Movie Review: “Hunt for the Wilderpeople”

Starring
Julian Dennison, Sam Neill, Rachel House, Rima Te Wiata, Rhys Darby
Director
Taika Waititi

Chances are that you’ve seen writer/director Taika Waititi’s work before – whether it was his 2010 debut “Boy,” the HBO series “Flight of the Conchords” or last year’s cult comedy “What We Do in the Shadows” – but the New Zealand-born filmmaker is about to blow up in a big way thanks to a pair of high-profile gigs for Disney. (In addition to directing “Thor: Ragnarok,” he also co-wrote the upcoming animated film “Moana.”) Before jumping behind the camera for the God of Thunder’s latest cinematic adventure, however, Waititi made this quirky buddy comedy set in his native country that’s somewhat reminiscent of another Disney release, “Up.” Granted, “Hunt for the Wilderpeople” isn’t nearly as good, but it’s a delightful little movie that ranks as one of the more pleasant surprises of the year thus far.

Rebellious city kid Ricky Baker (Julian Dennison) has been in and out of foster care for most of his life, causing trouble wherever he goes. Given one last chance to find a suitable family, Ricky is placed with the kindly Bella (Rima Te Wiata) and her cantankerous frontiersman husband Hector (Sam Neill) in their remote countryside home. When Bella suddenly passes away just as Ricky is beginning to warm up to the couple, he clumsily fakes his death and runs off into the wilderness rather than risk being sent to juvenile detention. Hector quickly tracks him down but fractures his ankle in the process, which forces the mismatched duo to work together in order to survive. But tenacious child services officer Paula (Rachel House) thinks that the bereaved Hector has kidnapped Ricky, and she’ll do whatever it takes to get him back, launching a nationwide manhunt that turns the two fugitives into folk heroes.

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Movie Review: “What We Do in the Shadows”

Starring
Taika Waititi, Jemaine Clement, Jonathan Brugh, Cori Gonzalez-Macuer, Stuart Rutherford, Ben Fransham
Directors
Taika Waititi & Jemaine Clement

“What We Do in the Shadows” sounds like a bad comedy sketch – a “Real World”-esque reality show with vampires in place of horny millennials – but it’s actually a really funny satire of the vampire subgenre that’s done in the deadpan style of a Christopher Guest mockumentary. Because of the loose, improvisational nature of the film, not every joke lands, but the ones that do are laugh-out-loud hilarious. As a result, the movie feels a little uneven at times, especially when it begins to lose steam in the latter half, although that’s partially due to the fact that many of the best gags occur early on. While that inconsistency prevents it from being the comedy masterpiece that some have suggested, the funny bits (including the ones you’ll likely miss the first time around) are what make “What We Do in the Shadows” such an entertaining import worthy of repeat viewings.

Filmed in the months leading up to the annual Unholy Masquerade Ball, a documentary crew granted protection from its subjects follows a group of vampires – including Victorian dandy Viago (Taika Waititi), medieval torturer Vladislav (Jemaine Clement), resident bad boy Deacon (Jonathan Brugh) and 8,000-year-old Petyr (Ben Fransham) – living together in Wellington, New Zealand as they deal with the dull minutiae of everyday life as an ancient bloodsucker. But the vampire lifestyle isn’t as glamorous as it’s hyped up to be, which unwitting victim Nick (Cori Gonzalez-Macuer) soon learns when he’s invited to one of their dinner parties, only to be served as the main course. After being sucked dry and granted the mixed blessing of eternal life, Nick attempts to make the most of his newfound abilities while ushering his fellow housemates into the 21st century, much to the chagrin of the jealous Deacon.

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