Tag: Blu Tuesday (Page 34 of 49)

Blu Tuesday: Thanks for Sharing and Badges of Fury

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Thanks for Sharing”

WHAT: The film follows the intersecting lives of three men in various stages of sex addiction recovery, including eco-friendly businessman Adam (Mark Ruffalo), his dedicated sponsor Mike (Tim Robbins) and unmotivated newcomer Neil (Josh Gad).

WHY: Sex addiction is a tricky topic, which is probably why so few movies have been made on the subject. But whereas 2011’s “Shame” took a darker look at the effects of sex addiction, writer/director Stuart Blumberg’s “Thanks for Sharing” is more interested in the recovery phase. As you might expect from a film with that title, and written by the same guy behind the dialogue-heavy “The Kids Are All Right,” this is a very talky movie that relies more than usual on its actors to drive the story. Luckily, Blumberg’s directorial debut is buoyed by solid performances from top to bottom (including good work from Mark Ruffalo and Patrick Fugit), even if it’s more concerned with drilling the recovery program’s philosophies into your head like some self-help video than developing its character. It deserves credit for its stark honesty, however, refusing to pull any punches or let its characters off the hook too easily, and that goes a long way in not only creating a realistic story, but one that’s more enjoyable than its subject matter might suggest.

EXTRAS: In addition to an audio commentary by writer/director Stuart Blumberg and co-writer Matt Winston, the Blu-ray includes a making-of featurette, some deleted/extended scenes and a gag reel.

FINAL VERDICT: RENT

“Badges of Fury”

WHAT: Following a series of related murders, Hong Kong detectives Wang Bu Er (Zhang Wen) and Huang Fei Hong (Jet Li) are assigned to the case. When they learn that all of the victims previously dated budding actress Liu Jin Shui (Shishi Liu), Bu Er agrees to go undercover as her new boyfriend to reveal the identity of the killer.

WHY: With the exception of the “Expendables” films, Jet Li hasn’t appeared in a Hollywood production since 2008, instead choosing to focus on making movies in his homeland of China. But while fans were excited at the prospect of what Li’s return would mean for the Hong Kong film industry, no one could have imagined that it would result in a movie as shockingly bad as “Badges of Fury.” Perfectly described as a “cruel trick” by fellow critic Rob Hunter, the film isn’t the gritty crime thriller that its promotional materials would lead you to believe, but rather an incredibly goofy (think “Naked Gun”) action comedy filled to the brim with childish slapstick humor. To make matters worse, the veteran action star is a supporting character at best, missing for large stretches of the movie, despite the fact that he’s proudly displayed as its star. That wouldn’t be so bad if the film was any good, but it’s unbearable to watch, dragged down by spotty acting, terrible CGI and cartoony sound effects. Everyone involved should be ashamed of themselves, but no one more than Li.

EXTRAS: There’s a making-of featurette and additional behind the scenes footage.

FINAL VERDICT: SKIP

Blu Tuesday: Don Jon, Ninja II and Hell Baby

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Don Jon”

WHAT: There are only a few things that New Jersey bachelor Jon (Joseph Gordon-Levitt) really cares about in life: his body, his pad, his ride, his family, his church, his boys, his girls and his porn. When he starts dating the gorgeous but bossy Barbara (Scarlett Johansson), however, he’s forced to rethink his porn addiction and the unrealistic expectations that it brings.

WHY: Joseph Gordon-Levitt is one of the most talented actors of his generation, and the fact that he was able to write and direct such a smartly funny movie on his first attempt is enough to make anyone feel unaccomplished by comparison. But it’s hard to be jealous of someone as charming, modest and hard-working as Gordon-Levitt, whose immensely likeable screen presence even bleeds into his title role as the womanizing, porn-addicted guido. The actor was wise to keep things simple for his directorial debut, and though “Don Jon” starts to feel a bit repetitive by the third act, that’s mostly due to the story’s structure, which uses repetition for comedic purposes, from the familiar boot-up sound of his Macbook, to the weekly church visits for confession. It’s much harder to pull off than it looks, but between his razor-sharp script and the strong performances from his cast (including Tony Danza as Jon’s stereotypical Italian father), Gordon-Levitt makes it seem almost effortless.

EXTRAS: The Blu-ray release includes a making-of featurette, four additional featurettes and a trio of HitRECord short films.

