Author: Jason Zingale (Page 10 of 112)

Movie Review: “Nocturnal Animals”

Starring
Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Armie Hammer, Isla Fisher, Ellie Bamber
Director
Tom Ford

It’s been seven years since fashion designer Tom Ford made his directorial debut with “A Single Man,” and although that movie was an impressive showcase for Ford’s visual panache that netted Colin Firth a much-deserved Oscar nomination, it left audiences wondering if he would be able to replicate that success. It may have taken a little longer than expected (after all, he has a fashion empire to run), but Ford confirms his debut was no fluke with a more ambitious and confident follow-up that’s every bit as stylish. Based on Austin Wright’s 1993 novel “Tony and Susan,” “Nocturnal Animals” is a dark and disturbing adult thriller that gets under your skin and stays there, and while it’s not always a pleasant experience, that’s what makes it so effective.

The film opens in truly shocking style with a montage of obese, mostly naked women dancing in a shower of glitter that turns out to be part of an art show curated by Los Angeles gallery owner Susan Morrow (Amy Adams). Susan has everything she could possibly want – a dashing husband (Armie Hammer), a luxurious mansion and a supportive group of wealthy friends – but she’s not happy, trapped in an unfulfilling career and a loveless marriage that’s on the verge of falling apart. One day, Susan receives a package containing a manuscript from her ex-husband Tony Hastings (Jake Gyllenhaal), whom she left 20 years earlier when he was still just a struggling writer, and is surprised to discover that the unpublished novel, titled “Nocturnal Animals,” has been dedicated to her.

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Blu Tuesday: Game of Thrones and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Game of Thrones: The Complete Sixth Season”

WHAT: In the wake of Jon Snow’s murder, Ramsay Bolton (Iwan Rheon) tightens his grip on the North just as Cersei (Lena Headey) struggles to retain her power in King’s Landing. Meanwhile, Daenerys (Emilia Clarke) plans her escape from Dothraki captivity, Arya (Maisie Williams) begins her apprenticeship at the House of White and Black, and Bran (Isaac Hempstead Wright) continues his training under the Three-Eyed Raven (Max von Sydow)… all while the threat of the White Walkers looms on the other side of the Wall.

WHY: The sixth season of “Game of Thrones” was undeniably the Year of the Woman, with characters like Cersei, Daenerys, Arya, Sansa, Yara and Brienne all emerging as genuine power players across the Seven Kingdoms. It’s also a season that, despite the dense and complex nature of its storytelling, really put the pedal to the floor as the show barrels towards its inevitable conclusion, inspiring the hashtag #EfficiencyisComing in the process. And this year was nothing if not efficient, even if it spent two whole episodes pretending that Jon Snow was permanently dead when everybody knew that wasn’t the case. Minor quibbles aside, Season Six is one of the best in the show’s history, boasting strong performances from Peter Dinklage, Lena Headey and Nikolaj Coster-Waldau (among many others) and top-notch episodes like “The Door” (RIP Hodor) and the Miguel Sapochnik-directed twofer “Battle of the Bastards” and “The Winds of Winter.” For a season that could have easily felt like the banal but necessary prelude to the much-anticipated climax, it doesn’t disappoint, delivering all the drama, political intrigue, action and comedy that “Game of Thrones” fans have come to expect.

EXTRAS: There’s a massive amount of bonus material, including cast and crew audio commentaries on every episode (and two each in the case of episodes 5, 9 and 10), a behind-the-scenes look at filming the Battle of the Bastards and creating Vaes Dothrak, featurettes on the mythology of Westeros and Ethos, deleted scenes and more.

FINAL VERDICT: BUY

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Blu Tuesday: Sausage Party and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Sausage Party”

WHAT: The food at Shopwell’s supermarket has been raised to believe that going home with a customer is the greatest honor they can achieve. But when a horny sausage named Frank (Seth Rogen) is informed that the whole thing is a ruse, he embarks on an adventure to uncover the truth about humans and what really happens to food when it leaves the store.

WHY: “Sausage Party” isn’t a very subtle movie (the dialogue is laced with so much profanity that it feels like it was written by a bunch of prepubescent boys who just learned about swear words), but what the comedy lacks in maturity it makes up for with some clever commentary on faith, sexual temptation and the Palestine/Israel conflict. No, seriously. Unfortunately, that isn’t enough to disguise the fact that the film is essentially a one-joke affair. Vulgar food puns and visual gags abound throughout its brisk 89-minute runtime, but apart from the movie’s villain (a literal juiced-up douche who sounds like a “Jersey Shore” reject) and the totally bonkers finale, most of them fall flat. Although “Sausage Party” feigns subversiveness on the surface, it’s actually quite formulaic underneath all that foul-mouthed depravity, and kind of boring too. Nevertheless, Seth Rogen and Evan Goldberg deserve enormous credit for convincing a major studio to release an R-rated film about talking food and religion, because despite the letdown, it’s so wonderfully stupid and strange that you have to see it at least once.

