Author: Jason Zingale (Page 26 of 112)

Blu Tuesday: Show Me a Hero and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Show Me a Hero”

WHAT: As the newly elected mayor of Yonkers, New York, rising politician Nick Wasicsko (Oscar Isaac) is thrown in at the deep end when he’s forced to deal with a controversial, court-ordered plan to build public housing within the mostly white, middle-class side of town.

WHY: After spending five years exploring the socioeconomic landscape of Baltimore with the HBO series “The Wire,” it’s fitting that David Simon would want to tackle this true story about racial and political tensions in Yonkers during the late 80s and early 90s. The six-part miniseries boasts a fantastic lead performance from Oscar Isaacs and great supporting turns by Catherine Keener, Winona Ryder and Alfred Molina, but unfortunately, it just isn’t as compelling as Simon’s previous work. For starters, there are no real heroes in this story, despite what the title (a play on the famous F. Scott Fitzgerald quote) might suggest. Though Wasicsko may have been responsible for pushing through the housing legislation, he only did so out of compliance and fear of bankrupting the city, not because he felt like it was the right thing to do. Additionally, while the attempts to show both sides of the conflict are commendable, the minority characters aren’t afforded the same depth as their political counterparts. “Show Me a Hero” is either too long or not long enough, because in trying to juggle so many different storylines, it lacks the focus that would have made it truly excellent.

EXTRAS: The two-disc set includes a making-of featurette.

FINAL VERDICT: RENT

“Our Brand Is Crisis”

WHAT: Disgraced campaign strategist “Calamity” Jane Bodine (Sandra Bullock) is hired by an elite management team representing Bolivian presidential candidate Pedro Castillo (Joaquim de Almeida) as a last-ditch attempt to save his campaign. Despite the seemingly impossible odds, Jane agrees to take the job after discovering that the competition has hired its own American strategist, longtime rival Pat Candy (Billy Bob Thornton), who she’s never defeated.

WHY: For a movie about selling lies through a carefully crafted message, “Our Brand Is Crisis” feels hopelessly thrown together. There’s a complacency to the storytelling that prevents the film from ever moving outside its comfort zone, even though that’s exactly what it should be doing, while the talented ensemble cast is squandered in marginal roles. Even Sandra Bullock’s character is pretty one-dimensional, although at least she has the benefit of sharing the screen with Billy Bob Thornton’s reptilian sleazeball, who is hands-down the highlight of the movie. Thornton excels at playing the self-righteous asshole, and the ensuing tête-à-têtes between him and Bullock result in some entertaining moments of political puppetry. Unfortunately, it’s not enough to mask the film’s many flaws. “Our Brand Is Crisis” could have been a biting satire about U.S. politics and our insistence on forcing American culture on other countries, but it takes the easy Hollywood route instead – one more concerned about its protagonist’s contrived journey to redemption than the millions of people being affected by her actions.

EXTRAS: There’s a featurette on Sandra Bullock’s development of the lead character, but sadly, that’s the extent of the bonus material.

FINAL VERDICT: RENT

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Coming Soon: A Moviegoer’s Guide to February

february

2016 got off to a pretty dire start last month, but thankfully, Hollywood has put together one hell of an apology with what is quickly shaping up to be the most promising February in a very long time – if ever. Though there are still a few duds littered throughout the month (here’s looking at you, “Gods of Egypt”), there are also some really exciting new releases, including the long-awaited Deadpool movie and the latest from directors Joel and Ethan Coen and John Hillcoat.

“Hail, Caesar!”

Who: Josh Brolin, George Clooney, Ralph Fiennes and Scarlett Johansson
What: A Hollywood fixer in the 1950s works to keep the studio’s stars in line.
When: February 5th
Why: It’s been awhile since the Coen brothers made a straight-up comedy, instead focusing on more dramatic fare like “Inside Llewyn Davis” and “True Grit,” but the writing/directing duo appears to be back to their screwball best with this period piece set during the latter years of Hollywood’s Golden Age. Though the Coens’ goofier films have always been hit-and-miss (for every “Raising Arizona,” there’s an “Intolerable Cruelty”), the footage released thus far has been pretty encouraging, particularly an extended clip with Ralph Fiennes and Alden Ehrenreich squabbling over a line of dialogue that perfectly encapsulates the farcical tone of the movie.

