Category: Movie Reviews (Page 44 of 81)

Movie Review: “True Story”

Starring
Jonah Hill, James Franco, Felicity Jones, Ethan Suplee, Robert John Burke
Director
Rupert Goold

Jonah Hill and James Franco have shown off their dramatic chops in a variety of projects over the past five years, earning Oscar nominations along the way (Hill for “Moneyball” and Franco for “127 Hours”), but for some reason, it’s still difficult to imagine the pair starring together in a movie that isn’t a comedy. Perhaps it’s their association to Seth Rogen’s all-star group of friends, yet no matter how weird it might be to see them sharing the screen in a starkly serious drama like “True Story,” they do a commendable job with the material. The film is pretty standard fare that, considering the crazy-but-true nature of the story, deserved something a little more memorable than this, but it’s to no fault of the actors involved.

In late 2001, journalist Mike Finkel (Hill) was fired from his job at the New York Times when it was revealed that he fudged some of the facts in his latest feature about child slavery in West Africa. Around that same time, Oregon resident Chris Longo (Franco) was arrested for the murder of his wife and three kids after briefly hiding out in Mexico where he had been posing as Finkel. The reason? He was a fan of his work. When Mike learns about these strange events, he contacts Chris requesting to speak with him, who agrees to tell Mike his side of the story in exchange for writing lessons and the promise that nothing will be published until after the trial. For Mike, it’s a chance to redeem his career, but as he spends more time with Chris and becomes convinced that he may actually be innocent, he’s unwittingly pulled into Chris’ game.

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Movie Review: “Ex Machina”

Starring
Domhnall Gleeson, Oscar Isaac, Alicia Vikander, Sonoya Mizuno
Director
Alex Garland

Screenwriter Alex Garland has worked almost exclusively in the science fiction genre (from “Sunshine,” to “Never Let Me Go,” to “Dredd”), so it comes as no surprise that his directorial debut occupies a similar space, this time focusing on the decades-old debate of artificial intelligence. Making a movie about A.I. isn’t exactly a novel premise, but Garland has a really good track record when it comes to putting a fresh spin on familiar material (see: “28 Days Later”), and he doesn’t disappoint with “Ex Machina.” A smart and chilling piece of sci-fi that packs a punch, the movie is so self-assuredly efficient in the way that it utilizes its various parts that it doesn’t feel like the work of a first-time filmmaker at all.

Domhnall Gleeson stars as Caleb, a young programmer at Internet search engine Blue Book who’s just won an office-wide lottery to spend a week with the company’s reclusive but brilliant CEO, Nathan (Oscar Isaac), at his remote home/research facility in Alaska. Although Caleb is excited just to have the opportunity to meet and hang out with the tech genius, Nathan has other plans: namely, to enlist Caleb’s assistance in conducting a Turing test on his newest creation, an incredibly lifelike robot named Ava (Alicia Vikander), in order to determine whether the artificial intelligence can pass as human. But when Caleb begins to develop feelings for Ava during the course of their conversations, he begins to question whether her sexuality has been programmed by Nathan or if her mutual attraction is real. As he digs deeper into Nathan’s research, Caleb discovers that there’s more to his work than he’s letting on.

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Movie Review: “Kill Me Three Times”

Starring
Simon Pegg, Teresa Palmer, Sullivan Stapleton, Alice Braga, Callan Mulvey, Luke Hemsworth, Bryan Brown
Director
Kriv Stenders

“Kill Me Three Times” is the sort of Quentin Tarantino poser film that peaked in the early ‘00s, when Blockbuster was still the king of home video. That’s how dated director Kriv Stenders’ latest movie feels, and unlike Tarantino’s oeuvre (as well as the really good imitators, like Guy Ritchie’s “Lock, Stock” and “Snatch”), it lacks the colorful dialogue or characters to make up for its derivative story. Though Stenders deserves some credit for assembling such a game cast, the film never quite comes together. “Kill Me Three Times” wants to be both a dark comedy and a stylish crime thriller, but the contrasting tones only end up stifling one another, underlining just how few genuine laughs and thrills that it has to offer.