FINAL VERDICT: RENT

“Ninja II: Shadow of a Tear”

WHAT: When his pregnant wife is killed by a mysterious assassin, ninjitsu master Casey Bowman (Scott Adkins) tracks down the man responsible in order to exact his revenge, uncovering a Japanese drug ring along the way.

WHY: Scott Adkins is probably one of the most talented martial artists working in Hollywood today, and if you’re wondering why he’s not a bigger star by now, it’s because he’s a terrible actor. “Ninja II: Shadow of a Tear” is exactly the type of B-movie that Adkins will spend the rest of his career making, and that’s a shame, because it features some of the best fight sequences of the year. There’s no wire work or CG involved, and director Isaac Florentine doesn’t resort to close-ups or quick cuts either, instead giving each fight plenty of room to breathe so that you can fully appreciate the incredible skill on display. Adkins impresses in every action sequence, but unfortunately, the movie comes to a screeching halt any time he opens his mouth. The rest of the acting isn’t much better, and the dumb-as-rocks storyline doesn’t help matters, but for fans of old school action films (one of the producers also bankrolled the “American Ninja” movies), “Ninja II: Shadow of a Tear” might as well have been discovered in a time capsule from the ‘80s.

EXTRAS: There’s a short making-of featurette, cast and crew interviews and some behind the scenes footage from production.

FINAL VERDICT: RENT

“Hell Baby”

WHAT: After a couple moves into a haunted house in New Orleans, expectant mother Vanessa (Leslie Bibb) becomes possessed by a demon spirit, prompting her husband Jack (Rob Corddry) to call on the services of the Vatican’s elite exorcism team.

WHY: I’m absolutely flabbergasted that “Hell Baby” not only managed to get into this year’s Sundance Film Festival, but that some people actually liked it, because it’s easily one of the worst movies of 2013. Written and directed by Thomas Lennon and Robert Ben Garant (“Reno 911,” “The State”), who also co-star as a pair of Vatican exorcists with some of the worst Italian accents in cinema history, “Hell Baby” doesn’t really work as a comedy or a horror movie. Though Rob Corddry earns a few laughs as the straight man of the ensemble, and Keegan-Michael Key is amusing as the couple’s interloping neighbor, most of the jokes fall horribly flat. The film feels like it was thrown together over the course of a few days, with no mention that the titular hell baby even exists until it emerges from Vanessa’s womb in the final act. The whole thing is incredibly stupid, relying on gags that are drawn out so long that even the mildly entertaining ones (like the po’ boy scenes) become annoying after a while. Avoid this movie like the plague.

EXTRAS: There’s a large collection of deleted scenes and two gag reels, but that’s all.

FINAL VERDICT: SKIP

Blu Tuesday: Elysium, Kick-Ass 2 and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Elysium”

WHAT: The year is 2154 and ex-con Max De Costa (Matt Damon) lives on a ruined Earth with most of the population while the wealthy reside on a space station where any disease can be cured in seconds. But when Max gets radiation poisoning during an accident at work and is given only five days to live, he accepts a suicide mission to hijack some important data that could topple Elysium’s government and save his life.

WHY: Following Neill Blomkamp’s 2008 surprise hit “District 9,” people couldn’t wait to see what the South African-born director would do next. But while “Elysium” showcases the same great visuals and action as its predecessor, it’s just not as good. Part of the problem is the story itself, which practically begs comparisons to “District 9” between the likeminded aesthetics and socio-political undertones. Blomkamp also doesn’t get much help from his big Hollywood stars; Matt Damon is fine in the lead role, but a lesser known actor probably would have been more effective, while Jodie Foster delivers a laughably bad performance as Elysium’s Secretary of Defense. It’s some of the worst acting of the year, and a perfect example of why you shouldn’t give an actor too much control, no matter how many Oscars they’ve won. Thankfully, “District 9” star Sharlto Copley is immensely entertaining as the sadistic, katana-wielding mercenary assigned to stop Max, and he alone makes the film worth watching in spite of its more annoying flaws.

EXTRAS: The Blu-ray release includes a making-of featurette devoted to the three stages of production, additional featurettes on the cast, visual effects and technology of “Elysium,” and an interactive exploration of the film’s art and production design.

FINAL VERDICT: RENT

“Kick-Ass 2”

WHAT: Two years have passed since Kick-Ass and Hit-Girl took down mob boss Frank D’Amico, and in that time, hundreds of superheroes have begun to pop up across the country. But when Mindy (Chloe Grace Moretz) is forced to retire her masked alter-ego, Dave (Aaron-Taylor Johnson) joins a superhero team called Justice Forever. Meanwhile, Chris D’Amico (Christopher Mintz-Plasse) plots his revenge as the world’s first-ever supervillian, assembling an army of criminals and crazy devotees to wreak havoc on the city.