EXTRAS: The Blu-ray release includes featurettes on the voice cast and Alan Menken’s opening musical number, an interview with co-writers/producers Seth Rogen and Evan Goldberg about the pitching process, alternate line readings, a gag reel and more.

FINAL VERDICT: RENT

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Movie Review: “Doctor Strange”

Starring
Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Mads Mikkelsen, Rachel McAdams, Benedict Wong
Director
Scott Derrickson

Like many of the filmmakers involved in the Marvel Cinematic Universe, Scott Derrickson (who’s best known for horror films like “Sinister”) may not seem like the obvious choice to direct a “Doctor Strange” movie. Then again, it’s pretty amazing that a film called “Doctor Strange” exists at all, because it’s arguably one of the weirder properties under the Marvel banner. That uniqueness ends up working in its favor, however, as Derrickson has basically made a psychedelic kung fu/fantasy movie that is without question the most visually stunning film that Marvel has ever produced. Joining the ranks of other B-list characters like Ant-Man and the Guardians of the Galaxy, “Doctor Strange” marries its inventive visuals with the usual superhero story beats to deliver the best solo origin movie since director Jon Favreau kicked off the MCU with “Iron Man.”

The two films have a lot in common, beginning with their titular characters. Like Tony Stark, Dr. Stephen Strange (Benedict Cumberbatch) is a bit of an egomaniac – a brilliant neurosurgeon whose own hubris leads to his downfall. After he’s injured in a near-fatal car accident that renders his hands unusable, Strange tries every surgery and experimental treatment available in an attempt to save his career. When traditional medicine fails him, the bitter and defeated Strange goes looking for a miracle cure in Nepal, where he’s introduced to the Ancient One (Tilda Swinton), a powerful sorcerer who commands a mysterious order of warrior monks, including Karl Mordo (Chiwetel Ejiofor) and Wong (Benedict Wong), charged with protecting Earth from supernatural threats. Though Strange is skeptical at first, the Ancient One opens his mind to the infinite power and knowledge that the universe contains, ultimately taking him on as a student of the mystic arts. But after a former acolyte named Kaecilius (Mads Mikkelsen) steals a forbidden ritual from the Ancient One and goes rogue, amassing his own army of zealots to bring about world destruction, Strange must put aside his selfishness to help stop him.

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Movie Review: “Hacksaw Ridge”

Starring
Andrew Garfield, Teresa Palmer, Hugo Weaving, Sam Worthington, Vince Vaughn, Luke Bracey, Rachel Griffiths
Director
Mel Gibson

The story of Desmond Doss is so remarkable that it’s surprising it took this long for someone to make a film based on his life. Although Hollywood has produced plenty of movies about real-life war heroes, Doss is a fairly unique case: a U.S. Army medic and devout Seventh-day Adventist who single-handedly saved 75 men during the Battle of Okinawa without ever firing a shot. It’s the kind of material that Mel Gibson typically gravitates towards as a filmmaker, which is why it’s so fitting that “Hacksaw Ridge” marks the director’s long-awaited return behind the camera. “Hacksaw Ridge” isn’t as great as some of Gibson’s past work, but it’s a well-made drama that’s bolstered by a superb central performance and the best battle sequences since “Saving Private Ryan.”

Before plunging the audience into the horrors of WWII, however, Gibson flashes back to a year earlier to show how Desmond’s (Andrew Garfield) fractured home life and his romance with local nurse Dorothy Schutte (Teresa Palmer) led him to enlist in the Army. Though Desmond doesn’t believe in violence, his sense of patriotism and duty compels him to follow in his brother’s footsteps, much to the disapproval of his alcoholic father (Hugo Weaving), who witnessed all of his friends killed in action during the first World War.

Desmond wants to serve as a combat medic so that he can save lives rather than take them, but upon arriving at Fort Jackson for basic training, he’s met with resistance by his commanding officers, Sergeant Howell (Vince Vaughn) and Captain Glover (Sam Worthington), who try to convince Desmond to quit and then court-martial him for his refusal to carry a weapon. But since we already know how the story ends (in fact, Gibson opens the movie with a shot of Desmond being carried across the battlefield), it’s safe to say that he wins the case and is shipped out with the rest of his unit to Japan, where he would go on to earn the respect of his fellow soldiers in a miraculous act of heroism and bravery.

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