Category: Movies (Page 32 of 191)

Blu Tuesday: Batman v Superman and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Batman v Superman: Dawn of Justice”

WHAT: Terrified of what Superman (Henry Cavill) could do with his godlike power after witnessing the damage he caused during the Battle of Metropolis, Bruce Wayne (Ben Affleck) – now a seasoned crime-fighter as the vigilante Batman – becomes obsessed with stopping him by any means necessary. Meanwhile, billionaire tech genius Lex Luthor (Jesse Eisenberg) is building his own weapon to combat the alien threat using a piece of Kryptonite uncovered in the Indian Ocean. But when Luthor discovers that he shares a common enemy with Bruce, he manipulates Batman into doing his dirty work for him.

WHY: It’s scary to think that Warner Bros. is betting the future of its entire DC Comics film slate on “Batman v Superman: Dawn of Justice,” because it’s an overlong, overstuffed and disjointed mess of a movie that’s made only slightly better with the new Ultimate Edition extended cut. The film is constantly being pulled in mutiple directions, tirelessly working to function as a sequel to “Man of Steel,” a Batman reboot and a prequel to the forthcoming Justice League movie. That it’s even remotely coherent at all is to the credit of director Zack Snyder. In fact, there’s a really solid superhero flick buried somewhere beneath all the clumsy plotting and self-seriousness, but while the film has its charms – specifically, Ben Affleck as Bruce Wayne/Batman and Jesse Eisenberg’s bold take on Lex Luthor – Snyder gets so caught up in teasing future installments that he neglects his characters in the process. “Batman v Superman” wants to have its cake and eat it too, and although you can’t fault Snyder’s ambition, if Marvel taught us anything with its measured buildup to “The Avengers,” it’s that the proverbial cake tastes much better when it’s been earned.

EXTRAS: The Blu-ray release is packed with over two hours of bonus material, including a behind-the-scenes look at uniting the heroes of the DC cinematic universe, in-depth profiles on Batman, Superman, Wonder Woman and Lex Luthor, production featurettes on the Batmobile and Batcave, filming the titular showdown and much more.

FINAL VERDICT: RENT

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Third Time’s Not the Charm: The worst threequels in cinema

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Sometimes it’s best to quit when you’re ahead. It’s tempting to keep on going with the gravy train and assume that the cash will just flow in based on the name alone, but sometimes that means coming up with paper-thin excuses to make a movie, to tell a tale no one was asking for, and to simply try to skate by on the goodwill of the former films. Some of these duds are nadirs of the series; some of them are just portents of worst things to come. A couple would be the forerunners for better films (“Rambo” is a great return to the brutality and morality of “First Blood,” and many Trekkies hold “Star Trek IV” close to their hearts), but for the most part, these third entries are unabashed attempts to cash in on known quantities without any of the artistic merits of the previous two films.

There are some pretty good threequels as well, but these ten films aren’t anywhere in the neighborhood of being considered good. In conjunction with the upcoming release of “Star Trek Beyond,” the third part in the new Kelvinverse “Star Trek” series, it’s time to reflect on the ten worst threequels in film history.

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Third Time’s the Charm: The best threequels in cinema

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The third entry in a film franchise can often be a real lull in the series that barely extends a reason for it to continue. However, there are more than a few examples of great Part Threes (or threequels, if you’ll allow the portmanteau) in cinema where they not only justify their existence but stand alone as great and entertaining films in their own right. Some of them are wrapping up trilogies (or impromptu trilogies), while others give the series a resurgence of energy and importance, but they all deliver the goods when people could have easily just gone on autopilot. As audiences prepare to see what type of movie “Star Trek Beyond” will be, here are the top ten best threequels in film.

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Movie Review: “The Infiltrator”

Starring
Bryan Cranston, John Leguizamo, Benjamin Bratt, Diane Kruger, Amy Ryan, Olympia Dukakis, Jason Isaacs
Director
Brad Furman

Like director Brad Furman’s 2011 film, “The Lincoln Lawyer,” his latest movie, “The Infiltrator,” is an assured piece of filmmaking that spins a familiar tale extremely well. This true-life story is a consistently engaging look at a man and woman living duel lives. Will they get in so deep that they forget who they are? Furman and screenwriter Ellen Sue Brown (who also happens to be the director’s mother) answer that clichéd question with genuine nuance and thrills.

Set in 1985, Robert “Bob” Mazur (Bryan Cranston) – whose real-life counterpart worked as a consultant on Furman’s “Runner Runner” – is a U.S. Customs agent who’s given the chance to retire early and spend more time at home with his wife and kids following an injury at work. Instead, he pursues another job involving Pablo Escobar, who mostly remains in the shadows of this story. Posing as a successful money launderer named Bob Musella, he attempts to cripple Escobar’s organization by bringing down his top people, including Roberto Alcaino (Benjamin Bratt), a criminal that Bob befriends. Joining Bob on his undercover mission are agents Kathy Ertz (Diane Kruger) and Emir Ebreu (John Leguizamo), who must put aside their personal differences and work together in order to take down some of the world’s most powerful drug lords and corrupt bankers from the inside.

Bryan Cranston, who co-starred in “The Lincoln Lawyer,” is fantastic as Mazur. Rarely do undercover agents in movies feel this vulnerable. Mazur isn’t played as an agent that can take out five guards without a problem, but he’s extremely competent and smart at his job, even if his smarts aren’t always enough for the job. Even in seemingly mundane conversations in “The Infiltrator,” death is only a few flubbed words or a wrongly remembered lie away for the character. The stakes are always high, and Cranston makes the audience feel those stakes in the briefest of moments sometimes. When Robert witnesses two murders, the actor doesn’t play it cool; his response is either of shock or horror. In these extraordinary situations, Cranston reacts normally. The actor helps make the reality and the sense of danger palpable, and the same goes for Kruger and Leguizamo.

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Movie Review: “Ghostbusters”

Starring
Kristen Wiig, Melissa McCarthy, Kate McKinnon, Leslie Jones, Chris Hemsworth, Neil Casey
Director
Paul Feig

Want a surefire way to piss someone off? Tell them that Hollywood is remaking their favorite film. That seemed to do the trick for the millions of “Ghostbusters” fans when it was announced that Sony was not only rebooting Ivan Reitman’s 1984 comedy classic but that director Paul Feig would be gender swapping all the roles. Though the news had the unfortunate effect of spawning a small but vocal group of misogynistic internet trolls, even the most level-headed moviegoers had reason to be concerned due to the uninspired cast and disappointing early trailers. Thankfully, the 2016 reboot isn’t as bad as many predicted, but it’s not very good either. The film is merely okay, and while that may be enough to silence its detractors, for a franchise with as much potential as “Ghostbusters,” it should have been better.

Dr. Erin Gilbert (Kristen Wiig) used to be a firm believer in the paranormal, even writing a book on the subject with childhood friend/fellow scientist Abby Yates (Melissa McCarthy) before leaving it all behind to focus on a legitimate career teaching at Columbia University. But when Erin and Abby experience an actual paranormal sighting after a chance encounter reunites them, they team up with oddball nuclear engineer Jillian Holtzman (Kate McKinnon) and street-smart MTA worker Patty Tolan (Leslie Jones) to capture a ghost as proof that they exist. Meanwhile, a bullied hotel janitor named Rowan (Neil Casey) has begun planting devices around the city that attract and amplify paranormal activity with the intention of opening a portal to a ghostly dimension and wreaking havoc on the world as payback. The only ones capable of stopping Rowan and his army of undead are the newly formed Ghostbusters, but first, they need to convince people that it isn’t a hoax.

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