WHY: Though it seemed unlikely that Universal would even greenlight a sequel to Matthew Vaughn’s punk-rock satire of the superhero genre due to the more sadistic nature of the story, director Jeff Wadlow has done an admirable job adapting it for the big screen. Not only has he toned down some of the darker moments by mining them for laughs instead of shock value, but he’s managed to combine two volumes’ worth of source material into a more streamlined narrative. And it works for the most part, creating a sequel that, although it lacks the provocative originality of its predecessor, maintains the same sense of fun and over-the-top absurdity that made the first film such a blast. Unfortunately, it’s not without its faults. “Kick-Ass 2” has so much story that all three leads are off doing their own thing for most of the movie, while the tone is stuck somewhere between subversive satire and falling into the very conventions that it’s sending up. But while it may fall short of living up to the original, the characters are so entertaining and uniquely charming – with solid performances from its three lead actors – that they make Mark Millar’s madcap universe worth revisiting a second time.

EXTRAS: There’s no shortage of bonus material here, highlighted by an audio commentary by writer/director Jeff Wadlow and actors Aaron Taylor-Johnson, Chloe Grace Moretz and Christopher Mintz-Plasse, as well as some extended scenes, an alternate opening and seven featurettes.

FINAL VERDICT: RENT

“Prisoners”

WHAT: Neighborhood friends Keller Dover (Hugh Jackman) and Franklin Birch (Terrence Howard) are facing every parent’s worst nightmare: their young daughters have suddenly gone missing. When the detective (Jake Gyllenhaal) in charge of the investigation is unable to find any evidence to arrest their key suspect (Paul Dano), Keller takes matters into his own hands by taking the young man hostage and torturing him until he talks.

WHY: “Prisoners” is one of those crime thrillers where the lead detective is made to look like a complete idiot for missing clues so obvious that the audience is always a few steps ahead. Jake Gyllenhaal’s cop is supposed to be really good at his job, and yet the script constantly finds ways to slow down the investigation in order to keep the mystery alive. But while the film is a little too dependent on conveniently poor police work and plot holes, it’s still a fairly suspenseful morality tale about how far you would go to protect the people you love. The religious undertones feel incredibly forced, and it’s about 30 minutes too long, but the performances make up for its shortcomings. Hugh Jackman and Gyllenhaal, in particular, both deliver solid work here, with the former turning in one of the most emotionally affecting roles of his career. And though Terrence Howard, Viola Davis and Maria Bello are mostly wasted in supporting roles, just having actors of their quality involved makes “Prisoners” better than the material deserves.

EXTRAS: There’s a pair of featurettes – one about the relationship between Hugh Jackman and Jake Gyllenhaal’s characters, and another on the cast – but that’s it.

FINAL VERDICT: RENT
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Blu Tuesday: Fast & Furious 6, Man of Tai Chi and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Fast & Furious 6”

WHAT: Laying low in Spain following their latest heist, Dominic Toretto (Vin Diesel) is visited by DSS agent Luke Hobbs (Dwayne Johnson) with news that his old flame, Letty (Michelle Rodriguez), is not only alive, but is working with a British soldier turned criminal named Owen Shaw (Luke Evans) who’s planning to steal a top secret computer chip worth billions. With the promise of full pardons for anyone that helps stop him, Dom enlists the rest of the crew and heads to London to face off against Shaw and his own team of street racing criminals.

WHY: The “Fast and Furious” franchise is like popcorn movie kryptonite, because for as cheesy, soapy and utterly preposterous as the movies can get at times, they’re also incredibly entertaining, especially following director Justin Lin’s retooling of the series. Though the sixth installment doesn’t quite live up to 2011’s “Fast Five,” which took the franchise to new heights in more ways than one, it still delivers everything that fans have come to expect over the years. One of main reasons the last film worked as well as it did was the excellent chemistry between its ensemble cast, and that’s still the case here. Of course, the real reason anyone watches these films is the action, and “Fast & Furious 6” doesn’t disappoint, with a series of excellent set pieces that somehow manage to outdo the previous movies in excess and sheer ridiculousness. The over-the-top nature of the “Fast and Furious” franchise has always been its greatest asset and its biggest criticism, and there’s no better example of that than in some of the gleefully amusing “Oh my god, I can’t believe that just happened” insanity that takes place in the film. Bigger and dumber but still tons of fun, “Fast & Furious 6” may have you rolling your eyes even more than usual, but that’s part of what make the series so great.

