Category: Entertainment (Page 48 of 277)

Movie Review: “Zootopia”

Starring
Jason Bateman, Ginnifer Goodwin, Idris Elba, Jenny Slate, Bonnie Hunt, J.K. Simmons, Octavia Spencer
Director
Byron Howard & Rich Moore

“Zootopia” might be the cleverest bait-and-switch Disney has ever pulled. All of the teaser ads and promotional materials are pushing the adorable Judy Hopps and her very funny encounter with the sloths running the DMV. What they conveniently leave out is that the movie is an on-point commentary about prejudice and racism, their origins, how they’re used as a weapon for political gain, and how we’re all guilty of them in one form or another. In fact, it’s tempting to resent the film a little, because it explains these subjects to children better than most parents ever could.

The film opens with an expository children’s play that explains how predator and prey in the animal kingdom have found a way to co-exist without, you know, one eating the other (though what the predators eat instead is never mentioned, outside of doughnuts). One of the stars of that play is the idealistic bunny Judy Hopps (Ginnifer Goodwin), who announces on stage that she intends to be the world’s first bunny police officer, and many years later, against all odds and her parents’ wishes, she succeeds. She is transferred to the big city of Zootopia, where Sergeant Bogo (Idris Elba) assigns her to…parking duty. Ouch.

The urge to fight crime is strong, though, and Judy zones in on a seemingly untrustworthy fox named Nick Wilde (Jason Bateman, whose character bears an uncanny resemblance), only to become a victim to one of his many cons. Judy is desperate to prove herself to Bogo, and agrees to take on the missing case of an otter against Bogo’s wishes. Bogo initially fires her for insubordination, but instead gives her 48 hours to find the otter, after which Judy must resign if she fails. Judy leans on Nick – whom she has under her thumb because she has enough evidence to have him locked up – to guide her through the big city, even though Nick tends to cause more problems than he solves.

Continue reading »

Blu Tuesday: Creed, Room and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Creed”

WHAT: Determined to get out from under his father’s shadow, Adonis Johnson (Michael B. Jordan) – the illegitimate son of former boxing champ Apollo Creed – leaves Los Angeles for Philadelphia to train with local legend Rocky Balboa (Sylvester Stallone). But when Adonis’ secret family history is revealed and he’s offered the chance to fight the reigning world champion, he must prove to himself (and his detractors) that he’s worthy of the Creed name.

WHY: After garnering critical acclaim for his directorial debut, “Fruitvale Station,” the last thing anyone expected from Ryan Coogler’s follow-up was a spin-off/sequel to a movie franchise that’s last meaningful installment was released 30 years ago. But while it may have seemed like a strange career move at the time, “Creed” is an energizing addition to the boxing series that succeeds as a respectful passing of the torch and one of the best “Rocky” films ever made. Michael B. Jordan and Sylvester Stallone are both excellent in their roles, especially the latter, who delivers his finest work in years with a subtler, more emotional performance than we’re used to seeing from the actor. Coogler, meanwhile, makes the transition from indie to mainstream filmmaking remarkably well; he provides all the usual crowd-pleasing moments without sacrificing the kind of intimate, character-driven storytelling that made “Fruitvale Station” so effective. Though “Creed” follows the 1976 original a little too closely at times, it does enough to stand on its own while still paying homage to the “Rocky” legacy.

EXTRAS: There’s a pair of featurettes on developing the movie and Michael B. Jordan’s training regime, as well as some deleted scenes.

FINAL VERDICT: RENT

“Room”

WHAT: After being abducted as a teenager and spending the past seven years in captivity, Joy (Brie Larson) and her five-year-old son, Jack (Jacob Tremblay) – who knows nothing of the outside world – finally gain their freedom following a brave escape. But adapting to life on the outside proves even more difficult for Joy than the impressionable Jack.

WHY: Brie Larson has been quietly making a name for herself over the past few years, but while 2013’s “Short Term 12” may have been her big breakthrough, “Room” confirms that she’s the real deal. Her emotionally-charged role as the abducted teen-turned-mother was one of the best performances of 2015, and though young co-star Jacob Tremblay is also really good as her sheltered son, it’s Larson who holds the movie together, even when her character is dangerously close to falling apart. The film is comprised of two very different halves (the world Joy has made for Jack inside “room” and the outside world), and each section gives its actors a wide range of emotions to play. While Joy’s journey is pretty dark and depressing – and rightfully so, because “Room” is every parent’s worst nightmare – the innocent yet insightful narration that Jack provides as he experiences things for the first time is bursting with optimism, and ultimately, it’s that hopefulness that makes the movie such a rewarding experience.

EXTRAS: In addition to an audio commentary by director Lenny Abrahamson, cinematographer Danny Cohen, editor Nathan Nugent and production designer Ethan Tobman, there’s a trio of production featurettes.

