Month: December 2014 (Page 4 of 11)

Movie Review: “The Imitation Game”

Starring
Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Mark Strong, Charles Dance
Director
Morten Tyldum

There are at least two stories within “The Imitation Game” that, by themselves, would make for gripping films. There is Alan Turing the maths genius (the English add an ‘s’ to math, for some reason), and there is Alan Turing the closeted homosexual, in a country where being gay is illegal. Since it is difficult to secure funding for any movie, the obvious choice, of course, is to combine these two massive plots to make one hell of a film. There are times when the two stories get in the way of one another, but thanks to a cracking script and superb performances by Benedict Cumberbatch and Keira Knightley, “The Imitation Game” gives “A Beautiful Mind” a run for its money in the “damaged genius period piece” genre, assuming there is such a thing.

World War II is in full swing, and Alan Turing (Cumberbatch), a Cambridge maths professor, applies for a job with the British military because they need code breakers, and Turing is convinced that he is the brightest mind they will ever find. Despite bombing the interview in spectacular fashion, Turing is recruited to join a team of math geniuses. Their task: break the Enigma code, the German encryption tool that is sent out on open airwaves but is so complex that no one has been able to solve it. (Turing’s team even has an Enigma machine, but the code is so dense that it is of no use.) Turing pulls some unpopular moves to put himself in charge of the group, but eventually earns the group’s respect. His commanding officer (Charles Dance), however, needs results, and because of the aforementioned bad interview, he’s looking for a reason to shut Turing’s program down. In comes plucky Joan Clarke (Knightley), who has the misfortune of being a female good at maths. Turing, naturally, bonds with her instantly, since they are both outcasts. Turing and Clarke do amazing things together, and just when they think it’s time to celebrate, that is when they realize that they have a whole new set of decisions to make, and they are far more difficult than the previous set of problems that faced them.

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Movie Review: “Big Eyes”

Starring
Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter, Delaney Raye
Director
Tim Burton

If you were to show somebody a painting of a Campbell’s soup can, chances are that they could identify it as the work of Andy Warhol. But show them a piece from Margaret Keane’s equally popular Big Eyes series, however, and although they’d admit their familiarity with the kitschy paintings, they’d be less likely to name the artist, let alone know the strange-but-true story behind them. That’s the subject of Tim Burton’s latest movie, his first live-action feature to not star Johnny Depp in over a decade. But while it’s a bit of a departure for the oddball director, “Big Eyes” is his best film in years, even if that comes off like a backhanded compliment considering some of the garbage (“Alice in Wonderland,” “Dark Shadows”) he’s released.

The year is 1958, a time when it was still fairly unheard of for a woman to leave her husband, but Margaret Ulbrich (Amy Adams) has done just that, escaping the boredom of suburbia with her daughter Jane (Delaney Raye) for a fresh start in San Francisco. It’s there that she meets smooth-talking artist Walter Keane (Christoph Waltz) at a local art fair, and after hitting it off, the two don’t waste any time getting married. Though Walter hasn’t found much success with his uninspired paintings of Parisian street scenes, he notices something special in Margaret’s wide-eyed waifs and rents some space in a nightclub to show off their artwork. When a couple patrons mistakenly credit Walter with painting one of Margaret’s Big Eyes (after all, they both sign their art “Keane”), he doesn’t bother to correct them in order to close the sale. Margaret gets furious when she finds out that Walter has been passing off her work as his own, but he insists that they’re a team, and before she knows it, the lie has grown so big that she’s unable to stop it in fear that the whole Keane empire, and her life’s work, will be tarnished in the process.

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Movie Review: “Into the Woods”

Starring
Meryl Streep, James Corden, Emily Blunt, Anna Kendrick, Chris Pine, Daniel Huttlestone, Lilla Crawford
Director
Rob Marshall

It is strange to watch a film like “Into the Woods” in a post-“Shrek” world. When “Into the Woods” first debuted in 1987, and turned fairy tales on their heads, it was a truly unique concept. Why should we accept that all princes and princesses have a happy ending? Why should poor children be allowed to steal without consequence? Why shouldn’t terrible parents pay for the sins they committed in the name of “protecting their children”? Those are all fair questions, and many of them have since been addressed in films like “Shrek,” “Tangled,” and “Jack the Giant Slayer,” to name a few of the characters involved here. All of these films owe a debt of gratitude to “Into the Woods,” yes, but when you take 27 years to go from the stage to the screen, all debts have been paid far in advance. We are now at the point where pop culture has passed “Into the Woods” by, stripped it for parts, and left it for dead.

