Author: Jason Zingale (Page 77 of 112)

Movie Review: “12 Years a Slave”

Starring
Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Sarah Paulson
Director
Steve McQueen

If the critics at this year’s Toronto International Film Festival had their way, “12 Years a Slave” would win the Academy Award for Best Picture, despite the fact that there are still plenty of Oscar hopefuls yet to be released. That kind of short-sightedness and hyperbolic mentality is exactly what’s wrong with the dog and pony show we call awards season, because while Steve McQueen’s historical drama may tick several of the requisite boxes for a typical Oscar-winning movie, it’s far too early to make that call. You can praise the film’s realistic depiction of slavery all you like, but just because “12 Years a Slave” is hard to watch doesn’t necessarily mean that it’s deserving of the top prize.

Based on the 1853 memoir of the same name, the film recounts the tale of Solomon Northup (Chiwetel Ejiofor), a free black man living with his wife and children in Saratoga, New York in 1841. Well-educated and a talented violinist, Solomon is invited to Washington, D.C. by a pair of circus promoters who offer him a lucrative job playing at one of their shows. Upon arriving in the capital city, Solomon is wined and dined by the two men, only to awaken the next morning to find himself shackled and charged as a fugitive slave from Georgia. Despite his claims that he’s a free man, Solomon is wrangled up with other “fugitives” and shipped to a slave trader in the South, who then sells him to a kindly plantation owner named William Ford (Benedict Cumberbatch). But when Solomon causes trouble with one of Ford’s white employees, he’s sold again, this time to Edwin Epps (Michael Fassbender), a decidedly more malicious owner with a reputation for breaking the spirits of any slave under his rule.

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Blu Tuesday: The Way Way Back, Only God Forgives and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Way, Way Back”

WHAT: 14-year-old loner Duncan (Liam James) has been dragged by his mom (Toni Collette) to a Massachusetts beach home to spend the summer with her overbearing boyfriend Trent (Steve Carell) and his daughter (Zoe Levin). While the adults party like they’re on spring break, Duncan finds solace at the local water park, where he meets an unexpected friend and mentor in easygoing manager Owen (Sam Rockwell).

WHY: Earlier this year, “The Way, Way Back” made waves at the Sundance Film Festival when Fox Searchlight bought the crowd favorite for a near-record $10 million, and though that may sound like a lot for an indie movie, it was worth every penny. Much like “Little Miss Sunshine” (another Sundance darling), “The Way, Way Back” succeeds due to its winning script and talented cast. James holds his own alongside some really great performers, and Carell proves once again that he may be a stronger dramatic actor than a comedian. But it’s Rockwell who completely owns the movie as the fast-talking king of the water park, channeling Bill Murray from “Meatballs” with an immensely charming and hilarious performance. Nat Faxon and Jim Rash (who won an Oscar for penning the 2011 tragicomedy “The Descendants”) also deserve a lot of credit for writing a movie that’s as smart, funny and sweet as it is incredibly heartbreaking at times, because although their coming-of-age story follows an all too familiar journey, they manage to make it feel like an entirely fresh experience.

EXTRAS: There’s a making-of featurette exclusive to the Blu-ray, a trio of behind the scenes featurettes (including a tour of the water park) and some deleted scenes.

FINAL VERDICT: RENT

“Only God Forgives”

WHAT: After his brother is killed as revenge for raping and murdering a teenage girl, drug smuggler Julian (Ryan Gosling) is pressured by his domineering mother (Kristin Scott Thomas) to track down and kill the Bangkok police lieutenant (Vithaya Pansringarm), who the locals refer to as the Angel of Death, responsible for authorizing the retaliation.

WHY: Those expecting another “Drive” will be sadly disappointed by “God Only Forgives,” because director Nicolas Winding Refn’s latest film is a very different animal – an abstract and morally ambiguous neo-noir dealing with classic themes like vengeance, justice and loyalty that is almost dreamlike in its execution. Though Refn’s artistic flourishes do more harm than good, turning the barebones story into a daring exercise in expressionism, the movie still managed to hold my interest, thanks in part to its great cast. Gosling has such a strong screen presence that he barely needs to utter a word, while Thomas delivers a memorable turn playing against type as the bitchy queen bee. But it’s Thai actor Pansringarm that is the biggest surprise, nearly stealing the show as the bloodthirsty lawman with a God complex. The film isn’t for everyone, but between Larry Smith’s stunning cinematography and Cliff Martinez’s hypnotic score, “God Only Forgives” is an amazing sensory treat that deserves to be seen for the experience alone.

