App of the Week: Manos – The Hands of Fate

Developer:

FreakZone Games

Compatible with:

Android Devices

Requires:
Android 2.2 and up

Price:

$2.49

Available here

Like many I first saw “Manos Hands of Fate” when it was parodied on the classic TV show, “Mystery Science Theater 3000.” After receiving some of the fiercest lampooning any film ever did on that show, it became widely accepted that “Manos” was indeed the worst film ever made. It was a movie where shots would last for an eternity, the plot was somehow both convoluted and non-existent, and usual film tropes like acting, writing, and directing were seemingly burned at the stake as heralds.

To quote “Mystery Science Theater,” It was a film where every shot “looked like someone’s last known photograph.”

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Naturally then the film became a big cult hit, so much so that it inspired its own gaming app based on the movie to be released for iOS last year. It’s recent debut on Android gives me another chance to tell you why you should play it.

“Manos” the  game is a product of two loves, one of which is obviously the movie, which is squeezed for every creative drop to create scenarios, characters, enemies, and levels (of course since that still doesn’t leave much to work with, it also borrows from other infamously bad movies). The other is a love of NES 8-bit retro side-scroller gaming, which “Manos’s” gameplay revolves entirely around.

Not just any games were borrowed from, though. In the spirit of the source material, “Manos” take many ideas from some of the worst games of that era, and therefore of all time. Enemies are annoyingly difficult and often have no context to being in the game, controls are loose, jumps can be impossible, boss fights require pinpoint pattern recognition, and you often have to start back at the beginning of the game. If you’ve ever seen an “Angry Video Game Nerd” review, you’ll immediately know what’s in store.

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So why does a game based off of a bad movie and equally bad games deserve your money? Because it pays homage to those two things so well. More than just lip service to fans of “Manos” or one particular video game, this app fondly recalls the charm of all bad movies and games with not just specific references, but it’s whole state of being. Besides, the game is never quite as bad as the ones that inspired it, and is often very playable, though extremely challenging.

The easiest people to recommend “Manos” to are obviously the fans of the film (for whatever reason they may be fans), fans of 8-bit gaming, or both. In principle, it’s the tale of a man named Mike trying to get his family out of a desert hell hole run by the mysterious master and his kneecap challenged servant named Torgo. In reality, it’s a dead-on perfect tribute to the lowest depths of nostalgia, and all put together produces an addictive game that defines being better than the sum of its parts and comes away with maybe the only positive award anything “Manos” related may ever garner, and that is my app of the week.

  

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Coming Soon: A Moviegoer’s Guide to September

The summer movie season may be finally over, but awards season is just around the corner, and Hollywood typically uses September as a time to catch its breath between all the madness. But while there aren’t many high-profile releases on tap for the month, there are still plenty of promising titles worth checking out, including the latest from visionary directors P.T. Anderson and Rian Johnson and the return of Clint Eastwood.

“THE COLD LIGHT OF DAY”

Who: Henry Cavill, Bruce Willis, Sigourney Weaver and Veronica Echegui
What: After his family is kidnapped, a young Wall Street trader is confronted by the people responsible: intelligence agents looking to recover a mysterious briefcase.
When: September 7th
Why: Despite a starring role in last year’s underwhelming Greek epic “Immortals,” British actor Henry Cavill has failed to demonstrate why he was chosen to don the iconic red and blue suit for Zack Snyder’s upcoming “Man of Steel.” And though his latest vehicle was delayed earlier this year due to reportedly bad test screenings, “The Cold Light of Day” will give him another shot to convince audiences that he’s the right choice to play Superman. With that said, however, not even the involvement of Bruce Willis and Sigourney Weaver makes this action thriller look any less like a Jason Bourne rip-off. After all, there’s usually a pretty good reason when a film’s release date gets pushed back, and it’s hard to imagine that any amount of re-editing will fix that.

“THE WORDS”

Who: Bradley Cooper, Zoe Saldana, Dennis Quaid, Olivia Wilde and Jeremy Irons
What: A writer at the peak of his literary success discovers the steep price he must pay for stealing another man’s work.
When: September 7th
Why: CBS Films doesn’t exactly have a very good track record, but compared to their past projects, “The Words” seems to be a step in the right direction. Though it received mixed reactions when the movie premiered earlier this year at Sundance, the concept is intriguing enough that I’m willing to give it the benefit of the doubt. The ensemble cast certainly doesn’t hurt its chances, although it’s not the first time that the studio has used big stars to disguise a turd. And while Bradley Cooper is an actor that I admire, and it’s always a pleasure to see Jeremy Irons no matter how small the role, it’s a little worrying that “The Words” might follow suit, especially in the hands of first-time directors Brian Klugman and Lee Sternthal, the writing duo behind the disappointing “TRON: Legacy.”

“BACHELORETTE”

Who: Kristen Dunst, Isla Fisher, Lizzy Caplan, Rebel Wilson and James Marsden
What: Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.
When: September 7th
Why: It may seem awfully convenient that another R-rated comedy about bridesmaids behaving badly is being released only a year after Paul Feig’s Oscar-nominated film became the surprise hit of last summer, but that’s about where the similarities end. In fact, those who claim the movie is just a rip-off might be surprised to discover that Leslye Headland’s directorial debut (which screened at Sundance this past January) is based on her 2010 off-Broadway play of the same name. Though it hasn’t gotten quite the same acclaim as “Bridesmaids,” I’m actually looking more forward to this darker, meaner wedding comedy, namely due to its awesome cast. Kirsten Dunst and Isla Fisher can be great with the right material, while Lizzy Caplan and Rebel Wilson are two very funny women with very different brands of humor that deserve more recognition.

Read the rest of this entry »

  

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