“Pride and Prejudice and Zombies”

Who: Lily James, Sam Riley, Bella Heathcote, Lena Headey and Charles Dance
What: Jane Austen’s classic tale of tangled relationships between lovers from different social classes in 19th century England is faced with a new challenge: an army of undead.
When: February 5th
Why: How do you make “Pride and Prejudice” exciting? Add zombies. That was the secret sauce in Seth Grahame-Smith’s bestselling mashup novel, which transformed the literary classic into a blood-stained horror comedy. But that was seven years ago, so it’ll be interesting to see whether anyone still cares now that it’s finally being adapted for the big screen. After all, the last Grahame-Smith novel to receive the Hollywood treatment, 2012’s “Abraham Lincoln: Vampire Hunter,” was a massive flop, and although “Pride and Prejudice and Zombies” has a cleverer concept, it’s just as one-note, which doesn’t bode well for its audience, whoever that’s supposed to be.

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Blu Tuesday: Burnt and Goosebumps

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Burnt”

WHAT: Former bad boy chef Adam Jones (Bradley Cooper) seeks to put his life back together and earn a coveted third Michelin star when he convinces his old business partner, Tony (Daniel Brühl), to take over his languishing London restaurant and turn it into one of the world’s best.

WHY: John Wells’ culinary drama was ripped apart by critics upon its theatrical release, and although the criticisms weren’t completely unfair, “Burnt” is far from disastrous. In fact, if you enjoy foodie shows like “Top Chef,” the kitchen-based sequences offer a pretty fascinating look behind the curtain of the restaurant world, even if it seems a bit more glamorous than in real life. Where the movie starts to fall apart is outside the kitchen with the clichéd personal drama and strained romantic subplot between Bradley Cooper and Sienna Miller. It’s all too safe for a film about a guy who used to live on the edge, especially when his redemption arc lacks the required emotional punch. There’s enough quality among the ensemble cast (including all-too-brief cameos by Alicia Vikander and Uma Thurman) to hold your interest, but much like Cooper’s last chef-inspired project, the short-lived TV series “Kitchen Confidential,” it’s a little undercooked.

EXTRAS: There’s an audio commentary by director John Wells and chef consultant Marcus Wareing, deleted scenes, highlights from a cast Q&A and more.

FINAL VERDICT: RENT

“Goosebumps”

WHAT: After he breaks into his neighbor’s house to investigate a distress call, teenager Zach Cooper (Dylan Minnette) discovers a bookshelf filled with “Goosebumps” manuscripts that have been mysteriously sealed with a lock. When Zach unwittingly opens one and unleashes the monster trapped inside – setting off a chain reaction in the process – he must team up with R.L. Stine (Jack Black) and his daughter (Odeya Rush) to stop the author’s creations from wreaking havoc on their small town.

WHY: “Goosebumps” is not a great film by any stretch of the imagination, but it does have a lot of fun with its premise, which takes a very meta approach to the source material. If anyone was going to make a “Goosebumps” movie, this was the way to do it. Unfortunately, while the film is much better than the cheesy, mid-‘90s TV series, nothing about it really stands out apart from Jack Black’s amusing performance as the macabre author. The visual effects are solid, if a little cartoony, and although Darren Lemke’s screenplay nails the spooky/funny tone of the typical “Goosebumps” tale, it’s riddled with plot holes. In spite of its obvious flaws, however, the spirit of “Goosebumps” is very much alive in director Rob Letterman’s movie. Fans of the YA book series will find more to love than most, but it’s a harmless slice of family entertainment that evokes the goofy humor and PG-rated scares of other Halloween classics like “Hocus Pocus.”

EXTRAS: In addition to a pair of featurettes on the film’s creatures, there’s an alternate ending and opening, deleted scenes, a blooper reel and more.