EXTRAS: There’s a wealth of bonus material on the Universal’s Blu-ray release, including an audio commentary by director Justin Lin, a four-part making-of featurette, interviews with the cast and crew, three more production featurettes, deleted scenes and an exclusive (but haunting) first look at “Fast & Furious 7.”

FINAL VERDICT: RENT

“Man of Tai Chi”

WHAT: Against his master’s wishes, Tai Chi student Chen Lin-Hun (Tiger Chen) competes in a local martial arts competition to prove the style’s effectiveness. After attracting the attention of wealthy businessman Donaka Mark (Keanu Reeves), Chen is offered the chance to compete in an underground fight club with the promise of making enough money to save his temple. But when he discovers the true purpose behind the fights, Chen teams up with an ambitious police detective (Karen Mok) to bring Mark down.

WHY: Conceived by Keanu Reeves as a starring vehicle for friend/stuntman Tiger Chen, whom he met while working on the “Matrix” trilogy, “Man of Tai Chi” is a throwback to classic martial arts films, right down to Reeves’ over-the-top villain. But while the story is pretty generic and the acting is only marginally better than the movies that it’s paying homage to, it features some incredible fight choreography from fellow “Matrix” alumnus Yuen Woo-ping. The early fights that take place inside the mirror room are not only some of the best in recent memory, but they really showcase Chen’s talent as a martial artist. The final battle between Marks and Tiger isn’t quite as memorable from a technical standpoint, but just seeing how much Reeves towers over his pint-sized co-star makes for a visually interesting sequence that evokes the Bruce Lee/Kareem Abdul Jabbar fight in “Game of Death.” Though the performances are surprisingly weak for a director that also plies his trade as an actor, “Man of Tai Chi” is nonetheless a solid debut from Reeves who smartly lets the action speak for itself.

EXTRAS: In addition to an audio commentary by director/co-star Keanu Reeves and Tiger Chen, the Blu-ray includes a behind-the-scenes look at making the film.

FINAL VERDICT: RENT

“Battle of the Year”

WHAT: Desperate to reinvigorate interest in B-Boy culture in America, hip-hop mogul Dante Graham (Laz Alonso) convinces childhood friend and former basketball coach Jason Blake (Josh Holloway) to recruit a B-Boy dream team to compete against other elite dance crews from around the world in the upcoming Battle of the Year competition.

WHY: I’m not really sure what Hollywood’s obsession is with dance movies (apart from the fact that they’re super cheap to produce), but here’s hoping that “Battle of the Year” puts an end to this strange fad, because it’s one of the worst dance films yet. The premise is absurd, particularly in its lame attempts to validate B-Boy dancing as anything other than a niche subculture, though that doesn’t stop director Benson Chen from pimping his 2007 documentary, “Planet B-Boy,” every chance he gets. It’s hard to believe that Josh Holloway is finding it so hard to get work after the success of “Lost” that he’d have to resort to this, but it goes without saying that he’s the only thing that makes this movie even remotely watchable. Usually, the dancing sequences make these films easier to sit through, but everything is edited so poorly that you can’t even enjoy the amazing technique on display. It also runs an ungodly 110 minutes long, features more product placement than should be legally allowed, and has enough split-screen montages to make you wonder if you’re watching a movie or a music video. Need I say more?

EXTRAS: The Blu-ray release includes a look at B-Boy culture and signature moves, as well as rehearsal footage and some extended dance sequences.

FINAL VERDICT: SKIP

Blu Tuesday: The Wolverine, Drinking Buddies and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Wolverine”

WHAT: Still grieving the death of Jean Grey, Logan (Hugh Jackman) is visited by a mysterious Japanese girl (Rila Fukushima) who invites him to Tokyo to pay his respects to her master, Yashida (Hal Yamanouchi), a dying billionaire whose life he once saved during WWII. Yashida claims to have the technology to free Logan of his mutant curse, but when he refuses and the old man dies, Logan reluctantly agrees to protect Yashida’s granddaughter (Tao Okamoto) from the local yakuza, despite losing his healing ability after being poisoned by a snake-like mutant named Viper (Svetlana Khodchenkova).