FINAL VERDICT: RENT

Continue reading »

Movie Review: “Gods of Egypt”

Starring
Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Courtney Eaton, Chadwick Boseman, Elodie Yung, Geoffrey Rush, Rufus Sewell
Director
Alex Proyas

You have to respect any studio daring enough to give director Alex Proyas – who hasn’t made a movie in over seven years – $140 million dollars to produce an adventure/fantasy film that isn’t based on a preexisting property. Unfortunately, that respect means very little when the money is wasted on a movie as hopelessly dumb as “Gods of Egypt,” though you could hardly say that the warning signs weren’t there, especially with a screenplay by the same hacks responsible for recent flops like “Dracula Untold” and “The Last Witch Hunter.” Credit to Proyas for attempting something this ambitious, but it doesn’t make the effects-heavy fantasy flick any less of a turkey.

The film takes place in ancient Egypt, where gods and mortals coexist under the leadership of King Osiris (Bryan Brown), the favored offspring of the sun god Ra (a strangely miscast Geoffrey Rush). But when it comes time to crown his son Horus (Nikolaj Coster-Waldau) as Egypt’s newest ruler, his jealous brother Set (Gerard Butler) stages a royal coup, killing Osiris and defeating Horus in battle. Set ultimately shows mercy to Horus by letting him live, but not before plucking out his magic eyes, which are the source of his god-like abilities. As Egypt is thrust into a slave-driven dictatorship, a young thief named Bek (Brenton Thwaites) decides to take action by stealing back one of Horus’ eyes and striking a deal with the self-exiled god. In exchange for its return, Bek demands that Horus resurrects his recently slain love (Courtney Eaton) before she reaches the afterlife, a seemingly impossible feat that Horus nevertheless agrees to in order to exact revenge on his murderous uncle.

Continue reading »

Movie Review: “Triple 9”

Starring
Casey Affleck, Woody Harrelson, Chiwetel Ejiofor, Anthony Mackie, Kate Winslet, Aaron Paul, Norman Reedus, Gal Gadot, Teresa Palmer
Director
John Hillcoat

Director John Hillcoat makes unpleasant movies. His films (“The Road,” “The Proposition”) tend to focus on violent worlds, and how characters embrace, accept or run from their environment. Hillcoat is an unflinching filmmaker, even when he’s making more commercial movies. “Triple 9” is a more conventional picture from the director, but as proven with “Lawless,” he knows how to spin a familiar tale well.

The Russian mob, led by a ferocious and dazzling Kate Winslet, has a well-trained team of robbers firmly under its thumb, including two corrupt cops (Anthony Mackie and Clifton Collins Jr.). Michael Atwood (Chiwetel Ejiofor) is the leader of the gang and wants out, but due to personal reasons – he has a kid with the mob boss’ sister (Gal Gadot) – starting a new life isn’t going to be easy. To begin again, Michael will have to pull off a near-impossible heist. However, an opportunity presents itself when one of his crew members, Marcus Belmont (Mackie), is assigned a new partner in rookie cop Chris Allen (Casey Affleck), who he may have to betray in order to earn his last big score.

This crime thriller, written by Matt Cook, is very much rooted in genre. The setup, some of the archetypes, and the payoffs are often what you expect, but when Cook and Hillcoat dig a little deeper, the results are generally rewarding, especially when it comes to the more dynamic performances.

Woody Harrelson as Chris’ brother, Sergeant Detective Jeffrey Allen, is just a big ball of unstoppable, unhinged and enigmatic energy. Whenever he enters a room, “Triple 9” just lights up. It’s not because Harrelson is playing a scene-stealing kind of character, but it’s the duality of his performance and Cook’s writing that makes the detective such a fascinating figure. He’s a mess, always looking like he just got out of bed. He’s a goof and breaks the rules, but he’s also a kind-hearted guy and a cop dedicated to his job and his brother. The character goes to some funny places, and when Hillcoat and Harrelson go there, it’s very entertaining.

Continue reading »

Movie Review: “Eddie the Eagle”

Starring
Taron Egerton, Hugh Jackman, Jo Hartley, Keith Allen
Director
Dexter Fletcher

Disney may be king of the underdog sports drama, but actor-turned-director Dexter Fletcher aims to beat the studio at its own game with this inspirational true story that’s equal parts “Rudy” and “Cool Runnings.” (Curiously, the story is set during the same Winter Olympics that marked the debut of the Jamaican bobsled team that inspired the latter film.) Though it’s a pretty formulaic underdog tale that checks off all the usual sports movie clichés – from the unlikely hero who overcomes insurmountable odds, to the training montages, setbacks and cardboard villains – “Eddie the Eagle” succeeds as an enjoyable feel-good film that wears its heart (and humor) on its sleeve just like its incredibly charismatic subject.

As long as he can remember, Eddie Edwards (Taron Egerton) wanted to compete in the Olympics, despite not being very athletic as a kid. Following a series of failed attempts at various sports, he eventually discovers a love for downhill skiing and turns out to be pretty good at it. But after narrowly missing out on selection for the squad representing Great Britain at the 1988 Winter Games in Calgary, Eddie switches his focus to ski jumping when he discovers that the country hasn’t had a recognized ski jumper in over 60 years. With no time to waste and plenty to learn, Eddie heads to an Olympic training camp in Germany, where he meets former ski jumping champion Bronson Peary (Hugh Jackman) – now a washed-up alcoholic who drives a snow plow for a living – and asks for his help in order to qualify for Calgary.

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