FINAL VERDICT: RENT

Movie Review: “Dirty Grandpa”

Starring
Robert De Niro, Zac Efron, Zoey Deutch, Aubrey Plaza, Julianne Hough, Dermot Mulroney, Jason Mantzoukas
Director
Dan Mazer

Dan Mazer cut his teeth as a writer on “Da Ali G Show” and other Sacha Baron Cohen projects like “Borat” and “Brüno,” so it comes as no surprise that his directorial debut relies just as heavily on that brand of inappropriate comedy. Though “Dirty Grandpa” isn’t quite as nuanced as some of Cohen’s work, it has such a laissez faire attitude that you have to admire just how far it pushes the limit of what you can get away with in a studio comedy. The movie feels like it’s trying a little too hard at times, but thanks to some committed performances from Robert De Niro and Zac Efron, “Dirty Grandpa” isn’t nearly as unpleasant as its material warrants.

Efron stars as Jason Kelly, an uptight corporate lawyer who has allowed his father (Dermot Mulroney) to control his life ever since college, including the arrangement of his upcoming marriage to the beautiful but bossy Meredith (Julianne Hough). When Jason’s grandmother dies from cancer and his grandpa Dick (De Niro), whom he used to be close with as a kid, needs someone to drive him to his Florida vacation home as part of an annual tradition, Jason grudgingly volunteers. But as he soon discovers, Dick has ulterior motives for their road trip – namely, to get laid – and persuades Jason to take a detour through Daytona Beach to soak up the spring break festivities after they bump into one of his former classmates (Zoey Deutch) and her rowdy friends (Aubrey Plaza and Jeffrey Bowyer-Chapman) along the way.

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Blu Tuesday: Straight Outta Compton, Everest and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Straight Outta Compton”

WHAT: The story of influential rap group N.W.A. – comprised of Eazy-E (Jason Mitchell), Dr. Dre (Corey Hawkins), Ice Cube (O’Shea Jackson Jr.), MC Ren (Aldis Hodge) and DJ Yella (Neil Brown Jr.) – as they rose from the streets of Compton to popularize the gangsta rap movement.

WHY: There’s been a lot of discussion about “Straight Outta Compton” being snubbed for Best Picture in this year’s Oscar nominations, but it’s simply not special enough to warrant inclusion. (To be fair, neither is “Bridge of Spies,” though that’s an argument for another day.) While the film hits all the key beats in N.W.A.’s rise to stardom, it’s no different than a typical music biopic with all the highs and lows, even if it has a tendency to gloss over some of its members’ less flattering moments. Thankfully, the movie is so well-cast that it covers up many of the cracks in Jonathan Herman and Andrea Berloff’s screenplay. Jason Mitchell, Corey Hawkins and O’Shea Jackson Jr. deliver excellent performances as the key members of the group, while Paul Giamatti brings his particular brand of passive-aggressive villainy to the role of their manager. “Straight Outta Compton” is a solid biopic that music fans in particular will enjoy, but despite the timely subject matter, it’s too preoccupied with its clichéd story to make a lasting impression.

EXTRAS: The Blu-ray release includes an audio commentary by director F. Gary Gray, a collection of featurettes on the history of N.W.A., casting the group members and filming key sequences in the movie, some deleted scenes and a deleted musical performance.

FINAL VERDICT: RENT

“Everest”

WHAT: Based on the incredible true story of the 1996 Mount Everest disaster, a climbing expedition to reach the summit of the world’s highest mountain is devastated by a ferocious snow storm.

WHY: I’ve never been very fond of movies about people doing stupid things, and climbing Mt. Everest is right up there, especially when the odds are so stacked in Mother Nature’s favor. Still, you have to admire anyone crazy enough to try it once, let alone make a career out of it, and that adventurer mentality shines through in Baltasar Kormákur’s film. But while the movie features an outstanding ensemble cast and impressive visual effects that make it look like the whole thing was shot on the mountain, “Everest” is all spectacle and very little substance. Though it’s not exactly a disaster film in the traditional sense, Kormákur focuses more on delivering thrills than developing the characters; there are so many different personalities vying for screen time that Jason Clarke’s Rob Hall is the only one who has anything resembling a proper arc. Had “Everest” focused more on his story, it likely would have fared better, but as it stands, the two-hour runtime isn’t nearly long enough to give every character the attention they deserve.

EXTRAS: There’s an audio commentary by director Baltasar Kormákur, as well as featurettes on making the film, recreating Mount Everest, climbing/altitude training with the actors and more.

FINAL VERDICT: RENT

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