SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.

This post will have to begin like a drunk best man’s half-assed toast: The dictionary defines ablation as “the removal, especially of organs, abnormal growths, or harmful substances, from the body by mechanical means, as by surgery.” It makes sense, there was a whole lot of ablation (metaphorical and otherwise) going on in this week’s episode.

For Gemma, ablation meant hopping on the wagon—quitting booze and pot—following the accident. So she’s literally removing harmful substances from her body, or ceasing to put them in at least. But for Jax and Tara, Gemma is the harmful substance. Putting Abel and Thomas’s lives in danger by driving high was the last straw, and they banish her from the family. Earlier on, Nero told Jax, “You need to accelerate the endgame. Get away from all the shit that’s trying to kill you.” Cutting Gemma off was a step in that direction, or at least it was until Jax needed to use her to ablate Clay, the greater of two evils.

The problem then is that Jax, though fully aware that he’ll never get out of “the life” alive, has done nothing to accelerate the endgame. And with the events of this week’s episode, it’s not too large of a stretch to say he’s shifted into reverse and stepped on the gas. Every time Jax think’s he’s out he pushes himself back in.

You could argue Jax is forced to react to events around him the way a badass biker should and must, that it’s not his fault, that his actions are rational, justified, even moral (at least relative to the show, it’s a real low bar). You could, but you’d be wrong. There have been some subtle changes in Jax’s attitude since Opie died. It’s in his menacing smirk as he beats a prison guard to death with a snow globe or takes an axe to the corpse of the man Frankie hired to kill him. It’s a bit less subtle as he shrugs off Tig killing the guard’s wife as “collateral damage,” or puts his arm around the shoulder of the second attacker in feigned forgiveness before putting a few rounds in his gut. When he did that, even Happy gave him a “who the hell are you, man?” look. Happy, who’s so violent it’s funny (because he’s such a great character and, let’s face it, we might not like a guy who gets a smiley face tattoo for every kill if it was presented as straightforward or serious).

But back to Jax. Then, there’s his newfound buddy-buddy relationship with Pope. Not that much time has passed since the man burned one of Tig’s daughters alive in front of him. Yet Pope is now Jax’s trusted business associate, they do favors for each other, make money together, all the things gangster pals do. Every time they meet you can see Jax’s subconscious gears turning. Even if he doesn’t recognize it yet, Pope is a man he admires and looks up. Jax views him as a role model—a vision of his potential future as a kingpin. None of this depicts the attitude of a man who truly wants to get out.

One last example: Jax’s decision to allow Gemma back into the fold if she helps him to bring down Clay, his archnemesis. Granted, this is the one thing that you could argue (and maybe even get me to agree) is justified. Not only that, it actually meshes with both the purported goal of “accelerating the endgame” and taking the fast lane to kingpinville. The world isn’t big enough for the both of them, and for Jax and Clay, the table is the world. At the end of the day, using Gemma is a theoretically reasonable and potentially effective plan. After all the suffering she’s left in her wake, up to and including falling asleep at the wheel with two toddlers in the backseat, not to mention her role in JT’s death, which Jax doesn’t even know about (yet), you might even say she’s simply reaping what she sowed.

Yet none of those tallies in the “pro” column changes the fact that Gemma is still Jax’s mother, and not only does he decide to whore her out, it’s to a john that Jax knows has beaten her to a pulp for crossing him (at least once) already. Nevertheless, Jax still had my complete support right up until he told Gemma her options were to go along with the plan or “get used to living in a brothel.” The line paralleled Hamlet telling Ophelia to “Get thee to a nunnery,” which made it even more awesome for about five seconds before I realized how incredibly sad it and the situation were for both parties. But after another five it was back to “fuck yeah” because Gemma has been annoying the crap out of us all.

The shit covered fan is officially spinning, and it was announced on Monday that the season’s final five episodes will be extended. Next week, “Andare Pescare” will run 75 minutes (counting commercials) and the four installments that follow will run 90. Finding out we’ll get so much more time to watch the metaphorical feces drip down the wall was the best news I got all week. Please don’t quote that out of context.

A few more things:

-Let’s all say a prayer of thanks to the writers for keeping Chibs alive, I’ll admit they had me spooked. Please, Sutter, if you’re reading this, take any of your characters but never the one true Scotsman.

-I think we all know Clay’s little “moment” with Juice was nothing but a masquerade. He’s not relating to a peer with similar experiences but putting those tidbits in his back pocket until they’re useful. He needs a new lackey, what with Tig a born-again Jaxian, two Nomads dead and the other on the run. My guess is that right when Jax is starting to close in, Clay will throw Juice under the bus and use the controversy as a distraction, metaphorical pocket sand.