Set in a sun-drenched coastal town of Australia, the movie stars Simon Pegg as Charlie Wolfe, a professional hitman who’s been hired to follow a woman named Alice (Alice Braga) when her abusive husband (Callan Mulvey) suspects her of having an affair with the local mechanic (Luke Hemsworth). After Charlie delivers proof of Alice’s adultery and is asked to finish the job by killing her, Charlie learns that he may not have to get his hands dirty at all when he stumbles upon a plot by his client’s sister (Teresa Palmer) and her meek dentist husband (Sullivan Stapleton) to settle a large gambling debt by killing Alice as part of an elaborate insurance scam. Charlie’s biggest problem is believing he can trust a couple of amateurs to do a professional’s job, setting into motion a cycle of murder, blackmail and revenge that reaches as far as the town’s crooked police officer (Bryan Brown).

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Movie Review: “Furious 7”

Starring
Vin Diesel, Paul Walker, Dwayne Johnson, Jason Statham, Michelle Rodriguez, Tyrese Gibson, Ludacris, Jordana Brewster, Kurt Russell
Director
James Wan

A franchise seven movies in shouldn’t be this good. The “Fast and Furious” series almost died after the dismal “2 Fast 2 Furious,” but in 2006, director Justin Lin revived the franchise with the immensely enjoyable “Tokyo Drift.” Although Lin’s follow-up (2009’s “Fast & Furious”) was a misstep, he quickly bounced back with “Fast Five,” taking the franchise to another level. The scope, laughs and characters ballooned, proving less isn’t always more. “Furious 7,” directed by James Wan, continues the series’ tradition of going big.

The sequel picks up not long after the events of “Fast & Furious 6.” Owen Shaw (Luke Evans) is still alive, but just barely, and his older brother, Deckard (Jason Statham), is going to finish the fight he started, vowing to take out Dominic Toretto (Vin Diesel), Brian O’Conner (Paul Walker), Letty (Michelle Rodriguez) and the rest of the gang, including series regulars Tyrese Gibson and Ludacris. That’s the core story of “Furious 7,” but there are terrorists, a hacker and a device that can track anyone in the world that the “Fast” family must contend with as well.

These movies are almost overstuffed by design. Chris Morgan’s script doesn’t really have 127 minutes of story to tell, but “Furious 7” is so giddy and overblown that its bloated runtime is more of a blessing than a burden. Right when you think these movies are about to slow down, they keep going, especially in the action department. Do the action set pieces defy the laws of physics? Possibly, but that’s what makes them so appealing. When a car hops from building, to building, to building, it’s like something out of a 12-year-old’s dream.

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Movie Review: “Get Hard”

Starring
Will Ferrell, Kevin Hart, Alison Brie, Craig T. Nelson, T.I.
Director
Etan Cohen

“Get Hard” feels like the filmmakers are playing a prank on the audience. It has all of the beats and clichés of an ‘80s-era buddy cop action comedy, right down to the innuendo-laden one-liners, the score (just above porn quality) and the off-color jokes, which are ‘holy shit they did not just say that’ offensive. That seems to be the point – love ‘em or hate ‘em, a lot of the jokes in the ‘80s action films are in very poor taste – but that is also what makes the movie feel like a con. Are they merely trying to cast an unflattering light on the films from that era in order to show how tacky they are, or are they trying to trick modern-day audiences into laughing at a series of tasteless jokes, when deep down the audience knows that it shouldn’t? Either way, the movie isn’t playing fair, and even if it had played fair, it wouldn’t have mattered; there’s a condescension to it all that undercuts every barrier-pushing joke. Had they respected the audience, this could have been a much better movie. But they didn’t, and here we are.

James King (Will Ferrell) is a very successful hedge fund manager, engaged to the smoking hot daughter (Alison Brie) of his boss (Craig T. Nelson). He is living the dream, until he is arrested for a litany of fraud charges (of which James proclaims his innocence), and the judge throws the book at him, sentencing him to 10 years at San Quentin. James knows he’s a dead man walking in a prison like that, so he asks Darnell (Kevin Hart), who runs a small-budget car washing service that James uses, to teach him how to toughen up, to “get hard.” Why does James ask Darnell this? Because Darnell is black, and courtesy of his sabermetric expertise, James concludes that Darnell has spent time in jail. Darnell, of course, has not spent time in jail, but he needs cash to put a down payment on a house in a better neighborhood, so he takes James’ money and fakes it the best way he can. This plan will go horribly wrong for all concerned.

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