J.K. Rowling dreamed up the entire Harry Potterverse, and there isn’t a person on the planet who understands these characters better than she does. She has probably written a back story for Mrs. Norris the cat. However, when it comes to the much-anticipated “Fantastic Beasts and Where to Find Them,” she is making her screenwriting debut, and it is clear that she still has much to learn about writing a script versus writing a novel. What made the film adaptations of her Potter books so successful was that she packed her stories to the gills with details and allowed an experienced screenwriter (usually Steve Kloves, who is an executive producer here) to pare them down, making them leaner and better. Rowling does not appear to have written a novel of “Fantastic Beasts” that she could then dissect like Kloves did her books. In retrospect, that feels like a mistake.
Seventy years before Harry Potter’s story begins, magizoologist Newt Scamander (Eddie Redmayne) is wandering the streets of New York City with a suitcase full of trouble. (Think of it as a zoo inside a suitcase-shaped TARDIS.) When one of the suitcase’s inhabitants escapes in a bank, Newt inadvertently picks up someone else’s suitcase, causing aspiring baker Jacob Kowalski (Dan Fogler) to bring home, and subsequently release, several of Newt’s magical creatures. This comes at a time when the city is already dealing with a dark force that is scaring the muggle population (or ‘no-maj,’ as they’re known in America), which has given birth to a witch hunt movement by a group calling themselves the New Salemers. Newt needs help, and he gains some at-first reluctant assistance from Tina Goldstein (Katherine Waterston), a federal agent of magic, and her mind-reading sister Queenie (Alison Sudol).