-Tara’s response when Jax says they need to cut Clay out and kill him: “How do we do that?” We. If she wasn’t officially an outlaw old lady before, conspiracy to commit murder (a Class A felony in the state of California) will do it.

Check out the preview for next week’s episode below and follow the writer on Twitter @NateKreichman.

SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.

After the final scene of last week’s episode revealed what everyone already knew, that the Nomads were behind the home invasions and Clay was the one pulling their strings, the opening of “Toad’s Wild Ride” filled in some new information: the specifics of Clay’s deal with his new lackeys. When Clay tells them to get out of town for a while, Frankie Diamonds (who’s played by Chuck Zito, the former president of the New York chapter of the Hells Angels) responds, “What about our deal? We get you back at the head of the table and we get a piece of your end.”

As Unser put it, “Who has something to gain by making the club weak; turning the town and the sheriffs against them? Suddenly the pretty guy they gave the gavel too, he ain’t looking all that smart.” But we’ve always known it was Clay, and we’ve always known Clay’s only goal since losing the presidency was getting it back. So I suppose that stuff’s not really new either. Here’s what is: Clay’s finally dropped the whole “lion in winter” act.

Clay’s been slowly regaining strength (both literal and figurative) for some time, but he’s continued playing the weak old man. Last week, his doctor told him things were looking up health-wise and he no longer needed the oxygen tank. Nonetheless, Clay put it back on as soon as he left the office and lied to Juice about his uplifting prognosis. Now, he’s ceased putting on airs (pun intended), or at least modified his bullshit. He no longer argues with the people who hate him, he simply agrees that they have every right to. He tells Tara she’s “supposed to hate [him], like [she] does,” and Jax that “I know you think I’m the devil, son, and you’ve got every right to assume that I’d be the one setting fire to your table.” Although he follows up the latter by proclaiming his innocence, hence modified bullshit.

But let’s pump the breaks on Clay for a moment, with six episodes left there will be plenty of time to talk about his misdeeds. Instead, let’s talk about Juice. Last season, Juice was suicidal. Roosevelt blackmailed (hey, another pun) him into snitching and he was forced to kill his “innocent” brother Miles as a result (I put innocent in quotes because let’s face it, these guys are a bunch of gun and drug-running thugs, affable though they may be). Chibs noticed something was up with “Juicey boy” and tipped off Clay, who granted him the “Men of Mayhem” patch partly because of the adept way he’d handled the Russians and Mayans, but also as a way to lift his spirits.

Juice was a broken man. That patch, and the honor and respect it represented, as well as Clay’s words when he gave it to him (“I love you, son”) were exactly what Juice needed at that moment. Clay became the badass, white biker father he’d never had, and ever since, he’s been loyal to Clay to a fault. Now, Clay’s pulled his most devoted apostle into the whirlpool of his deceit, and that loyalty could land Juice on the wrong end of a gun.

Ever since we found out the tragic circumstances of JT’s death, there’s been no question Clay will lie, cheat, steal, and even kill to save his own skin. We saw that this week, when he set up the plan to eliminate two of the Nomads (including GoGo, whose DNA will implicate  him in the home invasions). In one fell swoop, he attempted to distance himself from his minions and regain some of Unser’s trust (although I don’t think old Wayne will believe it for a second). Based on the preview for next week’s episode, Juice is in for a double whammy. He’ll come clean to Clay about the blackmail and killing Miles, and Roosevelt is going to reveal to Jax that he ratted in return for Clay, who’s responsible for the death of the sheriff’s wife. It’s obviously well within Clay’s playbook to set up this mess as a distraction from his own misdeeds. The preview ends with a Son on his knees with a gun to his head. Here’s hoping it’s Frankie and not Juice, (WARNING UPCOMING SEMI-SPOILER FOR “THE SHIELD,” ANOTHER FX SHOW KURT SUTTER WORKED ON) who’s always been to SAMCRO as Lem was to the Strike Team (END SPOILERS).

One last thing on the Jax/Clay situation: At least one of the guys involved in the drive-by was black, which complicates things a bit. It could mean Pope is somehow involved in the Clay/Nomad deal. Alternatively, it was mentioned that Warren, the con man played by Joel McHale, runs with a crew. So it could’ve been his guys getting revenge. After all, it seems silly to get a name like McHale to play a one (and one-tenth) and done character. If he’s just going to disappear now, his familiar face did nothing but detract from the suspension of my disbelief, which is a point in favor of this option. But the far more likely scenario is still that Clay hired a random black gang banger so he could make Pope a scapegoat. After all, Clay’s really only ever had one move when he needed to bail himself  out of trouble: blame it on the blacks. Think about it, Donna got shot, blame it on the blacks, Opie shot me, blame it on the blacks, and so on and so forth.

