Author: David Medsker (Page 20 of 59)

Movie Review: “Earth to Echo”

Starring
Teo Halm, Astro, Reese Hartwig, Ella Wahlestedt, Jason Gray-Stanford
Director
Dave Green

“Earth to Echo” is the kid who has consumed so much pop culture that he no longer has any thoughts of his own. Everything he says and does is someone else’s idea, not necessarily mindless but rather overloaded by information. And yet, it’s strangely likable, in spite of the myriad of shortcomings it possesses. The leads are easy to root for; they’re good kids who are looking to take one last adventure together before they are separated. It’s a movie that acknowledges cynicism, but shows a more hopeful path. It’s hard to get too down on a movie like that, even a mediocre one.

The film is narrated by and documented courtesy of the recording devices of Tuck (Astro. Yes, the actor’s name is Astro.), who originally intends to film his last days with his closest friends Alex (Teo Halm) and Munch (Reese Hartwig). These are their last days because their sleepy Nevada town is mysteriously becoming the home to a superhighway, and the residents are forced to move elsewhere. The boys all pull the age-old tween trick of telling their parents they’re sleeping at each other’s houses so they can stay out all night. They’re doing this because their cell phones are all going bonkers lately, but in different ways. The patterns on their phone match a nearby map, so they follow the images on their phone, and discover an alien life form who’s trying to put the pieces to his equipment back together in order to go home. The boys are only happy to help. The “builders” of the superhighway, however, are less accommodating.

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24 Blog 9.10: One of Our Submarines

24 9 10-1

Previously, on “24 Blog”…

“If the scenes for next week’s episode are any indication, I know what next week’s song is going to be, and Thomas Dolby fans do, too.”

Lo, I was a prophet, of the painfully obvious variety. After all, it’s hard to misinterpret the launching of torpedoes.

There is a scene in the 1990 movie “Flatliners,” where Jack Bauer himself has convinced a group of his friends to try an experiment where they are technically dead for a short period of time in order to see what is on the other side. Once they’ve all tried it, he states the obvious: “Somehow we’ve brought our sins back physically. And they’re pissed.”

This is exactly what happened in the final 10 minutes of “24” this week.

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24 Blog 9.9: Catch Me Now I’m Falling

24 9 9-1

This is not hyperbole, though it might be forgetfulness: this might be Jack Bauer’s finest hour.

He saved Big Dick Heller by using a trick from the playbook of the 1994 movie “Speed,” which is to hack the camera feed and create a continuous loop that the terrorist won’t notice (until they do). Then he landed a helicopter on Mommie Dearest’s building, because stealth (which is to say, everyone in the building should have heard this coming). Then he rappelled down the building and worked his way into their fortress through the window.

That setup makes me want to write one of those click whore-type tag lines now. You know, the one that doesn’t tell you what happens next, but makes sure you know that you absolutely need to click on this link right now, dude! (You see these on Facebook 100 times a day.) I’m new at this, so here goes:

“This soldier is one step away from death. What happens next is amazing.”

How did I do? Don’t answer that, it’s a trick question: those tag lines all suck.

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24 Blog 9.8: Wembley

24 9 8-2

Hands up: who was mad as fuck when the final clock ticked…and you actually heard the clock tick? Big Dick Heller is up there with David Palmer, Old Yeller, and Big Balls Bill Buchanan in terms of the most faithful and lovable characters in the show’s history. Dude gets blown to pieces on “the pitch” in Wembley Stadium – where, curiously, the lights were on, suggesting the staff were in on the hit – and he doesn’t merit a silent clock tick? Fuck, that.

I might be amenable to attributing this to a change of direction, and the show trying to stay fresh by handing the directorial reins to someone young and possibly unfamiliar with the show’s history. But no, tonight’s episode was directed by Jon Cassar, who has directed 65 episodes of “24,” including 12 from this season alone. Simply put, he knows better than to show such a lack of respect. Jon, you have some ‘splaining to do.

Unless…

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Movie Review: “How to Train Your Dragon 2”

Starring
Jay Baruchel, American Ferrera, Gerard Butler, Cate Blanchett, Djimon Hounsou, Kit Harrington, Craig Ferguson
Director
Dean DeBlois

“How to Train Your Dragon 2” does something simple yet amazing: they allowed their characters to age. That is unheard of in animated films, but it’s a savvy move here, for two reasons: it gives the writers the opportunity to truly make a man out of Hiccup, and it also allows them to be more forthright about the romance between Hiccup and Astrid, because watching two 15-year-olds kiss on screen, real or CGI, is kinda icky. Twenty-year-olds, totally different story.

Kung Fu Panda 2” seems to be the blueprint for the story (and that makes sense, since they’re both DreamWorks properties), in that it raises the stakes about the importance of what Hiccup has accomplished, and it develops Hiccup’s family. Sadly, it doesn’t work as well as it did for “Panda.” It’s entertaining and gorgeous, but disjointed, veering between wildly emotional scenes on both ends of the spectrum without much thought for how they should flow together.

Five years after the events of the first film, Berk is doing remarkably well now that the residents have embraced the dragons (and vice versa), and the tribe’s chief Stoick (Gerard Butler) plans to swear in his son Hiccup (Jay Baruchel) as the new chief. Hiccup isn’t sure if he’s ready for that much responsibility, but he forgets about becoming chief after he runs across dragon trapper Eret (Kit Harington), who works for a madman named Drago (Djimon Hounsou), who is building a dragon army. Stoick knows Drago and prepares for war. Hiccup, however, wants to try and reason with Drago, and receives some help in the form of someone who’s known him since the day he was born: his long-lost, presumed-dead mother Valka (Cate Blanchett).

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