WHY: Hugh Jackman was pretty vocal about atoning for the disappointment of “X-Men Origins: Wolverine,” but while his second solo adventure is a slight improvement, it’s still plagued by some of the same problems (and a few new ones), ultimately resorting to an all-too-familiar formula in the end. Major liberties have been taken with the source material, and there are so many different villains in the story, each with his/her own agenda, that none of them are properly developed. Jackman is still a lot of fun to watch in the role, but the rest of the cast (save for Fukushima’s bright red-haired warrior) leaves much to be desired. At times, even Wolverine himself proves to be a little dull, like when he’s busy moping about Jean Grey, whose appearance here is totally unnecessary. This was supposed to be a standalone movie for Wolverine, and yet writers Mark Bomback and Scott Frank can’t help but muddy the waters with references to the earlier “X-Men” films, making a further hash of the cinematic timeline in the process. “The Wolverine” is an enjoyable character piece thanks to Jackman’s series-best performance, but it’s hardly the definitive Wolverine movie fans were promised.

EXTRAS: The Blu-ray release includes an alternate ending, a production featurette titled “The Path of the Ronin” and a set tour of “X-Men: Days of Future Past.” If you stump up for the Unleashed Extended Edition, you’ll also get an unrated extended cut of the film and a commentary by director James Mangold.

FINAL VERDICT: RENT

“Drinking Buddies”

WHAT: Luke (Jake Johnson) and Kate (Olivia Wilde) are co-workers at a Chicago craft brewery who spend their days drinking beer and hanging out. The two are perfect for each other, but they’re both already in committed relationships. When Kate’s boyfriend suddenly breaks up with her, however, things between the flirtatious friends get complicated.

WHY: I’m not a very big fan of the so-called mumblecore movement, because more often than not, the movies are constrained by the very freedom the style seemingly provides. Take for instance: “Drinking Buddies.” Though it’s a charming little indie that doesn’t follow the conventional rom-com route (and should be applauded for doing so), it suffers due to the lack of an actual screenplay. All of the dialogue is improvised by the actors, resulting in some pretty awkward scenes where the characters either ramble on for too long or don’t have anything really interesting to say. There’s something to admire about the authenticity that you gain from this method, but the film feels almost too rough around the edges at times. Thankfully, the cast is great, particularly Jake Johnson and Olivia Wilde, who have such excellent chemistry that it seems like they’ve been best friends for years. Anna Kendrick and Ron Livingston are also good as their significant others, but without Johnson and Wilde’s lively performances, “Drinking Buddies” would fall flatter than day-old beer.

EXTRAS: There’s actually quite a bit of bonus material here, including a commentary with writer/director Joe Swanberg, interviews with the four leads, deleted scenes and a pair of behind-the-scenes featurettes.

FINAL VERDICT: RENT

“The Mortal Instruments: City of Bones”

WHAT: When teenager Clary Fray (Lily Collins) discovers that she descends from a line of demon-hunting warriors called Shadowhunters, she must join forces with others like her to track down the Mortal Cup, a legendary artifact of power that an evil Shadowhunter named Valentine (Jonathan Rhys Meyers) is trying to recover. Taken under the wing of fellow hunter Jace Lightwood (Jamie Campbell Bower), Clary is the only person who knows the whereabouts of the Cup besides her mother, whom Valentine has just kidnapped.

WHY: “The Mortal Instruments: City of Bones” is every bit the bland “Twilight” wannabe that you’d expect. There’s not a single original idea to be found, going so far as to blatantly steal from one of the most popular movies in pop culture history and pretend like no one will notice. Heck, it’s not even the only fantasy series that it rips off. From the overly complex mythology, to the torturous 130-minute runtime, the movie is such an absolute disaster that you have to wonder how the book it’s based on ever got published. “City of Bones” is everything that’s wrong with YA literature. Instead of focusing on writing a good story with interesting characters, it just regurgitates everything that worked before (including more supernatural beasties than an entire season of “Buffy the Vampire Slayer”) and sees what sticks. The two leads have absolutely no chemistry (although that’s fitting considering the big “twist”), and the acting is so awful that you’d think it was meant to be a parody. Unfortunately, that’s not the case, which only makes sitting through this film that much more of a soul-crushing experience.

EXTRAS: In addition to an interactive lineage tracker, the Blu-ray includes some deleted scenes and a host of production featurettes on things like the cast, adapting the book for the big screen, stunts, special effects and more.

FINAL VERDICT: SKIP

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