yet, and promised Opie that he would get to the bottom of Piney’s murder, to which Opie mockingly replied, “Just what I need. Another promise.”

It probably wasn’t the best idea for Jax to pin the shooting on “some black guys,” but no one could have expected that Tig would take the news so personally. I can understand why he feels like it might be his fault after turning his back on Clay, but to just retaliate on the Niners like that without any proof they were even responsible was really stupid. Tig was lucky to get out of that situation alive, because you can be sure that’s not the last we’re going to see of the Niners. Though Laroy made it out in one piece, his wife/girlfriend/someone important was killed in the initial attack, and two more of his men died in the ensuing chase. Geez, just when all the gangs in Charming we’re starting to play nice with one another and Tig had to go and mess it up.

Meanwhile, Gemma looks like she’s finally done protecting Clay (either that, or she just wants to be on the winning side) and decides to open up to Tara about all the horrible things that Clay has done lately. It was obviously just a ploy to make her feel guilty about using John Teller’s letters as leverage, but it worked, because Tara gave Gemma the key to the storage unit where they were hiding all along. After reading through the letters, however, Gemma took out the ones that implicated her and Unser and handed the rest over to Jax, which ultimately led to her spilling the beans on years of secrets – from Clay’s initial attempt to kill JT by sending him into a Mayan ambush, to rigging his bike to crash, to shooting Piney in the cabin and even putting out the hit on Tara.

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