The Baker (James Corden) and his wife (Emily Blunt) want a baby, but the witch who lives next door (Meryl Streep) reveals to them that she has cursed the Baker’s bloodline with impotency for a crime that his father committed. But she will undo the curse – which will then restore the witch’s beauty – if the two collect four items from previously separate fairy tales: a cow (the one Jack sells for magic beans), a red cape (yep, Little Red Riding Hood), hair as gold as corn (Rapunzel’s), and the golden slipper worn by runaway bride Cinderella (Anna Kendrick), who leaves the prince (Chris Pine) in a hurry every night of the big festival. As their lives intersect, the characters learn things about themselves. Some of the things they learn are good, while others are lessons like, if you kill a guy, be prepared to kill his vengeful wife as well. Wait, what?

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First Drive: 2015 Nissan Murano

If you’re looking for beauty and comfort in a vehicle, the Nissan Murano was created with you in mind. Nissan created a distinctive vehicle with the first Murano in 2003 and they’ve aimed high for the all-new, third generation Murano that enters a much more crowded and competitive market for 2015.

Nissan has a very specific demographic in mind for its flagship crossover, targeting empty nesters who will often go out on the town with another couple. The car is designed for adult passengers to interact with one another in a “social lounge” kind of setting, so attention was paid to the experience in the rear seats.

Exterior

Take a look at the slideshow above and you’ll see that this third-generation Murano looks like another design home run worthy of Nissan’s original model. We drove the Murano from the heart of Sonoma wine country out to stunning Goat Rock Park on the Pacific Ocean. You can see the use of glass and the flowing lines of the compelling new design.

Nissan stressed three key elements from the Murano that will show up in future designs – the V-Motion front end, signature lighting and the ‘floating’ roofline.” The roofline in particular stands out along with the boomerang-style headlights and taillights which were originally introduced on the Nissan 370Z. It all comes together beautifully in a package that will certainly appeal to the target demo. The new model also sports a 16 percent improvement in overall aerodynamics versus the previous generation design.

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Drink of the Week: Jack Maple Egg Nog

Jack Maple Egg Nog. Christmas is nearly upon us and today we have a tasty yet fairly traditional spin on the ultimate yuletide cocktail. Better yet, unlike most members of the egg nog/egg flip family, the Jack Maple Egg Nog is a true cocktail in the classic sense in that it includes bitters.

It’s a good thing because there is almost too much sweetness to be had in a recipe I purloined directly from the Laird’s Applejack web site. Don’t scoff. One thing I’ve learned from being corrupted by numerous free bottles is that the mixologists who make up the recipes offered up by booze manufacturers tend to know their stuff, which makes sense because the whole idea is get you drink the product. The only sad part is that I still had to pay for my bottle of 100 proof Laird’s Straight Apple Brandy.

Not that I minded. 100 proof applejack definitely ranks with the great American boozes and this nog variation is a pretty wonderful way to use the U.S.A.’s oldest base spirit.

Jack Maple Egg Nog

2 ounces applejack
2 ounces heavy cream or half-and-half, or some combination thereof
3/4 ounce maple syrup
1 whole large egg
1 dash Fee Brothers Aromatic Bitters
Ground nutmeg (crucial garnish)

If you’re familiar with the “dry shake” technique of working with eggs in drinks, this may sound old hat, but for the benefit of newbies, here we go.

Combine the liquid ingredients in a cocktail shaker without ice. Shake vigorously, long enough to emulsify the whole egg and blend it with the dairy. Add ice, shake even more vigorously for as long as you can manage. Strain into a chilled rocks glass or something similar — the original recipe calls for a mug. Sprinkle with a small amount of ground nutmeg…not too much. Toast the spirit of fun and friendship of the holidays, also that diet you’ll be starting and the gym you’ll be joining first thing on December 26, or maybe January 5.

****

I stuck with my bottle of 100 proof Laird’s Straight for this drink, but I’m pretty sure Laird’s blended, but stil very tasty, 80 proof Applejack migh even be a bit of an improvement in some respects. Yes, the 100 proof is the superior beverage in terms of rich apple flavor. However, there may be a little bit more burn than some folks like with their egg nog, so a gentler spirit might be your preference. I  recommend, however, that you stick with Fee Brothers Aromatic bitters as opposed to the more standard Angostura. The former has more of a festive, ginger-spicy edge.

And then there’s the matter of butterfat and your choice of dairy products. To be specific, most half-and-half is about 12 percent fat, compared to roughly 38% percent fat in whipping cream.  We’re talking the difference between about 75 calories in two ounces of liquid if you use half-and-half to over 200 if you go with the heavy cream…and that’s in addition to the egg, the maple syrup, and oh yeah, the booze! Still, in exchange for all those calories, you get a deliciously creamy buffer between you and the alcohol.

The friend who helped me sample a few versions of this drink thinks that, in this case, more is more and you should stick with two ounces of heavy cream. I think my favorite version of the Jack Maple involved one ounce of cream and one once of half and half. It was a bit lighter and more refreshing than the ultra-fat version, while still being heavy enough to do the job. Still, I tried to see if I could reduce the enormous amount of butterfat in a proper nog. At one point, I experimented with just using 2% percent milk. We won’t talk about that.

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