This might be a little confusing, but just bear with me. You see, although it wasn’t my intention, it turns out that I’ve began another of my occasional trilogies of cocktails, and these are all called “The Modern Cocktail,” though it’s hard to say what was particularly modern about them back in the earlier part of the 20th century. However, they’re unusual in that they include Scotch, rarely a go-to base spirit, though one I’m quite fond of in mixed drinks, at times.

My original plan was to simply follow-up last week’s drink, the Modern Cocktail, which was based on a surprisingly harmonious combination of sloe gin and Scotch, with the Modern Cocktail (No. 2) from 1930’s “The Savoy Cocktail Book,” which actually does not include the original 1905 Modern Cocktail recipe I went through last week. Got that? In any case, I was sidetracked by some difficulties with locating decent brands of sloe gin at my local stores.

More about that next week, but in the meantime, we’re going to go with the first drink bearing the name “Modern Cocktail” included in Harry Craddock’s epochal cocktail book. This one is sloe gin-free and a drastically different taste experience. However, the recipe is similar enough to the first Modern Cocktail that it’s tempting to wonder if the whole thing isn’t some kind of a typographical mutation. It’s close to being the same drink, minus the sloe gin or, really, any kind of sweetening.

Yes, this is a drink for a select few who really want their booze to be boozy and relatively unadorned and unsoftened. See what you think.

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