EXTRAS: The Blu-ray release includes an audio commentary with writer/director Nicolas Winding Refn, a behind the scenes featurette, a look at Cliff Martinez’s score, and additional interviews with Refn.

FINAL VERDICT: RENT

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Blu Tuesday: Pacific Rim, The Heat and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Pacific Rim”

WHAT: Set in the not-too-distant future, giant beasts called kaiju have emerged from an inter-dimensional rift below the Pacific Ocean to wreak havoc on the planet. In response, the world’s governments came together to build giant robots called jaegers to combat these monsters, but when the program is shut down, commanding officer Marshall Pentecost (Idris Elba) recruits a retired pilot named Raleigh (Charlie Hunnam) to spearhead one final attack in the fight for humanity’s survival.

WHY:Pacific Rim” is about as close to a Transformers/Godzilla mash-up as you’ll ever see, so it’s not surprising why fanboys were quick to jump on the bandwagon of Guillermo del Toro’s latest film. But while the marketing campaign focused almost entirely on the robots vs. monsters angle, the action is a pretty big letdown. While it’s hard to deny the gleeful sensation of watching giant robots pummel giant monsters, it starts to get a little repetitive and would have benefited greatly from more distinct battles and creatures. As it is, every major fight sequence takes place either at night in the pouring rain, or underwater where it’s just as murky, and that makes it really difficult to see things clearly, especially when del Toro relies so heavily on extreme close-ups and quick cuts. After all, if you’re going to promise robots vs. monsters, then you should at least be able to make out what’s going on. There’s more than enough CGI-fueled destruction on display to categorize “Pacific Rim” as a fun popcorn flick, but it’s lacking the substance that you would normally expect from a filmmaker like del Toro.

EXTRAS: The two-disc set includes an audio commentary by director Guillermo del Toro, five Focus Points featurettes, deleted scenes and a blooper reel.

FINAL VERDICT: RENT

“The Heat”

WHAT: Straight-laced FBI agent Sarah Ashburn (Sandra Bullock) is up for a big promotion, but while she’s the perfect candidate on paper, Sarah hasn’t earned the respect of her peers. To prove that she’s a team player and the right person for the job, Sarah’s boss (Demian Bichir) sends her to Boston, where she must partner up with an uncouth and unconventional local detective named Shannon Mullins (Melissa McCarthy) to bring down a ruthless drug lord.

WHY: Though fans of “Bridesmaids” will likely enjoy Paul Feig’s latest R-rated romp with Melissa McCarthy, anyone that wasn’t already sick and tired of the actress definitely will be after sitting through two more hours of her annoyingly boorish and over-the-top brand of humor. “Identity Thief” should have been the final nail in the coffin of America’s love affair with McCarthy, but if her irritating performance in “The Heat” doesn’t put an end to that reign, then the moviegoing public deserves more lowbrow comedies just like it. “Bridesmaids” may be overrated, but at least it has some genuine moments of laughter and a decent story at its core. “The Heat,” meanwhile, never merits more than a few chuckles, and a major reason for that is the overdependence on McCarthy’s loud-mouthed buffoon. It’s supposed to be hilarious, except that it’s not. You know what would have been funny? If Sandra Bullock and McCarthy had switched roles. At least then we could have seen both actresses do something a little different for once, and it probably would have led to a more entertaining movie. Instead, we got “Miss Congeniality 3: Boston Boogaloo.”

EXTRAS: In addition to an audio commentary by director Paul Feig and star Melissa McCarthy, the Blu-ray includes a making-of featurette, a collection of deleted and extended scenes, two more commentary tracks (one with the original “Mystery Science Theater 3000” guys and another with the Mullins family), a blooper reel and more.

