This week’s Hidden Netflix Gem: “Bernie” (2011)

When you live in a small town, everybody knows everyone else. They know what you’re like, who your parents were, what you do for a living, whether or not you go to church, and probably a few too many “dirty little secrets” that they use to gossip behind your back. For Bernie Tiede of Carthage, Texas, small town life led to some speculation over whether his effeminate personality indicated he was gay. But it also meant that everybody knew him as the kindest, warmest, friendliest and most generous man they knew. Nobody was more well liked than Bernie.

Then he killed Marjorie Nugent. And despite the logic of that fact, while Bernie Tiede’s life changed, public opinion didn’t.

That’s the stranger than fiction basis of Richard Linklater’s 2011 film “Bernie,” which stars Jack Black in the title role. He’s a 39-year-old assistant funeral director loved by one and all. Kind-hearted soul that he was, he always delivered a gift and checked up on those the deceased left behind. Nobody made him do it, he wasn’t getting paid, he just cared. That habit leads to his befriending 81-year-old millionaire widow Marjorie Nugent, who’s portrayed by Academy Award winner Shirley MacLaine.

Contrary to Bernie, nobody much cares for Mrs. Nugent. Even her own family hates her—she hasn’t spoken to two of her grandchildren in years after they sued her in an effort to get some of her husband’s money. She’s mean, nasty, and entirely lonely, but unwilling to bridge the gap of emotional connection. Until Bernie knocks on her door. Soon they’re eating meals and going on expensive vacations together. Eventually, Tiede even became the sole benefactor of Nugent’s will. She became controlling and jealous. Tiede was on call 24 hours a day, more a servant than a friend, but unable to walk away due to his inherent goodness (not to mention all the money being thrown his way). It was a clash of personalities, and Nugent’s hate beat out Tiede’s love. In a moment of weakness, Tiede snapped and shot Nugent in the back four times.

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This week’s Hidden Netflix Gem: “Michael Collins” (1996)

“Michael Collins” is a 1996 historical biopic starring Liam Neeson as the titular Irish revolutionary. Written and directed by Academy Award winner Neil Jordan, the film won the Golden Lion, the highest prize at the Venice Film Festival, and became the highest-grossing picture of all-time in Ireland upon its release. The high profile cast includes Alan Rickman (Éamon de Valera), Stephen Rea (Ned Broy), Brendan Gleeson (Liam Tobin), and Julia Roberts (Kitty Kiernan).

For those who don’t know, Michael Collins was an Irish revolutionary, military, and political leader who made the liberation of his homeland from its British colonial overlords his life’s work. In the now 90 years since his death (and well before it), his actions made him a folk hero, “The Big Fellah,” the single most important figure in the fight for Irish freedom. As such, “Michael Collins” begins with the following opening crawl:

At the turn of the century Britain was the foremost world power and the British Empire stretched over two-thirds of the globe.

Despite the extent of its power, its most troublesome colony had always been the one closest to it, Ireland.

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This week’s Hidden Netflix Gem: Timecrimes” (2007)

“Timecrimes” is one of those movies where it seems like giving away anything at all is giving away too much. I’ve included the trailer below out of habit, but if you’d rather not have the film’s twist(s) spoiled, you should avoid it as well as the synopses on Netflix and elsewhere. Even most reviews seem to reveal too much. However, this isn’t an M. Night Shyamalan movie. That is to say spoiling the twist won’t spoil the whole thing. It’s revealed fairly early on and it’s not the only thing the film has going for it.

Here’s what I will say: “Timecrimes” is a Spanish thriller based around time travel. Contrary to many films built on the same idea, “Timecrimes” is extremely low-budget. There is no CGI, one location, and only four speaking roles (one of which is held by writer/director Nacho Vigalondo). Perhaps the film’s most important contrast to its many peers is that the time travel elements do not become convoluted or confusing. “Timecrimes” makes up for its inherent bare bones-ness by maintaining a constant state of tension and forward movement—much like Hector, the main character, the audience has no time to stop and think.

Let’s talk about Hector (Karra Elejalde) then. He’s a middle-aged man in the midst of renovating his home in the Spanish countryside, where he lives with his wife, Clara (Candela Fernández). Hector’s spending his Saturday relaxing in the backyard, looking out into the woods beyond his property through binoculars. There he spies an attractive young woman (Bárbara Goenaga) undressing. His wife leaves to go shopping, and Hector decides to be lead investigator in case of the naked lady. When he finds her, she appears dead, and he’s stabbed by her apparent killer, a mysterious man whose face is wrapped in a pink bandage. Hector runs, ending up in the lab of a scientist played by Vigalondo. Soon after, the scientist convinces Hector to hide from his persuer in a large mechanical device. It’s night time when he gets in, but when he steps out just a few moments later, the sun is shining. Hector has traveled back in time by an hour and a half. And that’s when things really start to get interesting.

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This week’s Hidden Netflix Gem: “Glengarry Glen Ross” (1992)

“Glengarry Glen Ross” is David Mamet’s film adaptation of his 1984 Pulitzer Prize and Tony Award-winning play of the same name. The star-studded drama depicts two desperate days in the lives of four Chicago real estate salesmen after Blake, a corporate trainer sent by the downtown office (played by Alec Baldwin in one of the best single-scene performances of all-time), announces that in a week all but the best two salesmen will be fired. The film is named after two of the properties the salesmen attempt to unload, Glengarry Highlands and Glen Ross Farms.

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This week’s Hidden Netflix Gem: “The Baader Meinhof Complex” (2008)

Rebels? Radicals? Criminals? Heroes? Martyrs? Murderers? Victims? Villains? Icons? 

“The Baader Meinhof Complex” is a 2008 film detailing the early history of a West German far-left extremist group who named themselves the Red Army Faction. To the public however, the group was generally known as the “Baader Meinhof Gang.” The nickname was a media invention centered around two of the group’s foremost members: ringleader Andreas Baader and former journalist Ulrike Meinhof. Both the film and the 1985 non-fiction book by Stefan Aust on which it is based altered the label to include the word “Complex” because they focus not just on the gang itself but on the tangled labyrinth that was the collective German psyche just 20 years after the death of Adolf Hitler—a volatile environment that was as instrumental in the eventual creation of the group as its members themselves.

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