Now, on to the episode’s last bit of drama: Gemma falling asleep at the wheel and crashing with the Teller children in tow. Filthy Phil had a concerned look on his face as Gemma buckled the kids in. After all, she’d been smoking pot and maybe drinking just a little bit earlier and had likely been awake for more than 24 hours dealing with her car getting stolen, Unser being attacked, and the rest. The sequence ended with what appeared to be Abel’s blood dripping onto his stuffed toad, hence the title “Toad’s Wild Ride.”

The scene was foreshadowed in Jax and Gemma’s earlier conversation, in which mama bear revealed that her overbearing, possessive love of Jax stems from the early death of his older brother Thomas. Said discussion led to Jax advocating for Gemma to watch the kids for the weekend, despite Tara’s misgivings, which in turn led to the fateful crash. Is the death of Tara’s oldest child (I know, Abel’s not technically her child, but still) the final step of her transformation into Gemma? Well…

Here’s the thing, I’m still not positive Abel’s dead. Jax and Gemma’s discussion could have been a red herring. Maybe it was Gemma’s blood, or some grape juice. Maybe Abel’s alive but seriously injured. Sutter’s been known to pull that kind of thing before. Remember when we were all convinced Juice had hung himself? Because I sure do. Maybe it won’t be Tara turning into Gemma because of the death of her eldest child, but Jax turning into Nero because his son is now handicapped.

The result could be any of these things, or none of them. Here’s what we know for goddamn sure: Tara is going to tear Gemma to shred regardless. Remember when she beat the shit of Carla for almost getting Jax killed? That was one thing, she knows the kind of life her husband lives. But her children? And after she continually reiterated that she was trusting Gemma in spite of her best instincts? Gemma is in for a (overly due) beatdown. Tara’s rage could also land on Jax. After all, it was his idea to trust Gemma with the kids in the first place.

No matter what, this episode moved a whole lot of interesting plot lines forward and set the tables for a few more. I have to admit I was worried about the show falling off after a few of the season’s weaker episodes, but after this week I’m sure we’re in for the same thing Toad was. Get it? A wild ride.

Check out the preview for next week’s episode below and follow the writer on Twitter @NateKreichman.

The stars and creative folks behind “Sons of Anarchy” don’t just make the popular FX television series. They live up the lifestyle to the fullest. Most of the cast are dedicated riders, while embracing the whole image of the Harley-Davidson, cruiser riding biker culture.

Their moods are intense. Their humor is edgy. They toss around f-bombs at press events as easy as they feather the left-hand clutch. Their wardrobes are streetwise. While other events celebrating top TV series at the 2012 PaleyFest featured actors and actress in suits and gowns, the “Sons of Anarchy” crew rolled in with t-shirts and boots. And their viewers out in the seats at the Saban Theater in Los Angeles sported the same.

During the fan-friendly media event, show creator and executive producer Kurt Sutter joined his wife and series star Katey Sagal (Sutter’s wife), Theo Rossi, Tommy Flanagan, David La Brava, Michael Marisi-Ornstein and others to talk about where “Sons of Anarchy” – essentially a V-Twin-powered Shakespearian political tragedy – is rolling to in the future.

Season Four ended with big changes, with Jax finally taking on the roll of the young king at the head of SAMCRO’s ornately carved table. Fans were immediately interested in how Sutter and company would tackle that this season.

“I’ve always wanted to play this idea of putting Jax in charge and explore how he handled the power,” Sutter said. “I also wanted to explore how those around him respond to having him in charge – the ripple effect of (Jax’s power) on the gang and the loyalties of it and where people land.”

“The interesting dynamic to play out this season is seeing Jax at the head of that table and the struggle that he has of being king. How can he be the leader of a motorcycle gang – an organized crime syndicate – and not become Clay?”

“And if you choose not to become Clay, are you doomed to the fate of John Teller?”

Sutter never made any secret of the fact that he’s recreating a sort of modern day Hamlet with “Sons of Anarchy.” The same tense standoff between The Prince of Denmark and his mother is playing out between Jax and Gemma (Sagal). Jax is at the head of the table now, but the matriarch really seems to want that job.

“I could really see Gemma sitting at the head of that table with the gavel in her hand,” Segal said. “And I think she should be a great head of the gang. It’d be interesting to explore how a woman could be this queen in such a world. I want to see her sitting there at the head of the table.”

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