FINAL VERDICT: SKIP

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Movie Review: “Captain Phillips”

Starring
Tom Hanks, Barkhad Abdi, Faysal Ahmed, Barkhad Abdirahman, Mahat M. Ali, Michael Chernus
Director
Paul Greengrass

There’s an inordinate amount of movies based on true stories being released this season (even more so than usual), and Tom Hanks stars in two of them. But while his appearance as Walt Disney in the upcoming drama “Saving Mr. Banks” is likely considered the higher profile role, it’s hard to imagine how the actor will be able to top his brilliant, all-in performance as the title character in “Captain Phillips.” Though the film suffers from a bloated runtime and is a tad one-sided in its depiction of the antagonists, “Captain Phillips” is nonetheless a gripping hostage thriller that boasts some of the year’s finest performances, not only by Hanks, but his amateur co-stars as well.

Based on the true story of the 2009 hijacking of an American-flagged cargo ship by Somali pirates and the remarkable bravery of Captain Richard Phillips (Hanks) in deterring their efforts, the movie begins with the MV Maersk Alabama setting sail on a routine trip around the Horn of Africa. Recognizing the dangers that exist in those waters, Phillips orders his crew to practice prevention tactics against possible hijackers, only for the drill to become a real-world situation when he notices two skiffs approaching in the distance, each carrying four Somali pirates with automatic weapons. When one of the boats succeeds in attaching a ladder to the Alabama, the pirates – led by charismatic captain Muse (Barkhad Abdi) – board the cargo ship and take control, forcing Phillips to help locate the rest of his hidden crew members. But when things don’t go as planned for the desperate hijackers, Muse takes Phillips hostage and escapes on the ship’s lifeboat, leading to a tense standoff between the Somali pirates and the U.S. Navy.

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Blu Tuesday: The Hangover Part III, The Purge and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Hangover Part III”

WHAT: When the Wolfpack is kidnapped by a vengeful gangster (John Goodman) who blames the guys for introducing Leslie Chow (Ken Jeong) into his life, he tasks them (sans Doug, naturally, who’s kept as collateral) with tracking Chow down and recovering his stolen money, taking them back to Las Vegas, the city where it all began.

WHY:The Hangover Part III” is a really bad movie – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise. Galifianakis and Jeong are more annoying than ever in their respective roles, while Bradley Cooper and Ed Helms are simply on auto-pilot, going through the motions to collect their paychecks. And can you really blame them? The script is so terrible and devoid of laughs (despite some half-assed attempts at humor that rarely land) that it’s hard to imagine anyone signing on to the movie for anything other than the great payday. The film mostly runs on nostalgia – a fact made clear by the return of several familiar faces, even if they have nothing to offer the story – but even that little bit of fan service sputters out well before the end, much like the finale itself.

EXTRAS: The two-disc release includes a few extended scenes, an 8-minute outtakes reel, and some mini-featurettes that are all pretty terrible.

FINAL VERDICT: SKIP

“The Purge”

WHAT: In the near future, the government has introduced an annual event called The Purge where all crime – including murder – is legal for 12 hours. The Sandins are fortunate enough to be able to afford a security system that keeps them safe, but when son Charlie (Max Burkholder) provides sanctuary to a homeless man on the run from some attackers, James (Ethan Hawke) and the rest of his family become their new targets.

WHY: “The Purge” is hands-down one of the dumbest movies of the year. Nothing about this film works, beginning at the concept stage, which is laughable in its suggestion that a) the government would ever impose something like the Purge, b) everyday people would actually embrace it, and c) no one would commit crimes during the rest of the year, not even the homeless people being beaten and murdered. It just isn’t plausible, and as such, the premise is completely drained of any suspense. The characters all act like idiots – especially Charlie, who doesn’t think twice about the fact that the man he’s helping could be tricking him in order to gain entry to the house – and the lead villain is just plain ridiculous. (His gang wears masks for no apparent reason other than that writer/director James DeMonaco thought it would be creepy.) And if that wasn’t bad enough, DeMonaco actually thinks that he’s making some kind of bold political statement, when in reality, it’s simply the musings of a crazy person.

EXTRAS: Considering how well it performed in theaters, it’s a little surprising that the only included bonus material is a making-of featurette titled “Surviving the Night.”

FINAL VERDICT: SKIP

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