Movie Review: “The Legend of Tarzan”

Alexander Skarsgård, Margot Robbie, Samuel L. Jackson, Christoph Waltz, Djimon Hounsou, Jim Broadbent
David Yates

It’s been over 100 years since author Edgar Rice Burroughs published his first Tarzan novel and nearly half that long since the character was last relevant in pop culture, so it’s understandable why Warner Bros. may have thought it was a good idea to resurrect the franchise as a big summer blockbuster. Unfortunately, there’s a reason Tarzan hasn’t succeeded in recent times, and that’s because it’s a largely hokey premise that is firmly rooted in the sensibilities of a bygone era. Though director David Yates’ reboot is admirably old-fashioned in execution, a gorgeously filmed adventure movie shot with classic Hollywood grandeur, “The Legend of Tarzan®” is as soulless as the registered trademark symbol that appears on the opening title card.

Set in 1890, the film begins several years after the man formerly known as Tarzan (Alexander Skarsgård) left the jungles of Africa to assume his rightful position as British aristocrat John Clayton III alongside his wife Jane (Margot Robbie). But when he receives an invitation from King Leopold II of Belgium to return to the Congo as a trade emissary for the House of Commons, American statesman George Washington Williams (Samuel L. Jackson) convinces him to go in order to investigate rumors that Leopold is using slave labor to colonize the country. Upon arriving in the Congo, however, John discovers that the whole trip is a ruse devised by Leopold’s trusted advisor, Leon Rom (Christoph Waltz), who has agreed to hand John over to a vengeful chieftain (Djimon Honsou) in exchange for diamonds needed to pay off Leopold’s mounting debt. John manages to evade capture, but Jane is kidnapped in the process, prompting him to unleash the beast he’s kept contained for so long in order to rescue her.

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